This group of Misfits came out of Dallas and North Texas State University in nearby Denton. They cut a fine original folk-rock song, “No One Else” backed with a good version of “Route 66” on Repent 520 in August, 1966.
This was not the same Misfits who became the Lost and Found. The Misfits who became Lost & Found were from Houston, and, according to an old interview with Jim Frost, never played in Dallas, and never recorded as the Misfits.
This news clipping shows all the members’ names are different than any in the Lost & Found.
The Dallas News ran a photo of Joe Daughtery, the writer of “No One Else” performing with the Misfits and a short article on the group:
If you drive around the shore of White Rock Lake on almost any Sunday afternoon, you’ll come to a brown-rock picnic building where a controlled riot seems to be getting out of control.
But ask any of the mob of teen-agers standing and jumping around and you’ll be assured it’s really just a Sunday concert in the park.
The picnic building has grown in the last few years into a kind of proving ground for the detonations of ambitious and un-shy teen-age combos.
Sunday a sign in front of the band said: “The Misfits. Open for engagements. Call FL2-4046.”
But when the Misfits began blasting something called “Dirty Water,” the sign disappeared in a flood of weaving and bobbing couples.
…
“We get a lot of engagements this way,” said Joe Daugherty, the 21-year-old guitarists and singer who runs the Misfits. “A fellow from a fraternity just asked us to play a party.”
Daugherty and two other Misfits – drummer Rick Price, 22, and bass guitarist Mark McLane, 20 – are North Texas State University business students. Lead guitarist Jim Adkins, 23, works in a Dallas bank.
“We cut a record of a couple of my songs but nothing much happened,” said Daugherty.
Hundreds of kids sometimes mob the picnic building. Nobody seems to be in charge or worried about the noisy blowout. Policemen stop and watch a bit then move on …
Like any musician, Daugherty observed, “The acoustics are pretty bad in that building. Sometimes it gets kind of deafening.”
The Bitter Ende. Joe Daugherty holding guitar at left. Other members unknown – can anyone help with IDs?
The Bitter Ende to play at TCU Tech Stop, November 1967. Same group?Joe Daugherty formed another group called the Bitter Ende, but I don’t have any info on the membership of that group.
Thank you to Patrick Daugherty for contacting me about his father’s band, and sending in the news clipping and photo of the Bitter Ende.
Members of the Grapes of Wrath group play music worthy of putting on a record. The SPHS students are (left to right) Brian Magnan, Bill Lichty, Ralph Sias, Danny Morrow and William Doheny., San Pedro News-Pilot, May 17, 1967.
The Grapes of Wrath cut one 45, “For Every Year” / “Cause it Was Her”, both written by Ralph Sias.
The group came from San Pedro, California, in the South Bay of Los Angeles.
Members were:
Brian Magnan – lead vocals Bill Lichty – drums Ralph Sias – guitar Danny Morrow – bass William Doheny – keyboards
H. Eugene MacDonald produced their record, released on Vita Records V-005/V-006 with an address of 301 S. Western Ave, San Pedro, CA.
The San Pedro News-Pilot profiled the group twice, first on May 17, 1967 with an article written by the group’s bassist!
Grapes of Wrath band makes recording noise
By Danny Morrow
“This is it, boys. What’s it going to be next year.- trucks or Cadillacs?” With these words of encouragement from producer, Mr. Roth, and “unknown” teenage band called, hauntedly … “The Grapes of Wrath,” began its first recording session at American Recording Studios in Studio City.
The band is made up of five “crazy” individuals named Ralph Sias, Brian Magnan, Bill Lichty, William Doheney and myself, Danny Morrow.
Ralph writes the songs, plays lead guitar and gets nervous. Brian sings lead vocal and smiles at girls. Bill plays organ and wears leather boots. Williams plays drums and loves drums. I play bass and get in and out of trouble.
At the session, two songs written and arranged by Ralph, were taped in a stretch of nervous sweaty work that lasted five hours. The two songs, “For Every Year,” and “Cause It Was Here,” can presently be heard on the local rock station with a little patience and luck.
With the number of teenage bands easily numbering in the tens of hundreds in California alone, how did this group … manage to talk the Sunburst Record Company into backing a recording session?
First, a few months before the session a rough “demo” (45 RPM recording on a six-inch disk) was recorded at a small recording studio, and the manager, U.L. McDonald took the demo to different recording stations.
The vice-president of Sunburst, Mr. Roth [sic – Adam Ross], was impressed both with the band and the recording …
The next step is up to the “hippies” who buy the records.
The record did not come out on Sunburst, the label that released the E-Types “She Moves Me” and the Zoo’s LP The Zoo Presents Chocolate Moose, as well as a number of pop singles produced by Ed Cobb, but instead saw a release financed by the band under the auspices of H. Eugene MacDonald (the U.L McDonald cited in the article, presumably).
The second article came on September 4, 1967:
Folk-rock group wins popularity
By Rita Pedersen
A San Pedro rock ’n’ roll band has proved long hair and unconventional clothing are not necessary to become popular.
The band, the Grapes of Wrath, is a “short hair” outfit, and wears burgundy-cherry dinner jackets.
Despite their neat appearance, the group leaves Saturday for a week-long tour of Northern California.
The five-member band will appear on a Fresno television show and play in Redding, Red Bluff and North Sacramento Valley.
Members of the band are Ralph Sias, Bill Doheney, Danny Morrow, Brian Mangan and William Lichty, all of San Pedro. They are all San Pedro High School graduates, except for Lichty who will graduate next year.
The tour was arranged when a recording by the band, “Cause It Was Her,” became popular in the Redding area.
Doheney, an amateur radio operator, began talking to a Redding disc jockey Ian Evans, and he offered to play the group’s recording for a trial period.
Listener reaction was good, according to Doheney, and the band was signed for personal appearances.
The group was organized last summer when the youths were on the high school gymnastics team. Only Lichty was not on the team.
Doheney described their style as folk-rock and said Sias and Mangan write many of their songs, including “Cause It Was Her.”
There was a great profile of the band and interview with Bill Doheney, that didn’t include these news clippings, at www.westcoastfog.com/the-grapes-of-wrath/index.html, but unfortunately that site is now defunct. A version of that article was also in print in Ugly Things issue #39.
I see that Achille Brunet has just added a profile of the band at his site, Strange Lights, with more info than I have here. I’m sorry for the duplication, Achille, but glad to see someone else working the ’60s garage beat! It’s been quiet for a long time.
This American vocal soul group originated in Rochester, New York, and were originally billed as The Bandwagons (and subsequently The Bandwagon).
Led by lead singer Johnny Johnson, they also comprised singers Bill Bradley; Artie Fullilove; and Terry Lewis.
In March 1968, they recorded “Breakin’ Down the Walls of Heartache”, which reached number 4 on the British charts in October of that year.
This resulted in their first British tour before the year was out. Melody Maker’s 26 October 1968 issue lists the tour dates from 27 November to 22 December on page 23. The same magazine’s 23 November 1968 issue confirms the above line-up on page 14.
Although billed initially as The Bandwagon, a Melody Maker advert (possibly the 30 November issue) notes that the group is called Johnny Johnson & The Bandwagon.
Photo: Tom Maudlin. Left to right: Dick Winters, Paul Thorpe, Tom Maudlin and Richie Thorpe
It also says the soul quartet will be backed by two groups – Enfield, north London soul band Grand Union and a Reading, Berkshire outfit called Oedipus Complex. I’ve not been able to find out much about the latter but Grand Union comprised Richie Thorpe (guitar/vocals), Dick Winters (keyboards/vocals), Tom Maudlin (bass/vocals) and Paul Thorpe (drums/vocals).
When I met Tom Maudlin in Toronto in May this year, he confirmed that, despite Melody Maker listing the gigs the two bands played below, Grand Union, in fact, did the entire tour.
Melody Maker suggested that Grand Union backed Johnny Johnson & The Bandwagon on the following dates.
Tour dates:
28 November 1968 – Revolution Club, Bruton Place, Mayfair, central London (Melody Maker)
29 November 1968 – Hillside Ballroom, Hereford, Herefordshire (Melody Maker)
30 November 1968 – Ritz Ballroom, Bournemouth, Dorset and Corn Exchange, Devizes, Wiltshire (Melody Maker)
1 December 1968 – Surrey Rooms, Oval, south London and Blaises, Kensington, west London (Melody Maker)
2 December 1968 – Pavilion, Bath (Melody Maker)
3 December 1968 – Down Broadway, Sheffield, South Yorkshire and Attic Club, Doncaster, South Yorkshire (Melody Maker)
4 December 1968 – Whittingdon Hotel, Pinner, northwest London (Melody Maker)
5 December 1968 – Gig in Cheam, Surrey (Melody Maker)
5 December 1968 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker)
6 December 1968 – Avery Hill College, Eltham, southeast London (Melody Maker)
The band featured in the Kettering Leader, 6 December 1968, page 8
7 December 1968 – Clockwork Orange, Chester, Cheshire, Civic Hall, Nantwich, Cheshire and Twisted Wheel, Manchester (Melody Maker)
8 December 1968 – Black Prince Hotel, Bexley, southeast London (Melody Maker)
10 December 1968 – Guildhall, Southampton, Hants with The Pyramids (Southern Evening Echo)
11 December 1968 – Bligh Hotel, Sevenoaks, Kent and Samantha’s, central London (Melody Maker)
12 December 1968 – Kursaal, Southend-on-Sea, Essex and Cue Club, Praed Street, Paddington, west London (Melody Maker)
13 December 1968 – White Lion, Edgware, north London and Cue Club, Praed Street, Paddington, west London (Melody Maker)
14 December 1968 – Nottingham Boat Club, Nottingham and Clouds, Derby (Melody Maker)
15 December 1968 – Toby Jug, Tolworth, Surrey (Melody Maker)
16 December 1968 – Golden Torch, Tunstall, Staffordshire and Cedar Club, Birmingham (Melody Maker)
17 December 1968 – Town Hall, High Wycombe, Bucks and Scotch of St James, Mayfair, central London (Melody Maker)
18 December 1968 – Majestic, Wellington, Shropshire (Melody Maker)
19 December 1968 – Guildhall, Plymouth, Devon and 400 Ballroom, Torquay, Devon (Melody Maker)
Melody Maker suggested these dates were with Oedipus Complex but Tom Maudlin confirms that Grand Union did the entire tour.
Tour dates:
20 December 1968 – George Inn, Kettering, Northamptonshire and Hatchetts Playground, Piccadilly, central London (Melody Maker)
21 December 1968 – Imperial Ballroom, Nelson, Lancashire (Melody Maker)
22 December 1968 – Tabernacle, Stockport, Greater Manchester and Beau Brummell Club, Nantwich, Cheshire (Melody Maker) Record Retailer only lists the Beau Brummell Club in Nantwich on this date
23 December 1968 – Loyola Hall, Stamford Hill, north London with Pure Medicine (Melody Maker)
24 December 1968 – Gala Ballroom, Norwich, Norfolk (Melody Maker)
25 December 1968 – Sherwood Rooms, Nottingham (Melody Maker) Record Retailer lists Lypla in Stamford possibly as a second gig on this date
26 December 1968 – Locarno, Stevenage, Herts (Melody Maker)
27 December 1968 – Victorianna and Mardi Gras, Liverpool (Melody Maker)
28 December 1968 – New Astoria, Rawtenstall and Twisted Wheel, Manchester (Melody Maker)
29 December 1968 – Locarno, Wakefield, West Yorkshire (Melody Maker)
31 December 1968 – New Century Hall, Manchester and Nevada Ballroom, Bolton, Lancashire (Melody Maker)
1 January 1969 – Top Rank, Preston, Lancashire (Melody Maker)
2 January 1969 – Assembly Hall, Worthing, West Sussex (Melody Maker)
3 January 1969 – Tofts, Folkestone, Kent (Melody Maker)
4 January 1969 – Boston Gliderdrome, Boston, Lincolnshire (Melody Maker)
5 January 1969 – Crystal Palace Hotel, south London and Jewish Youth Club, Fillebrook, Leyton, east London (Melody Maker)
6 January 1969 – St Matthew’s Bath, Ipswich, Suffolk (Melody Maker)
Melody Maker notes in early January that Johnny Johnson & The Bandwagon’s British tour was extended.
The music magazine reports that from 7-11 January they played in Ireland and then did cabaret at the Fiesta in Stockton and the Showboat in Middlesbrough from 12-18 January. They then toured Scotland from 22-26 January.
Tour dates:
30 January 1969 – Skyline Ballroom, Hull (Melody Maker)
31 January 1969 – Scene Two, Scarborough, North Yorkshire (Melody Maker)
1 February 1969 – California Ballroom, Dunstable, Bedfordshire (Melody Maker)
2 February 1969 – Bellevue, Manchester (Melody Maker)
3 February 1969 – Golden Torch, Tunstall, Staffordshire (Melody Maker)
4 February 1969 – Majestic, Wellington, Shropshire (Record Retailer)
6 February 1969 – Old Time Barn, Abergavenny, Wales (Record Retailer)
7 February 1969 – Princess Theatre, Chorlton, Greater Manchester and Domino Club, Openshaw, Greater Manchester (Record Retailer)
8 February 1969 – Imperial Ballroom, Nelson, Lancashire (Record Retailer)
13 February 1969 – Sloopy’s, Manchester (Record Retailer)
14 February 1969 – Royal, Tottenham, north London (Record Retailer)
15 February 1969 – Elms Court, Oxford (Record Retailer)
Melody Maker reports that they returned to Ireland from 13-17 February but this needs confirmation.
17 February 1969 – Orchid Ballroom, Purley, Surrey (Chris Broom’s book Rockin’ and around Croydon)
After returning to the United States, Johnny Johnson & The Bandwagon returned to Britain for a second tour in spring 1969. Grand Union were once again used as the backing band. Due to their success in Britain, the soul group relocated here and based themselves in London.
Before the second tour starts, Les Lambert, who used to be the group’s amp repair expert, takes over from Dick Winters on keyboards
These dates are incomplete
Tour dates:
1 April 1969 – Gaumont Theatre, Wolverhampton, West Midlands with Martha Reeves & The Vandellas and guest star Marv Johnson (Poster)
2 April 1969 – Orchid Ballroom, Purley, Surrey with Martha Reeves & The Vandellas (Chris Broom’s book Rockin’ and around Croydon)
30 August 1969 – Royal Lancashire Showground, Blackpool, Lancashire with Amen Corner, The Casuals, Vanity Fayre and many others (Melody Maker)
20 September 1969 – Flamingo, Wardour Street, Soho, west London with Justin Tyme (Melody Maker)
Around this time, Tom Maudlin leaves and relocates to Toronto in October 1969. He is replaced by bass player/singer Roger Flavell from west London group, The Magic Roundabout.
These dates are incomplete
Tour dates:
10 October 1969 – Starlite Ballroom, Sudbury, northwest London with Sir Coxsone (Melody Maker)
25 October 1969 – Formby Hall, Atherton, Lancashire with Phoenix City Smash (Bolton News)
31 October 1969 – Oakengates Town Hall, Oakengates, Shropshire with Grand Union and Jigsaw (North Shropshire Journal)
16 November 1969 – Garrick Theatre Club, Leigh, Greater Manchester with The Johnny Martin Sound, Ralph Turner, The Delights, Mandy Williams and Vic Lezal (Widnes Weekly News)
Melody Maker reports that another British tour (with Grand Union) commences on 16 January 1970.
These dates are incomplete
Tour dates:
10 January 1970 – Central Hall, Chatham, Kent with Desmond Dekker & The Aces and The Pyramids (Chatham, Rochester and Gillingham Evening Post)
7 March 1970 – Wem Town Hall, Wem, Shropshire with Grand Union and Street (North Shropshire Journal)
When the band broke up in early 1971, the Thorpe brothers played in the bands Moonstone and Life. Roger Flavell briefly joined Geno Washington & The Ram Jam Band and then played with The Tommy Hunt Band among others.
Thanks to Tom Maudlin and Roger Flavell for information about the band. Thanks to Tom for the posters.
This west London band was formed in April 1961 and were originally called Mike Forde & The HiFi’s but were renamed the following year as Mike Forde & The Fortunes.
Over the next few years, the group played many well-known venues in west London and Middlesex, including Eel Pie Island in Twickenham, Botwell Hall in Hayes, the Clay Pigeon in Eastcote and the Ealing Club.
Photo from Lindsay Bex. With Frankie Vaughan
On 27 October 1962, they backed singer Frankie Vaughan at Southbourne School in Eastcote.
Photo from Lindsay Bex
Forde also remembers that the group was due to play in the interval for The Beatles at a show at Botwell House in February 1963 but the show was cancelled at short notice. Despite the setback, they were rebooked about three weeks later at the venue to support Gerry & The Pacemakers.
Sometime in the latter half of 1963, an interested party named Gordon Eddie showed an interest in managing the band. However, Forde and Eddie couldn’t agree on how to take the group forward and Forde announced that he was leaving.
Auditions for a new singer were held and three singers turned up for an audition session held at John Hassell Studios in Nassau Road, southwest London, which usually specialised in recording classical music. A four-track acetate was cut at the session.
The identity of two of the singers (on the tracks “Little Queenie”, and “Ain’t Necessarily So”,) is not known but apart from Mike Forde who sang on one track, “Sweet Little Rhythm & Blues”, the final recording (“Send Me Some Loving”) featured Roger Peacock. Forde’s recording was later featured on Rev-Ola’s Fab Gear compilation.
After Peacock got the job, the group continued until the end of the year and Bex recalls that one of the final shows took place in Southend on a bill that also featured singer Paul Raven (aka Gary Glitter).
When the group split up, Peacock subsequently fronted The Cheynes, The Mark Leeman Five and Dave Antony’s Moods among others.
Bex joined The Tridents (before Jeff Beck joined but played some gigs with him), a group that Chinnery managed. He then worked in Germany with The Redcaps and The Kathy Sampson Set before Chinnery asked him to replace the drummer in The Dave Martin Group (the latest group he was managing) who morphed into The Magic Roundabout.
Hailing from Los Angeles, US soul vocal group The Vibrations comprised Jimmy Johnson (lead); Carl Fisher (lead and tenor); Dave Govan (lead and baritone); Ricky Owens (lead and tenor); and Don Bradley (bass).
In spring 1966 promoter Roy Tempest brought them over to Britain for the first of two nationwide tours that year.
Often Tempest deployed one group that was signed to his agency as the main backing band but, if they were supporting another soul artist that he had brought over on a particular night, he might call on other groups signed to his agency to the duties on that occasion.
It isn’t clear who backed The Vibrations on the first tour in April so we’d like hear from anyone who can provide more information.
This isn’t a complete gig list for this tour
Tour dates
8 April 1966 – New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker)
8 April 1966 – Tiles, Oxford Street, central London with Don Covay (Melody Maker)
9 April 1966 – Twisted Wheel, Manchester (Manchester Evening News & Chronicle)
11 April 1966 – Twisted Wheel, Manchester (Manchester Evening News & Chronicle)
14 April 1966 – Ram Jam, Brixton, south London with The Peter B’s (Melody Maker)
19 April 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker)
20 April 1966 – Orchid Ballroom, Purley, Surrey (Chris Broom’s book Rockin’ and around Croydon)
23 April 1966 – King Mojo All-nighter, Sheffield, South Yorkshire with Geno Washington & The Ram Jam Band and Jackie Williams & The Excitements (Sheffield Star)
For this second British tour in September 1966, Tempest used a Bognor-Regis based band that he had signed to his agency at the start of that month. The line-up comprised Jimmy Marsh (lead vocals); Martin Barre (lead guitar/saxophone), Mick Ketley (keyboards); Chris Rodger (saxophone/trumpet); Bryan Stevens (bass); and Malcolm Tomlinson (drums).
Poster from Chris Rodger
Rodger believes they did the entire tour backing The Vibrations and has provided a Roy Tempest Agency poster to show they were advertised as so. His recollections have been backed by other group members. However, Ketley says they never played at the Whisky A Go Go in Wardour Street, so it is possible other Tempest-signed bands did the odd show here and there with The Vibrations.
10 September 1966 – Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Zoot Money’s Big Roll Band, Little People and The Ferryboys (Lincolnshire Echo) Backed by The Noblemen
10 September 1966 – King Mojo all-nighter, Sheffield, South Yorkshire with Johnny O’Hara & The Playboys (Sheffield Star) Says second British appearance and most likely with The Noblemen given they did the earlier show in Boston
11 September 1966 – Toft’s, Folkestone, Kent (Melody Maker) Most likely backed by The Noblemen
13 September 1966 – Club Cedar, Birmingham (Birmingham Evening Mail) Most likely backed by The Noblemen
15 September 1966 – Cue Club, Praed Street, Paddington, west London (Melody Maker) Possibly backed by The Senate but could be The Noblemen
15 September 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Possibly backed by The Senate
16 September 1966 – Princess Theatre, Chorlton, Greater Manchester with seven more acts (Manchester Evening News & Chronicle) Most likely backed by The Noblemen
16 September 1966 – Domino Club, Openshaw, Greater Manchester with seven more acts (Manchester Evening News & Chronicle) Most likely backed by The Noblemen
Advert lists The Senate but The Noblemen were backing band
17 September 1966 – Dungeon Club, Nottingham with The Senate (Nottingham Evening Post) Backed by The Senate according to paper (although there is a photo with The Noblemen)
17 September 1966 – Cavern, Liverpool with The Noblemen, Jimmy James & Vagabonds, The Hideaways, The Dark Ages, The Wild, Wild Klubs, The Tremas, Sooner or Later, Intent & Purpose and Signs & Times (Liverpool Echo) Backed by The Noblemen
18 September 1966 – Kirklevington Country Club, Kirklevington (Middlesbrough Evening Gazette) Most likely backed by The Noblemen
Circa 18 or 19 September 1966 – Scotch of St James, Mayfair, central London with The Noblemen (Group recollections) Backed by The Noblemen. Chris Rodger recalls that Otis Redding and Mick Jagger both turn up
19 September 1966 – Tiles, Oxford Street, central London with The Objects (Melody Maker) Most likely backed by The Noblemen
20 September 1966 – Club Cedar, Birmingham (Birmingham Evening Mail) Most likely backed by The Noblemen
21 September 1966 – Club Cedar, Birmingham (Birmingham Evening Mail) Most likely backed by The Noblemen
21 September 1966 – Orchid Ballroom, Purley, Surrey (Chris Broom’s book Rockin’ and around Croydon) Most likely backed by The Noblemen
22 September 1966 – Club Cedar, Birmingham (Birmingham Evening Mail) Most likely backed by The Noblemen
22 September 1966 – Carlton Club, Erdington, West Midlands (Birmingham Evening Mail) Most likely backed by The Noblemen
22 September 1966 – Cue Club, Praed Street, Paddington, west London (Melody Maker) Most likely backed by The Noblemen
23 September 1966 – Toft’s, Folkestone, Kent with The Noblemen (Melody Maker) Backed by The Noblemen
24 September 1966 – Twisted Wheel, Manchester (Manchester Evening News & Chronicle) Most likely backed by The Noblemen
The Sheffield Star lists the London Ravers who were probably The Noblemen for this 24 September gig which never happened
24 September 1966 – King Mojo, Sheffield, South Yorkshire with The London Ravers and Amboy Dukes Big Band (Sheffield Star) Most likely backed by The Noblemen billed as The London Ravers. However, the following week, the newspaper printed that The Vibrations did not appear
Sheffield Star notes with Robert Parker’s show that The Vibrations didn’t appear
25 September 1966 – Club West Indies, Stonebridge Park, Harlesden, northwest London (Melody Maker) Most likely backed by The Noblemen
As there is one gig listed below for spring 1967, it is probably safe to assume this tour didn’t happen.
27 April 1967 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)
In late 1967, The Vibrations did return for another British tour. It’s not clear who the backing band(s) were on this third tour, so we’d welcome any further information.
This isn’t a complete gig list for this tour
Tour dates
12 December 1967 – Blaises, Queensgate, Kensington, west London (Melody Maker)
Hailing from Philadelphia, lead singer Patti LaBelle first toured Britain with her backing group The Bluebelles featuring singers Nona Hendryx, Sarah Dash and Cindy Birdsong in January 1966. The tour was arranged by promoter Roy Tempest.
For this first British tour, Patti LaBelle & The Bluebells were backed by northwest London group Bluesology who featured a very young Elton John known as Reg Dwight at the time on keyboards.
It’s not clear whether Bluesology backed them on all the gigs, so we’d welcome any further information on this.
At the time, Bluesology comprised Stu Brown (guitar/vocals); Reg Dwight (keyboards/vocals); Rex Bishop (bass); Pat Higgs (trumpet); Dave Murphy (sax); and Mick Inkpen (drums)
Melody Maker’s 8 January 1966 issue, page 4 lists, gig dates and TV appearances
Melody Maker, 8 January 1966, page 4
Tour dates
5 January 1966 – Scotch of St James, Mayfair, central London (Melody Maker)
6 January 1966 – Cue Club, Praed Street, Paddington, west London (Melody Maker)
8 January 1966 – Oasis, Manchester with The Check Points (Manchester Evening News & Chronicle)
9 January 1966 – Flamingo, Wardour Street, Soho, central London (Melody Maker) Billed as Patti La Belle & Her Belles
11 January 1966 – Cromwellian, South Kensington, west London with Bluesology (Melody Maker)
14 January 1966 – ITV’s Ready Steady Go with The Kinks, Pretty Things and Fontella Bass (Melody Maker)
14 January 1966 – The New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker) Billed Patti LaBBelle and The Blue Bells
14 January 1966 – Flamingo All-nighter, Wardour Street, Soho, central London with The Gass (Melody Maker)
15 January 1966 – Dungeon, Nottingham (Melody Maker) Billed as Pattie La Belle & Her Blue Bells
15 January 1966 – King Mojo, Sheffield, South Yorkshire with Fontella Bass, The Stormsville Shakers, Bluesology Inc and The Just 5 x 2 (Sheffield Star) Billed as Patty La Belle & Her Belles
16 January 1966 – Plaza, Birmingham, West Midlands (Melody Maker) Possibly Handsworth
19 January 1966 – Dancing Slipper, West Bridgford, Nottinghamshire (Nottingham Evening Post) This lists Wilson Pickett’s backing group as support who would have been The Links
22 January 1966 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Pinky & The Phellows, Bluesology Incorporated and The Triads (Lincolnshire Standard)
Melody Maker’s 30 April 1966 issue, page 4, announces that Patti LaBelle & The Bluebelles return for a second tour (including TV appearances), organised again by Roy Tempest.
For this second tour, Patti LaBelle & The Bluebelles were once again backed by Bluesology. It’s not clear, however, whether Bluesology backed them on all the gigs, so we’d welcome any further information on this.
By this time, the line-up had changed slightly to feature Stu Brown (guitar/vocals); Reg Dwight (keyboards/vocals); Freddy Gandy (bass); Pat Higgs (trumpet); Dave Murphy (sax); and Paul Gale (drums)
Tour dates
4 May 1966 – Birdland Club, central London (Melody Maker)
4 May 1966 – Scotch of St James, Mayfair, central London (Melody Maker)
5 May 1966 – Ram Jam, Brixton, south London (Melody Maker) Billed as Patti La Belle & Her Belles
6 May 1966 – Ricky Tick, Windsor, Berkshire (Melody Maker) Billed as Patty LaBelle & Her Belles
7 May 1966 – Assembly Hall, Aylesbury, Bucks with The Bystanders and The Dark Ages (Bucks Advertiser) Billed as Patty La Belle & Her Belles
7 May 1966 – New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker) Billed as Patti La Belle & The Blue Bells
8 May 1966 – Oasis, Manchester with Polecatz (Manchester Evening News & Chronicle)
9 May 1966 – Tiles, Oxford Street, central London with Steve Darbyshire & The Yum Yum Band (Melody Maker) Billed as Patty La Belle & Her Belles
9 May 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Billed as Patty LaBelle & The Belles
11 May 1966 – Orchid Ballroom, Purley, Surrey (Chris Broom’s book Rockin’ and around Croydon)
13 May 1966 – Flamingo (two sets including all-nighter), Wardour Street, Soho, central London with Gass (Melody Maker) Billed as Patti La Belle
14 May 1966 – King Mojo, Sheffield, South Yorkshire with Alan Bown Set and Buddy’s Blues (Sheffield Star) Billed as Pattie LaBelle & Her Belles
14 May 1966 – Twisted Wheel, Manchester with The Ram Jam Band (Manchester Evening News & Chronicle)
15 May 1966 – Dungeon, Nottingham (Nottingham Evening Post) Billed as Patty La Belle & The Blue Belles
17 May 1966 – Marquee, Wardour Street, Soho, central London with The Clayton Squares (Melody Maker)
17 May 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Billed as Patti LaBelle & The Belles
19 May 1966 – Rocky Rivers’ Top 20 Club, Conservative Club, Bedford with Bluesology and John Williams & Tomorrow’s People (Ampthill News & Weekly Record) Billed as Patti La Belle & Her Belles
21 May 1966 – Rhodes Centre, Bishop Stortford, Hertfordshire with Blues Ology and The Ultimates (Herts & Essex Observer) Billed as Patti La Belle & Her Belles
21 May 1966 – Cue Club all-nighter, Paddington, west London (Melody Maker) Billed as Patti LaBelle & Her Belles
22 May 1966 – Jigsaw, Manchester (Manchester Evening News & Chronicle)
In 1967, Cindy Birdsong left to join The Supremes and the group continued as a three piece.
Melody Maker’s 22 June 1968 issue, page 4, lists a British tour opening on 3 July
Melody Maker, 6 July 1968, page 3
Melody Maker’s 6 July 1968 issue, page 3, provides more detail on the venues and dates
It’s not clear who provided support on this third tour and we’d welcome any further information.
Tour dates
3 July 1968 – California Ballroom, Dunstable, Bedfordshire with supporting groups (Dunstable Borough Gazette and Luton Journal/Melody Maker/http://www.california-ballroom.info/gigs/) Amended to 5 July. Billed as Patti LaBelle & The Belles
3 July 1968 – Cue Club, Praed Street, Paddington, west London (Melody Maker) Amended to 5 July. Billed as Patti La Belle & The Bluebells Show
6 July 1968 – New Century Hall, Manchester (Melody Maker)
6 July 1968 – Carlton Club, Warrington, Cheshire (Melody Maker) Amended to 7 July
7 July 1968 – Britannia Rowing Club, Nottingham (Melody Maker)
8 July 1968 – Golden Torch, Tunstall, Staffordshire (Melody Maker)
8 July 1968 – Club Cedar, Birmingham (Melody Maker)
11 July 1968 – Brave New World, Eastney, Portsmouth, Hants (Melody Maker)
12 July 1968 – White Lion, Edgware, north London (Melody Maker)
12 July 1968 – Sybilla’s, Swallow Street, central London (Melody Maker)
13 July 1968 – 76 Club, Burton on Trent, Staffordshire (Melody Maker)
13 July 1968 – Gig in Sutton Coldfield, West Midlands (Melody Maker) Possibly the Belfry, Wishaw
14 July 1968 – Cue Club, Praed Street, Paddington, west London (Melody Maker) Billed as Patti La Belle & Her Bells
17 July 1968 – Gig in Stevenage, Herts (Melody Maker) Possibly the Locarno
18 July 1968 – Sybilla’s, Swallow Street, central London (Melody Maker)
19 July 1968 – Mistrale Club, Beckenham, south London with Purple Dream (Coulsdon & Purley Advertiser/Beckenham & Penge Advertiser/Melody Maker) Billed as Patti La Belle & The Bluebells
20 July 1968 – Clockwork Orange, Chester, Cheshire with Chris Shakespeare Globe Show and The Executives (Chester Chronicle) Billed as Patti La Belle & Her Bluebells
Rocky and the Flying Squirrels, published November 1965. The caption is incorrect. Should read from left to right: Mark Johnson (“Rocky”), Dan O’Banion, Paul Oakley, Bill McCollough (on drums), and Whit Snell.Rocky and the Flying Squirrels or earlier group. Top from left (I think): Paul Oakley with bass, Whit Snell, and Dan O’Banion; bottom from left: Bill McCullough and Mark Johnson. I would appreciate any help to confirm these IDs.
The Beefeaters were part of the North Texas State University (NTSU) scene which included the Chessmen, but their story starts out 300 miles away, in San Antonio. Five students at Alamo Heights High School formed Rocky and the Flying Squirrels, wearing World War I aviator helmets and goggles, scarves, and turtle-neck sweaters in honor of their animated namesake.
Members included: Mark Johnson on lead vocals, Whit Snell lead guitar, Dan O’Banion rhythm guitar, Paul Oakley on bass, and Bill McCullough playing drums.
Rocky and the Flying Squirrels, in white from left (I think): Dan O’Banion with the Rickenbacker guitar, Bill McCullough drums, Paul Oakley with bass and Whit Snell. At left, I think that is Mark Johnson with the microphone. I would appreciate any help to confirm these IDs.
They played live at Alamo Heights High School auditorium and the student-run Mule Barn teen club by the football stadium, but the band made plans for a bigger future.
Rocky and the Flying Squirrels, front left: Dan O’Banion with hand-drawn raccoon tail), Whit Snell, Mark Johnson with tambourine, Paul Oakley (or Cary surname?) on bass with added sideburns, and Bill McCullough. Photo courtesy of Bill McCullough, like many of the ones seen here.The Beefeaters 1966 promotional photo
From the Flying Squirrels to the Beefeaters
Graduating in May, 1966, all except Paul Oakley agreed to attend NTSU (now the University of North Texas) in Denton, northwest of Dallas. Bill McCullough’s older brother David, Jr. took over on bass to replace Paul. David had been guitarist in his own group in San Antonio, Spider and the Flies.
They cultivated the sound and “mod” looks of the English groups of the period, and took a new band moniker to fit the image: the Beefeaters.
The Beefeaters on stage 1966: Rocky and the Flying Squirrels, front left: Dan O’Banion, Mark Johnson, David McCullough, Bill McCullough on drums and Whit Snell
The Beefeaters’ first gig, on a flatbed truck on the commons by the NTSU student union, was a success and they started landing regular bookings at the Spinning Wheels skating rink and local frat parties. They bought a used ’56 Cadillac hearse, like other Denton groups, and adorned it with their band name and bumper stickers (“Eat More Beef” for one).
Who’s that pushing the hearse?!The Chessmen, Felicity, the Jackals, the Beefeaters and the Briks at Club Saracen on San Jacinto in Austin, Sunday, April 16, 1967
Within a short time, the manager of the Campus Theatre, George Rickrich, brought the Beefeaters into his Bismark Agency, which also represented the Briks, the Chessmen, Felicity, and the Jackals. Rickrich booked the bands for college parties throughout Texas and into Oklahoma, and clubs: including Louann’s, the Three Thieves, and the Cellar in Dallas; the Box in Ft. Worth; Club Saracen, the New Orleans Club, and the Jade Room in Austin where they also shopped for clothes at the Electric Rocking Horse.
The Beefeaters provided entertainment on a day-long chartered train, the Santa Fe Big Chief, for a football game at Wichita State U. in Kansas. The Campus Chat covered the journey:
… North Texas won the game … the dance bands played well despite their precarious perch in a bucking, 9- by 70-foot baggage car, and the legal age for buying beer in Kansas is 18 …
The New Sound plugged in to one of the three baggage cars around 9 and, after 30 minutes of blow switches, was in full swing … Dancers, about 50 at a time, battled flailing elbows and a lurching floor in the cramped car …
… the Beefeaters struck up, and the dancers were once again making the most of their promised 20 hours of fun …
A promo sheet for the group lists Whitfield Snell, David McCullough as contact in Denton, and David Black in San Antonio.
The Beefeaters, possibly at the Alpha Delta Pi sorority house, from left: Whit Snell, Mark Johnson (with jug), Bill McCullough (drums), Dan O’Banion, and David McCullough (bass)On stage at Club Saracen, Austin!
Towards the end of 1966, the Beefeaters entered a studio in Dallas to cut two originals by Whit Snell, “Don’t Hurt Me” / “Change My Mind”. The lineup that recorded these was: Mark Johnson, Whit Snell, Dan O’Banion, David McCullough, Jr., and Bill McCullough. Whit remembers Lee Hardesty of the Briks accompanying the band to the studio, and lending Whit his Vox fuzz pedal for “Don’t Hurt Me” and 12-string guitar for the “Change My Mind”.
Though satisfied with the recording, Whit thought the songs were not good enough, which may have been one reason why they didn’t see release on the Bismark label at the time. Tapes of the songs have circulated since, and they’re widely regarded as classics of the ’60s Texas teen sound.
Whit Snell of the Beefeaters at the Pusi-Kat Club, San Antonio, 1967The Jackals, the Beefeaters, the Felicity with the Sweetarts, the Chevells and Chain Gang at Club Saracen on San Jacinto in Austin, Sunday, June 25, 1967. I’d like to know more about the Lebanon School Fund
During the Christmas holiday in 1966, the Beefeaters returned to San Antonio to play the Pusi-Kat club from December 26-30 with Lord August. When the band went back to Denton in January 1967, Mark Johnson had left the band and school to travel abroad.
That same January, the Denton Record-Chronicle reported the Beefeaters hearse was stolen from the NTSU campus, and they lost $4,000 worth of amplifiers, drums and guitars. Funny enough, the first report said it was the Chessmen’s hearse, but the paper corrected the story a few days later, and a later follow-up said the instruments were recovered in Gainesville.
The 1967 and ’68 school years saw the Beefeaters expand the scope of their gig territory: as far north as Amarillo, Wichita Falls, and Oklahoma City, east to Houston, Galveston and Fort Smith, Arkansas, and south to Corpus Christi, and Matamoros, Mexico.
By the summer of ’68, Dan O’Banion and Whit Snell were living at the Eagle Apartments in Dallas near Don Henley and other former Denton musicians, a musically rewarding time.
The military draft pulled any band members who left college, including David McCullough, who joined the Navy, became a Corpsman, and was assigned to the Marines. During the war he was stationed in the Philippines and served on a hospital ship. Members of other groups, such as Cecil Cotton and Steve Martin of the Briks, and Mike Neal of the Jackals had already joined the reserves and returned to the scene.
The Beefeaters on stage at Gibson’s Discount Center in Kerrville: from left: Jimmie Randall, Whit Snell, Roger Brooks or Doyle Bramhall on drums, and Dan O’Banion.The Beefeaters on stage at Gibson’s Discount Center, Whit Snell in foreground
Because of the draft taking David, and Bill McCullough leaving at about the same time, the Beefeaters went through a rotating cast of Dallas and Denton musicians filling in for short periods, including Jimmie Randall (of the Gentlemen) on bass; Roger Brooks, then Doyle Bramhall (of the Chessmen) on drums; John Talley (of the Jackals) on keyboards; and Lee Hardesty on guitar.
Doyle Bramhall or possibly Roger Brooks, performing with the Beefeaters at Gibson’s in Kerrville
A series of photos taken onstage at Gibson’s Discount Center in Kerrville, TX show Jimmie Randall on bass and I believe Doyle Brahmall on drums.
The Beefeaters played the Pusi-Kat in San Antonio frequently during the summer of ’68, as well as Love Street, and a show at the Teen Canteen in October, but their most notable gig was opening for the Jeff Beck Group at Southern Methodist University’s McFarlin Auditorium on Saturday, November 9, 1968. Whit recalls the Beefeaters also opened for the Jeff Beck Group in Oklahoma City on Sunday, November 10.
The Jeff Beck Group, Brige, and the Beefeaters at McFarlin Auditorium at SMU, November 9, 1968. I haven’t heard of Brige before.Flyer for one of their later shows at Family Circle, 1901 Canton at Marilla in Dallas
Whit Snell left the band and school in 1969, but various lineups continued gigging as the Beefeaters for another year or so.
Thank you to Whit Snell, Dan O’Banion, Bill McCullough, and Mark Johnson of the Beefeaters (RIP David McCullough); William Williams (Wm Wms) of the Jackals, Birdman Cantillo, Don Julio, Wm Wms and other contributors to the now defunct Big D ’60s yahoo group and Trinity River Music flickr group, and anyone else I’ve missed. Photos courtesy of Bill McCullough, Whit Snell and Wm Wms.
Bill McCullough and Dan O’Banion
A shorter version of these notes accompany the new remastered 7″ release of “Don’t Hurt Me” / “Change My Mind” now available on Mojo-Bone Rekkids.
Bill McCullough
As always, I’d appreciate more info on the group, and help correcting any errors.
Fontella Bass featured in Melody Maker, 11 December 1965, page 10
Having arrived in Britain on 1 December 1965 for TV appearances only, including performing on BBC’s Top of the Pops, ITV’s Ready Steady Go and TWW’s Discs as Gogo, US soul singer Fontella Bass returned to Britain in the first week of January 1966 for a two-week tour.
Judging by the article from Melody Maker below, she was backed by seven-piece Surrey outfit, The Just Five for all of the gigs, although keyboard Alan Reeves says The Krew did back her for a one-off gig at the Scotch of St James.
Melody Maker, 8 January 1966, page 4
Tour dates (see pic above for more details)
8 January 1966 – Market Assembly Hall, Carlisle, Cumbria with Just Five, Checkmates and The Dawnbreakers (Carlisle and Cumberland Journal)
9 January 1966 – Oasis, Manchester (Manchester Evening News & Chronicle)
11 January 1966 – Britannia Rowing Club, Nottingham (Nottingham Evening Post)
13 January 1966 – Oldham Astoria, Oldham, Greater Manchester (Manchester Evening News & Chronicle)
14 January 1966 – ITV’s Ready Steady Go with The Kinks, Pretty Things, Patti LaBelle & Her Belles and Lee Dorsey (Melody Maker)
15 January 1966 – Astoria Ballroom, Rawtenstall, Lancashire with The Just Five, The Rogues and The Beatroots (Accrington Observer/Lancashire Evening Telegraph)
Melody Maker, 15 January 1966, page 3
16 January 1966 – Flamingo All-nighter, Wardour Street, Soho, central London with The Chessmen (Melody Maker)
18 January 1966 – Marquee, Wardour Street, Soho, central London with The Action (Melody Maker) Missed due to food poisoning
Melody Maker, 29 January 1966, page 5
19 January 1966 – Mecca Pavilion Royal Pier, Southampton, Hants with The Just Five (Southern Daily Echo)
We’d welcome any further information on this tour in the comments below
The Myddle Class at the Excelsior House, October 1966, from left: Charlie (“Tony”), Dave, and RickThe Myddle Class at the Excelsior House, October 1966, Charlie (“Tony”), Dave, and RickAd in the Troy Record, October 15, 1966
The Myddle Class traveled to Snyder’s Lake, near Troy, New York, to play two weekends, October 14, 15 & 16, and 21, 22 & 23 at the Excelsior House nightclub, which was then attracting college students and other young people (the drinking age was 18) four to five nights a week to see acts like the Critters, the Liverpool Set and the Knickerbockers.
I was astonished to find 11 snapshots taken during their time at the club, along with autographs collected from each. Hilariously, Charles Larkey is noted as “Tony” on the album pages, though he signed his autograph correctly as Charlie Larkey.
The Excelsior House ran ads regularly for their shows. For the Myddle Class, some were spelled correctly, but a couple others billed them as the Middle Class.
Autographs of Dave Palmer, Myke Rosa and Rick Philp of the Myddle Class, from the Excelsior House, October 1966Autographs of Charlie Larkey and Dan Mansolino of the Myddle Class, from the Excelsior House, October 1966Charles Larkey (“Tony”) of the Myddle Class, at the Excelsior House, October 1966Charlie Larkey (“Tony”) of the Myddle Class with patron or friend, at the Excelsior House, October 1966The Myddle Class at the Excelsior House, October 1966, Dan Mansolino and Charlie (“Tony”) LarkeyThe Myddle Class at the Excelsior House, October 1966, from left: Charlie (“Tony”), Dave, Myke and RickThe Myddle Class at the Excelsior House, October 1966, from left: Dave Palmer, Rick Philp and Myke RosaThe Myddle Class at the Excelsior House, October 1966, from left: Charlie “Tony” Larkey, Dave Palmer and Rick PhilpThe Myddle Class at the Excelsior House, October 1966, Charlie Larkey and Dave PalmerThe Myddle Class at the Excelsior House, October 1966, Dave Palmer and Rick Philp
The Excelsior House, a 19th century house on tiny Snyder’s Lake, a short drive southeast of Troy, NY, had a history dating back to the 1930s as a rural nightclub and restaurant. It drew crowds from a wide geographic area with various forms of entertainment and events.
In 1964, a new owner, Harry Doakmajian, started bringing in rock and pop acts. Over the next four years the Excelsior House hosted a succession of notable house bands.
The Knickerbockers: Jimmy, Beau, John, Buddy, at the Excelsior House, The Troy Record, May 1, 1965
The Knickerbockers made the Excelsior House their second home, with frequent months-long bookings from August 1964 until December 1965, and occasional monthly residencies in 1966 and 1967. The booklet of the Sundazed CD The Great Lost Knickerbockers Album! includes photos of Buddy Randell and Beau Charles on stage at the Excelsior House in 1966.
The Sundowners, from Lake George, held down monthly gigs in 1965 into 1966, and the Good Times were regulars from April through July 1966 (billed early on as “Direct from Harlow’s in N.Y.C.”) and again in September and December 1966, and January 1967.
The Kynds and the Good Times, Excelsior House, The Troy Record, 1966, April 9
I am not certain if this is the Goodtimes from Providence, RI, who also recorded as the Tradewinds, or more likely the band from Newburgh who recorded two albums of pop on Meteor as the Goodtimes III. This group, comprised of Johnny Babb, Timmy Jones, Dave Kennedy and Bobby Lonie, among others, cut some good unreleased songs, possibly recorded at Earl Kennett’s studio, as Dave Kennedy recommended the studio to the Jelly Bean Bandits to make their first demos.
Below is a compendium of the acts that played, compiled mainly from ads in the Troy Record newspaper (which became the Times Record).
Bands were usually booked Friday and Saturday evenings. Over time, early Sunday shows were added, then Wednesdays and Thursdays as well.
1964:
February: Tino and the Revlons April 18: the James K4 June: Tino and the Revlons, the Act III July: the Capris (“direct from Miami Beach”), and the Continental Twisters August: the Act III and the James K4 August 3: Buddy Randell and the Knickerbockers August: the Mystics and the Continentals September through December: the Knickerbockers
1965:
Sundowners with Eddie Brick and Bobby Dickson, Excelsior House, The Troy Record, 1966, Nov 12
January: the Knickerbockers February: the Sundowners March: Tino and the Revlons (“Troy’s Own Beetles”), the Blue Counts and the Motions April: the Motions, the Vi-Cleefs April and May: the Knickerbockers
Nick Brignola and His Modern Jazz Quartet: Thursdays in June and July
July 31: Jay and the Americans plus the Knickerbockers July: the Knickerbockers August: the Knickerbockers September: Don Sohl and the Road Runners (Nebraska band who cut great sax & guitar instrumentals like “Voo Doo” on Palms and “Rampage” on Dreem). September: the Road-ents, the Progressions October: the 4 Synns
Cordels at the Excelsior House, The Troy Record. 1965, Oct 9
October 16: the Classics and the Chessmen November: the Cordels December 23: the Knickerbockers and the Sundowners December: Sundowners
1966:
The Chartbusters, the Sundowners, and the Big Bear Revue, the Troy Record, 1966, Feb. 12
By 1966 the Excelsior had two venues on the same compound: the main building with pop, rock and soul bands, and another called the Corral specializing in country music and square dancing, such as Rob Horton and the Friendly Travelers or Pete Williams and His Ranchers, but I have not compiled an extensive list of those c&w groups.
January – February: the Sundowners February 19, 20: the Big Bear Revue (“Big Bear” / “People” on Cuppy Records) February 25, 26: the Check Mates March: Snoopy’s Crew March 5: the Fugitives March 12: the “ever popular” Esquires March 25: the Fireballs April 3: the Group 4 April 9, 10: the Kynds April 14 had a special show, Jerry Lee Lewis and his Review!
May and June: Knickerbockers and Good Times
On July 29, the Souls Inc. “12 Man Group” took over through August, sometimes with Lord X and his X Chords August 27 (Saturday): Tim Rose Trio
The Critters and the Good Times, Excelsior House, The Troy Record, September 23, 1966
The Good Times resumed house band status for September but there were a number of interesting featured acts that month and October:
September 2, 3 and 4: the Younger Boys (I don’t know anything about this group) September 23: the Critters September 28, 29, 30, 31 & October 5, 6, 7, 8 and 9: the Liverpool Set
The Myddle Class, Excelsior House, The Troy Record, 1966, Oct 22
October 14, 15 and 16 and 21, 22 and 23: the Myddle Class (billed in some ads as the Middle Class)
Ricardo and the 4 Most, Excelsior House, The Troy Times Record, February 3, 1967The Cleaners, Excelsior House, The Troy Record, October 29, 1966Ricardo and the 4 Most, Excelsior House, The Times Record, Feb. 10, 1967
1967:
January: the Good Times February: Ricardo the the Fore Most (4 Most) March: the Sundowners and the O’Royals (the Fabulous Royals) March 26: Roger Freeman with the Spoiled Brats April 1: the Night Watch April: the Liverpool Set May: the Knickerbockers
1968:
February: the Shades of Brass, the Legends of Sound
Eva’s Towpath II, formerly Excelsior House, Imperials, The Troy Record, 1969, Nov 16
In September, 1969, the Excelsior House was taken over by Eva Varaday and renamed Eva’s Towpath II, but it only continued for a few months before it was shut down by the Rensselaer County Health Department for the same reason the previous owner lost his liquor license: the Excelsior House, like most of the other residences on the lake, had been sending raw sewage into Snyder’s Lake, which was only 1/8 of a square mile (approximately) in area! It did reopen in the mid-’70s for a short time as a meeting place, but I read there was a major fire in 2009.
If anyone has old photos of the Excelsior House, or a news clipping on the 2009 fire, please contact me!
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials
