Tag Archives: Bobby Fuller

David Hayes and the Pawns

Mike Kelly of the Renegades, David Hayes of the Pawns, Rod Crosby of the Intruders and Anita Moskal for the Chapparals receiving trophies for the Bassett Center 2nd Annual Battle of the Bands, August 1964
Mike Kelly of the Renegades, David Hayes of the Pawns, Rod Crosby of the Intruders and Anita Moskal for the Chapparals receiving trophies for the Bassett Center 2nd Annual Battle of the Bands, August 1964

Pawns Exeter 45 South BayThe Pawns had two releases on Bobby Fuller’s Exeter label. First was Exeter 125, featurin, two good surf type instrumentals, “South Bay” / “The Pawn”, released about August, 1964.

Just a month later they released their next 45 on Exeter 127. The top side has David Hayes, the leader and vocalist with the Pawns, listed as the artist, with his original “Meet Me Here (In New Orleans)”. The Pawns are listed on the flip for the sleepy instrumental “Lonely”.

Pawns Exeter 45 The PawnInterestingly, both sides were re-released as the first record on the Coronado label, but given the same release number, 127, as the Exeter 45. Credits are the same, including “A Fuller Production”, Todd Music BMI, and the RCA custom master code RK4M-3630/1. Since 127 was the last of seven 45 releases on Exeter, I assume Fuller gave up the label when he moved to California and let the Pawns take record and/or contract to Coronado.

David Hayes and the Pawns were one of only three 45 rpm artists on Exeter, the others being Bill Taylor & the Sherwoods and Bobby Fuller himself. Exeter also had an LP by Los Paisanos.

David Hayes Exeter 45 Meet Me Here
original release on Exeter
David Hayes Coronado 45 Meet Me Here
re-release on Coronado

The Pawns Exeter 45 Lonely
original release on Exeter
The Pawns Coronado 45 Lonely
re-release on Coronado

David Hayes and the Pawns Coronado 45 What Do the Voices SayTheir last 45 came out as David Hayes and the Pawns and featured two vocals, a cover of Charlie Rich’s “Lonely Weekends” backed with a strange original by Hayes, “What Do the Voices Say”. Produced by Calvin Bowls, it saw release sometime in 1965 on Coronado 132.

I know David Hayes was in the group, but the other members are unclear. Songwriting credits on “The Pawn” and “South Bay” are Doize’, Paz and Hayes. Since these are instrumentals and Hayes was definitely part of the group, I assume Doize’ and Paz were the other two members of the group.

David Hayes & the Pawns Coronado 45 Lonely WeekendsHowever a post by Patrick Lundborg from 2012 on the Acid Archives Updates states “Jack Duncan (bass) and Gary Davis (drums) [I think this should be Barry Davis] learned their chops … in surf-band the Pawns. The leader of this group was one David Hayes, who presumably took on vocal duties on the later 45s, at least he receives separate billing. The two would-be Dragonflies Duncan and Davis did not contribute any songwriting from what I can tell, but were definitely present for the Pawns’ 1964 debut 45 … Duncan and Davis left the Pawns to join a more experienced musician friend in a band called Lords Of London, based in Durango, Colorado. After some time they recruited their old El Paso friend Randy Russ who left the Infants Of Soul to join them, and the band also changed its name to Legend around this time (1967).” Legend had three 45s and two LPs on the Megaphone label, the second and better of the two as Dragonfly.

Info on Legend from Klemen’s interview with Randy Russ. Exeter discography info from the Bobby Fuller – Never to Be Forgotten site.

Thank you to Sam Stephenson for scans of the Coronado 45s and Exeter 127.

Randy Fuller

Randy Fuller Show Town PS It's Love Come What May

Randy Fuller Show Town 45 1,000 Miles Into Space

Randy Fuller Show Town 45 Revelation

Randy Fuller with New Buffalo Springfield, Spring 1969. Clockwise from top: Dewey Martin, Bob Jones, David Price and Randy Fuller
Randy Fuller with New Buffalo Springfield, Spring 1969. Clockwise from top: Dewey Martin, Bob Jones, David Price and Randy Fuller
When Texan rock legend Bobby Fuller was found dead in his car on 18 July 1966 in suspicious circumstances, those nearest and dearest were devastated, not least his younger brother Randy, who had also been bass player in the aptly named, Bobby Fuller Four. From the early 1960s up until his brother’s untimely, and yet to be solved, death, Randy Fuller was Bobby’s closest collaborator and during those frenetic years of recording and touring witness to his brother’s extensive talents as a singer/songwriter, guitarist and skilled engineer and producer.

In the first few months following his brother’s death, Randy Fuller came close to jacking in the music career he had so cherished when Bobby was alive. “I came home to El Paso with no idea what I was going to do with my life,” says Fuller. “I felt like I was going to go insane because my mother was having such a hard time over Bobby.”

Later that autumn, however, Randy received a phone call from Bobby Fuller Four member DeWayne Bryant (aka Quirico) and Bob Keane, who ran Del-Fi studios, to return to Hollywood and form a new group with some musicians that Quirico had been playing gigs with in the intervening months. “Keane said that if I came back he could get us back in PJ’s nightclub,” remembers Fuller.

To stimulate some local interest in the new group, prior to it playing live, Keane financed some studio time to record a handful of tracks in late 1966. For these recordings, the studio band consisted of Randy Fuller on bass, rhythm guitar and lead vocals; DeWayne Quirico on drums; Howard Steele on bass; and Mike Ciccarelli on lead guitar and vocals.

“The musicians on all the songs were from El Paso, Texas but [they] never stayed together long enough to promote them [the singles],” explains Fuller, who points out the recordings were all laid down in the final days of the studio’s existence.

The first single to be released (under Randy’s name only on the obscure Mustang label) was the catchy “It’s Love, Come What May”. “[That] is the original track from Bobby Fuller Four recorded at Del-Fi,” says Fuller. “Bob Keane and I recorded my voice on a separate track and remixed it a little louder than Bobby’s in the final mix.”

An infectious folk-rocker, “It’s Love, Come What May” should have been a smash hit but mysteriously did not attract many sales. Unperturbed, Keane prepared a second single coupling Randy Fuller and Johnny Daniel’s “The Things You Do” with another collaboration “Now She’s Gone” but it appears the Mustang release never hit the shops.

Interestingly, Randy Fuller reveals that two of soul music’s heavy weights had a hand in the creative process. “[On] ‘The Things You Do’, Barry White and Dionne Warwick threw in a line or two.”

Events meanwhile were about to take a dark turn. When Del-Fi was forced to close in early 1967, Keane, unbeknown to Fuller, began to issue the recordings through the Show Town and President labels. “Del-Fi went under and Bob kept the masters in a vault,” explains Fuller. “I [later] found out he had been selling these [singles] over in the UK for years!”

Perhaps the most fascinating of these releases are the trippy, Buffalo Springfield-influenced, “1,000 Miles Into Space”, which features some tasty lead guitar work and superb lead vocal by Randy, and “Revelation”.

While Keane was busy releasing the tracks on the sly, Fuller and Quirico began working back at PJ’s joined by guitarists Jim Fonseca and Jimmy Smith. The line up played at the club for nearly two years and according to Fuller, “We probably would have had a hit or two, but as usual ego destroyed the band.”

Left without a band, Randy hooked up with Dewey Martin’s New Buffalo Springfield in February 1969 and toured with this group for the best part of the year, before it morphed into Blue Mountain Eagle. Fuller’s new band recorded an excellent album for Atco Records in 1970 with the bass player’s “Sweet Mama” providing one of the highlights.

Unlike Blue Mountain Eagle’s album, which has been released on CD, very few of The Randy Fuller Four recordings have reached a wider audience via compilation CDs. Perhaps now is the time to rediscover the magic of this material, especially “It’s Love, Come What May” and “1,000 Miles In Space”.

Blue Mountain Eagle, December 1969, Randy Fuller second from left.
Blue Mountain Eagle, December 1969, Randy Fuller second from left.

Solo releases:

It’s Love, Come What May (actually Bobby Fuller Four with Randy’s overdubbed vocals) c/w Wolfman (Mustang 3020) 1966 US (credited to Randy Fuller)
The Things You Do c/w Now She’s Gone (Mustang 3023) 1966 US (credited to Randy Fuller Four but not released)
It’s Love, Come What May c/w Revelation (Show Town 466) 1967 US (credited to Randy Fuller)
It’s Love, Come What May c/w The Things You Do (President PT 111) 1967 UK (credited to Randy Fuller)
1,000 Miles In Space c/w 1,000 Miles In Space (Show Town 482) 1967 US (credited to Randy Fuller)

Many thanks to Randy Fuller for his invaluable input into this story.

Transfer and scan of “1,000 Miles in Space” courtesy of Colin (Expo67), transfer of “Revelation” courtesy of Bård H., scan courtesy of Freddy Fortune. “Wolfman” scan and transfer courtesy of JP Coumans.

© Copyright, Nick Warburton, April 2009, All Rights Reserved

Visit: www.nickwarburton.com

The great b-side "Wolfman", a Bobby Fuller Four recording originally released as by the Shindigs on the flip of "Thunder Reef", Mustang 3003 and used again on Randy Fuller's first 45.
The great b-side “Wolfman”, a Bobby Fuller Four recording originally released as by the Shindigs on the flip of “Thunder Reef”, Mustang 3003 and used again on Randy Fuller’s first 45.