All posts by Chris Bishop

The M+M “She Shut Me Down”

 The M + M Glass 45 Where Is SheI can’t find any info about M + M, other than the names on the two singles they released on Glass Records, M. Kane and M. Schools. I’ve tried other variations on their band name, M+M or M&M, without luck.

Although the songs feature a full group of guitar, bass, drums and even harmonica with one vocal, it’s possible this was a duo who overdubbed their parts to fill out the sound.

All four singles have “72” etched into the deadwax along with the Glass Records numbers, so I think that is likely the year of the recordings. Given that two of these are nearly four minutes long, a seventies date makes sense.

I have no idea where they came from, but lead vocals do have a southern sound to them. On the other hand, I bought these from someone in New Jersey and a different copy of the second 45 sold from a Brooklyn location.

I prefer the B-sides of each single. “She Shut Me Down” stands ouf among the four cuts for the melancholy feeling and tempo changes. “Where Is She” is the most upbeat of the four.

The Glass Records release numbers are:

F-201/2: “Your Turn to Cry” / “Where Is She”

F-203/4: “No More Crying” / “She Shut Me Down”

All songs written by M. Kane and M. Schools, no publishing listed.

The M + M Glass 45 She Shut Me Down

The Secrets “Somethin Good For Me” on Raven

Secrets Raven 45 Somethin Good For MeThe Secrets’ “Somethin Good For Me” / “Love” has as obscure an origin as any single out there. The band may have been from southern Illinois or eastern Missouri, but I don’t know anything definite yet. The only name I can associate with the group is Ivan White who wrote both songs.

“Somethin Good For Me” is lo-fi perfection, offering plenty of atmosphere over a chunky rhythm, a pleading vocal and a simple but apt lead guitar break.

“Love” slows it all down and substitutes accordion for the rhythm guitar. I’d put up a clip but my copy gets scratchy sounding on this side.

Released around 1967 on Raven 18569/70, with production credited to “Div – JLJ Enterprise”. This is a Rite release, as was the other Raven release I know of, Johnny Apollo “You’re Sixteen” / “Shake the Hand of a Fool” on Raven 17829/30 from a year or two earlier, with J. Hutcheson credited as director.

Rite 286 is found in the deadwax, an early Rite account number dating back to 1960. 286 was used for at least two other singles: the Harmony Echoes single “Wonderful Guest” / “Gospels Singers Heaven” on Echo CP-6759/60 from 1961, out of WFRX 1300 AM, West Frankfort, Illinois, featuring Joe Williams, Phyllis Williams, Rolla Martin and Don McCool.

Also for Amateur 11421/2, the Coachmen “Lonely Rider” / These Memories of You”, folk & pop from 1963 out of Maplewood, Missouri with J. Buchman credited on the label.

Maplewood is just west of St. Louis, and 115 miles northwest of West Frankfort. It seems possible the Secrets come from this area of southern Illinois or eastern Missouri.

Info on other Rite pressings from www.45rpmrecords.com

Secrets Raven 45 Love

Selling 45s at Allentown Record Expo this Saturday

Del-Vetts Dunwich PS I Call My Baby STPa

I can’t afford to keep all these 45s … and I’m always looking for new ones. I’ll be selling 45s of many genres – garage, surf, r&b, international, soul, etc at the Allentown, Pennsylvania 45 & 78 rpm record fair this Saturday, April 1, 2017. If you haven’t been, there are more 45s than you can look through in three days, let alone one. Not sure my table # yet but if you come ask for Chris Bishop’s table. Or contact me ahead of time, I’ll be in town from Wednesday afternoon on.

1901 S. 12th St. ( S.12th & Vultee Streets ), Allentown, PA 18103

10-4 PM, $3 admission.

More info on the fair’s website, http://www.surroundsoundproductions.com/.

Thee Avantis on Samron

Thee Avantis Samron 45 I Want To UnderstandSamron Records had a great run, only three singles but all of them top-notch rock ’n roll, including this one, Thee Avantis’ “I Want to Understand” / “Nancy” on Samron S-103, recorded in late 1965.

“I Want to Understand” is the kind of single I never get tired of, featuring a neat guitar hook, solid bass and drum playing, the right amount of organ and great vocals. There are fine guitar and organ breaks, the entire song clocking in at 2:27.

The other two singles on Samron are Ognir & the Night People’s “I Found a New Love” (Nehring, Marusak) / “All My Heart” (Nehring, Molinaro), released on Samron S-102 in October 1965 and the Five Flys “Livin’ for Love” / “Dance Her By Me” on Samron S-104.

Samron was run by Ronald Magazzu, and I suppose someone named Sam was also involved. The first two singles listed Magazzu Productions in Hazleton, PA, while the label for the Five Flys changes the town to Coaldale, PA.

I’ve read Thee Avantis were from Scranton, but I found a notice in the Hazleton Standard-Speaker from March 5, 1966 listing the band for a Sunday Dance at the Fiesta Room in Hazleton, about an hour’s drive southwest of Scranton.

I only know the names of two members of Thee Avanti, Nick Fata on bass and Robert Schnessel who wrote both songs. Magazzu Music Co. published both songs.

Thee Avantis Samron 45 Nancy

The Conductors “She Said So”

The Conductors photo: Larry Borgess, Chad Fenstemaker, Skip Kreitz, Regan Meyer, Barry Hirsh, and Danny Brungard
The Conductors, from left: Larry Borgess, Chad Fenstemaker, Skip Kreitz, Regan Meyer, Barry Hirsh, and Danny Brungard

Conductors Dater 45 She Said SoThe Conductors came from Williamsport, Pennsylvania, cutting the great “She Said So” as the b-side to their June 1966 single. Members were:

Larry Borgess – lead vocals
Chad Fenstemaker – lead guitar
Skip Kreitz – rhythm guitar
Regan Meyer – bass
Barry Hirsh – organ
Danny Brungard – drums

Barry Hirsh and Larry Borgess left to join Prince Charles & the Royaltones. Mike Ranck replaced Larry until the Conductors split.

“She Said So” is a stomping fuzz and organ rocker written by Barry Hirsh, with taunting lines:

You gotta stay home and watch the kids tonight,
Because she said so,
But I wanna tell ya,
Better sit up and say that everything’s not right,
Because you said so.

You gotta break free,
Stand on your own two feet,
Stop doing things that you don’t want to do,
Just because she said so!

The original A-side “Whatever’s In Your Smile” is light pop, but worth a listen, it too was written by Barry Hirsh, and features harmonies, piano and a lighter touch on the guitar.

Publishing was through Hi-Mar Music and Ronbeth Music BMI, both of which had other copyrights, most notably Ronbeth with the 7th Avenue Aviators “You Should ‘O Held On”.

The Conductors single came out on Dater DT-1303/4 in June, 1967. Dater was owned by Dave Chackler, and had one other single that I know of, the Soul Generation “I Can’t See You” / “Big Boss Man” on Dater DT-1301. The A-side has the Starlites doing a drier, stripped-down version of their classic on Bar-Clay, “I Can’t See You”. The label notes produced by Dave Chackler for Peter Warren Enterprises. The Starlites came from Reading, PA, 100 miles southeast of Williamsport, so I wonder how the Conductors connected with Dave Chackler.

Info on the band from Rob’s Williamsport Rock Bands

Conductors Dater 45 Whatever's In Your Smile

Something Obviously Borrowed

Something Obviously Borrowed JCP 45 Tell The PeopleSomething Obviously Borrowed are another mystery to me. Their only single is a good two-sider, released on the same J.R.P. label as the Shadow Casters.

“Tell the People” is upbeat, with typical lyrics of the time (“Now is the time to tell the people, all about love”). D. Geinosky and L. Carr wrote the song; they were probably members of the band.

“Joan” is laid-back rock, with a feel something like Loaded-era Velvet Underground, the singer intoning “please come on home, Joan”. Writer credit is to the producer, James Ruff, but members of the Shadow Casters noted he put his name on one of their compositions, “Going to the Moon”.

James Ruff Productions probably paid for recording time and pressing of the single on J.R.P. 004, sometime after April 1968. J.R.P. labels list an address in Aurora, Illinois. Sandpiper BMI published both songs but I don’t see a copyright listing for either. The code TM 2665/6 indicates Chess Records’ Ter-Mar studio in Chicago.

Something Obviously Borrowed seems to be the only other release on JRP besides the Shadow Casters, and also seems to be rarer than their singles.

Something Obviously Borrowed JCP 45 Joan

Marty and the Monks “Mexican Party”

Marty and the Monks Associated Artists 45 Mexican Party

Herman’s Hermits “Mrs. Brown, You’ve Got a Lovely Daughter” topped the Billboard Hot 100 in May of 1965, so a Hollywood studio owner rushed out a parody, “Mrs. Schwartz You’ve Got An Ugly Daughter” with the artist listed as Marty & the Monks. This version is on youtube if you want to subject yourself to it, but the real gold is the instrumental on flip, cut by a group that seems to have been totally unrelated to the musicians on the A-side.

“Mexican Party” is a rocking take-off on “Money” that sounds like it was actually recorded live in the studio. There are whoops, shouts, lots of string bending, a ridiculous horn blast. It has a lot in common with the Pacific Northwest sound like the Moguls “Avalanche”, the Jesters’ “Alki Point” or even Don & the Goodtimes version of “Money”.

Released on Associated Artists AA-3066, the song was retitled “Psychedelic City” when it came out as the flip to “Mrs. Schwartz” on Era Records 5037.

Marty & the Monks Era 45 Mexican Party
Jesse Hodges is credited as producer. Hodges owned Hollywood Sound Recorders and I believe he owned the Associated Artists label, which released about twenty 45s, including a couple of Hodges’ own singles. K. Young, G. Connor, and T. Reed have writer credits on “Mexican Party”, but none of their names appear on other Associated Artists releases as far as I can tell.

Both the Associated Artists 45 and the Era release have ∆-57190 in the deadwax, which dates the stampers for both 45s to June of 1965. I assume the Associated Artists was the original release. I have no idea when this “Golden Era Series” came out but 1967 wouldn’t be a bad guess, given the new, topical title.

My fellow WGXC deejay Jillian found a possible source for the band name in the obscure Marty the Monk cartoons of the 1930s.

Marty & the Monks Era 45 Mrs Brown You Got An Ugly Daughter

The Nu-Trons and Spot Records Discography

Nu-Trons Spot 45 I Told You SoI can’t find any specific info on the Nu-Trons. Spot Records came from Johnson City, Tennessee, but recorded groups from locations as far as Knoxville and western Virginia.

“I Told You So” (written by B. Frye) is a moody shuffle with a great r&b feel and fine lead vocal.

“From Now On” (written D. Bradford, G. Shell) has a slower tempo, with more prominent piano and a descending guitar line.

Released on Spot SP7-1123, the RCA custom press matrix S4KM-2012/3 dates this to early 1965.

Spot was in operation for about ten years, from 1959 until about 1968, releasing a couple dozen singles in that span. The Nu-Trons may be the only ‘garage’ style single on the label, though I’d really like to hear The Malibus “She’s Gone”.

There’s a lot of sharp r&b on the label from Little Benny and Richie Weems & the Continental Five, and ’50s style vocal rock from the Rock-Alongs and the True Tones. Infinity’s “Ride on the Milky Way” is a western-tinged instrumental. Lonnie Salyer, who helped me with the discography below, has compiled a youtube playlist with 11 songs from the label, a good start for those interested.

The True Tones were Lanny Green, Neil Walker, Gerald Barber, Jay Henderson, Joby Wheat and Richard Way, out of Central High School in Knoxville.

Spot Records discography (compiled with help from Lonnie Salyer)

I’ve included prefixes because at least two numbers, 1123 and 1124, were reused with different prefixes.

SP-101 – Don Bradford – “Someone’s Gotta Go” (Stan Ratliff) / “That Ain’t Much” (Don Shannon), K8OW-0544/5, 1959

SP-103 – Eddie McKinney And Belvederes ‎- “Teen Town Hop” / “I’m Hooked“ (both by Bradford, Campbell, KO8W-0977/8, with picture sleeve)

SP-106 – Little Benny & the Stereos – “Drinking Wine, Spodie Odie” / “Mine All Mine” (M80W-8134/5, prod. Don Bradford, 1961)

1107 – Bobby Joe – “My Life I’ll Spend With You” (B. Tipton) / “Hellbound” (N80W-8467/8)

SP1108 – Reece Shipley – “I Counted The Raindrops” / “Too Big To Cry” (R. Shipley, Ronald Talley) (ZTSB 83092
SP-1109 – Paul Sutton – “Lucy” / ? (P4KM-3604)
SP-1110 – The Rock-A-Longs – “Don’t ‘cha Know I Love You” / “Theme from the Beachcomber”
SP 7-1111 – Wayne Boling – “Please Cry” / “What Kind of Friend Was He” (with picture sleeve, SO 1467/8)
SP 7-1112 – Wayne Boling – “She’s Coming Home” / “Little Hit and Run Darling” (SO 1611)
SP 7-1113 – Eugenia Anderson – “Soul of a Child” / “Send Down the Fire”

SP 7-1115 – The True Tones – “Lovin’ From My Baby” (Joby Wheat) / “Never Had a Chance” (J. Wheat, L. Green, R4KM-8431/2
SP 7-1116 – Jackie Bair & the Cubs, featuring Skip Lane – “Bare Hug” (Lane, Bair, Miller, Parker) / “You’re In Love” (Prod. by Don Bradford, RK4M-7113)
SP 7-1117 – Richie Weems & the Continental Five – “That 8:30 Special” / “Making Believe” (RK4M-7262/3)
SP-7-1118 – The True Tones – “Please Be True” (J. Henderson) / “Kiss Me Now” (J. Wheat), RK4M-7260, prod. by Don Bradford

SP7-1121 – The Tru Tones – “Little Hit and Run Darling” (Don Schroeder, Wayne P. Walker) / “La La La La La” (Clarence Paul), S4KM-1633/4

SP-1122 – Richie Weems & the Continental Five – “Tricks of the Trade” / “Natural Born Man” (S4KM-1706/7)
SP-1123 – Richie Weems & the Continental Five – “Wild In the Night” (B. Bradford) / “Mine All Mine”
SP-1124 – Little Ceaser & the Euterpeans – “It Ain’t What You Do It’s The Way How You Do It” / “Good Good Lovin’”

SP7-1123 – The Nu-Trons – “From Now On” (D. Bradford, G. Shell) / “I Told You So” (B. Frye), S4KM-2012/3
SP7-1124 – Lon Nave – “I’ll Think of You” / “Just Lookin’ Around” (Lon Nave, Harold Nave), TK4M-4056/7, 1966

SP-7-1128 – Kenny Springs & the Scat Cats – “Nobody Else But You” (K. Springs) / “Let Nobody Love You”, prod. by Don Bradford, TK4M-4722
SP7-1129 – Glenn Shell with Jackie Bair & the Cubs – “It’s Too Late” (G. Shell) / “Ain’t No One Woman Man” (U4KM-2575)
SP7-1130 – The Malibus – “She’s Gone” (J. Boyle, E. Fielden, J. Melton for East Tenn. Music) / “Oop Poo Pa Do” (U4KM-4837, 1967)

SP-7-1132 – The Kool Kuzzins – “Love Can Be True” (D. Rose, B. Rose, M. Powell) / “Hey Little Girl” (1968)
SP-7-1133 – The Infinity – “Ride on the Milky Way” / “Moon Gazer” (both by Charles Stafford & Gene Wheelon) W4KM-6546/7, 1968
SP 7-1134 – Little Caesar & the Euterpians – “Love Is A Beautiful Thing” / “I Can’t Stand It Together” (W4KM-)

Most originals on the label published by East Tenn. Music Pub, BMI.

The Kool Kuzzins came from Castlewood and Oakwood, Virginia and featured Danny Rose on lead vocals and drums, his brother Bill Rose on guitar and Mike Powell on bass & organ. The Kuzzins lived in the Tidewater during the summer of 1967, recording some unreleased sides for Frank Guida. After the band made their single at Spot, Danny Rose left to join Sound on Sound, based in nearby Grundy, VA, as lead vocalist. (Info from the CD Aliens, Psychos & Wild Things Vol. 2 on Arcania International.)

This was not the same label that released the Shytones or the Los Angeles label with the Poets and Effie Smith.
Nu-Trons Spot 45 From Now On