Category Archives: Bakersfield

The Regents on Capitol, Reprise, Peoria, Penthouse and Dot Records

The Regents, 1966, Jerry Rosa, John Harris, Craig Boyd, Johnny Mann, Mike McDonald
The Regents, 1966, from left: Jerry Rosa, John Harris (sitting, holding his knee), Craig Boyd (sitting in front looking down), Johnny Mann and Mike McDonald (far right)
Scan courtesy of Joni Bartley

Regents Capitol LP Live at the A.M.-P.M. Discotheque side 2The Regents were house band at Jack Martin’s A.M-P.M. on La Cienega Blvd., one of the many discos that opened up to compete with the Whisky a Go Go.

In 1964 Capitol recorded the band at the club for an LP of standard songs of the day. I really dig their cover of James Booker’s instrumental, “Gonzo”.

Despite having a gatefold cover to fill with photos and notes, Live at the A.M./P.M. Discotheque doesn’t bother to list a single member of the band. I’ve read some members were originally from Bakersfield. Craig Boyd and Tom Baker had started in a group called the Raiders, then Tom joined the Midnight Flyers. Jerry Rosa had been in a band called the Defiant Ones.

Band members were:

Jerry Rosa – vocals and tambourine
Mike McDonald – vocals and lead guitar
Tom Baker – 12-string and rhythm guitar, replaced by Johnny Mann, then Marilyn Read
John Harris – bass
Craig Boyd – drums

David Axelrod produced the album. Domenic Priore’s book Riot on the Sunset Strip quotes Axelrod saying “Jack Martin’s AM-PM was the kind of place where you could order steak sandwiches, and a fistfight would break out every ten minutes. A lot of tough guys went there, so it didn’t last long.” Two songs from the album, “Sugaree” / “Mojo Workout” were released in Germany.

Regents Capitol LP Live at the A.M.-P.M. Discotheque

After the A.M./P.M. club closed, the band became the house band at It’s Boss. Following the LP they cut four singles for four different labels. First up was “She’s Got Her Own Way of Lovin'”, a good original by Mike McDonald backed with “When I Die, Don’t You Cry”, released on Reprise 0430 in November, 1965 and produced by Jack Nitzsche.

Tom Baker left in 1965 and the band hired Johnny Mann to replace him.

Next came “Summer Time Blues” / “You Don’t Love Me” on Peoria 008 in March of 1966, produced by John Harris.

The Regents on stage 1965, from left: Jerry Rosa, Tom Baker, Mike McDonald and John Baker. Not pictured: Craig Boyd on drums.

The Regents Penthouse 45 WordsTheir third single has the original version of the very catchy Boyce/Hart song “Words”, later done by the Leaves, the Boston Tea Party and the Monkees, usually with a slower opening tempo than the Regents arrangement. I have a promotional copy that has “Words” on both sides of the record, but stock copies have the excellent b-side, “Worryin’ Kind” another fine original by McDonald.

This disk was produced by Norm Ratner and engineered by John Haeny and released in July 1966 on Penthouse 502, distributed by Mira. It was also released in the UK on CBS.

The Regents Penthouse 45 Worryin' KindTheir last 45 was “Russian Spy and I” written by Jackie Javellin (aka Casper Koelman) and originally done by the Dutch group the Hunters. The Regents version is probably the most well-known, at least here in the U.S. Though the Regents lift the opening riff directly from Hunters guitarist Jan Akkerman, the solo is much more intense, the tempo of the song quicker and the harmonies much more effective than the Hunters version. I bet they could have done a killer version of this live. Produced by Norm Ratner for Dot 16970 in November, 1966, the flip was a cover of “Bald Headed Woman”.

Marilyn Read joined on guitar at some point in 1966 and stayed about a year. She was also in the Ladybirds.

When the band ended, Craig Boyd joined The Hook after Dale Loyola and Dennis Provisor had left the band. Recording as a trio with Bobby Arlin and Buddy Sklar, Craig plays drums on The Hook’s second album Will Grab You. The Hook appeared on the Ironside episode “Trip to Hashbury” miming to both sides of their single “Son of Fantasy” / “Plug Your Head In”.

Michael McDonald, Craig Boyd and John Harris formed McDonald’s Farm, releasing “Excited” / “Deep Feeling” on Vital Records 2369, produced by Ron Shannon.

The Regents Penthouse 45 Russian Spy and II’ve also read that they were the band for The Dating Game in the early seasons of that show. Tom Baker wrote to me last summer, but I haven’t had a response to the last two emails I sent. A friend of the band confirmed that they were on The Dating Game, and added that they were UCLA students who played often at Chuck Druet’s club Barnacle Bills on E. Huntington in Duarte.

There seems to be some confusion as to whether or not these are the same Regents who recorded the original version of “Barbara Ann”, but that was an entirely different band, whose members were Sal Cuomo, Chuck Fassert, Tony Gravagna, Don Jacobucci, and Guy Villari.

Nor is the Michael McDonald of this Regents the same guy who was in the Doobie Brothers (but see the Implicits entry on this site for Tom Johnston’s early band).

There are other records by groups called Regents that aren’t related to this group, including: “Cape Fear” (T. Foley) / “Summertime” (produced by J. Choate for the Ohio label Prix); and “No Hard Feelilngs” / “That’s What I Call a Good Time” on the Kayo label. The Regents with “Me and You” / “Playmates” on Blue Cat was a Canadian group who also recorded the LP Going Places with the Regents on Quality.

Some info from a phone interview with Craig Boyd.

Regents Capitol LP Live at the A.M.-P.M. Discotheque gatefold
Regents Capitol LP Live at the A.M.-P.M. Discotheque gatefold
The Regents opening for the Lovin' Spoonful at It's Boss, 1965
The Regents opening for the Lovin’ Spoonful at It’s Boss, 1965
Photo from the collection of Nancy Kuehl
McDonald's Farm: John Harris, Mike McDonald and Craig Boyd
McDonald’s Farm: John Harris, Mike McDonald and Craig Boyd
Scan courtesy of Joni Bartley

The New Wing & discography of Pentacle Records

Sons of Adam Photo Capilano Mall Edmonton
The Sons of Adam, from left: Al Wilson, Henry LaLiberte, Leonard Saidman, Doug Policha and John Ede. The picture was taken on the south side of the Capilano Mall shopping centre in Edmonton, Alberta, Canada

The New Wing Pentacle 45 I Need LoveThe New Wing was a singer by the name of Davy Peters backed by members of a group from Edmonton, Alberta, called the Sons of Adam.

This Sons of Adam was not the L.A. group who cut “Feathered Fish” and two singles on Decca. John Ede was a member of the Sons of Adam but was not in the group by the time producer Gary Paxton changed their name to the New Wing.

Members were:

Davy Peters – lead vocal
Henry La Liberte – guitar and vocals
Al Wilson – keyboards and vocals
Doug Policha – bass and vocals
Leonard Saidman – drums and vocals

Their first 45 on Pentacle was “The Thinking Animal” / “My Petite”, both very pop-oriented and not sounding much like their second release.

Pentacle or the band’s rep, Pete Manuele took out an ad in KRLA Beat to promote this release.

“I Need Love” is a solid number from 1968, featuring good ‘mosquito’ guitar work, and vocal interjections reminiscent of Steve Marriott of the Small Faces. It was written by Wilson/La Liberte; production credited to the Social Climbers. The flip is a scuzzy hard rocking tune, “Brown Eyed Woman”, written by Wilson, La Liberte and Policha, which I’m not as much a fan of.

Pentacle was one of the many labels run by Gary Paxton out of his Bakersfield International studio. The New Wing were the only band on Pentacle that can be called garage to my knowledge, but Paxton recorded other garage acts, like the Churchill Downs on Amazing 3.

“The Thinking Animal” was written by Ken Johnson, Jerry Ritchey and Bob Hopps. This team also wrote the Chocolate Tunnel’s “The Highly Successful Young Rupert White”, while Johnson and Hopps co-wrote the Chocolate Tunnel’s “Ostrich People”.

Ken Johnson wrote many songs for area bands, including his son’s group Ken & the Fourth Dimension’s “See If I Care”, the Avengers’ “I Told You So” and “You Can’t Hurt Me Anymore”, and “Love Can’t Be a One Way Deal” which was cut by both the Rev-Lons and Limey and the Yanks. Ken also owned the Starburst label which released most of these, usually with Gary Paxton’s production.

Garpax and Maverick were Paxton publishing companies. The production credit The Social Climbers is also Paxton’s; it also appears on “Please Mr. Johnson (I Don’t Wanna Go)” by the Put On Company featuring Doug Salma (Doug Salamanca) on the Jest label.

Pentacle Records New Wing The Thinking Animal Ad
Ad clipping from the great KRLA Beat newspaper site!

Thank you to Marc Coulavin for the photos of the Sons of Adam.

Pentacle discography:

Pentacle P-1635 – The Captivations – “Red Hot Scramblers – Go” / same (by Buddy Biglow for Maverick Music, BMI, different numbering system but the publishing matches later releases. More commonly found on Garpax 45 44179V with “Speedshift” on flip.)

Pentacle P-101 – The New Wing – “The Thinking Animal” / “My Petite”
Pentacle P-102 – The Greater Covina Interplanetary Childrens Space Program – “Rudolph vs. The Little” / “Hobo” (Janice Paxton) – kid Xmas vocal with pop instrumental
Pentacle P-103 – Art Fields – “To All The World I Sing” / “Girls From Equador” (ballad and pop with a bossa feel)
Pentacle P-104 – The New Wing – “Brown Eyed Woman” / “I Need Love”
Pentacle P-105 – Bob Jackson – “It’s Hard To Say” / “Who Is My Supposed To Be” (country, there are two variations in the label design)

Sons of Adam hearse with Al Wilson
Sons of Adam hearse with Al Wilson

Sons of Adam hearse

The Epics “Louie Come Home” / “Give Me a Chance” on Zen

The Epics, Bakersfield Californian, Nov 20, 1965
Poor quality photo of Howard Dumble of the Epics, Jeff Gustafson of the Addams Family, Karl Haas of the Glanz, and Ron Sackmann of the Amoebas, in the Bakersfield Californian, Nov 20, 1965

The Epics have one of the best Louie Louie takeoffs titled “Louie Come Home”.Epics Zen 45 Louie Come Home

It’s a very danceable number as I found out when I played this to a packed house at Pop Gear some months ago.

The band was from California, perhaps Bakersfield. It’s leader was Howard Dumble, according to a clipping I found in the Bakersfield Californian. Howard Drumble who would become a legendary builder of guitar amplifiers?

The flip was “Give Me a Chance”, written by Dumble, Ward, Concelez and Iger for Shindig Music BMI. I assume Ward, Concelez and Iger were the other members of the group.

Produced by Lou Bowden, the single was released on the Zen label in April of 1965.

Anyone have a photo of the group or more info on this band?