Category Archives: Morgan

The Rockin’ Gibralters of Montgomery, AL

Rockin’ Gibralters, from left: Rusty Crumpton, Ronnie Monroe, Sonny Grier (seated), Ed Sanford, Bobby DuPree and Keith Brewer

Rockin' Gibralters Morgan 45 Go With MeThe Rockin’ Gibralters came out of Montgomery, Alabama, making four singles between 1966 and 1968.

Members were:

Sonny Grier – vocals
Rusty Crumpton – lead guitar
Ed Sanford – keyboards
Keith Brewer – bass guitar
Bobby DuPree – drums
Ronnie Monroe – trumpet (and roadie?)

I haven’t been able to find details about their history yet.

Rockin' Gibralters RG 45 Bug of SoulI’m not sure which was their first single but it may have been “Go With Me” / “Signed, Sealed and Delivered” on Morgan HV-9040 from 1966. Sonny Grier and Keith Brewer wrote “Go With Me”, with publishing by Granny Music. The band’s name is spelled Rockin’ Gibraltars on the labels.

This is their most “garage” single, with harmonica but no trumpet, and some great screams from Sonny Grier on “Signed, Sealed and Delivered”.

The Rockin’ Gibralters next single was probably “It Will Stand” / “I Can’t Help Myself (For Loving You)” on Empire 447. The B-side is another original by Brewer and Grier, which I haven’t heard yet.

The Gibralters released their next two singles on their own RG Records label, fashioning a fine soul sound on each. The different label designs and numbering suggest different studios or pressing plants.

Rockin' Gibralters RG 45 What's Your Hurry“Bug of Soul” is an original by Rusty Crumpton and Ed Sanford, on RG Records 480. The trumpet plays an important part in the sound of the band by this time. I’m not sure if “It Will Stand” is the same version as the Empire single or a new take. Release date was about November 1966.

“What’s Your Hurry” is their most produced single, with what sounds like vibraphone as well as piano. Crumpton, Sanford, and Grier wrote that side, while Crumpton, Sanford and Brewer wrote “The Bare Essential”, the ostensible A-side, though I haven’t yet heard it. Lowery Music Inc. published both songs. Release was December, 1968.

In 1968, Ed Sanford, Keith Brewer and Bobby DuPree would form a group called Heart, with Johnny Townsend and Tippy Armstrong of Tuscaloosa’s Magnificent Seven / Rubber Band. Heart would play the Whisky a Go-Go in Los Angeles and cut one single on Reprise Records 0772, “The Train” (J. Townsend) / “Heartbeat” (Brewer-Sanford-Townsend-Dupree-Crumpton), both Hollytex Music Co. and produced by Bob Hinkle.

I’m not sure what Sonny Grier, Rusty Crumpton or Ronnie Monroe did after the breakup of the Rockin’ Gibralters.

Rockin’ Gibralters discography:

Morgan HV-9040 – “Go With Me” (S. Grier, K. Brewer) / “Signed, Sealed and Delivered” (TK4M-2418/9) 1966

Empire 447 – “It Will Stand” / “I Can’t Help Myself (For Loving You)” (Brewer, Grier, pub Fame Pub. Co BMI) SO 3338/9

RG Records 480 – “Bug of Soul” (Crumpton, Sanford) / “It Will Stand” November 1966

RG Records 1118 – “The Bare Essential” (Crumpton, Sanford, Brewer) / “What’s Your Hurry” (Crumpton, Sanford, Grier) both Lowery Music Inc., BMI

The photo at top came from the very interesting Tuscaloosa Beach Music site which is now unfortunately defunct but available, in part, on the Internet Archive.

The Hey Baby Days site has a few more photos of the Rockin’ Gibralters, including on stage at the City Auditorium.

Morgan Records discography

The Fabulous Checkmates Morgan 45 SafariMorgan Records had its base in Montgomery, Alabama. Some artists, like the Rockin’ Gibraltars recorded at Cloverland Studio in Montgomery. Publishing was often with Granny Music BMI.

Morgan discography (incomplete – any help with this would be appreciated)

Morgan 674H-3947 – Kavaliers – “Get Your Feet Off Me” / “If You Loved Her” (SK4M-3947/8) (November 1965)
Morgan 5965 – Doug Hughes – “Reno Blues” (Mitchell Bush, Granny Music BMI) / “Two People I Know” (SK4M-5966)
Morgan HR 9018 – Charlena & the Rockettes – “Ramrod” / “Last Night”
Morgan HV-9026 – Joe & Harold – “Rag Mop” / “That’s What’s the Matter with Me”
Morgan HV-9040 – Rockin’ Gibraltars – “Go With Me” (S. Grier, K. Brewer) / “Signed, Sealed and Delivered” (TK4M-2418/9) 1966
Morgan HV-9041 – The Mustangs – “Hitch Hike” / “Daddy’s Home” (T4KM-5005/6) 1966
Morgan HV-9044 – The Bankrupts, vocal Jimmy Wood – “Bankrupt” (J. Segrest) / “Why Can’t I Change” (T4KM-5107)
Morgan HV-9049 – Fabulous Checkmates – “Safari ‘Jungle Trip'” (Bush, Jones, Helms, Windham, Dean) / “My Sin and My Pride” (TK4M-5243/4)
Morgan HV-9059/9053 – Kavaliers – “Hot Cha” (Woods) / “Hey Baby” (TK4M-9707/8) (1966)
Morgan HV-9060 – The Seeds of Time – “She’s Been Travelin’ ‘Round the World” / “Gina” (TK4M-9674/5)

The Kavaliers were Wayne Neuendorf, Jack Boutwell, Mike Morris, Larry Hughes, Tim Nix and Mike Walters.

Thanks to Gary Wise and Max Waller for help with the discography.

The Seeds of Time

Mike Lewis and Craig Weidenheimer had been playing with a largely instrumental group at their high school in Monroeville, Alabama, a town about halfway between Mobile and Montgomery. Mike was lead guitarist and Craig played bass and sang. When the older members graduated, Mike and Craig brought in friends Lee Howington (keyboards), Jim Harper (rhythm guitar and sax), and Mike McMillon (drums) and started playing Beatles-influenced rock, first as Robin and His hoods and then as the Seeds of Time.

At shows they played alongside the Rubber Band, the K-Otics, the Phaetons and the Rockin’ Gibralters. Although they gigged regularly, without a manager or and ties to promoters, the band never had a footing in radio or large club bookings. In an interview with Mike Dugo, Craig Weidenheimer spoke about live shows: “We played fraternity parties, bars (even though we were under age), and school dances but mostly we went from town to town with our record and paid the local DJ’s to play our record. To get them to do it sometimes we would go in and play live to help promote the record. It was something to get on the radio and then everyone wanted to hear live bands. So we would rent an Armory or VFW hall and put up posters that we were coming to town (like the circus) and sometimes we could get large crowds. There was not much else to do. We were referred to as The Seeds by most people, so when the band called The Seeds came out with ‘Pushin’ Too Hard’ there was some confusion. We actually played the song, so as not to disappoint.”

In 1966 they went into a studio in Montgomery usually used for recording jingles. The band cut two original songs by Mike Lewis, recording live with two vocal mics and doing about three takes for each song. The sound is primitive but each instrument can be heard, if distantly and with some distortion on the vocals. “She’s Been Travelin’ ‘Round the World” is the standout due to Mike McMillon’s quick drum beats, thumping bass playing from Craig, Mike Lewis frantically bending the guitar strings into odd note combinations, and a queasy organ sound. Shouting the lyrics in unison, the vocals drive the needles into the red and make it hard to decipher the lyrics.

The flip, “Gina” has a melancholy quality from the organ and the distant vocals that has grown on me. The next year the band recorded a second 45 at a studio in New Orleans that I haven’t heard: “Twelfth’s Night Indication” / “Shadow In My Mind”, two more originals by Mike Lewis. Other demos cut at Fame Studios in Muscle Shoals have been lost. By this time they had added Mike Tatum on trumpet.

With members going to college the Seeds of Time broke up. Craig Weidenheimer and Mike McMillon had a college band called Mfinger with Jere Ellis of the Rubber Band. Mike Lewis stayed in the music business for good. After college he moved to Atlanta and formed Brick Wall, with one 45 on Capitol, “Poor Mary Has Drowned,” then joined the Devil’s Brigade (one 45 on Mainstream) and moved to LA. Dick Dodd asked him to form a band to tour as the Standells opening for the Grassroots. When that ended, the band, without Dodd evolved into Joshua (an LP on AVI). He started subbing for Nicky Hopkins in Quicksilver Messenger Service, joining the band full time in 1972. Later on he produced successful disco records and soundtracks.

Sources include: Photos and info from Mike Dugo’s interview with Craig Weidenheimer, and John Barthel’s interview with Michael Lewis.