Category Archives: Tyler

Murphy and the Mob

Murphy and the Mob Talisman 45 Born LoserDenny Murphy – lead vocals
Terry Murphy – lead guitar, lead vocals
Kenneth Sigler – bass
John Sebring – rhythm guitar
Ronnie Cooper – drums

The great majority of the information in this post is from Andrew Brown’s Brown Paper Sack.

Terry Murphy started playing with school friends when he was in 7th grade in 1964 in Tyler, Texas. The group was dubbed Murphy and the Mob by an adult as a joke but it stuck. A year later Terry found a more serious group of musicians, kept the band name and started practicing regularly in the Murphy family living room.

The group played live at a local teen club called The Plum, at the Bergfeld Park ampitheatre, at the YMCA and at their Catholic high school. At the Bergfeld Park battle of the bands produced by Rodney Kamel, Murphy & the Mob would compete with The Marauders (from Troup, TX), the Hobos from Jacksonville, and the Indifferents from Tyler, featuing Terry’s friend Sam Blanchard. (The Indifferents had a 45 on Valor, “Cindy” / “She’ll Be Back”).

In October 1966, the band went to Steve Wright Studios in Tyler to cut their only single, hoping for some success with “Because You Love Me” an original by Terry and featuring his lead vocal. Funds for the recording came from the father of Terry’s girlfriend, Diane Whitten. For a B-side, the band tried “Born Loser”, a song co-written by Terry, Denny and the group’s manager, Steve Brewerton, who was attending Tyler Junior College that year.

Dennis and Terry Murphy and Steve Brewerton (and their moms!) signed publishing contracts with Steve Wright’s Thunderball Music Co. for “Born Loser” in October 1966. Interestingly the three also signed a contract on July 14, 1966 for an unrecorded song called “Don’t Let It Blow Your Mind”.

The band pressed 500 copies to be sold at Anton’s Records in the Weingarten Shopping Center, and reached #11 on KDOK’s charts in November 1966. The band continued until the summer of 1967. Terry Murphy stayed in music while Denny Murphy and Ronnie Cooper left music. Sadly, Kenneth Sigler and John Sebring passed away many years ago.

Stephen Brewerton commented at On the Flipside:

Stephen Brewerton, Tyler Junior College Yearbook Photo
Stephen Brewerton, in the 1966 Tyler Junior College yearbook

I was a nerd going to junior college trying to avoid the draft. I began making fur vest out of old fur coats discarded behind a local high end department store. I began selling these fur vests to rock bands. Some were sold to bands that recorded at Robinhood Bryan’s recording studio and Steve Wright’s recording studio. I met Terry and Dennis Murphy and somehow became their manager. I wrote the lyrics to “Born Loser.” I managed them for two months. After I quit managing them, Terry and Dennis put music to my lyrics and recorded the songs at Steve Wright’s recording studio. The “A” side made it to the top 10 on KDOK radio station, the local rock station. “Born Loser” made it into the top 40 on KZEY, the local R & B station. After that I joined the Navy and went to war and became an alcoholic. I am a hell of a lot more proud of my small volume of poetry, “Ramblings Of An Alcoholic Mind” than I am the lyrics of “Born Loser.”

Stephen added to Oktay Gürbüz:

I have lost touch with all persons involved in [the] Mob and don’t know where to find them.  As I stated before, I am not interested in an MOB projects.  I cant remember even one word of “Born Loser”. Terry and Dennis probably consider this infatuation with Murphy and the Mob as I do as a mere childhood juvenile frivolity.

Thank you to Andrew Brown, Morgan Young, Terry Murphy and Stephen Brewerton, and to Oktay Gürbüz who prodded me to do this article for a long time!

I am a loner baby, I swing alone I’ve got my own pad and an unlisted phone
A steady job, that’s all I need
One pocket to fill, baby, just one mouth to feed

I got no pals, but look who’s got the gals
They come to my pad because they want me so bad
I sleep all day and I swing all night
I’m so cool, baby, I’m just out of sight

(spoken)
All these people. I mean, people they just don’t understand. They see me coming, they shake their head and
say, “Look at him. He’s the born loser. Well, look at him. Born loser.” All right.

– Born Loser by Murphy, Murphy and Brewerton

Murphy and the Mob and Thunderball Music contract
Murphy and the Mob and Thunderball Music contract for “Born Loser”, courtesy of Stephen Brewerton

 

Murphy and the Mob and Thunderball Music contract
Murphy and the Mob and Thunderball Music contract for “Don’t Let It Blow Your Mind”, courtesy of Stephen Brewerton

The Sensors (with Bugs Henderson)

I’d been wondering if there were any great rock 45s on Ty Tex when I found The Sensors “Sen-Sa-Shun” / “Side Tracked” at Rex’s sidewalk sale this spring. As it turns out, the Sensors had four 45s on Ty Tex.

Buddy Henderson would come to be known as Bugs Henderson when he joined Mouse and the Traps. He started the Sensors in his hometown of Tyler, Texas when he was just 16.

On these two Freddy King songs, Buddy articulates every note, making these two of the better r&b instrumentals I’ve heard. “Side Tracked” has a good jazzy organ solo to boot.

Their version of “Rumble” is also cool, even if it doesn’t have the menace of Link Wray’s original. The organ provides an eerie background. Buddy gets a shimmering tone out of his guitar chords with a ferocious slicing sound towards the end of the song

I haven’t heard the flip side, a version of “Caravan”, but Not Fade Away #2 says guitarist on that side was Levi Garrett. I assume these were recorded at Robin Hood Brians’ studio in Tyler, but I could be mistaken.

The A-side of their third single, “Bat Man” is credited to Henderson and Pittman. The flip is a cover of Jack McDuff’s “Light Blues”.

TT-112 – Sen-Sa-Shun / Side Tracked
TT-115 – Rumble / Caravan
TT-117 – Bat Man / Light Blues
TT-120 – Honest I Do (vocal) / Honest I Do (instrumental)

Thanks to Rich for the transfer of “Rumble” and to Greg Reyes for the scan of “Bat Man”. Thank you to Martin Hancock for finding the scan of “Rumble”.

The Revolvers

Stan Gorman and the Revolvers Ty Tex 45 I Love Lovin' You

Revolvers Ty Tex 45 When You Were MineAs the Ty Tex label was winding down in late 1967, The Revolvers were responsible for four of the last six releases that I know of (#s 127, 128, 129 and 131). None of these are essential listening in my opinion, though the band came close on a few occasions.

Their first 45 is probably the best, with finely-picked guitar on the pop “Like Me” on the A-side, and “When You Were Mine”, a moody original based on “House of the Rising Sun” on the flip. Both were originals by Stan Gorman and Mike Goodrich.

Their second is quite different, featuring two uptempo soul numbers with horns, another Gorman-Goodrich original “Good Lovin’ Woman” backed with a version of “Land of 1,000 Dances.” This release had a notice in Billboard from June of 1967.

On their third, they back singer Dana Black on an unnecessary version of “As Tears Go By”. I haven’t heard the flip, “Your Love’s For Me”, done by just the Revolvers without Dana Black. The label notes “A product of Eula Anton, arranged by Mike Goodrich”.

Their last is credited to their vocalist Stan Gorman and the Revolvers. I have to agree with the note written on the sleeve of my copy: “I Love Lovin’ You” is a good blue-eyed soul number and I could see it being a northern soul hit with a different vocalist. Stan does a good job of the song but doesn’t have the right voice to put it over. Both songs written by Hammond and Gorman. “Green Unicycle” is a wretched pastiche of psychedelia and vaudeville.

Stan Gorman & the Revolvers Ty Tex 45 Green Unicycle

Ty Tex Records Discography

The Antons Ty-Tex 45 Larry's TuneTonettes Ty-Tex 45 Gee Baby

Any help with this discography would be appreciated:

TT-100 – Ron Williams and the Customs – Sue Sue Baby / Empty Feeling (both by Ron Williams)
TT-101 – Guy Goodwin – Roll Out the Red Carpet / Nobody Going Nowhere
TT-102 – Ron Williams – I’ll Miss You So / I Guarantee You Baby (October 1961)
TT-103 – ?
TT-104 – The Antons – Larry’s Tune (Larry Stanley) / Green Eyes (1962) (N8OW-2631/2)
TT-105 – Zeroes – Flossie Mae / Twisting With Crazee Babee
TT-106 – Ron Williams – Wine, Wine, Wine / So Long, My Love (Ron Williams)
TT-107 – The Tonettes – Gee Baby (J. Joseph, A. Tyler) / Friendship Ring (late 1962) (NO9W-2713/4)
TT-108 – Guy Goodwin – Wheels a Hummin’ / You’re Right I Will
TT-7599 – Ron Williams – If I Could Stay Away From You (Ron Williams) / On Top of Old Smokey (also released on Imperial 5729)

The above feature an early label design with outline of state of Texas and roses. See Rockin’ Country Style for more info.

Joe Baby and the Donnells Ty Tex 45 Little Sally WalkerReleases below have a simpler design with Ty Tex at the top:

TT-110 – Donnie Carl – Love and Learn / Do the Wiggle Wobble (D. Kight)
TT-111 – Guy Goodwin- Where Sweethearts Never Part / ? (1962)
TT-112 – The Sensors featuring Buddy Henderson – Sen-Sa-Shun / The Sensors – Side Tracked
TT-113 – Donnie Carl with the Donnells – It Happened to Me Parts 1 & 2
TT-114 – Joe Baby and the Donnells – Little Sally Walker (Doing the Camel Walk) (D. Kight) / I’m Gonna Move to the Outskirts of Town
TT-115 – The Sensors – Rumble
TT-116 – Guy Goodwin – A Taste Of Her Loving / ??
TT-117 – The Sensors – Bat Man – supposed to be scarce.
TT-118 – Donnie Carl – You’ve Got It / Getting Over You (both by D. Kight, December 1964)
TT-119 – Donnie Carl – Heart Attack / If You Want It That Way
TT-120 – The Sensors – Honest I Do (vocal) / Honest I Do (instrumental)
TT-121 – Linda Burns – And That Reminds Me / The Reason Why (October 1965)
TT-122 – The Derbys – A Different Woman Every Day (Taylor-Gadson-Darnell) / The Crow
TT-123 – Ron Williams and the Trebles – So Fine / Let’s Stop Wasting Time (Ron Williams)
TT-124 – Ron Williams – Please Come Back / I’m Sending You A Pencil
TT-125 – One Eyed Jacks – Hang It Up (Robert Leslie Allen) / Down On My Knees
TT-126 – Larry Mack – Last Day of the Dragon (Larry Stanley) / Can’t You See Me Crying
TT-127 – The Revolvers – Like Me / When You Were Mine
TT-128 – The Revolvers – Good Lovin’ Woman / Land of 1,000 Dances (June 1967)
TT-129 – Dana Black and the Revolvers – As Tears Go By b/w The Revolvers – Your Love’s for Me
TT-130 – Floyd Jones – My Mother’s Prayer / Hero’s Welcome Home
TT-131 – Stan Gorman and the Revolvers – I Love Lovin’ You / Green Unicycle

Many of the later releases show “A product of Eula Anton” on the label. At least some of these records were cut at Robin Hood Brians studio in Tyler.

For more information on the Sensors, the One Eyed Jacks, and the Revolvers see their individual entries.

Donnie Carl

Donnie Carl is Donnie Carlton Kight, a soul singer. He wrote most of his songs, sometimes with Mike Goodrich.

Ronny Williams' Gold Standard sleeve Move Up a Little Closer Baby
Ronny Williams’ Gold Standard sleeve
could this be the same person recording for Ty Tex as far back as 1961?

Ron Williams

Ron Williams wrote most of the songs he recorded, here are some other 45s he cut:

Pastel 404, “Poor Little Lamb” / “Hey! Little Pearl” – the A-side is excellent garage. I don’t have the record, but have short clips of both sides here. Arvel Stricklin played lead guitar and Hammond organ on both tracks (source). Pastel Records owned by Maj. Bill Smith.

Vee Jay 675 “Angel Girl” / She Ran Away” (1965)

Austin A-321, “Big Boy Pete” / “Runaway” (despite its name, Austin Records was a Ft. Worth based label. I haven’t heard this one)

Le Cam LC 331 – Ron Williams with Major Bill’s Texans – “Lady Diana” / “Somewhere Between”

A release by Ronny Williams “Move Up a Little Closer Baby” on the Gold Standard label may also be his – but once I saw the photo of him on the sleeve I decided it’s not possible, do you agree? The flip is sung by his brother Larry Williams, “When You Grow Tired Of Him”.

Larry Mack Ty Tex 45 Last Day of the DragonLarry Mack

One of the best vocals that I’ve heard on the label is Larry Mack’s “Last Day of the Dragon”. Songwriting credit goes to Larry Stanley. This is a track I’d definitely like to know more about. I don’t own it yet and haven’t heard the flip.

Thanks to Martin Hancock, Steve Munger and DrunkenHobo for their additions to this discography and the scans seen here. Thank you to Janis Hellard for the scan of Ty Tex TT 114, Joe Baby and the Donnells.

Larry Williams Gold Standard 45 When You Grow Tired of Him

One Eyed Jacks (Texas)

Two good instrumentals, recorded in Tyler, Texas, and produced by Eula Anton.

“Hang It Up” is an upbeat rocker while “Down on My Knees” is a very good blues, with churchy organ playing.

Robert Leslie Allen wrote both songs, and also wrote “Can’t You See Me Crying”, the B-side to Larry Mack’s ‎”Last Day of the Dragon”, also on Ty Tex. The Library of Congress copyright registration from late 1966 shows only Allen’s name, but on the single someone named Anton is co-credited with writing “Can’t You See Me Crying”.

Robert Allen is a likely member but I haven’t found out who the others in the group were.

These One Eyed Jacks are not connected to the Illinois group of the same name who recorded the excellent single, “Die Today” / “Somewhere They Can’t Find Me” on Lakeside, “Love” / “Sun So High” on White Cliffs and two singles on Roulette.

Billy McKnight & The Plus 4

Out of Tyler, Texas come Billy McKnight & The Plus 4 on the Custom label. “You’re Doin’ Me Wrong” is a fine Yardbirds-influenced punker, the drumming is especially fluid. An odd feature is the way the song fades out twice, each time coming back with a shrill keyboard note.

“Time Wasted” is almost country in its sound. I don’t know who else was in the band; Larry Graham did the arranging.

Both songs were written by McKnight and Curtis Kirk, who ran Custom and also owned Tyler Publishing. It seems he was the type of publisher who had his name added onto every song released on his label. Kirk had been a country singer in the ’50s (info on his first session here), most notably cutting “I Can’t Take It With Me”.

“Unlike Robin [Hood Brians], who began in the living room and moved to the back yard, Curtis started in his garage and stayed there!” – from a feature on Tyler studios in Billboard’s Sept. 8, 1973 issue.

This was the first garage 45 released on Kirk’s own Custom Records, which usually released country or gospel 45s. After the Billy McKnight 45, Custom released a killer by the Reddlemen , “I’m Gonna Get in that Girl’s Mind” and a very good one by the Brym-Stonz Ltd.

Billy released a 45 on International Artists the following year as Billy Wade McKnight, “Trouble’s Comin’ On” / “I Need Your Lovin'”, both McKnight originals. These are lighter pop sides, verging on country music, and were produced by Curtis Kirk and Steve Wright, and arranged by Larry Graham.

In 1970 he cut another single as Billy Wade McKnight on Congress, “Stacey” / “Mary Anne”, produced by Tommy Cogbill, but I haven’t heard this yet.