The Red House


The Red House, left to right: James Noe, Billy King, Ric Gonzalez, John Coco and Tommy Durham
James Coco (vocals and harmonica)
Ric Gonzalez (lead guitar)
Tommy Durham (guitar)
James Noe (bass)
Billy King (drums)

By 1969, the Stereo Shoestring had splintered, leaving singer James Coco and bassist James Noe to find new musicians. At first they kept the Shoestring name, but by the time they released their new single “Sunflower” / “Mary Anne” (not “Mary Jane” as a certain error-prone reference book lists), on the Big “K” label, they had changed their name to the Red House.

The arrangement of the vocals on “Mary Anne” is very much like the singing in the Stereo Shoestring’s “On the Road South”, but otherwise the songs are different. Songwriting credits to James Noe and James Coco. “Sunflower” has a country-rock feel to it, and a lot of fine guitar picking from Tommy Durham. It was written by Coco and Durham.

Big “K” Productions came out of Ingleside, Texas, just across the bay from Corpus Christi, and was owned by Lew Knippa.


from left: Tommy Durham, Ric Gonzalez and James Noe

Lead guitarist Ric Gonzalez sent me a copy of the 45 and the photos seen here, and answered my questions about the band:

Billy King, a drummer, and I had played together since junior high in various teen bands in the Corpus Christi area. The bands Billy and I were in prior to Shoestring copied the Zakary Thaks’ sets song for song, note for note, as best we could. The “Thaks” would play Stones, Yardbirds, Hendrix, etc.

When “The Shoestring” reformed they contacted Billy, he in turn called me. Besides James (John) Coco on vocals and James Noe (bass) from the original Shoestring; new members were Tommy Durham (rhythm guitar), Billy King (drums), and me, Ric Gonzalez (lead guitar).

Coco had the English version of Are You Experienced which had “Red House” on it. Not many people had heard “Red House” 42 years ago. Also, there was an old movie with Edward G. Robinson called, “The Red House”, which had been on the late movies back then. Coco and Noe (a true genius) wanted a new name. I suggested “Red House”.

I didn’t play on “On The Road South”, that was the band before Billy and I joined, but I did play lead on “Mary Anne”, and 2nd lead on the flip-side, “Sunflower”. We recorded the 45 a week after we joined.

“Sunflower” was the “A” side. It was a KEYS Radio (Corpus Christi, Tex) Pick-Of-The Week in June ’69. We recorded that 45 at Andrus Studios in Houston on Monday, April 7th, 1969. It was the day after Easter Sunday. Amazingly enough, the Easter Everywhere album by Thirteenth Floor Elevators was also recorded there in 1967.

We would play those songs [“Mary Jane” and “Sunflower”] live. In the summer of ’69, we were the house-band at Corpus Christi’s “Love-Street Light Circus and Feel Good Machine” club. I had just turned 16. Billy was 17. Coco was 21. And we opened for many great bands: Bubble Puppy to name one.

Billy Gibbons sat in with the band once. ZZ Top was in the formative stage, he mentioned the name “ZZ Top”. We knew his band as The Moving Sidewalk. We immediately thought of “ZIGZAG” and “TOP” rolling papers. And, also of R&B singers ZZ Hill and also of, BB King. Original in the rock world. Old hat in the R&B network.

Ric Gonzalez


from left: James Coco in yellow shirt, Billy King holding Ric Gonzalez’s guitar

Two songs that would appear as by The Red House
Note one is titled “Mary Ann” (without the ending “e”)
Scan from the collection of Andrew Brown

Ric with his 1967 Epiphone Riviera

Ric Gonzalez, May 1969

8 thoughts on “The Red House”

  1. So Ric was 15 at the time of the recording? THAT is amazing. The solo is ridiculous! Does anyone know why The Shoestring broke up?

  2. Don’t get me wrong, the whole reason I’m a GH fan is a quest as to ‘why’ this band made it, while legions of more talented, creative and clear-headed musicians did NOT. It keeps me checking back all the time. My best guess is that those that found traction in the music biz during this era were not so much interested in becoming musicians ( as much as they were in becoming rock stars) No clearer case in point than Mick Taylor of the Stones.

    Ahem, HOWEVER, where Billy Gibbons is concerned, no, NO such doubt should exist. None. I saw ZZ four rows back at the Int’l Amp. in Chicago in 1974. Actually… just a few years after your chance meeting w/ him.

    Pure. Guitar. Animal. Such intensity. Unmatched, really to this day. Unlike wave after wave of well polished and infinitely more melodic players, then and now, Billy grasped the raw appeal of the instrument like no other. You can show plenty of talented bands that ‘should’ have made it ( just not ones w/ players Billy’s caliber )

    1. Hi! How do we get ahold of John? Last time I saw him was in 1999 at Billy King’s birthday party near Robstown,Tx,, Also present was drummer Bobby Donaho…Thanks,Ric

  3. The only person(s) I’ve found so far is Richard Lalor and the Shoestrings equipment manager Ashley Johnson, I don’t know where the rest are. Noe and Coco are the only two that have both bands in common, so it would be nice to speak to any of them!

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