The Remains – ‘Let Me Through’ b/w ‘Why Do I Cry’ (2011 Sundazed S-231)
Review by Rebecca Jansen
“The new single by The Remains,” now doesn’t that alone sound good? Fortunately this vinyl debut of an original Barry Tashian and Vern Miller composition does sound very good indeed! Performed live on Ed Sullivan’s CBS television studio stage, Sunday December 26th, 1965, Barry’s snarling Guild lead guitar is in good form as the group soars (and sometimes stumbles, true) through some Psychotic Reactions style tempo changes. Very fearless on a national show with a song only cooked up a couple weeks before! Topo Gigio was probably forced into hiding while this punky racket was flowering, not that the sound quality is at all lacking with the minor exception of some audience applause at the start and again at the conclusion.
Sundazed’s sleeve is based on a vintage picture sleeve used by Epic, same design but different shot from the same photo shoot, and it’s that attention to detail that keeps Sundazed high in afficianados’ regard. The flip is a version of “Why Do I Cry” from the essential Session With the Remains LP also available through Sundazed. This single is more fun than Senior Wences’ plate-spinner eating goats; I predict it’ll be really beeg with all the kiddies in the garage!
At the suggestion of Mop Top Mike, I’m throwing this one out to the collective wisdom of the internets.
There were plenty of bands called the Wild Ones in the ’60s, but this group doesn’t seem to be related to any of them. A Massachusetts location is possible, as the “200,608” number on the label is similar to others that were produced by Joseph Sala at the AAA Recording Studios in Boston (see for example the Jekyll’s and Hyde’s “You Can’t Judge a Book” on the Boss label). There was a group called the Wild Ones from Shrewsbury/Worchester MA who recorded a 45 I haven’t heard, “Number One Girl” / “Surfin’ Time Again” on Camsul.
Mike wrote: “September, 1965 release. They are not related to the NYC discotheque performing group on United Artists & the Sears label, even tho I’ve seen that mentioned somewhere before. Nothing in copyright matches the titles, songwriters or producer name.”
The highlight is the A-side’s “Please”, a sharp rocker with a desperate singer and a very simple guitar break. “Just Me” is faster, with an even simpler, but effective guitar solo. Good, spare production with a booming sounds to the drums and clearly audible descending bass lines.
Both songs were written by Pratt and Scheurer, and produced by M.A. LaGrotte for the Tiger Productions label.
Info on the Camsul release from Till the Stroke of Dawn by Aram Heller. Song transfers from Gyro1966. Thanks to Mike Markesich for the info and label scans, and to Davie Gordon for pointing out the connection to AAA in his comment below. Thanks also to the Eggman for bringing this subject up!
C.C. & the Chasers have just this one 45 on the Cori label from 1967, “Hey, Put the Clock Back on the Wall” / “Two and Twenty”
C.C. was Charles Currie Wicker, lead vocalist for this group from Boston. Both songs are by Gary Bonner. “Put the Clock Back on the Wall” is more famously done by the E-Types. The flip, “Two and Twenty” is well-turned twee pop.
It was recorded at Continental Studios in Framingham, MA, the same studio used by the Rising Storm. Dan Flynn ran both the studios and the Cori label.
Richard Barnaby wrote to me about the band, and Jack Bruno sent me scans of the two photos seen here. I will have a fuller story soon but for now here is a little info from Richard:
Charles Currie (CC) Wicker – lead vocals Ted Demos – lead guitar, vocals Richard Barnaby – bass guitar, vocals Joe Castagno – rhythm guitar, vocals Jack Bruno – drums, vocals
We switched from Bonner and Gordon, done largely with George Papadopolous’s (Unicorn) input to a more psychedelic format called “The Sacred Mushroom”, and then went to New York. After that we changed to Applepie Motherhood Band without Currie, and taking on Ann Tansey. After Applepie, the group went in many directions. Jack and I went to Florida and played with The Second Coming, and shared a house in Jacksonville with the Allman Brothers. Then Jack went with Shakey Legs Blues Band with Ted, and then Jack went with Tina Turner, and was her drummer for 15 or more years, and then he went with Elton John for about 2 years.
Thank you to Jack Bruno and Richard Barnaby for the photos and info about the band.