Happy Magazine

Back row left to right: Alan Marshall, Alan White and Kenny Craddock. Front row, left to right: Peter Kirtley and Brian Rowan. Photo: Peter Kirtley
Back row left to right: Alan Marshall, Alan White and Kenny Craddock. Front row, left to right: Peter Kirtley and Brian Rowan. Photo: Peter Kirtley

Alan Marshall – lead vocals

Peter Kirtley – lead guitar

Kenny Craddock – organ

Brian Rowan – bass

Alan White – drums

Happy Magazine was soul/R&B band that was formed during August 1967 by singer Alan Marshall and lead guitarist Peter Kirtley and was managed and produced by former Animals keyboard player/singer Alan Price.

The two musicians have previously played together in Southeast London R&B group, The Loose Ends from around July 1965 to October 1966 when Kirtley departed to join The Alan Price Set.

Alan Marshall meanwhile formed a new version of The Loose Ends, drawing on Croydon, Surrey band, The Subjects, which featured Malcolm Rudkin (vocals); Alan Griffin (lead guitar); Phil Lanzon (organ); John Manderson (bass); and Roy Manderson (drums).

After a short while, John Manderson and Malcolm Rudkin, who did not want to turn professional, departed and the band’s manager Bryan Mason recruited sax player/guitarist Mick Patel, who had previously worked with Carl Douglas and bass player Colin Pullen from Kent band, Bob ‘N’ All. Not long after, Roy Manderson was succeeded by another Bob ‘N’ All member, Tony Glyde.

In early December 1966, Bryan Mason expanded the formation by adding another Bob ‘N’ All member – singer Bob Saker and the group played regularly at the Playboy Club.

The Loose Ends then landed a residency at the Bang Bang Club in Milan’s San Guiliano district, which kicked off in the third week of January but Alan Griffin departed just before the group left for Italy and Colin King from Bob ‘N’ All took his place.

During early March 1967, The Loose Ends returned to London and played at the Scotch of St James and the Speakeasy. At one of the venues, Otis Redding spotted Alan Marshall and Bob Saker and invited them to Muscle Shoals to record, and during May/June the singers cut two tracks – “Johnny B Goode” and “Keep on Pushing”, which were never released. Marshall and Saker then returned to the UK.

By this point, Peter Kirtley was ready to leave The Alan Price Set to team up with Alan Marshall and around August the pair formed Happy Magazine. Initially, Marshall’s friend Bobby Sass was going to play keyboards but he departed after initial rehearsals.

Kirtley, who was originally from Tyneside and had played with Shorty & Them during the early 1960s, introduced his old friends from Jarrow, the late Kenny Craddock on organ from Tyneside bands The Elcorts and New Religion, and Brian Rowan on bass from Shorty & Them. He also recruited drummer Alan White, formerly a member of Tyneside outfits, The Bluechips and The Gamblers.

Image may be subject to copyright

Kicking off with Alan Price’s excellent “Satisfied Street”, backed with “Beautiful Land” in December 1967, featuring a horn section that may well be Amboy Dukes members Buddy Beadle and Steve Gregory (also ex-Alan Price Set), the label re-issued the track three months later coupled with the Dan Penn/Spooner Oldham soul classic “Do Right Woman – Do Right Man”. During this time, the group also became regulars at Rasputin’s club in Bond Street.

Happy Magazine singleDuring 1968, Alan Price recruited Alan White for his backing band, and Malcolm Wolffe from West London bands, The Tribe and Dream took over. The band then cut its third and final outing, a brilliant reading of the Dee/Potter collaboration, “Who Belongs To You” (again with horns), coupled with the previously available “Beautiful Land”. Issued on 14 February 1969, the single should have catapulted the band into the charts.

With the single failing to grace the charts, Alan Marshall departed to form the experimental jazz/funk/blues band, One, who cut a brilliant lone album for Fontana later that year.

 

Peter Kirtley Brian Rowan Kenny Craddock Malcolm Wolffe Alan Marshall
Left to right: Peter Kirtley, Brian Rowan, Kenny Craddock, Malcolm Wolffe and Alan Marshall

Joined by lead guitarist Kevin Fogarty (originally a member of Southport R&B group, Timebox); his old friend and keyboardist Bobby Sass; bass player Brent Forbes from Salford bands, The Rogues and Sunshine; sax and flutist Norman Leppard; and drummer Conrad Isidore, One should have been a huge success but the album (which featured Peter Kirtley on lead guitar) sank without a trace.

Peter Kirtley, Kenny Craddock and Alan White meanwhile brought in two friends from Newcastle – ex-Skip Bifferty members, singer Graham Bell and bass player Colin Gibson, and signed to Bell Records for a one-off single as Griffin.

Produced by Alan Price and issued on 25 September 1969, the Kirtley-Gibson-Craddock collaboration, “I am The Noise in Your Head,” coupled with Kirtley’s “Don’t You Know” was an impressive outing but failed to trouble the charts.

Griffin soon splintered and Kirtley went on to record with several notable bands, including Riff Raff, Radiator and Pentangle. Later he appeared on albums by Liane Carroll and Bert Jansch.

Kirtley has also issued two solo albums, Peter Kirtley and Bush Telegraph as well as the charity single, “Little Children”, for Jubilee Action, to raise money for street children in Brazil and featuring Paul McCartney.

Having fronted new versions of One, Alan Marshall surfaced as a solo artist on Fontana in 1970. In France, the label issued a rare single that coupled One’s excellent cover of Richie Havens’s “Don’t Listen To Me” with a solo outing – “How Much Do You Know”, adapted from “Adagio Royal” by F de Boivallee.

When that single failed to chart, Marshall ended up joining Strabismus, which subsequently changed its name to Riff Raff when the singer’s former band mate from The Loose Ends/Happy Magazine, Peter Kirtley joined. However, Marshall quit before Riff Raff’s debut album was recorded and pursued a solo career before recording with Zzebra. He then joined Gonzalez in the late Seventies in time for their 1979 release, Move It To The Music. Marshall continues to perform in London.

Alan White became a top session player, working with John Lennon and George Harrison among others and later joined Yes, with whom he continues to play.

White’s replacement Malcolm Wolffe meanwhile joined Geno Washington & The Ram Jam Band.

Notable gigs:

Image may be subject to copyright

2 September 1967 – Iron Curtain Club, Small Heath, West Midlands with Erskine T (Birmingham Evening Mail)

Image may be subject to copyright

9 September 1967 – Upper Cut, Forest Gate, east London with The Tremeloes (Melody Maker)

Image may be subject to copyright

9 September 1967 – Tiles, Oxford Street, central London with Winston G & Heart and Souls (Melody Maker)

22 September 1967 – Darling Club, Maidenhead, Berkshire (Reading Evening Post)

23 September 1967 – Clouds, Derby (Derby Evening Telegraph)

 

23 October 1967 – Foseco Sports & Social Club, Tamworth, Staffordshire (Tamworth Herald)

Image may be subject to copyright

4 November 1967 –  G-Ranch, Discotheque, Maidstone, Kent (Maidstone Gazette)

19 November 1967 – Samantha’s, Bournemouth, Dorset (website: https://bournemouthbeatboom.wordpress.com/)

 

13 January 1968 – Beachcomber, Nottingham (Nottingham Evening Post)

Image may be subject to copright

17 February 1968 – Nuneaton Parish Hall, Nuneaton, Warwickshire with Arnham Bloo (Nuneaton Evening Tribune)

Image may be subject to copyright

24 February 1968 – Windsor Ballroom, Redcar with The Skyliners (Middlesbrough Evening Gazette)

 

7-9 March 1968 – Hatchetts Playground, central London (Melody Maker)

Image may be subject to copyright

7 April 1968 – Tower Ballroom, Great Yarmouth, Norfolk (Yarmouth Mercury)

13 April 1968 – Club A Go Go, Newcastle upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)

Image may be subject to copyright

15 April 1968 – Queen’s Ballroom, Wolverhampton with Tony Rivers & The Castaways and Glass Menagerie (Express & Star)

28 April 1968 – Beachcomber, Nottingham (Nottingham Evening Post)

Image may be subject to copyright

8 June 1968 – Clockwork Orange, Chester, Cheshire with Tamca Band and Watson Brown Band (Wrexham Leader)

Image may be subject to copyright

19 July 1968 – Redcar Jazz Club, Redcar, North Yorkshire with The Easybeats and Rivers Invitation (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: RedcarJazzClub/Middlesbrough Evening Gazette)

Image may be subject to copyright

20 July 1968 – Windsor Ballroom, Redcar, North Yorkshire with The Skyliners (Middlesbrough Evening Gazette)

22 July 1968 – Winter Gardens, Cleethorpes with Ferris Wheel and Glass Showband (Grimsby Daily Telegraph)

 

1 August 1968 – Klooks Kleek, West Hampstead, north London (Melody Maker)

8 August 1968 – Bag O’Nails, Kingley Street, Soho, central London (Fabulous 208)

Image may be subject to copyright

9 August 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)

Image may be subject to copyright

10 August 1968 – Beachcomber, Nottingham (Nottingham Evening Post)

Image may be subject to copyright

19 August 1968 – Bluesville ’68, Manor Ballroom, Ipswich, Suffolk (Ipswich Evening Star)

Image may be subject to copyright

2 September 1968 – Bluesville ’68, Manor Ballroom, Ipswich, Suffolk (Ipswich Evening Star)

7 September 1968 – Rainbow Suite Co-op, Birmingham with The Baron (Birmingham Evening Mail)

11 September 1968 – Summerhill House Hotel, Kingswinford, West Midlands (Express & Star)

19 September 1968 – Klooks Kleek, West Hampstead, north London (Melody Maker)

Image may be subject to copyright

29 September 1968 – The Tent Club, Swan Hotel, Billingham with The New Blues Revue (Middlesbrough Evening Gazette)

Image may be subject to copyright

19 October 1968 – Lion Hotel, Warrington, Cheshire with Earl Preston’s Reflections (Warrington Guardian)

Image may be subject to copyright

20 October 1968 – Carlton Club, Warrington, Cheshire (Warrington Guardian)

Image may be subject to copyright

26 October 1968 – Cheltenham Spa Lounge and Ballroom, Cheltenham, Gloucestershire (Gloucester Citizen)

Image may be subject to copyright

 3 November 1968 – Redcar Jazz Club, Redcar, North Yorkshire with The New Formula (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: Redcar Jazz Club/Middlesbrough Evening Gazette)

3 November 1968 – Surrey Rooms, Kennington, south London (South East London Mercury) This seems very unlikely unless it was another date

8 November 1968 – Pantiles, Bagshot, Surrey (Surrey Advertiser)

Image may be subject to copyright

9 November 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)

Image may be subject to copyright

16 November 1968 – Stage Club, Oxford (Oxford Mail)

30 November 1968 – Beachcomber, Nottingham (Nottingham Evening Post)

Image may be subject to copyright

22 December 1968 – City Hall, Newcastle Upon Tyne, Tyne & Wear with The Animals, Grapefruit, The Paul Williams Set, Barry St John, Long John Baldy, Kim Davis & The Beginning, Noble Forde and The Tempo Set (Newcastle Evening Chronicle) Original Animals’ reunion gig/Geno Washington was billed but cancelled

Image may be subject to copyright

27-28 December 1968 – Quay Club, Newcastle Upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)

 

3 January 1969 – The Place, Hanley, Staffordshire (Evening Sentinel)

19 January 1969 – Redcar Jazz Club, Redcar, North Yorkshire with The Paul Williams Set (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: RedcarJazzClub)

Image may be subject to copyright

25 January 1969 – Beachcomber, Nottingham (Nottingham Evening Post)

 

8 February 1969 – Swan, Yardley, West Midlands with The Locomotive and Magazine (Birmingham Evening Mail)

9 February 1969 – Black Prince Hotel, Bexley, southeast London (South East London Mercury)

22 February 1969 – The Factory, Birmingham (Birmingham Evening Mail)

 

1 March 1969 – The Factory, Birmingham (Birmingham Evening Mail)

11 March 1969 – Club Domino, Newcastle upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)

11 March 1969 – Club Domino, Bedlington, Northumberland (Sunday Sun)

Thanks to Alan Marshall, Peter Kirtley, Alan Griffin, Phil Lanzon, Bob Saker and Colin Pullen for helping piece the story together. Thanks to Peter Kirtley for the photos.

Copyright © Nick Warburton.  All Rights Reserved. No part of this article may be reproduced or transmitted in any from or by any means, without prior permission from the author.

Please contact the author at Warchive@aol.com with further information/corrections

4 thoughts on “Happy Magazine”

  1. Found the following gigs at Redcar Jazz Club, Redcar, North Yorkshire (Source: Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: RedcarJazzClub)

    19 July 1968 with The Easybeats and Rivers Invitation

    3 November 1968 with The New Formula

    19 January 1969 with The Paul Williams Set

  2. I saw Happy Magazine at Pantiles club, Bagshot, in spring 1969. I bought the 45″ of “Who Belongs To You”, and have it to this day (2022). A great track that should have made more impact on the charts at the time.

    1. Completely agree with you. It’s a great track. Alan Marshall, the singer, still busks at Stratford Station in east London at the entrance to the Jubilee Line

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.