All posts by Steven Farram

Fenty Effendie and Rhapsodia

Fenty Effendie & Rhapsodia Mesra LP cover

Fenty Effendie photo

Fenty Effendie & Rhapsodia Mesra LP labelAccording to the liner notes of her first album, Fenty Effendie (also spelt Effendy or Effendi) was spotted by a TV producer singing in Bandung, West Java, at the age of 13. He took her to Jakarta where she appeared on TV for the first time in March 1965 and soon after recorded her first LP with the band Medenasz.

Regular performers on the TV program that Fenty appeared on were the children’s group Noor Bersaudara. When Noor Bersaudara performed in Bandung they invited Fenty to be a guest vocalist. Fenty appeared in a number of films in the 1960s and 1970s, but continued to sing as well. A report from the magazine Tempo states that she had taken up singing Kasidah songs, which are of Arabic origin with an Islamic theme. Fenty said that this style of music demanded a modest presentation, but that she always got captured by the rhythm and couldn’t resist swaying her hips and dancing in a sexy style. Perhaps this was why she got the loudest applause when, along with other singers, she performed at a Koran recitation contest in Surabaya in September 1974.

The three songs presented here are from a late 1960s album where Fenty is backed by the band Rhapsodia from Bandung. In the early 1970s they became Freedom of Rhapsodia and specialised in heavy rock, but at this stage they still had a soft-psych/pop-rock sort of sound. The band was to experience many changes of personnel, but the line-up when this LP was recorded was probably Utte M. Thahir (bass), Alfred (guitar), Ibung (drums), Sondang (keyboards) and Alam (vocals). None of the songs on the album are written by members of the band and it is most likely that the whole project was put together by the record company.

“Ditepi Pantai” (“On the Beach”) is written by Memed. In this song Fenty is on the beach alone, watching the fishing boats. She misses her friend who is far away and asks the wind to deliver her greetings to him.

“Menanti” (“Waiting”) is written by Djohari. Here Fenty sings how she has been waiting, always waiting day and night for her loved one to return.

“Kebon-Binatang” (“Zoo”) is another song written by Djohari. In this last song Fenty is at the zoo and describes all the animals; the Indian elephant, the African lion, the Arabian camel, and Cheetah, Tarzan’s monkey, who eats here lipstick.

Other songs on the album are credited to May S., Fenty/Anda, S. Effendie and two more by Djohari, and many of these are in the Sundanese language and traditional song style of Fenty’s native Bandung.

Information about Freedom of Rhapsodia has been taken from an article by Gatot Widayanto on the Music for Life blogsite.

The photograph of Fenty has been taken from the Koleksi Tempo Doeloe blogsite.

Harban Singh & The Swallows

Harban Singh & the Swallows cover

Harban Singh & the Swallows EP side BHarban Singh & the Swallows, credited as Harban Singn on the cover.

I have three versions of this tune. Malaysia’s Geevi Lee recorded it in English as ‘Confession’; Indonesia’s Rifa Hadija recorded it as ‘Pentjuri Hati’ (Heart Stealer) and there is this version sung in Chinese by a Malaysian Sikh as ‘The Person Who Steals My Heart’. I have no idea what the original was, but it must have been popular.

There’s an earlier release on Golden Horse, credited to Harban Singh and Friends.

Lucky Sister

Lucky Sister A Go Go Tempo EP

Lucky Sister A Go Go Tempo EP Side 1A Shadows cover? I scoured my Shadows collection, but couldn’t pin it. The other tracks are another Shadows/Ventures sounding tune and instro versions of Orbison’s ‘Pretty Woman’ and ‘The House Of The Rising Sun’.

Presumably the record was made as a promo for the Ho Hua Company, sole distributor of Sony products in Singapore, Kuala Lumpur and Penang, whose ad appears on the back cover.

(Singapore or Malaysia)

Lucky Sister A Go Go Tempo EP back cover

Mike Ibrahim and the Nite Walkers

Mike Ibrahim Parlophone EP cover

Mike Ibrahim and the Nitewalkers Parlophone EP side 1Probably best known for backing Mike Ibrahim, The Nitewalkers of Johore Bahru in Malaysia, also backed other singers, such as Milah Hussain and A. Ramlie. With Mike Ibrahim they recorded a number of EPs in the early 1970s that have more of a 1960s feel, one of the heavy variety!

The first three EPs they released all featured one song about Malaysian children’s games, such as “Chong Chong Nai” and “Chok Chok Kundong”. The song featured here, “Bangselebu”, is from there second EP, released in 1971. In 2007 Mike Ibrahim was reported to be preparing a new album.

Mike Ibrahim and the Nitewalkers Parlophone EP back cover

M. Yubi and Dizzy Inspiration

M. Yubi and Dizzy Inspiration Sea Lion EP front cover

M. Yubi and Dizzy Inspiration Sea Lion EP side 1I haven’t got much to say about M. Yubi & Dizzy Inspiration because I don’t know much. By the look of the chaps on the cover I would say that this was recorded in the late 1960s.

The song “Dendang Seloka” invites all young men and women to dance and be happy and not worry about things too much, otherwise they will just bring themselves pain. The other songs on the EP are ballads.

“Dendang Seloka” is credited on the label for composition and lyrics to Dizzy Inspiration. I have no doubt that they wrote the words, but the music has more than a passing similarity to the Standell’s “Sometimes Good Guys Don’t Wear White”. Female Malaysian singer Kamsiah M. Ali also recorded a song titled “Dendang Seloka”, but it is totally different lyrically and musically.

M. Yubi and Dizzy Inspiration Sea Lion EP back

Sapta Dahlia

Sapta Dahlia EPThe EP these songs are taken from feature singer S. Jamelah backed by Sapta Dahlia on side one, but I prefer side two, which is the band by itself playing two very cool organ-driven rockers.

“Pesanan Ku” (My Message) is the band’s message to young men and woman to make the right choices in their lives and to not leave it until it’s too late.

“Si Tanggang” tells the legendary story of Tanggang, the son of a poor family who gets a job on a trading ship and eventually becomes a wealthy trader himself and marries a sultan’s daughter. One day, with his wife aboard, his ship comes alongside his old village and his mother comes out to trade with the ship. She recognises her son, but he is ashamed of her poverty and refuses to acknowledge her. She then calls on God to make her son recognise her and a great storm breaks loose and Tanggang, his wife and their ship are all turned to stone. This legend, or variants of it, are popular in many coastal areas of Malaysia and Indonesia and are used to explain the existence of many offshore rock formations.

Sapta Dahlia could be translated as The Dahlia Seven. The liner notes say the band was formed on 29 April 1967 with Wahab Hamid on lead guitar, Ali Soud on organ, Wahid Hamid on drums and Rahman Hamid on bass. The band leader was Rahim Ghani, but it is unclear what role he actually played in the band.

The Phantoms

Phantoms Amo 45 Love Love Love / Oh-La-La

Phantoms Amo 45 Love Love LoveThis record from Hong Kong was recorded on 26 September 1969. In the liner notes it says that news of the Phantoms’ plan to record a few originals had everybody excited. This is a bit misleading as at least one of these songs was not written by any member of the Phantoms.The song “Oh La La” is credited as Copyright Controlled, but there are scores of songs with this title and I have been unable to determine if this is a Phantoms’ original.

The better song in my opinion is “Love Love Love”, which we are told in no uncertain terms was created by Paul Leung; it says so on the label and on both sides of the cover. Paul Leung, however, was not a member of the Phantoms, but rather a record producer and owner of the Amo label, on which this record was released. So it seems that Leung got the Phantoms to cut a record and provided them with the song. This is not necessarily a bad thing as I quite like “Love Love Love”, which sounds much like the Nightcrawlers’ “Little Black Egg” with different lyrics. Oddly, although “Love Love Love” is listed as the A side on the cover, it appears as the B side on the record.

But who were the Phantoms? The only clue in the liner notes is that it mentions them having only been in Hong Kong for a certain time, so they weren’t a local group. My guess is they were from Singapore as there were many bands from there which tried their luck in Hong Kong in the second half of the 1960s. There was a band from Singapore called the Phantoms who supported the singer Valentine to produce a hit with the ballad Roselyn earlier in the sixties. Looking at the cover of the Valentine record, I think this could be the same band, but I could be totally wrong.

Phantoms Amo 45 Love Love Love / Oh-La-La - back of sleeve

The two photos below come from Joseph C. Pereira, who points out the band was known as the Flying Phantoms!

Joseph writes:

Band started in 1963. Appeared on Istana Pesta (a local television program) in that year.

1964 – Winston Koh came in second to Kenneth Gomes in a Cliff Richard singing competition to promote the movie Finders Keepers. The heats were held at Capitol Cinema and the finals at Lido Cinema. Winston’s winning song in the finals was “It’s All Over”.

Inactive between 1964 and 1966. William Chan (rhythm), Sam Toh (bass), Patrick Khong (bass), Victor Lam (drums). Victor and Patrick left at the end of 1964 to join Mysterians.

September 1966 – Group revived by Dennis Chan, a 16 year old guitarist. Elder brother William Chan (rhythm guitar) was an original Flying Phantom as was Sam Toh (bass player). Rest of line up was Hudson Ng (drums) and Winston Koh (vocals). Sam Toh did not stay in the band long and joined a short lived line up of D’Aquarians. He then joined Bee Jays for two months and after that in April 1967 he joined The Quests.

12-4-1967 – Appeared on Muzik Muda Mudi (another local TV program).

May 1967 – Appeared on another TV program.

Style of the band was towards Shadows and Ventures for instrumentals and Cliff Richard for vocal numbers.

Appeared on a TV program performing “House Of The Rising Sun” with Winston decked out in a prisoner styled outfit.

1969 – They were contracted to play for a year in Hongkong at the World of Suzie Wong Night Club. They appeared on Hongkong TV, did two stage shows and were guests at the Teddy Robins Tavern tea dance on Sundays.

The Flying Phantoms appearing on Singapore TV
The Flying Phantoms appearing on Singapore TV

Wirdaningsih and Dorado Sound Unlimited

Wirdaningsih and Dorado Sound Unlimited EP

Wirdaningsih and Dorado Sound Unlimited EP side 1Wirdaningsih comes from Sumatra, Indonesia and was very popular in the 60s and 70s in Malaysia, where this record was recorded. I am not sure if the backing band, Dorado Sound Unlimited, were Indonesians or Malaysians.

The song Adaik Bachinto, is sung in the Minang language, and while it is similar to Indonesian, it is a bit difficult for me to make out. ‘Adaik’ is probably the equivalent of ‘adik’ which means younger sibling, but can also be used by women to refer to themselves in relation to their male partner. ‘Bachinto’ probably has some relation to ‘cinta’, or love. Thus, the song would appear to be about Wirdaningsih’s love for a younger sibling or her love for her partner. Any Minang speakers out there who can help out on this?

There is a tasty fuzz break in the middle of the song. Wirdaningsih still performs in Indonesia and Malaysia. Her younger sister, Irni Yusnita, was also a popular performer in the 60s and 70s.

Wirdaningsih and Dorado Sound Unlimited EP back cover

The Tidbits

Tidbits RCA EP I Believe front cover

Tidbits RCA Victor EP I Believe side 2Three schoolgirls, Serene Wee (13), her sister, Merlina Wee (12), and their cousin, Bernedette De Souza (12), won the Radio and Television Singapura Talentime contest for 1967/68 and as part of their prize got to record two EPs with RCA.

On the first EP they recorded the song that won them the prize, “I Believe”, and also “Lace Covered Window”, “Breaking Up Is Hard To Do”, and “Never My Love”, the latter song made famous by The Association, but recorded by many other artists. The Tidbits were backed on this EP by popular Singapore band The Trailers.

On their second EP, also in 1968, The Tidbits were backed by The X’periment and then went back to being schoolgirls.

Tidbits RCA Victor EP I Believe

Tidbits RCA Victor EP photos

Tidbits RCA Victor EP photos