Category Archives: Iowa

The Dynastys on Fan Jr., Coulee and Jerden

Dynastys Coulee 45 Go GorillaOK, it’s not as heavy as the Shandells, but I can’t believe no one ever mentions this version of “Go Gorilla”. The original of the song was done by Chicago r&b group the Ideals in 1963, who had a #3 regional hit with it on KQV in Pittsburgh.

The Dynastys version come out of Wisconsin in September of ’64, followed by the Shandells a few months later. The instrumental flip, “Birmingham”, shows how accomplished a band they were as it really swings. Neither song has been comped before to my knowledge.

The Coulee label was out of La Crosse, Wisconsin, owned by Bill Grafft, who also ran the Boom, Knight and Transaction labels. The Dynasty’s 45 (Coulee 108) comes just before Dee Jay and the Runaways’ “Love Bug Crawl” / “The Pickup” (Coulee 109).

The Dynasty’s definitely honed their skills pre-British Invasion, with large helpings of rockabilly, r&b and even surf and folk music in their sound. They originally came from Oskaloosa, Iowa. Their first 45 came out on the Fan, Jr label in 1964, a cover of the Eldorados’ “I’ll Be Forever Loving You” backed with another cover, Harold Dorman’s “Mountain of Love”, which Johnny Rivers made a hit not long after the Dynasty’s version came out. Production by Orlie Breunig.

As Gary Myers wrote in a comment below, the band came from Milwaukee. Band members were George Shaput (guitar), Duane Schallitz (guitar), Mark Ladish (organ), Dave Maciolek (bass), Jim Serrano (lead guitar) and Kenny Arnold (drums).

Dynastys Jerden 45 Forever and a DayAt the band’s request to play on the West Coast, their manager Lindy Shannon booked them into the Longhorn in Portland, Oregon. Jerry Dennon of Jerden Records saw them there and heard their demos, leading to their final 45 in 1966, “It’s Been a Long, Long Time” / “Forever and a Day”.

On “Forever and a Day” the band manages to create a memorable harmony pop ballad without sacrificing their strong rhythm and drumming.

Not long after this release George Shaput joined the Shades of Blue and then played with Conway Twitty. The band reunited at a La Crosse show to honor Lindy Shannon in 1994.

Anyone have a photo of the group?

The Second Half

The Second Half were long rumored to have come from southwestern Minnesota, Jasper to be exact – if a rumor could be exact. Actually they were from Des Moines, Iowa, as I learned from Steve Acheson, who put me in touch with his brother David, the bassist for the group.

The IGL label was based out of Milford, Iowa, about two hundred miles from Des Moines. “Forever In Your World” is a really fine uptempo song, written by the band’s vocalist Deni Bell, published by Okoboji Music – Okoboji being a lakeside town in Iowa near Milford.

The flip, “Knight in Armour” is a contrived kind of pop, but the band gives a good performance. It was written by Wes McGlothlen, who turns out to be the group’s friend and manager.

Steve Acheson first gave me some info on the band:

The band was based out of Des Moines, Iowa, not Minnesota. My brother played bass in the band, and they often used to practice in our living room. I’m not sure exactly how long they were together, but it was long enough to get pretty good, and play some local venues. I am several years younger than my brother, and was extremely interested in playing drums at the time, and used to watch them practice for hours.

Their drummer had a set of Ludwig drums, with that classic “60s” color, sort of like the drums Ringo used during the Beatles’ early years. Occasionally, he’d let me play them. (Thanks Bob.) I recently talked with my brother, and between the two of us we remembered some of the details below:

The lineup at the time the record was made was:

Bob Spooner – Drums
David Acheson – Bass Guitar
Deni Bell – Lead Vocals
Dean Arnold – Rhythm Guitar
Fred Shaffer – Lead Guitar
Wes McGlothlen – Manager

When they made the record, I remember there was a lot of “buzz” around our house. They loaded all their equipment into a trailer, and hitched it behind our Mom’s ’63 Ford Falcon, and towed it off to somewhere, which I now find was IGL studios in Milford.

My recollection of the “B” side of the record is that it wasn’t that good a song. Certainly not on a par with Forever In Your World.

When I played this for my brother, he, at first, didn’t recognize it, having not heard it for 40 years. But then, the memories all started coming back.

After the band broke up, and after my brother graduated high school, he joined the Army, and ultimately ended up in Denver, CO. He doesn’t play an instrument any more. The funny thing is, I remember more about the band, and the song than my brother. Even before I found the song again, I knew the opening bass line, the basic melody and the first verse and chorus. For some reason, that stuck with me for all these years. We have no idea of the whereabouts of any of the other members.

David Acheson added:

I don’t remember many specifics about the band. Don’t even remember how I got involved with it. I do remember that I played a red Guliettin bass guitar.

Bob Spooner (drummer) and Dean Arnold (rhythm and keyboards) were out of school. Bob was married. Deni and Fred went to North High School, Fred Scheafer (lead) was a junior, Deni Bell (lead vocals) was a senior, I believe. I went to Roosevelt HS, I was a senior. Wes McGlothlen (manager) was out of school.

Our name came about because Wes and Deni wanted us to be “the second half” of the music revolution that The Beatles began. My mother was very involved … we practiced a lot in the living room of our home, and she drove us to some of our gigs. Two that I remember the best were at Fort Des Moines Roller Rink for a battle of the bands, and at a frat house on the University of Iowa campus for their homecoming. I remember many students at U of I telling us they thought we were the best band on campus that weekend. We also received a very enthusiastic reception at the battle of the bands.

Wes, and especially Deni and Dean, wrote a lot of songs, many of which were incorporated into our playlists. For the most part, the original music was very well received.

I don’t remember much about the studio work, except that the day was very long. The weeks prior to the recording date were spent in constant rehearsal on “Forever in Your World”.

I am not inclined toward music. It was hard work for me to play any instrument, so I didn’t continue my “career” after I graduated (1967). Shortly after I graduated I joined the Army and left everything with my mother. While I was in Germany I learned that she traded or sold it for a sewing machine. I was glad she did as she got much more use out of that than I ever would have with the guitar. It was quite an experience for me at the time. I wish my mother were alive …. she remembered everything, and I am sure she could have provided us with details that have been long forgotten by everyone else. I remembered a few things just talking with my brother the other night … things that I hadn’t thought of in years. When I left Des Moines I didn’t stay in touch with anyone.