Welcome to another posting in a series of gig listings for 1960s bands. None of these lists is exhaustive and my idea is to add to them in the comments section below over time. They are here for future researchers to draw on and, where possible, I have added the sources used, whether they are newspapers or websites. I have also added a few interesting bits of information and will add images in time.
I’d like to encourage band members to get in touch to share memories, or for anyone to send corrections/clarifications to my email: Warchive@aol.com
Equally important, if you attended any of the gigs below or played in the support band, please do leave your memories below in the comments section for future historians to use. If you know of any missing gigs, please add them too, if possible, with the sources.
THE MAZE:
The following are billed as MI5. They started using the name The Maze in November 1966 but occasionally used the MI5 for a month or so.
1966
12 May 1966 – New Central Ballroom, Aldershot, Hampshire with The Tybern Ashes (Aldershot News)
Image may be subject to copyright
The 22 July 1966 edition of the Windsor, Slough and Eton Express, page 5 (see above) has a good story and picture on the band
27 July 1966 – Ricky Tick, Windsor, Berkshire (Windsor, Slough and Eton Express)
30 July 1966 – Royal Links Pavilion, Cromer, Norfolk with The Ultimate (Julie Fielder book: What Flo Said Next)
31 July 1966 – Britannia Theatre, Great Yarmouth, Norfolk with Dave Berry, Geneve, Oscar, Wolf and Griff and The Stuart Taylor Trio (Yarmouth Mercury)
13 August 1966 – St Clement’s Hall, Southend, Essex with The Avengers and The Spooks (Southend Standard)
19 August 1966 – Cricketers Inn, Southend, Essex with support (Southend Standard)
21 August 1966 – Britannia Theatre, Great Yarmouth, Norfolk with Freddie & The Dreamers Oscar, Geneve, The Versions and The Stuart Taylor Trio (Yarmouth Mercury)
8 September 1966 – Marquee, Wardour Street, Soho, London with The Move (Tony Bacon’s book: London Live)
10 September 1966 – The Catacombe, Eastbourne, East Sussex (Eastbourne Herald Chronicle) Billed as MI5
12 September 1966 – Elm Hotel, Southend, Essex (Southend Standard)
14 September 1966 – Elm Hotel, Southend, Essex (Southend Standard)
3 October 1966 – Marquee, Wardour Street, Soho, London with The Artwoods (Tony Bacon’s book: London Live)
5 October 1966 – Reading University, Reading, Berkshire (Fabulous 208) Billed as MI5
14 November 1966 – Marquee, Wardour Street, Soho, London with The Alan Bown Set (Tony Bacon’s book: London Live)
Image may be subject to copyright
18 November 1966 – Wy-Key Club, Burnham Lane, Slough, Berkshire (billed as The Maze, formerly MI5) (Windsor, Slough and Eton Express)
Image may be subject to copyright
19 November 1966 – The Dolphin, Marine Court, St Leonards, East Sussex (Roger Bistow’s research at Dizzy Tiger Music website/Hastings and St Leonard Observer) Billed as MI5
26 November 1966 – Royal Links Pavilion, Cromer, Norfolk with The Ultimate (Julie Fielder book: What Flo Said Next)
22 December 1966 – Concorde, Southampton, Hampshire (Southern Evening Echo)
1967
7 January 1967 – Lion Hotel, Warrington (Warrington Guardian)
Image may be subject to copyright
The band went and played in Milan, Italy in January for three months, according to the Windsor, Slough & Eton Express (see above). This includes rehearsing at the Piccolo Theatre with the opening night on 15 February.
20-21 May 1967 – Upper Cut, Forest Gate, London (Melody Maker)
29 May 1967 – Upper Cut, Forest Gate, London with The Moody Blues (Melody Maker)
3 June 1967 – Lion Hotel, Warrington with Technique and In-Time (Warrington Guardian)
4 June 1967 – Carlton Club, Warrington (Warrington Guardian)
15 June 1967 – New Central Ballroom, Aldershot, Hampshire with The Sneakers (Aldershot News)
Image may be subject to copyright
23 June 1967 – Club Rado, Belfast, Northern Ireland (City Week)
1 July 1967 – Floral Hall, Gorleston, Norfolk with The Soul Doubt (Yarmouth Mercury)
8 July 1967 – Floral Hall, Gorleston, Norfolk with Deep Purple (Eastern Evening News)
14 July 1967 – Chateau Impney, Droitwich, Worcestershire with Delroys Good Good Band (Worcester Evening News)
15 July 1967 – Royal Links Pavilion, Cromer, Norfolk with The Y Division (Julie Fielder book: What Flo Said Next)
20 July 1967 – New Central Ballroom, Aldershot, Hampshire with The Shame (Aldershot News)
Image may be subject to copyright
22 July 1967 – Dungeon, Nottingham (Nottingham Evening Post)
23 July 1967 – Royal Ballrooms, Boscombe with The Freebooters (Bournemouth Evening Echo)
Welcome to another posting in a series of gig listings for 1960s bands. None of these lists is exhaustive and my idea is to add to them in the comments section below over time. They are here for future researchers to draw on and, where possible, I have added the sources used, whether they are newspapers or websites. I have also added a few interesting bits of information and will add images in time.
I’d like to encourage band members to get in touch to share memories, or for anyone to send corrections/clarifications to my email: Warchive@aol.com
Equally important, if you attended any of the gigs below or played in the support band, please do leave your memories below in the comments section for future historians to use. If you know of any missing gigs, please add them too, if possible, with the sources.
Image may be subject to copyright
THE ACTION:
1965
17 April 1965 – Goldhawk Social Club, Shepherd’s Bush, London (poster) Billed as The Boys
5 June 1965 – Ticky Rick and Rang-A-Tang Club, Carnival Hall, Basingstoke, Hampshire (Hampshire & Berkshire Gazette) Billed as The Boys
6 June 1965 – Tavern Club, Dereham, Norfolk with The Morons (Lynn News/North Norfolk News)
Image may be subject to copyright
11 July 1965 – Tavern Club, Dereham, Norfolk with The Rockin’ Roosters (Lynn News/North Norfolk News)
15 July 1965 – Birdcage, Kimbells Ballroom, Southsea, Hampshire (Dave Allen research)
17 July 1965 – Bolton Palais, Bolton, Greater Manchester (Bolton Evening News)
24 July 1965 – Pontiac, Zeeta House, Putney, London, SW15 with Peter Fenton & The Tasty Mob (NME)
19 August 1965 – Birdcage, Kimbells Ballroom, Southsea, Hampshire (Dave Allen research)
21 August 1965 – Pontiac, Zeeta House, Putney, London, SW15 with Sonny Childe & The Cool School (NME)
26 August 1965 – Birdcage, Eastney, Hampshire with Steampacket, Long John Baldry and Brian Auger Trinity (Dave Allen research)
27 August 1965 – Goldhawk Social Club, Shepherd’s Bush, London with The Birds (Ron Wood’s 1965 diary)
3 September 1965 – The Cavern, Liverpool with The Masterminds and Fritz, Mike and Mo (Phil Thompson’s Story of the Cavern book)
4 September 1965 – Beachcomber, Bolton, Greater Manchester (Bolton Evening News)
3 October 1965 – Pontiac, Zeeta House, Putney, London (Melody Maker)
15 October 1965 – Birdcage, Eastney, Hampshire (Dave Allen research)
21 October 1965 – Birdcage, Eastney, Hampshire with Jimmy James & The Vagabonds and Johnny B Great & The Quotations (Dave Allen research)
23 October 1965 – Royal Links Pavilion, Cromer, Norfolk with The Cheaters (Julie Fielder book: What Flo Said Next)
Image may be subject to copyright
23 October 1965 – Bowes Lyon House, Stevenage, Herts with The Living Legends (Hertfordshire & Bedfordshire Express)
24 October 1965 – Pontiac, Zeeta House, Putney, London (Melody Maker)
31 October 1965 – Pontiac, Zeeta House, Putney, London (Melody Maker)
5 November 1965 – The Cavern, Liverpool with Earl Preston’s Realms (Phil Thompson’s Story of the Cavern book)
7 November 1965 – Pontiac, Zeeta House, Putney, London (Melody Maker)
20 November 1965 – Birdcage, Eastney, Hampshire (Dave Allen research)
Image may be subject to copyright
27 November 1965 – Blue Moon, Cheltenham, Gloucestershire (Gloucester Citizen)
28 November 1965 – Sunshine Floor, Tavern, Dereham, Norfolk with Ian and Danny Eves & Sound Reformed (Eastern Evening News/North Norfolk News)
5 December 1965 – Marquee, Wardour Street, Soho, London with The Who (Tony Bacon’s book: London Live) Billed as The Boys
14 December 1965 – Marquee, Wardour Street, Soho, London with The Mark Leeman Five (Tony Bacon’s book: London Live)
17 December 1965 – Birdcage, Eastney, Hampshire (Dave Allen research)
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18 December 1965 – Harpenden Public Hall, Harpenden, Herts with The Spectrum (Welwyn & Hatfield Advertiser)
24 December 1965 – Marquee, Wardour Street, Soho, London with The Roscoe Brown Combo (Tony Bacon’s book: London Live)
27 December 1965 – Goldhawk Social Club, Shepherd’s Bush, London (Melody Maker)
30 December 1965 – Marquee, Wardour Street, Soho, London (Tony Bacon’s book: London Live)
31 December 1965 – Birdcage, Eastney, Hampshire (Dave Allen research)
1966
1 January 1966 – Marquee, Wardour Street, Soho, London (Tony Bacon’s book: London Live)
2 January 1966 – Nottingham Boat Club, Nottingham (Down at the Boat book)
4 January 1966 – Marquee, Wardour Street, Soho, London (Tony Bacon’s book: London Live)
8 January 1966 – Birdcage, Eastney, Hampshire (Dave Allen research)
11 January 1966 – Bristol Corn Exchange, Bristol (Western Scene)
18 January 1966 – Marquee, Wardour Street, Soho, London (Tony Bacon’s book: London Live)
Image may be subject to copyright
21 January 1966 – Carousel Club, 1 Camp Road, Farnborough, Hampshire with The Soul Pushers (Aldershot News/Camberley News) David Else also has the band playing at the Ricky Tick at Staines Town Hall, Middlesex on this day which is feasible
Image may be subject to copyright
22 January 1966 – Blue Moon, Cheltenham, Gloucestershire (Gloucester Citizen)
21 April 1966 – The Village, Cleethorpes, North East Lincolnshire (Disc & Music Echo)
25 April 1966 – Bridgwater Town Hall, Bridgwater, Somerset (Disc & Music Echo)
26 April 1966 – Marquee, Wardour Street, Soho, central London with The Clayton Squares (Tony Bacon’s book: London Live)
29 April 1966 – Ram Jam, Brixton, south London (Melody Maker)
30 April 1966 – Union, Manchester University, Manchester with The Lonely Ones (Manchester Evening News & Chronicle)
1 May 1966 – Jigsaw, Manchester (Beat Instrumental)
4 May 1966 – Stourbridge Town Hall, Stourbridge, Worcestershire (Beat Instrumental)
5 May 1966 – Kidderminster Town Hall, Kidderminster, Worcestershire (Beat Instrumental)
6 May 1966 – Bluesville, Manor House, north London (Beat Instrumental)
8 May 1966 – Downs Hotel, Hassocks, West Sussex (Beat Instrumental)
13 May 1966 – Ricky Tick, Staines Town Hall, Staines, Middlesex (Disc & Music Echo)
14 May 1966 – Cadillac, Brighton, Sussex (Disc & Music Echo)
15 May 1966 – King Mojo, Sheffield, South Yorkshire (The Star)
16 May 1966 – Chatham Town Hall, Chatham, Kent (Beat Instrumental)
17 May 1966 – Corn Exchange, Bristol (Beat Instrumental)
19 May 1966 – Marquee, Wardour Street, Soho, central London with The Herd (Tony Bacon’s book: London Live)
20 May 1966 – Zambesi, Hounslow, west London (Melody Maker)
21 May 1966 – Jigsaw, Manchester (Beat Instrumental)
23 May 1966 – Bluesville, Ipswich, Suffolk (Beat Instrumental)
24 May 1966 – Links, Borehamwood, Herts (Beat Instrumental)
25 May 1966 – Tower Ballroom, Great Yarmouth, Norfolk (Beat Instrumental)
26 May 1966 – Starlight, Crawley, West Sussex with The Powerhouse Six (Caterham Weekly Press)
27 May 1966 – Glenlyn Ballroom, Forest Hill, London (South East London Mercury) Beat Instrumental has Acton Town Hall on this date but it’s possible they played both
28 May 1966 – Birdcage, Eastney, Hampshire (Dave Allen research)
9 June 1966 – Bromley Court Hotel, Bromley, southeast London (South East London Mercury)
12 June 1966 – Jigsaw, Manchester (Beat Instrumental)
Image may be subject to copyright
13 June 1966 – Queen’s Ballroom, Wolverhampton, West Midlands (Express & Star)
14 June 1966 – Grand Black Daffodil, Odeon Ballroom, Chesterfield, Derbyshire (The Star)
16 June 1966 – Bath Pavilion, Bath (Fabulous 208)
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17 June 1966 – Ready Steady Go Club, Market Hall, St Albans, Herts (Welwyn Advertiser)
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18 June 1966 – Uxbridge Blues Festival, Hillingdon Borough Show Ground, Hillingdon, west London with Manfred Mann, The Alan Walker Group and the Steampacket (Middlesex Chronicle)
19 June 1966 – The Place, Hanley, Staffordshire (Fabulous 208)
22 June 1966 – Bromley Court Hotel, Bromley, London (South East London Mercury)
24 June 1966 – Durham University, Durham (Fabulous 208)
25 June 1966 – Leeds University, Leeds, West Yorkshire (Fabulous 208)
28 June 1966 – Corn Exchange, Bristol (Fabulous 208)
30 June 1966 – Marquee, Wardour Street, Soho, central London with The Alan Bown Set (Tony Bacon’s book: London Live)
1 July 1966 – Iron Curtain Club, St Mary’s Cray, southeast London (Fabulous 208)
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2 July 1966 – Birdcage, Eastney, Hampshire (Dave Allen research)
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4 July 1966 – Atlanta Ballroom, Woking, Surrey (Aldershot News/Camberley News) Says Straight from the Marquee in the advert
9 July 1966 – Ricky Tick, Windsor, Berkshire (Fabulous 208)
10 July 1966 – Central Hotel, Gillingham, Kent (Fabulous 208)
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10 July 1966 – The Catacombe, Eastbourne, East Sussex with Dion Five (Eastbourne Herald Chronicle)
12 July 1966 – Marquee, Wardour Street, Soho, London with The Creation (Tony Bacon’s book: London Live)
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14 July 1966 – Assembly Room, Worthing, West Sussex (Evening Argus/Worthing Herald)
15 July 1966 – Chislehurst Caves, Chislehurst, London (Fabulous 208)
16 July 1966 – Trade Union Hall, Watford, Herts (Fabulous 208)
17 July 1966 – Dungeon, Nottingham (Fabulous 208)
18 July 1966 – Shoreline Club, Bognor Regis, West Sussex (Fabulous 208)
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23 July 1966 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Paul & Barry Ryan, James Royal Set, Rob Storme & The Whispers and The Ferry Boys (Lincolnshire Standard)
26 July 1966 – Town Hall, High Wycombe, Bucks (Fabulous 208)
29 July 1966 – Chislehurst Caves, Chislehurst, London (Fabulous 208)
30 July 1966 – Refectory Fields, Blackheath, London (Fabulous 208)
6 August 1966 – Blue Moon, Cheltenham, Gloucestershire (Gloucester Citizen)
23 February 1967 – Salisbury City Hall, Salisbury, Wiltshire with Systems Go (Frogg Moody and Richard Nash’s book Hold Tight!/Western Gazette)
Image may be subject to copyright
25 February 1967 – Dacorum College, Hemel Hempstead, Herts with The New Conchords (Berkhamstead Gazette, Tring & District News)
28 February 1967 – Ritz, Bournemouth, Dorset with The Bossmen (Bournemouth Evening Echo)
1 March 1967 – Bromel Club, Downham, London (South East London Mercury)
4 March 1967 – Dunelm House, Durham, County Durham (Fabulous 208)
11 March 1967 – University of London, Malet Street, London (Fabulous 208)
16 March 1967 – New Locarno Ballroom, Sheffield, South Yorkshire (The Star)
19 March 1967 – Nottingham Boat Club, Nottingham (Down at the Boat book)
22 March 1967 – College of Art, Hornsey, London (Fabulous 208)
25 March 1967 – Blue Moon, Cheltenham, Gloucestershire (Gloucester Citizen)
27 March 1967 – Nite Owl, Leicester (Leicester Mercury)
1 April 1967 – Rhodes Centre, Bishop’s Stortford, Herts with The Cortinas (Steve Ingless book: The Day Before Yesterday)
3 April 1967 – Adelphi Ballroom, West Brom, West Midlands (Birmingham Evening Mail)
4 April 1967 – Marquee, Wardour Street, Soho, London with The Stalkers (Tony Bacon’s book: London Live)
7 April 1967 – Rugby Town Hall, Rugby, Warwickshire with The Moodoos (Coventry Evening Telegraph/Leicester Mercury)
Image may be subject to copyright
8 April 1967 – Lewes FC Beat Rave, Lewes Town Hall, Lewes, East Sussex with TD Backus and The Powerhouse and The Teen Team (Sussex Express)
14 April 1967 – Civic Hall, Wulfun Halls, Wolverhampton, West Midlands with The Vogues, Cyril Stapleton & His Band and Reg Bradley & His Band (Express and Star)
Image may be subject to copyright
6 May 1967 – St George’s Ballroom, Hinckley, Leicestershire (Fabulous 208)
19 May 1967 – Memorial Hall, Barry, Wales (Fabulous 208)
20 May 1967 – University of Tech, Loughborough, Leicestershire (Fabulous 208)
25 May 1967 – Garden Club, London (Fabulous 208) This might be in Covent Garden
26 May 1967 – Il Rondo Ballroom, Leicester (Leicester Mercury)
27 May 1967 – Hertford Balls, Oxford with Bonzo Dog Doo Dah Band, Swinging Blue Jeans, Cliff Bennett & The Rebel Rousers and Hamilton & The Movement (Cherwell)
3 June 1967 – Victoria Cross Gallery, Wantage, Oxfordshire (Wiltshire Gazette)
13 June 1967 – Marquee, Wardour Street, Soho, London with The Prime Apples (Tony Bacon’s book: London Live)
16 June 1967 – Town Hall, Cheltenham, Gloucestershire (Fabulous 208)
21 June 1967 – Adam & Eve, Southampton, Hampshire (Southern Evening Echo)
24 June 1967 – Birdcage, Eastney, Hampshire (Dave Allen research)
Image may be subject to copyright
1 July 1967 – Torquay Town Hall, Torquay, Devon with Package Deal and Sixth Sense (Torquay Times)
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8 July 1967 – Royal Lido Ballroom, Prestatyn, Wales with The Raynes (website: www.45worlds.com/live)
15 July 1967 – Floral Hall, Gorleston, Norfolk with St Willie Cool School (North Norfolk News)
23 July 1967 – Starlite, Greenford, London with The Syn (Melody Maker)
Image may be subject to copyright
1 August 1967 – Marquee, Wardour Street, Soho, London with Timebox (Tony Bacon’s book: London Live)
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5 August 1967 – Town Hall, Clacton, Essex with The Mojos and First Movement (Essex County Standard)
7 August 1967 – Park Hall Hotel, Goldthorn Park, Wolverhampton, West Midlands with The Del Roy Good Good Band and Dual Purpose (Express & Star)
8 August 1967 – Holywell Community Centre, West Watford, Hertfordshire with Gene & The Cossacks (West Herts & Watford Observer)
Image may be subject to copyright
10 August 1967 – Cleveland Technical College, James Finegan Hall, Eston, Teesside with The Clockwork Orange and The Real McCoy (Middlesbrough Evening Gazette)
13 August 1967 – The Place, Hanley, Staffordshire (Evening Sentinel)
19 August 1967 – South Bank Jazz Club, Grimsby, Humberside (Grimsby Evening Telegraph)
27 August 1967 – Rowley Rag, Whiteheath, West Midlands with The Acoustics (Express & Star)
9 September 1967 – Britannia Rowing Club, Nottingham (Nottingham Evening Mail)
18 May 1968 – St Joseph’s Hall, Archway, London with Mabel Greer’s Toyshop (Melody Maker)
24 May 1968 – METC Student’s Union, College Refectory, Essex with The Clear Blue Cloud (Essex Chronicle)
Image may be subject to copyright
3 June 1968 – Blue Lagoon, Newquay, Cornwall with Fantastics (West Briton & The Royal Cornwall Gazette)
15 June 1968 – St Mary’s College of Education, Twickenham, London (Fabulous 208)
22 June 1968 – Hastings Pier, Hastings, East Sussex (Roger Bistow’s research at Dizzy Tiger Music website)
4 September 1968 – Eel Pie Island, Twickenham, west London (Melody Maker)
Image may be subject to copyright
13 September 1968 – The Roundhouse, Chalk Farm, London with The Small Faces, Barclay James Harvest, Love Sculpture, Bakerloo Blues Band, Skin, Pete Drummond (Melody Maker)
29 November 1968 – East London Tech, London (Time Out)
30 November 1968 – Imperial College, London (Time Out)
Image may be subject to copyright
13 December 1968 – Fishmongers Hall, Wood Green, London with Sundae Times (Melody Maker)
Welcome to the first posting of a series of gig listings for 1960s bands. None of these lists is exhaustive and my idea is to add to them in the comments section below over time. They are here for future researchers to draw on and, where possible, I have added the sources used, whether they are newspapers or websites. I have also added a few interesting bits of information and will add images in time.
I’d like to encourage band members to get in touch to share memories, or for anyone to send corrections/clarifications to my email: Warchive@aol.com
Equally important, if you attended any of the gigs below or played in the support band, please do leave your memories below in the comments section for future historians to use. If you know of any missing gigs, please add them too, if possible, with the sources.
Formed in late 1959, Chris Farlowe & The Thunderbirds comprises the following line-up by spring 1963:
5 April 1964 – Savoy Rooms, Catford, southeast London (Kentish Mercury)
12 April 1964 – Ricky Tick, Olympia Ballroom, Reading, Berkshire (Bucks Free Press)
18 April 1964 – California Ballroom, Dunstable, Bedfordshire with Georgie Fame & The Blue Flames, Tony Holland & The Pack-A-Beats and The Renegades (website: www.california-ballroom.info/gigs/)
19 April 1964 – Blue Moon, Hayes, Middlesex with The Impacts (Dorothy Bullock list)
21 April 1964 – Fender Club, Kenton, Middlesex with Zoot Money’s Big Roll Band (Harrow Observer & Gazette)
22 April 1964 – Klooks Kleek, West Hampstead, north London (Geoff Williams research: Decca Studios and Klooks Kleek book)
30 April 1964 – Corn Exchange, Chelmsford, Essex with Dean Austen & The Dominators (Essex Chronicle)
15 May 1964 – Pussycat Club, Bruce Grove Ballroom, N17, London with The Zephyrs (Tottenham Weekly Herald)
25 May 1964 – Klooks Kleek, West Hampstead, London (Geoff Williams research: Decca Studios and Klooks Kleek book)
David Greenslade joined on keyboards around June and Albert Lee took over from Bobby Taylor on lead guitar.
9 June 1964 – Jumbo Club, King George’s Hall, Esher, Surrey with Zoot Money’s Big Roll Band (Melody Maker)
18 June 1964 – Civic Hall, Dunstable, Bedfordshire with Georgie Fame & The Blue Flames (Luton News)
14 October 1965 – Klooks Kleek, West Hampstead, London (Geoff Williams research: Decca Studios and Klooks Kleek book)
23 October 1965 – Birdcage, Eastney, Hampshire (Dave Allen research)
24 October 1965 – Ricky Tick, Plaza Ballroom, Guildford, Surrey (Ricky Tick website: https://www.rickytick.com/)
2 November 1965 – Bowes Lyon House, Stevenage, Herts with Colin Wilkie and Shirley Hart (Hertfordshire & Bedfordshire Express)
5 November 1965 – Redcar Jazz Club, Coatham Hotel, Redcar, North Yorkshire with The Artwoods, Tony Knight’s Chessmen and The Crawdaddies (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book/Middlesbrough Evening Gazette)
11 November 1965 – Birdcage, Eastney, Hampshire (Dave Allen research)
12 November 1965 – Birmingham Town Hall, Birmingham with The Spencer Davis Group, The King Bees and The Cock O Hoops (Birmingham Evening Mail)
14 November 1965 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
15 November 1965 – Cooks Ferry Inn, Edmonton, north London (Tottenham Weekly Herald)
19 November 1965 – Armco Sports & Social Club, Letchworth, Hermitage Ballroom, Hitchin, Herts with The Various Others (Hertfordshire & Bedfordshire Express) Colin Jamies, bass player with The Various Others, got in touch to say his group was called The Various Others
21 November 1965 – Nottingham Boat Club, Nottingham (Down at the Boat book)
6 December 1965 – Star Hotel, Croydon, south London (Chris Broom book: Rockin’ and Around Croydon)
8 December 1965 – Farnborough Town Hall, Farnborough, Hampshire (Aldershot News)
12 December 1965 – The Downs, Hassocks, West Sussex with John L Kingdon’s Humperdinks (Mid Sussex Times)
24 December 1965 – Manor House (most likely north London) (Beat Instrumental)
25 December 1965 – Cavern Club, Manchester (Beat Instrumental)
26 December 1965 – The Place, Hanley, Staffordshire with Jimmy Cliff, Ayshea, Pete Hodges and The New Generation and The Tribe (Evening Sentinel)
27 December 1965 – Dreamland, Margate, Kent with The Javelins (East Kent Times)
28 December 1965 – High Wycombe Town Hall, High Wycombe, Bucks (Bucks Free Press)
29 December 1965 – Starlight Ballroom, Great Yarmouth, Norfolk (Beat Instrumental)
31 December 1965 – Starlight Ballroom, Greenford, west London (Beat Instrumental)
1966
Bruce Waddell took over from Ricky Charman on bass in January
1 January 1966 – King Edward School, Southampton, Hants (Beat Instrumental)
2 January 1966 – Stonecross Hall, Harlow, Herts (Beat Instrumental)
5 January 1966 – Bromley Court Hotel, Bromley, southeast London (Melody Maker)
7 January 1966 – Beachcomber, Nottingham (Beat Instrumental)
8 January 1966 – Corn Exchange, Chelmsford, Essex (Beat Instrumental)
9 January 1966 – King Mojo, Sheffield, South Yorkshire (The Star)
12 January 1966 – Orford Cellar, Norwich (Eastern Evening News)
14 January 1966 – Exeter University, Exeter, Devon (Beat Instrumental)
15 January 1966 – Flamingo, Soho, Wardour Street, central London (Beat Instrumental)
16 January 1966 – Blue Moon, Hayes, west London (Beat Instrumental)
18 January 1966 – Burton’s, Uxbridge, west London (Beat Instrumental)
20 January 1966 – Klooks Kleek, West Hampstead, north London (Beat Instrumental)
21 January 1966 – Rialto Club, Derby (Beat Instrumental)
22 January 1966 – Chelsea College, Chelsea, southwest London (Beat Instrumental)
23 January 1966 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
25 January 1966 – College of Advanced Technology, Birmingham (Beat Instrumental)
27 January 1966 – BRC Club, Stafford (Boyfriend magazine)
28 January 1966 – Leeds University, Leeds, West Yorkshire (Beat Instrumental)
29 January 1966 – Big Beat Club, the Ballroom, Two Puddings Hotel, Hackney, north London (Beat Instrumental) Boyfriend magazine also has In Crowd, Hackney as second gig on this night
31 January 1966 – Star Hotel, Croydon, south London (Beat Instrumental)
2 February 1966 – Farnborough Town Hall, Farnborough, Hampshire (Aldershot News)
3 February 1966 – Blue Moon, Cheltenham, Gloucestershire (Gloucester Citizen)
3 February 1966 – Star Hotel, Croydon, London (Chris Broom book: Rockin’ and Around Croydon) Beat Instrumental has this on 31 January and says the band play Blue Moon in Cheltenham today
4 February 1966 – Iron Curtain Club, Sidcup, Kent (Beat Instrumental)
5 February 1966 – Big Beat Club, Stratford (possibly London) (Beat Instrumental)
6 February 1966 – Nottingham Boat Club, Nottingham (Down at the Boat book)
10 February 1966 – Blue Triangle Club, Ealing, west London (Beat Instrumental)
11 February 1966 – Il Rondo, Leicester (Beat Instrumental)
12 February 1966 – Reading University, Reading, Berkshire (Beat Instrumental)
13 February 1966 – Bromley Court Hotel, Bromley, London (Melody Maker)
14 February 1966 – Manor House, Ipswich, Suffolk (Beat Instrumental)
15 February 1966 – Klooks Kleek, West Hampstead, north London (Beat Instrumental)
18 February 1966 – Il Rondo, Leicester (Boyfriend magazine)
19 February 1966 – Marcam Hall, March, Cambridgeshire (Beat Instrumental) Advertised as Markham Hall so just needs confirmation/Boyfriend magazine has the band at Leascliff Hall, Folkestone on this date
23 February 1966 – Orford Cellar, Norwich (Eastern Evening News)
25 February 1966 – Beachcomber, Nottingham (Beat Instrumental)
26 February 1966 – Jigsaw, Manchester (Beat Instrumental)
27 February 1966 – Cosmo Club, Carlisle, Cumbria (Beat Instrumental)
28 February 1966 – Top Rank, Queen’s Ballroom, Wolverhampton, West Midlands (Beat Instrumental)
1 March 1966 – Top Rank, Newcastle upon Tyne, Tyne & Wear (Beat Instrumental)
2 March 1966 – Rag Week ’66, College of Advanced Technology, Great Hall, Gosta Green, West Midlands with Acker Bilk (Birmingham Evening Mail)
15 March 1966 – Civic Hall, Grays, Essex (Beat Instrumental)
17 March 1966 – Locarno Ballroom, Burnley, Lancashire (Beat Instrumental)
18 March 1966 – Durham University, Durham (Beat Instrumental)
19 March 1966 – Burton’s, Uxbridge, west London (Beat Instrumental)
20 March 1966 – Flamingo, Wardour Street, Soho, central London (Beat Instrumental)
21 March 1966 – Majestic Ballroom, Reading, Berkshire (Beat Instrumental)
23 March 1966 – Swansea University, Swansea, Wales (Beat Instrumental)
24 March 1966 – Brighton University, Brighton, Sussex (Beat Instrumental)
27 March 1966 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
Dave Quincy and Gerry Temple both left around about now reduced the band to a quintet.
6 April 1966 – Bromley Court Hotel, Bromley, London (Melody Maker)
11 April 1966 – Redcar Jazz Club, Coatham Hotel, Redcar, North Yorkshire with The Artwoods, Jimmy James & The Vagabonds and The Rockhouse Band (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book/Middlesbrough Evening Gazette)
14 April 1966 – West Bromwich Baths, West Bromwich, West Midlands (Trend & Boyfriend)
15 April 1966 – Il Rondo, Leicester (Trend & Boyfriend)
24 April 1966 – Central R&B Club, Central Hotel, Gillingham, Kent (Chatham, Rochester and Gillingham News)
During May, Dave Greenslade briefly left to join Julian Covey & The Machine as they support John Lee Hooker on a UK tour but returned to The Thunderbirds soon after.
1 May 1966 – Black Prince Hotel, Bexley, London (South East London Mercury)
Photo: John Treais
7 May 1966 – RAE Assembly Hall, Farnborough, Hampshire with Five Proud Walkers (Aldershot News)
8 May 1966 – Dereham Tavern, Dereham, Norfolk with Ian and Danny Eves with Sounds Reformed (Eastern Evening News)
14 May 1966 – Birdcage, Eastney, Hampshire (Dave Allen research)
15 May 1966 – Downs Hotel, Hassocks, West Sussex with Mike Stuart Span (Mid Sussex Times)
17 May 1966 – Klooks Kleek, West Hampstead, London (Geoff Williams research: Decca Studios and Klooks Kleek book)
18 May 1966 – Orford Cellar, Norwich (Eastern Evening News)
20 May 1966 – Pavilion, Hemel Hempstead, Herts with The Cherokees (Berkhamsted Gazette & Tring and District News)
22 May 1966 – Bromley Court Hotel, Bromley, southeast London (South East London Mercury)
25 May 1966 – Top Rank Ballroom, Cardiff, Wales (Beat Instrumental)
27 May 1966 – Starlite Ballroom, Greenford, west London (Melody Maker)
28 May 1966 – Ram Jam, Brixton, south London with The Stormsville Shakers (Melody Maker)
29 May 1966 – The Place, Hanley, Staffordshire (Beat Instrumental)
30 May 1966 – Kirklevington Country Club, Kirklevington, North Yorkshire with John McCoy’s Crawdaddies (Middlesbrough Evening Gazette)
31 May 1966 – Corn Exchange, Bristol (Disc & Music Echo)
1 June 1966 – Farnborough Town Hall, Farnborough, Hampshire (Aldershot News/Camberley News)
3 June 1966 – Bruce Grove Ballroom (Beat Instrumental)
4 June 1966 – Co-op Hall, Mansfield, Nottinghamshire and Beachcomber, Nottingham (Beat Instrumental)
5 June 1966 – King Mojo, Sheffield, South Yorkshire (Beat Instrumental)
6 June 1966 – Atlanta Ballroom, Woking, Surrey (Aldershot News)
9 June 1966 – Golden Torch, Tunstall, Staffordshire (Beat Instrumental)
10 June 1966 – Mr McCoys, Middlesbrough (Beat Instrumental)
11 June 1966 – Bowes Lyon House, Stevenage, Hertfordshire with Saracens (website: http://www.coda-uk.co.uk/60’s_music_scene.htm) This is missing from Beat Instrumental/Trend and Boyfriend has Drill Hall, Stamford Links on this date. However, Hertfordshire Express does
Thanks to Colin Fox for the photo
13 June 1966 – The Catacombe, Eastbourne, East Sussex with 4-Bidden (Eastbourne Herald Chronicle)
15 June 1966 – Top Rank Ballroom, Doncaster, South Yorkshire (Beat Instrumental)
16 June 1966 – Club A Go Go, Newcastle upon Tyne, Tyne & Wear (Beat Instrumental)
17 June 1966 – Keeble College, Oxford (Beat Instrumental)
18 June 1966 – Toft’s, Folkestone, Kent (Folkestone, Hythe & District Herald)
19 June 1966 – Sunshine Ballroom, East Dereham, Norfolk (Beat Instrumental)
20 June 1966 – Christ College, Oxford (Beat Instrumental)
23 June 1966 – Hastings College 1066 Rag Appeal Dances, Pier Ballroom, Hastings, East Sussex with The In Crowd (Roger Bistow’s research at Dizzy Tiger Music website/Beat Instrumental/Hastings and St Leonards Observer)
24 June 1966 – Flamingo, Wardour Street, Soho, central London (Beat Instrumental)
25 June 1966 – Rhodes Centre, Bishop’s Stortford, Herts with The Wreckers (Steve Ingless book: The Day Before Yesterday)
25 June 1966 – Marquee, Wardour Street, Soho, central London (Beat Instrumental)
26 June 1966 – Black Prince Hotel, Bexley, southeast London (Fabulous 208)
27 June 1966 – Manor House, St Matthew’s Baths, Ipswich, Suffolk (Fabulous 208)
30 June 1966 – Ritz Ballroom, Skewen, South Wales (Fabulous 208)
1 July 1966 – Gaiety Ballroom, Grimsby (Beat Instrumental)
2 July 1966 – Spa Ballroom, Bridlington (Beat Instrumental)
3 July 1966 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
4 July 1966 – Top Rank, Wolverhampton, West Midlands (Beat Instrumental)
6 July 1966 – Orchid Ballroom, Purley, London (Chris Broom book: Rockin’ and Around Croydon) Beat Instrumental has Bromley Court Hotel on this date which is still possible
11 July 1966 – Top Rank Ballroom, Wolverhampton, West Midlands (Fabulous 208)
13 July 1966 – Top Rank Ballroom, Doncaster, South Yorkshire (Fabulous 208)
14 July 1966 – Mayfair Ballroom, Newcastle upon Tyne, Tyne & Wear (Beat Instrumental)
16 July 1966 – Gaiety Ballroom, Ramsey, Cambridgeshire with Billy Storm & The Original Falcons (Cambridgeshire Times)
17 July 1966 – Beachcomber Club, Nottingham (Nottingham Evening Post)
19 July 1966 – Torquay Town Hall, Torquay, Devon with Raynors’ Secrets and The Travellers (Herald Express)
23 July 1966 – Blue Lagoon, Kimbells, Southsea, Hampshire (Portsmouth News)
24 July 1966 – Starlite, Greenford, northwest London with The En-Devers Ltd (Melody Maker)
29 July 1966 – Il Rondo, Leicester (Fabulous 208)
The South East London Mercury’s 29 July 1966 edition, page 1, has a good band story and picture. The line up is Chris Farlowe, Albert Lee, Bruce Waddell, Ian Hague and Dave Greenslade
30 July 1966 – New Cornish Riviera Lido, St Austell, Cornwall (West Briton & Royal Cornwall Gazette)
31 July 1966 – Bromley Court Hotel, Bromley, southeast London (South East London Mercury)
2 August 1966 – Locarno Ballroom, Bristol (Evening Post)
4 August 1966 – Locarno Ballroom, Bristol (Evening Post)
6 August 1966 – Floral Hall, Southport, Lancashire (Fabulous 208)
9 August 1966 – Ram Jam, Brixton, London (Melody Maker)
11 August 1966 – Ricky Tick, Harpenden Public Hall, Harpenden, Hertfordshire (Poster)
12 August 1966 – The Gaff, North Bar, Banbury, Oxfordshire (Fabulous 208)
13 August 1966 – Drill Hall, Grantham, Lincolnshire with The Delcounts and Breed (Grantham Journal)
18 August 1966 – Bedford Corn Exchange, Bedford (Bigglewade Chronicle)
23 August 1966 – Kinema, Dunfermline, Scotland (Fabulous 208)
25 August 1966 – Palais, Dundee, Scotland (Fabulous 208)
26 August 1966 – City Hall, Perth, Scotland (Fabulous 208)
27 August 1966 – Market Assembly Hall, Carlisle, Cumbria with The Atoms and The Conquests (Cumberland News)
28 August 1966 – Redcar Jazz Club, Coatham Hotel, Redcar, North Yorkshire with The Skyliners (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book/Middlesbrough Evening Gazette)
29 August 1966 – Grays Club, Grays Court, Newcastle upon Tyne, Tyne & Wear (Fabulous 208/Beat Instrumental)
31 August 1966 – Mr Magoos, Edinburgh, Scotland (Beat Instrumental)
1 September 1966 – Mr Magoos, Edinburgh, Scotland (Beat Instrumental)
3 September 1966 – King Mojo Club, Sheffield, South Yorkshire (Beat Instrumental)
4 September 1966 – Olympia Ballroom, Cromer, Norfolk (Beat Instrumental)
8 September 1966 – Assembly Hall, Worthing, West Sussex (Worthing Herald)
9 September 1966 – Beat Festival, Scunthorpe United Football Ground, Scunthorpe, North Lincolnshire with Georgie Fame & The Blue Flames, The Troggs, Cliff Bennett & The Rebel Rousers, Billy J Kramer & The Dakotas, The Ram Jam Band, The Creation, The Mindbenders and The Fenmen (Grimsby Evening Telegraph)
10 September 1966 – Casino Ballroom, Taggs Island, Hampton Court, Middlesex (Fabulous 208)
16 September 1966 – Corn Exchange, Newbury, Berkshire (Fabulous 208)
17 September 1966 – Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Otis Redding & his American Band, The Gates of Eden, The Rising Sons and The Ferryboys (Lincolnshire Standard)
18 September 1966 – The New Scene, Nottingham (Nottingham Evening Post)
18 September 1966 – Beachcomber, Nottingham with Jimmy James & The Vagabonds (Nottingham Evening Post)
22 September 1966 – Salisbury City Hall, Salisbury, Wiltshire with The Impacts (Frogg Moody and Richard Nash’s book Hold Tight!)
23 September 1966 – Top Spot, Ross-on-Wye, Herefordshire with Mike Starr & The Citizens (Gloucester Citizen)
24 September 1966 – Ram Jam, Brixton, south London (Beat Instrumental)
29 September 1966 – New Yorker Discotheque, Swindon, Wiltshire with The Soul Men (Swindon Evening Advertiser)
30 September 1966 – Tiles, Oxford Street, central London with Good Time Band (Melody Maker)
1 October 1966 – Birdcage, Eastney, Hampshire (Dave Allen research)
1 October 1966 – Paris Olympia, Paris, France with The Alan Price Set (Disc & Music Echo) Clashes with Birdcage gig above so may not have happened
2 October 1966 – Dereham Tavern, Dereham, Norfolk with Eyes of Blond (Eastern Evening News) Fabulous 208 refers to this venue as The Sunshine Floor
7 October 1966 – Marine Ballroom, Morecambe, Lancashire (Fabulous 208)
8 October 1966 – Golden Torch, Tunstall, Staffordshire with The Invasion (Fabulous 208/Evening Sentinel)
8 October 1966 – King’s Hall, Stoke, Staffordshire (Evening Sentinel)
14 October 1966 – Civic Hall, Wolverhampton, West Midlands with The Rogues (Fabulous 208/Evening Star)
15 October 1966 – Floral Hall, Southport, Lancashire (Fabulous 208)
In mid October, the band joined The Paul Butterfield Blues Band, Georgie Fame, Geno Washington & The Ram Jam Band, Eric Burdon & The New Animals and The Eyes of Blue for a package tour (see details in comments)
15-21 January 1967 – Garrick, Leigh, Greater Manchester (St Helens Newspaper/Fabulous 208)
22-23 January 1967 – Club Latino, South Shields, Tyne & Wear (Fabulous 208)
22-23 January 1967 – Dolce Vita, Newcastle upon Tyne, Tyne & Wear (Fabulous 208)
3 February 1967 – Leicester University, Leicester, Leicestershire (Fabulous 208)
4 February 1967 – University Park, Nottingham, Nottinghamshire (Fabulous 208)
10 February 1967 – Ram Jam, Brixton, south London (Fabulous 208)
10 February 1967 – Battersea College, Battersea, south London (Fabulous 208)
11 February 1967 – Queen Mary’s College, Mile End, east London (Fabulous 208)
13 February 1967 – Liverpool University, Liverpool with The Searchers (Fabulous 208)
18 February 1967 – Town Hall, Morley, West Yorkshire (Fabulous 208)
19 February 1967 – Redcar Jazz Club, Redcar, North Yorkshire with The Bluecaps (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book)
24 February 1967 – Durham University, Durham with Alan Price Set (Fabulous 208)
3 March 1967 – Clouds, Derby, Derbyshire (Fabulous 208)
4 March 1967 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Edwin Starr and The Cool Combination, Root and Jenny Jackson & The Hightimers and Ray Bones (Fabulous 208 and Lincolnshire Standard)
4 March 1967 – Beachcomber, Nottingham (Nottingham Evening Post)
7 March 1967 – St Andrew’s Hall, Norwich, Norfolk with Sensational Anglians (Eastern Evening News)
9 March 1967 – Locarno Ballroom, Coventry, West Midlands (Fabulous 208)
10 March 1967 – Public Baths, Sutton-in-Ashfield, Nottinghamshire with The Alan Price Set (The Star)
10 March 1967 – Nottingham Tech College, Nottingham with Robert Hirst & The Big Taste, Our Young and The In Crowd (Nottingham Evening Post)
11 March 1967 – Dreamland, Margate, Kent with The Nite People (East Kent Times & Mail)
15 March 1967 – Dorothy Ballroom, Cambridge with The Question (Cambridge News)
18 March 1967 – Ram Jam, Brixton, south London (Melody Maker)
20 March 1967 – Star Hotel, Croydon, south London (Fabulous 208)
23 March 1967 – The Cavern, Liverpool with The Fix and The Klubs (Fabulous 208/Phil Thompson’s Story of the Cavern book)
25 March 1967 – Birdcage, Eastney, Hampshire with The Academy (Dave Allen research)
27 March 1967 – Barnsley Civic Hall, Barnsley, South Yorkshire with Dave Dee, Dozy, Beaky, Mick and Tich, The Bonzo Dog Doo Dah Band, The Tiles Big Band, The Pityful and Moss’s Mixtures (Barnsley Chronicle & South Yorkshire News/Melody Maker)
27 March 1967 – Northwich Memorial Hall, Northwich, Cheshire (Crewe Chronicle)
31 March 1967 – Starlight Ballroom, Crawley, West Sussex (Crawley Advertiser)
5 April 1967 – St Michael’s Youth Centre, Sydenham, southeast London with Citations (Fabulous 208)
8 April 1967 – Upper Cut, Forest Gate, east London with Lunar-2 Honey Band (Melody Maker)
9 April 1967 – Hilton Hotel, Park Lane, central London (Fabulous 208)
14 April 1967 – Il Rondo, Leicester, Leicestershire (Fabulous 208)
15 April 1967 – Adelphi Ballroom, West Bromwich, West Midlands (Express and Star)
18 April 1967 – Marquee, Wardour Street, Soho, central London with Wynder K Frog (Tony Bacon’s book: London Live)
20 April 1967 – Town Hall, Loughborough, Leicestershire (Fabulous 208)
21 April 1967 – Gondola Club, Hull, East Riding of Yorkshire (Fabulous 208)
22 April 1967 – St George’s Ballroom, Hinckley, Leicestershire (Nuneaton Evening Tribune)
24 April 1967 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
30 April 1967 – Starlite, Greenford, northwest London with Shinn (Melody Maker)
In early May, Dave Greenslade left to join Geno Washington & The Ram Jam Band. Ian Hague departed about the same time to join PP Arnold & The Nice. Carl Palmer took his place on drums.
5 May 1967 – Birmingham Town Hall, Birmingham (Fabulous 208)
7 May 1967 – Black Prince Hotel, Bexley, southeast London (Melody Maker)
12 May 1967 – Central Pier, Morecambe, Lancashire (Fabulous 208)
13 May 1967 – Nottingham University, Nottingham, Nottinghamshire (Fabulous 208)
20 May 1967 – Gaiety Ballroom, Ramsey, Cambridgeshire with The Motown Trinity (Cambridgeshire Times)
20 May 1967 – Night Owl, Leicester with Pesky Gee (Fabulous 208/Leicester Mercury)
21 May 1967 – Union Rowing Club, Nottingham (Fabulous 208)
23 May 1967 – Swansea College, Swansea, Wales (Fabulous 208)
26 May 1967 – Town Hall, Loughborough, Leicestershire with Mike Stuart Band (Fabulous 208/Leicester Mercury)
27 May 1967 – The Belfry, Wishaw, West Midlands with The Protection Racket (Birmingham Evening Mail)
10 June 1967 – Supreme Eastern Esplanade, Ramsgate, Kent with Len Marshall Show (East Kent Times & Mail)
11 June 1967 – The Place, Hanley, Staffordshire (Evening Sentinel)
13 June 1967 – Caius College, Oxford, Cambridge with Geno Washington & The Ram Jam Band (Fabulous 208) Disc & Music Echo has 14 June
17 June 1967 – Toft’s, Folkestone, Kent (Fabulous 208/Melody Maker)
18 June 1967 – Brands Hatch Radio London Motor Racing and Pop Festival, Brands Hatch, Kent with Dave Dee, Dozy, Beaky, Mick and Tich and Episode Six (Sutton & Cheam Advertiser)
23 June 1967 – Benn Memorial Hall, Rugby, Warwickshire (Fabulous 208)
24 June 1967 – Hull University, Hull (Disc & Music Echo)
25 June 1967 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
30 June 1967 – Tiles, Oxford Street, central London with Syrian Blues and All Night Workers (Melody Maker)
7 July 1967 – Tiles, Oxford Street, central London with The Chanters (Melody Maker)
9 July 1967 – Pavilion, Great Yarmouth, Norfolk (Fabulous 208)
11 July 1967 – Klooks Kleek, West Hampstead, north London (Geoff Williams research: Decca Studios and Klooks Kleek book)
23 September 1967 – Winter Gardens, Weston-Super-Mare, Somerset (Fabulous 208)
24 September 1967 – Hotel Leofric, Coventry, West Midlands with Legay (Coventry Evening Telegraph)
30 September 1967 – Bracknell Sports Centre, Bracknell, Berkshire with The Ziggy Turner Mob (Windsor, Slough and Eton Express/Bracknell News)
5 October 1967 – Club A Go Go, Newcastle upon Tyne, Tyne & Wear (Fabulous 208)
6 October 1967 – Queens Rink Ballroom, Hartlepool, County Durham with The Sect and The Tony King Sound (Hartlepool Mail)
7 October 1967 – Reading University, Reading, Berkshire (Fabulous 208)
8 October 1967 – Starlite Ballroom, Greenford, northwest London (Fabulous 208)
14 October 1967 – Southampton University, Southampton, Hampshire (Fabulous 208) 15 October 1967 – Beau Brummel Club, Alvaston Hall Hotel, Nantwich, Cheshire with Phil Ryan & The Scorpions (Crewe Chronicle)
21 October 1967 – At the Union, Manchester with The Waterboard (Manchester Evening News and Chronicle)
22 October 1967 – The Place, Hanley, Staffordshire (Evening Sentinel)
23 October 1967 – Staffordshire Yeoman, Stafford (Stafford Newsletter)
28 October 1967 – Sheffield University, Sheffield, South Yorkshire (Fabulous 208)
29 October 1967 – Redcar Jazz Club, Redcar, North Yorkshire with The Skyliners (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book)
17 November 1967 – Salford University, Salford, Greater Manchester (Fabulous 208)
18 November 1967 – Dreamland, Margate, Kent with The Dual Purpose (East Kent Times & Mail)
22 November 1967 – Elbow Room, Aston, West Midlands (Birmingham Evening Mail)
25 November 1967 – St James’ Spectacular, Chesterfield, Derbyshire with The Shape of The Rain (Derbyshire Times)
30 November 1967 – Queen’s Hall, Wolverhampton, West Midlands (Fabulous 208)
During December Pete Solley joined on keyboards.
1 December 1967 – Starlight Ballroom, Crawley, West Sussex (Fabulous 208)
7 December 1967 – Marimba, Middlesbrough (Disc & Music Echo)
8 December 1967 – Crown & Cushion, Perry Barr, West Midlands (Birmingham Evening Mail)
16 December 1967 – Westminster Technical College, Westminster, central London with Hamilton’s Blues Messengers (Melody Maker)
21 December 1967 – Central Hall, Mansfield, Nottinghamshire (The Star)
23 December 1967 – Leyton Baths, Leyton, east London (Disc & Music Echo)
23 December 1967 – Lotus Ballroom, Forest Gate, east London (Newham & Stratford Express)
31 December 1967 – Plaza Ballroom, Handsworth, West Midlands (Birmingham Evening Mail)
31 December 1967 – Plaza Ballroom, Old Hill, Bearwood, West Midlands (Express & Star)
1968
5 January 1968 – Chateau Impney, Droitwich, Worcestershire (Fabulous 208)
6 January 1968 – Southend gig (but not sure of venue) with support (Southend Standard)
7 January 1968 – Tudor Club, Mercers Arms, Coventry, West Midlands (Coventry Evening Telegraph)
8 January 1968 – Park Hall Hotel, Goldthorn Park, Wolverhampton, West Midlands with Finders Keepers and Barmy Barry Show (Express & Star)
12 January 1968 – Leicester College of Education (Scraptoft), Leicester with Deuce Coupe and Pandoras Box (Fabulous 208/Leicester Mercury)
13 January 1968 – Alex’s Disco, Salisbury, Wiltshire (Frogg Moody and Richard Nash’s book Hold Tight!)
14 January 1968 – Starlight Ballroom, Crawley, West Sussex (Crawley Advertiser)
28 January 1968 – Carlton Ballroom, Erdington, West Midlands (Birmingham Evening Mail)
30 January 1968 – Cheltenham Spa Lounge and Ballroom, Cheltenham, Gloucestershire (Gloucester Citizen)
2 February 1968 – Queen’s Hall, Leeds, West Yorkshire with Chuck Berry, The Herd, The Move, Edwin Starr, Brian Auger Trinity, Julie Driscoll, Sammy Small, The Union Blues Rave Band, Th Accent (Yorkshire Evening Post)
19 February 1968 – Mercers Arms, Coventry, West Midlands (Coventry Evening Telegraph)
25 February 1968 – Swan, Yardley, West Midlands (Birmingham Evening Mail)
29 February 1968 – Zodiac Club, Eden Park Hotel, Beckenham, southeast London (Melody Maker)
3 March 1968 – Redcar Jazz Club, Coatham Hotel, Redcar, North Yorkshire with The Friendly Apple (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book/Middlesbrough Evening Gazette)
7 March 1968 – City of Coventry Confederation of Colleges, Locarno Ballroom, Coventry, West Midlands with The Spencer Davis Group, St Louis Union and Piccadilly Line (Coventry Evening Telegraph)
8 March 1968 – Il Rondo, Leicester (Leicester Mercury)
16 March 1968 – Rhodes Centre, Bishop’s Stortford, Herts with The New England Mood (Steve Ingless book: The Day Before Yesterday)
16 March 1968 – Glastonbury Town Hall, Glastonbury with Generation (Somerset County Gazette)
23 March 1968 – Glastonbury Town Hall, Glastonbury, Somerset with Generation (Western Gazette)
29 March 1968 – Crown and Cushion, Perry Barr, West Midlands with The Vogues (Birmingham Evening Mail)
31 March 1968 – 76 Club, Burton upon Trent, Staffordshire (Burton Daily Mail)
1 April 1968 – Mercers Arms, Coventry, West Midlands with The Soul Express (Coventry Evening Telegraph)
12 April 1968 – Club Rado, Belfast, Northern Ireland with The Shades of Blue (City Week)
13 April 1968 – Club Rado, Belfast, Northern Ireland with Taste (City Week)
20 April 1968 – Winter Gardens, Banbury, Oxfordshire with Wages of Sin (Brackley Advertiser)
21 April 1968 – The Place, Hanley, Staffordshire (Evening Sentinel)
27 April 1968 – Dreamland Ballroom, Margate, Kent with Le Gaye (East Kent Times)
28 April 1968 – Hotel Leofric, Coventry, West Midlands (Coventry Evening Telegraph)
6 May 1968 – Queen Mary Ballroom, Dudley Zoo, West Midlands with Sound Syndicate (Express & Star)
8 May 1968 – Top Rank Suite, Leicester with Simon Peters (Leicester Mercury)
11 May 1968 – Kesteven College, Grantham, Lincolnshire with The Cortinas (Paul Griggs book)
According to Paul Griggs, Albert Lee did not appear at the above gig and he recommended his friend Alan Shacklock as a replacement when Lee left soon after.
17 May 1968 – Mistrale Club, Beckenham Junction, southeast London with The Purple Dream (Coulsdon & Purley Advertiser)
Shacklock auditioned at a pub in Islington around this time, by which point bass player Bruce Wadell had departed and Solley played the bass pedals on his Hammond.
24 May 1968 – Victoria & Bull, Dartford, Kent (Fabulous 208)
25 May 1968 – College of Technology, Slough, Berkshire (Fabulous 208)
1 June 1968 – Gaiety Ballroom, Ramsey, Cambridgeshire with Granny’s Attic (Cambridgeshire Times)
9 June 1968 – Redcar Jazz Club, Redcar, North Yorkshire with The Keith Herd Group (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book)
Around this time Pete Solley left to join Los Bravos and Peter Robinson took over on keyboards. Bruce Waddell also returned to play bass.
14 June 1968 – Club Rado, Belfast, Northern Ireland (City Week)
In mid July, Carl Palmer left to join The Crazy World of Arthur Brown. Palmer recommended his friend John Bonham, who has been working with Tim Rose.
Bonham has already been approached to form a new band that will become Led Zeppelin but will perform with Chris Farlowe & The Thunderbirds until late August.
20 July 1968 – Condor Club, Arbroath, Scotland (Fabulous 208)
27 July 1968 – Alex’s Disco, Salisbury, Wiltshire (Frogg Moody and Richard Nash’s book Hold Tight!)
1 August 1968 – Fishmonger’s Arms, Wood Green, north London (Melody Maker)
2 August 1968 – Mistrale Club, Beckenham, southeast London (Fabulous 208)
3 August 1968 – Seagull Ballroom, Ryde, Isle of Wight (Fabulous 208)
8 August 1968 – Dreamland Ballroom, Margate, Kent with The Candy Choir (Folkestone, Hythe & District Herald)
10 August 1968 – The Factory, Birmingham (Birmingham Evening Mail)
16 August 1968 – Boat House, Kew, west London (Thames Valley Times)
17 August 1968 – The Factory, Birmingham (Fabulous 208)
John Bonham left at the end of August to join The New Yardbirds who soon change name to Led Zeppelin.
Colin Davy, who has been playing with Geno Washington & The Ram Jam Band, took his place.
31 August 1968 – Elms Court, Botley, Oxford (Fabulous 208)
2 September 1968 – Bank Holiday, Bluesology Festival, Chateau Impney, Droitwich, Worcestershire with Fleetwood Mac, The Move, The Freddy Mack Show and Family (Melody Maker)
2 September 1968 – Billing Aquadrome, Northamptonshire with Joe Cocker and Soul Committee (Northamptonshire Evening Telegraph)
13 September 1968 – Victoria Cross, Wantage, Berkshire (Fabulous 208)
13 September 1968 – Carlton Club, Warrington, Cheshire with The Curiosity Shoppe (Warrington Guardian)
14 September 1968 – Drill Hall, Melton Mowbray, Leicestershire with Donell Jackson and Broadway Crowd (Grantham Journal)
18 September 1968 – YMCA, Tunbridge Wells, Kent (Fabulous 208)
21 September 1968 – Drill Hall, Melton Mowbray, Leicestershire with Donnell Jackson and The Broadway Crowd (Grantham Journal/Leicester Mercury)
22 September 1968 – Tudor Club, Mercer’s Arms, Coventry, West Midlands (Coventry Evening Telegraph)
2 October 1968 – Bag O’Nails, Kingley Street, Soho, central London (Fabulous 208)
3 October 1968 – Broken Wheel, Macclesfield (Fabulous 208)
4 October 1968 – Goldsmith College, New Cross Gate, London (Fabulous 208)
13 October 1968 – Union Rowing Club, Nottingham (Nottingham Evening Post)
18 October 1968 – Chelsea College, Chelsea, London (Fabulous 208)
19 October 1968 – Bangor University, Bangor, Wales (Fabulous 208)
1 November 1968 – Brunel University, Uxbridge, London (Melody Maker)
3 November 1968 – Bridge Place Country Club, Bridge near Canterbury, Kent (Kent Herald)
13-14 December 1968 – Scene Two, Scarborough, North Yorkshire (Scarborough Evening News)
19 December 1968 – Shipley Club, Watton, Norfolk (Fabulous 208)
22 December 1968 – Bird Cage, Harlow, Essex (Fabulous 208)
28 December 1968 – Malvern Winter Gardens, Malvern, Worcestershire with The Basin Street Jump Band (Malvern Gazette)
1969
17 January 1969 – Teachers Training College, Edgbaston, West Midlands (Fabulous 208)
18 January 1969 – St Mary’s Technical College, Twickenham, west London (Fabulous 208)
19 January 1969 – The Place, Hanley, Staffordshire (Fabulous 208)
23 January 1969 – Alex’s Disco, Salisbury, Wiltshire (Frogg Moody and Richard Nash’s book Hold Tight!)
1 February 1969 – Hatfield College, Hatfield, Herts (Fabulous 208)
7 February 1969 – The Factory, Birmingham (Fabulous 208)
8 February 1969 – Dreamland Ballroom, Margate, Kent with Dream Police (Folkestone & Hythe District Herald)
14 February 1969 – Leeds University, Leeds, West Yorkshire (Fabulous 208)
16 February 1969 – Carousel Club, Piccadilly, central London (Fabulous 208)
1 March 1969 – Rhodes Centre, Bishop’s Stortford, Herts (Steve Ingless book: The Day Before Yesterday)
9 March 1969 – 76 Club, Burton on Trent, Staffordshire (website: http://www.76club.org.uk/gigs.html) This may be Farlowe’s final gig with The Thunderbirds – Melody Maker notes 9 March was the last one.
When the band split, Alan Shacklock went on to play with Babe Ruth. The rest of the band recorded as The Hill.
Many thanks to Alan Shacklock for his help in clarifying the band’s final lineups.
Left to right: Colin Pullen, Roy Manderson, Kenny Bernard, Phil Lanzon and Alan Griffin. Thanks to Colin for the image.
Kenny Bernard – lead vocals Alan Griffin – lead guitar Colin Pullen – bass Phil Lanzon – keyboards Roy Manderson – drums
Hailing from South London Cats Pyjamas released two highly inventive yet extremely rare and collectable 45s for the Direction label during 1968. The quintet’s music bridged psychedelia and progressive rock with hints of soul/R&B and both releases were notable for their top notch production and the superlative musicianship of its players.
Trinidad-born singer Kenny Bernard had first come to prominence with R&B outfit The Wranglers during 1963. Formed around the Lewisham area, the previous year, the group subsequently recorded a lone single for the Pye label, “The Tracker”, which was released in August 1965. Around the same time, the musicians were captured live at the Ad Lib Club in Leicester Square for a rare acetate that years later found its way into the hands of Mark Lamarr. The DJ passed the live tracks to the Acid Jazz label, which released the recordings as the Kenny Bernard & The Wranglers Live ’65 CD in 2011.
When The Wranglers splintered a few months later, Bernard stayed with Pye Records and recorded a cache of stylish R&B/soul-inspired singles during 1966 and 1967, none of which troubled the charts. However, as Bernard noted in his autobiography, You Came Into My Life, he found going solo a daunting experience and missed working with a band on stage.
One night (the most plausible date is sometime in June 1967), the singer was out at the Scotch of St James nightclub in Mayfair with his old friend Pete Gage, former guitarist in Geno Washington & The Ram Jam Band, when he heard that South London group, The Loose Ends, were looking for a singer to front the band.
Originally from Bexley Heath in Kent, The Loose Ends had cut a couple of singles for Decca Records with singer Alan Marshall at the helm before undergoing a major overhaul in October 1966, which left the singer with the name. Marshall’s manager Bryan Mason then linked him with Croydon outfit, The Subjects, who featured guitarist Alan Griffin, keyboard player Phil Lanzon and drummer Roy Manderson.
The Subjects, 1966. Left to right: John Manderson, Malcolm Rudkin, Roy Manderson, Phil Lanzon and Alan Griffin. Thanks to Alan for the image.
Over the next few months, The Loose Ends’ manager also started to bring in musicians from Bexley band, Bob ‘N’ All to replace outgoing musicians. These included new bass player Colin Pullen and second singer Bob Saker. However, shortly before taking up a residency at the Bang Bang Club in Milan in mid-January 1967, first Roy Manderson and then Alan Griffin dropped out to make way for new recruits. Both, however, kept in touch with Phil Lanzon.
Fast forward to early March and The Loose Ends were back in London, and with Alan Griffin back in the fold, the group performed at the Scotch of St James and the Speakeasy. Shortly after a gig at the Central London Polytechnic on 15 April, where they opened for The Savoy Brown Blues Band, singers Alan Marshall and Bob Saker took up soul legend Otis Redding’s offer to fly to the US to record at Fame Studios in Muscle Shoals.
Left without their two front men, The Loose Ends, who’d brought Roy Manderson back on board after his replacement Tony Glyde had left to join first The Fenmen and then Simon K & The Meantimers, put out feelers for another singer. With Marshall and Saker out of the picture, the musicians also decided to revamp themselves as Cats Pyjamas.
After spending a month or so working up a stage set with Kenny Bernard, Colin Pullen recalls that the group’s debut gig took place at a college in Epsom, Surrey, which quite possibly could have been nearby Ewell Technical College Refectory, a popular local venue for up and coming bands to perform at.
Over the next few months, Cats Pyjamas gigged fairly incessantly, and one of the band’s most notable gigs during this period was an appearance at the Starlight Room at Boston Gliderdrome in September with The Original Drifters. Pullen also recalls playing in Bournemouth’s Winter Gardens during the first few months of the group’s existence.
However, in early December, Cats Pyjamas secured a crucial deal with the Rik Gunnell Agency, which most likely was brokered by their manager Pete Gage, who’d co-written one of the band’s standout songs, “Virginia Water” with Kenny Bernard and had previous dealings with the agency during his time with The Ram Jam Band.
Selected gigs:
According to the Reading Evening Post, 12 August, Kenny Bernard plays at the Bag O’Nails around this time (and this would be with Cats Pyjamas).
13 August 1967 – Starlight Ballroom, Crawley, West Sussex with The Geranium Pond (Crawley Advertiser)
30 September 1967 – Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Original Drifters and The Magic Roundabout (Lincolnshire Standard)
7 October 1967 – Clouds, Derby (Derby Evening Telegraph)
22 October 1967 – Elm Hotel, Southend, Essex (Southend Standard)
4 November 1967 – The Place, Hanley, Staffordshire with Scots of St James (Evening Sentinel)
11 November 1967 – Cesar’s Club, Bedford, Bedfordshire with Geranium Pond (Bedfordshire Times)
2 December 1967 – Cliff’s Pavilion, Southend, Essex with John Walker and The Timebox and The Seychells (Southend Standard)
2 December 1967 – Luton Boys Club, Luton, Bedfordshire with Tramline (Evening Post: Hemel Hempstead)
8 December 1967 – The Place, Hanley, Staffordshire with The Wafer Board (Evening Sentinel)
The link-up with the Rik Gunnell Agency brought in steady stream of live work and importantly gave the band a regular spot to shine at the agency’s top Soho club, the Bag O’Nails on Kingley Street. It also led to a recording deal with the Direction label and, that same month, the musicians recorded a superb version of Jeff Barry, Ellie Greenwich and Phil Spector’s “Baby, I Love You”, originally a top 30 US hit for The Ronettes in 1963, at Olympic Studio’s in Barnes.
To this listener’s ears, however, it is the flip, the Pete Gage/Kenny Bernard penned “Virginia Water” that is the more impressive recording. A psych/prog-rock masterpiece, the song, named after the Surrey commuter town, benefits greatly from Mervyn Conn’s excellent production and demonstrates the inventiveness of a band that is only a few months old.
Alan Griffin sets the scene with a sizzling “nosediving” guitar effect, which is soon buried in the rhythm section’s intricate, syncopated bass and percussion lines. The action then cuts back to the guitarist, who interjects with a series of strident riffs, signalling the arrival of Phil Lanzon’s majestic, prog-rock Hammond fills. As the brooding atmosphere threatens to spill over, Kenny Bernard joins the fray with his distinctive, powerful and soulful lead vocals.
The single, when released on 26 January 1968, should have been a massive hit, but instead sank without a trace. Perhaps “Virginia Water” would have fared better had it been promoted as the A-side but then again the band’s unique style, marrying psych-progressive rock with soul influences was probably far too inventive and dare I say it, “ahead of its time” to meet the narrow demands of the pop charts. Needless to say, breaking into top echelons of the charts was practically an impossibility anyway given The Beatles, The Rolling Stones and others’ virtual stranglehold.
Interestingly, “Virginia Water” caught the attention of Scottish progressive-rock band, Writing on The Wall, who later recorded the track under an “unknown” title for their Power of The Picts LP.
Selected gigs:
15 December 1967 – Sibyllas, Swallow Street, central London (Rik Gunnell Agency bookings)
16 December 1967 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
18 December 1967 – Kettering Working Men’s Club, Kettering, Northamptonshire (Rik Gunnell Agency bookings/Northamptonshire Evening Telegraph)
28 February 1968 – Rasputin’s, New Bond Street, central London (Rik Gunnell Agency bookings)
2 March 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
3 March 1968 – Beachcomber, Nottingham (Rik Gunnell Agency bookings)
Undeterred by the chart failure of their debut 45, Cats Pyjamas returned to Olympic Studios in Barnes with Mervyn Conn to record a follow up release. According to Rik Gunnell’s agency bookings, the group spent two days recording (4 and 5 March).
Colin Pullen remembers that The Steve Miller Band were recording tracks for Children of The Future in the studio next door and when Cats Pyjamas had finished their session they watched the San Francisco group at work.
During the sessions, Cats Pyjamas recorded two new Kenny Bernard songs, “Camera Man” and “Houses”. Bernard would revisit the pedestrian “Houses” in later years and but here the rest of the band give the song a semi-acoustic treatment complete with progressive organ fills. To this listener’s ears, the track wouldn’t sound out of place on The Small Faces’ Autumn Stone or Family’s Music From a Doll’s House. Far better is the raving Mod/prog cross-over “Camera Man” with its infectious chorus and stomping, driving beat.
Like “Virginia Water”, “Camera Man” demonstrates just how innovative Cats Pyjamas could be in the studio; unfortunately the group’s second outing would follow its predecessor into obscurity. The tragedy is that the group never got the opportunity to cut more material towards an LP.
Selected gigs:
7 March 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
21-22 May 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
24 May 1968 – Rasputin’s, New Bond Street, central London (Rik Gunnell Agency bookings)
30-31 May 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
Released on 24 May 1968, “Camera Man” c/w “Houses” was another creative step forward but all was not well within the band. As Bernard later admitted in his autobiography, the singer was increasingly coming to blows with the rest of the group, both musically and personally. A rare high point was a month-long residency at the Stones Club in Madrid during June where Cats Pyjamas took over from Carl Douglas & The Big Stampede.
29 September 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
4 October 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
5 October 1968 – Fellowship Inn, Bellingham, southeast London (Rik Gunnell Agency bookings)
6 October 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
11 October 1968 – Kingston College of Art, Kingston Upon Thames, southwest London (Rik Gunnell Agency bookings)
18-19 October 1968 – Rasputin’s, New Bond Street, central London (Rik Gunnell Agency bookings)
20 October 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
21 October 1968 – Rasputin’s, New Bond Street, central London (Rik Gunnell Agency bookings)
25 October 1968 – Bag O’Nails, Kingley Street, Soho, central London (Rik Gunnell Agency bookings)
26 October 1968 – White Hart, Acton, west London (Rik Gunnell Agency bookings)
27 October 1968 – Mercer’s Arms, Swan Lane, Coventry, West Midlands (Rik Gunnell Agency bookings)
28-31 October 1968 – Playboy Club, Park Lane, central London (Rik Gunnell Agency bookings)
1-9 November 1968 – Playboy Club, Park Lane, central London (Rik Gunnell Agency bookings)
10 November 1968 – Swan Hotel, Yardley, West Midlands (Rik Gunnell Agency bookings)
16 November 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder) Missing from Colin’s diary
The band late 1968. Left to right: Phil Lanzon, Alan Griffin, Kenny Bernard, Roy Manderson (back) and Colin Pullen. Thanks to Alan for the photo.
Having returned to the UK after working in Madrid for a month during June 1968, tensions between Kenny Bernard and the rest of the band continued to grow and following some final gigs for Rik Gunnell in mid-November, the singer parted ways to resume a solo career.
Cats Pyjamas stuck together a bit longer but sometime in 1969 Colin Pullen left. Around November of that year, remaining members Alan Griffin, Phil Lanzon and Roy Manderson joined Geno Washington and worked as his Ram Jam Band until the spring of 1970. Griffin remained with the singer when he put together a new version that year.
Phil Lanzon, however, maintained the greatest profile over the succeeding years, later working with Grand Prix, Chris Spedding and Sweet among others before joining Uriah Heep in 1986 with whom he continues to play.
Huge thanks to Colin Pullen (who kindly shared the Rik Gunnell Agency booking list), Alan Griffin and Phil Lanzon for providing information about the band.
London-based West Indian soul outfit, Joe E Young & The Toniks recorded a superb, ultra-rare, and highly collectable, LP called Soul Buster! for Vicki Wickham’s small Toast label during 1968 before splintering when singer Colin Young joined British chart toppers The Foundations, subsequently singing lead on the UK #2 hit, “Build Me Up A Buttercup” and UK #8 hit, “In The Bad Bad Old Days (Before You Loved Me)”.
The band’s career is shrouded in mystery and very little is known about its tangled history, not to mention its origins. What we do know, however, is that Colin Young was born in Barbados on 12 September 1944 (although some sources suggest the United States) and first came to London for a holiday with his father in the mid-Sixties (possibly in late 1965).
It seems likely that the original Toniks were formed around the Stoke Newington area as that was a hotbed for musicians from the Caribbean, who had moved to London.
Colin Young formed the group with guitarist Oscar Knight; sax player Anthony Barman (aka Bauman); bass player Sam Southwell; and drummer John Seally.
However, at some point in late 1966/early 1967 Calvin ‘Fuzzy’ Samuel took over from Sam Southwell; Conrad Isidore replaced John Seally; and keyboard player Ken Cumberbatch and second sax player Denis Overton joined. Samuel and Cumberbatch knew sax player Anthony Bauman from The Blue-Ace-Unit.
Antigua-born London-raised Calvin Samuel’s first notable musical outfit appears to have been The Blue-Ace-Unit, formed around early 1965 by future Bob Marley sideman, Junior Marvin, who at the time used the name Junior Kerr. Apparently, it was Kerr who coined Samuel’s nickname ‘Fuzzy’ after the musician used a fuzz box on his bass. Samuel replaced the original bass player in The Blue-Ace-Unit around the same time that Ken Cumberbatch joined Kerr’s group on keyboards.
Blue Ace Unit gig from 31 October 1965. Photo: Melody Maker. Photo may be subject to copyright
In mid-1966, Samuel briefly joined The Rick ‘N’ Beckers before hooking up with another Antigua immigrant, guitarist Wendell Richardson, who’d grown up in Tottenham after moving to the UK at the age of 11. This may (or may not) be the same band that Richardson refers to on his website as The Four Aces, who could also have been The Blue-Ace-Unit (aka Blue Aces) after Junior Kerr joined Herbie Goins & The Night-timers.
When that group folded, Samuel reunited with Cumberbatch in the new version of The Toniks. Also on-board were Dominica-born Conrad Isidore, who had previously played with The Grenades and The Links.
Around the same time, a second sax player, Denis Overton also joined. Overton is most likely the same South African-born musician who had previously played with John O’Hara & His New Playboys during 1965-1966 and then briefly worked with Liverpool band, The Roadrunners.
Incidentally, Samuel was also close friends with The Equals and apparently Eddy Grant used Calvin ‘Fuzzy’ Samuel as a session bass player on many of The Equals’ recordings. Grant would later produce and pen material for Samuel’s post-Toniks band, The Sundae Times.
Billed as either The Toniks or The Tonicks, the sextet quickly found work gigging across the north London club scene in venues that catered for the city’s burgeoning West Indian population.
The New All-Star Club near Liverpool Street railway station became a favourite haunt. The Toniks also became regulars at Count Suckle’s Cue Club in Paddington and the Roaring 20’s in Carnaby Street, Soho.
According to Geno Washington & The Ram Jam Band guitarist Pete Gage, who would work with the band in late 1967, it was Colin Young’s manager Ken Edwards, who owned the Cue Club who renamed the singer Joe E Young.
Some of the gigs below (particularly the early ones) didn’t list Joe E Young, but Colin Young was there from start to finish.
British music magazine, Melody Maker, lists the following gigs for the band (unless otherwise noted). Some of the earlier gigs from 1966 were probably by the original formation.
Selected gigs:
7 September 1966 – Tiles, Oxford Street, central London
11 September 1966 – New All-Star Club, 9a Artillery Passage, east London with The Pilgrims
2 October 1966 – Toft’s, Folkestone, Kent (Folkestone, Hythe & District Herald)
5 October 1966 – Zebra Club, W1, central London
8 October 1966 – Club West Indies, Stonebridge Park, northwest London
9 October 1966 – New All-Star Club, 9a Artillery Passage, east London
17 November 1966 – Starlite, Greenford, northwest London
17 November 1966 – Whisky A Go Go, Wardour Street, Soho, central London
3 December 1966 – New All-Star Club, 9a Artillery Passage, east London
9 December 1966 – Beachcomber Club, Nottingham (Nottingham Evening Post)
17 December 1966 – New All-Star Club, 9a Artillery Passage, east London
25 December 1966 – New All-Star Club, 9a Artillery Passage, east London
26 December 1966 – New All-Star Club, 9a Artillery Passage, east London with The Sugar Simone Show
8 January 1967 – New All-Star Club, 9a Artillery Passage, east London
27 January 1967 – Starlite, Greenford, northwest London with Inez and Charlie Foxx
28 January 1967 – New All-Star Club, 9a Artillery Passage, east London
28 January 1967 – California Ballroom, Dunstable, Bedfordshire with Dave Berry & The Crusiers and The Crestas (website: www.california-ballroom.info/gigs/)
28 January 1967 – Chalk Farm, north London with The Vaudeville Band, The Soft Machine and The Hectic Poets (Billed as the band only)
3 February 1967 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder) (Billed as The Tonics)
4 February 1967 – Ricky Tick, Hounslow, west London (Poster)(Billed as The Tonicks featuring Joey Young)
5 February 1967 – Cue Club, Paddington, west London (Billed as Joey Young & The Tonicks Band)
11 February 1967 – Birdcage, Eastney, Hampshire (Dave Allen research)
11 February 1967 – New All-Star Club, 9a Artillery Passage, east London
17 February 1967 – New All-Star Club, 9a Artillery Passage, east London
17 February 1967 – Roaring 20’s, Carnaby Street, Soho, central London
19 February 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
24 February 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
25 February 1967 – New All-Star Club, 9a Artillery Passage, east London
25 February 1967 – Roaring 20’s, Carnaby Street, Soho, central London
Photo: Aldershot News. Photo may be subject to copyright
4 March 1967 – Roaring 20’s, Carnaby Street, Soho, central London
5 March 1967 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder) (Billed as The Tonics)
5 March 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
7 March 1967 – The Place, Hanley, Staffordshire (Poster)
10 March 1967 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder) (Billed as The Tonics)
16 March 1967 – Roaring 20’s, Carnaby Street, Soho, central London
18 March 1967 – New All-Star Club, 9a Artillery Passage, east London
23 March 1967 – Roaring 20’s, Carnaby Street, Soho, central London
23 March 1967 – Klooks Kleek, West Hampstead, north London (Geoff Williams research: Decca Studios and Klooks Kleek book)
24 March 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
25 March 1967 – New All-Star Club, 9a Artillery Passage, east London
27 March 1967 – New All-Star Club, 9a Artillery Passage, east London
30 March 1967 – Golden Torch, Tunstall, Staffordshire with The Drifters, The Senate and Jimmy Cliff (Evening Sentinel)
31 March 1967 – New All-Star Club, 9a Artillery Passage, east London
7 April 1967 – The Place, Hanley, Staffordshire with Les Fleur De Lys (Evening Sentinel)
Photo: Essex Chronicle. Photo may be subject to copyright
8 April 1967 – Bluesville, St Thomas’ Hall, Brentwood, Essex (Essex Chronicle)
9 April 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
9 April 1967 – Flamingo, Soho, central London
Photo: Folkestone, Hythe & District Herald. Photo may be subject to copyright
15 April 1967 – Dreamland Ballroom, Margate, Kent with The Tribe (Folkestone, Hythe & District Herald)
16 April 1967 – New All-Star Club, 9a Artillery Passage, east London
21 April 1967 – Mr McCoys, Middlesbrough (Middlesbrough Evening Gazette) Billed as The Tonicks
29 April 1967 – Tabernacle, Stockport, Greater Manchester (Manchester Evening News & Chronicle)
14 May 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
Photo: Evening Sentinel. Photo may be subject to copyright
21 May 1967 – The Place, Hanley, Staffordshire (Evening Sentinel)
22 May 1967 – Queen’s Ballroom, Wolverhampton, West Midlands (Express & Star)
29 May 1967 – New All-Star Club, 9a Artillery Passage, east London with Nyla Rose
2 June 1967 – Golden Torch, Tunstall, Staffordshire (Evening Sentinel)
2 June 1967 – New All-Star Club, 9a Artillery Passage, east London
17 June 1967 – Gaiety Ballroom, Ramsey, Cambridgeshire with The Kinsmen (Cambridgeshire Times) (Billed as the band only)
17 June 1967 – New All-Star Club, 9a Artillery Passage, east London (Billed as John Lee Hooker & The Tonicks)
24 June 1967 – New All-Star Club, 9a Artillery Passage, east London with The Toys (Billed as the band only)
22 July 1967 – Nite Owl, Leicester (Disc & Music Echo)
The Nite Owl gig may not have happened as it took place during the period that the band played at Snoopys in Palma, Majorca which was from around late June to late August 1967.
Photo: Melody Maker. Photo may be subject to copyright
9 September 1967 – New All-Star Club, 9a Artillery Passage, east London
9 September 1967 – Cue Club, Paddington, west London (Billed as Tonicks Band)
15 September 1967 – New All-Star Club, 9a Artillery Passage, east London
Photo: North Norfolk News. Photo may be subject to copyright
23 September 1967 – Royal Links Pavilion, Cromer, Norfolk with Soul Concern (North Norfolk News)
24 September 1967 – New All-Star Club, 9a Artillery Passage, east London
28 September 1967 – Klooks Kleek, West Hampstead, north London
13 October 1967 – Cue Club, Paddington, west London (Billed as The Tonicks Band)
From late October-mid-November 1967, Melody Maker reports that Joe E Young & The Toniks were resident band at the New All-Star Club but did not say if this was every night. In early November, Ruby James & The Stax were also residents.
20 October 1967 – Rendevous Club, Margate, Kent with The Coloured Raisins (East Kent Times & Mail)
21 October 1967 – Cue Club, Paddington, west London (Billed as The Tonicks with Joey Young)
21 October 1967 – Ram Jam, Brixton, south London
Photo: Northamptonshire Evening Telegraph. Photo may be subject to copyright
22 October 1967 – Kettering Working Men’s Club, Kettering, Northamptonshire with Lloyd Alexander Blues Band (Northamptonshire Evening Telegraph)
Photo: Melody Maker. Photo may be subject to copyright
27 October 1967 – Railway Hotel, Wealdstone, Harrow, northwest London
28 October 1967 – Leeds International Club, Leeds, West Yorkshire
31 October 1967 – Adelphi Ballroom, Slough, Berkshire
Photo: Possibly Swindon Advertiser. Photo may be subject to copyright
4 November 1967 – Dreamland Ballroom, Margate, Kent with The Vogues (East Kent Times & Mail)
Sometime around early-to-mid November 1967, Calvin ‘Fuzzy’ Samuel departed to form The Sundae Times with guitarist Wendell Richardson. The Sundae Times later landed a record deal with President Records thanks to their friendship with Eddy Grant. Conrad Isidore also participated but continued to play with Joe E Young & The Toniks simultaneously.
Ken Cumberbatch left around the same time and moved into session work, including working with Junior Marvin. Oscar Knight also departed at the same time.
Trinidad and Tobago-born siblings Kelvin Bullen (lead guitar) and Hugh Bullen (bass), who had started out with Reading, Berkshire band, The Soul Trinity, took Knight and Samuel’s places. Richard London came in from south London bands The Heads and The Stax for Ken Cumberbatch.
Left to right: Kelvin Bullen, Richard London, Hugh Bullen, Colin Young, Conrad Isidore (sitting), Denis Overton and Tony Bauman
Colin Young – lead vocals
Kelvin Bullen – lead guitar
Hugh Bullen – bass
Richard London – keyboards
Tony Bauman – saxophone
Denis Overton – saxophone
Conrad Isidore – drums
Sometime in November, Joe E Young & The Toniks landed a recording deal with Vicki Wickham’s Toast label. Paired with former Ram Jam Band guitarist Pete Gage as an arranger, the band started to record material for an LP with producer Tommy Scott, which appears to have been cut over several sessions, starting in late 1967 and culminating with a final session in mid-1968.
According to Gage, it was Vicki Wickham (Dusty Springfield’s manager) who approached him via Rik Gunnell to arrange and produce Joe E Young & The Toniks. Gage believes that session players, which possibly included keyboard player Tim Hinkley and guitarist Ivan Zagni, who’d previously played with Mike Patto in The Chicago Blues Line and worked with his girlfriend Elkie Brooks in early 1968, may have been employed on some tracks. He also thinks that Colin Young’s friend Jimmy Chambers and Trinidad-born singer Ebony Keyes may have contributed vocals to the sessions.
Two of the earliest tracks to be recorded were two Pete Gage songs, co-written with Ebony Keyes (aka Kenrick Pitt), “Lifetime of Lovin’” c/w “Flower In My Hand”. Paired as a single, the tracks were issued on Toast in January 1968 but did not chart. Incidentally, the single also saw a South African release on the Continental label.
Debut single promotion. Courtesy Dave Else
Selected gigs:
23 November 1967 – Klooks Kleek, West Hampstead, north London
Photo: Hull Daily Mail. Photo may be subject to copyright
8 December 1967 – Burton Constable Stately Home, Hull, Humberside with The Amboy Dukes, Ferris Wheel, Roger Bloom’s Hammer, Gospel Garden and The Mandrakes (Hull Daily Mail)
9 December 1967 – Enfield Technical College, Enfield, north London with Ten Years After (Poster)
9 December 1967 – New All-Star Club, 9a Artillery Passage, east London
10 December 1967 – Ram Jam Club, Brixton, south London
Photo: Hull Daily Mail. Photo may be subject to copyright
11 December 1967 – Hull University Union at the Skyline Ballroom, Hull, Humberside with The Moody Blues and The Gods (Hull Daily Mail)
Photo: North Norfolk News. Photo may be subject to copyright
16 December 1967 – Royal Links Pavilion, Cromer, Norfolk with The Rubber Band (North Norfolk News)
23 December 1967 – Royal Lido, Central Beach, North Wales (needs source)
Photo: Woking Herald. Photo may be subject to copyright
24 December 1967 – Sunday club, Addlestone, Surrey with Art Movement (Woking Herald)
25 December 1967 – Cue Club, Paddington, west London with Ronnie Jones, Owen Grey, The Youth and Herbie Goins
26 December 1967 – Shelimar Club, Huddersfield, West Yorkshire
30 December 1967 – Israeli Student Association, West Hampstead, north London
30 December 1967 – Cue Club, Paddington, west London
24 February 1968 – Tinned Chicken Club, Castleford, West Yorkshire with Max Bear & The Chicago Setback (Sheffield Star)
Photo: Harrow Weekly Post. Photo may be subject to copyright
2 March 1968 – Burton’s, Uxbridge, London (Harrow Weekly Post)
2 March 1968 – New All-Star Club, 9a Artillery Passage, east London
8 March 1968 – Drill Hall, Stratford-upon-Avon, Warwickshire (Stratford upon Avon Herald)
15 March 1968 – Camberwell Rag Ball, Camberwell, southeast London with George Bean & The Runners and The James Stewart Dance Band (South East London Mercury)
24 March 1968 – Downbeat Club, the Swan, Maldon, Essex (Essex Chronicle)
30 March 1968 – New All-Star Club, 9a Artillery Passage, east London
31 March 1968 – Cue Club, Paddington, west London with Count Suckle Sound System (Billed as Tonicks Band)
Photo: Ipswich Evening Star. Photo may be subject to copyright
2 April 1968 – Ready Steady Go Club, Pier Pavilion, Felixstowe, Suffolk with Tony Jackson & The Vibrations (Ipswich Evening Star)
Photo: Leicester Mercury. Photo may be subject to copyright
5 April 1968 – Il Rondo, Leicester (Leicester Mercury)
12 April 1968 – New All-Star Club, 9a Artillery Passage, east London
Photo: Western Gazette. Photo may be subject to copyright
20 April 1968 – Princes Theatre & Ballroom, Yeovil, Somerset with Satan’s Chase and The Pandas (Western Gazette)
21 April 1968 – Cue Club, Paddington, west London (Billed as Tonicks Band)
22-25 April 1968 – Cue Club, Paddington, west London with Count Suckle Sound System
Photo: Middlesbrough Evening Gazette. Photo may be subject to copyright
25 April 1968 – James Finegan Hall, Eston, Teesside with The Engine and Chelfont Line (Middlesbrough Evening Gazette)
26 April 1968 – New All-Star Club, 9a Artillery Passage, east London
30 April 1968 – Falcon Hotel, Eltham, southeast London (South East London Mercury)
Soon after Joe E Young & The Toniks participated in a tour supporting American soul legend Aretha Franklin. Also on the bill were Johnnie Walker, Robert Knight and Lucas with The Mike Cotton Sound. One of the highlights was a show at what later became the Hammersmith Odeon in May 1968.
4 May 1968 – Cue Club, Paddington, west London (Billed as Tonicks Band)
Photo: Redbridge & Ilford Recorder. Photo may be subject to copyright
10 May 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)
17 June 1968 – Barn Club, Bishop’s Stortford, Herts (Steve Ingless book: The Day Before Yesterday)
Photo: Cambridgeshire Times. Photo may be subject to copyright
22 June 1968 – Gaiety Ballroom, Ramsey, Cambridgeshire with The Soul Mates (Cambridgeshire Times)
22 June 1968 – Cue Club, Paddington, west London
Photo: Cumberland News. Photo may be subject to copyright
6-7 July 1968 – Cosmo, Carlisle, Cumbria (Cumberland News)
14 July 1968 – Kirklevington Country Club, Kirklevington, North Yorkshire (Middlesbrough Evening Gazette)
20 July 1968 – Club LaBamba, Tunbridge Wells, Kent (Kent & Sussex Courier)
Photo: East Kent Times & Mail. Photo may be subject to copyright
27 July 1968 – Dreamland Ballroom, Margate, Kent with Magic Roundabout (East Kent Times & Mail)
27 July 1968 – Cue Club, Paddington, west London (Billed as Joey Young & The Tonicks Band)
Photo: Northamptonshire Evening Telegraph. Photo may be subject to copyright
18 August 1968 – Railway Hotel, Wealdstone, northwest London
Melody Maker lists some gigs under the name The New Toniks, which may or may not be the same band. The ‘new’ prefix suggests that a new formation was put together and this writer would welcome any further information.
Selected gigs (New Toniks):
22 August 1968 – White Hart, London
23-25 August 1968 – Scotland
25-26 August 1968 – Manchester
27-28 August 1968 – Recording
Colin Young joins The Foundations. Courtesy Dave Else
According to Melody Maker, Colin Young joined The Foundations in late September and made his debut at Aberdeen University on 4 October 1968. By this point, Conrad Isidore had already jumped ship to commit to The Sundae Times full-time. With the band splitting, the Bullen siblings ended up joining Herbie Goins & The Night-Timers.
With the album ready to release, Toast quickly shipped a second single in November 1968, pairing the soul classic, “Sixty Minutes of Your Love” with Lennon & McCartney’s “Good Day Sunshine”.
Around the same time, the label also belatedly issued the Soul Buster! LP, highlights of which include one of the best covers of Darrell Banks’ “Open The Door To Your Heart”. Sadly, it was all too little, too late. With few copies pressed and scant promotion, the LP slipped out unnoticed. In subsequent years, however, it became a highly prized collector’s item, not least due to the band’s personnel and individual members’ post-Toniks career.
In a final, last gasp, Toast paired “Good Day Sunshine” with the year old “Lifetime of Lovin’” for a final single, issued on 31 January 1969, but it also failed to dent the charts.
Besides Colin Young’s chart success with The Foundations, Calvin ‘Fuzzy’ Samuel and Conrad Isidore also went on to greater things.
During his time with The Sundae Times, Isidore also played and recorded with Alan Marshall’s band One, who released a rare eponymous LP for Fontana. After a stint with Manfred Mann Chapter 3 during 1970, he became a noted session player, working with the likes of Joe Cocker, Linda Lewis, Terry Reid, Vinegar Joe and Eddy Grant to name a few. He also later played with Junior Marvin in his band Hanson and with Hummingbird.
Samuel appeared on Stephen Stills’ first two solo albums, thanks to his connections with Conrad Isidore, who landed the gig after Stephen Stills caught the drummer playing at the Speakeasy in March 1970.
The bass player was hired for Crosby, Stills, Nash & Young, appearing on the single, “Ohio” and subsequently worked in Stephen Stills’s Manassas before also finding work as a session player, including with Graham Nash, Rita Coolidge and Taj Mahal. Samuel later wrote and recorded songs with Marianne Faithfull and Stevie Winwood and worked with The Alvin Lee Band and Tumbling Dice with Mick Taylor and Nicky Hopkins. In 1999, he self-released two CDs, This Train Still Runs and Love Don’t Taste Like Chicken.
Latter day member Kelvin Bullen went on to work with Swiss rock band, Toad, while his brother Hugh found success with the highly revered British funk band, Gonzalez after a spell in Italy with Herbie Goins. Hugh Bullen also cut an Italian solo LP, Feeling, in 1978.
Colin Young meanwhile went solo and recorded for Pye Records. He later joined UK group Mercy, Mercy who had a hit with “It Must Be Heaven” in the 1980s. Since then he has participated in various Foundations reunions.
Many thanks to Pete Gage for his recollections. I would be particularly interested to hear from anyone who can add or correct any of the information here.
A noted yet relatively obscure late 1960s rock/soul outfit formed by two former members of Joe E Young & The Toniks around late 1967/early 1968, who cut a great lone LP, Us Coloured Kids, and a handful of singles for President Records.
Born in Antigua, guitarist Wendell Richardson had moved to London at the age of 11 and grown up in Tottenham. During 1965, he befriended fellow Antiguan-born musician Calvin “Fuzzy” Samuel and later Dominica-born Conrad Isidore. In 1967, Samuel and Isidore both played with The Toniks fronted by singer Colin Young aka Joe E Young). Through the local West Indian population, the trio got to know Eddy Grant and his band The Equals and became firm friends.
Having lost interest in The Toniks, Samuel jumped ship around November 1967 shortly before the band’s debut single on Toast, “Lifetime of Lovin’” c/w “Flower In My Hand” had been released and started planning The Sundae Times with Richardson, who had worked with The Skatelites backing Edwin Starr in February 1967. Isidore, however, remained with The Toniks but agreed to help out on the pair’s next project, The Sundae Times, who landed a deal with President Records thanks to their connection with The Equals (Ed: Samuel played bass on many of their recordings).
With Eddy Grant producing and penning the trio’s first release, “Baby Don’t Cry” c/w “Aba-Aba”, The Sundae Times’ debut was issued by President on 7 June 1968 but failed to chart in the UK. In the US, the single appeared on the small Seville imprint the following month. German and Spanish releases also followed but somewhat bizarrely it was in Israel where The Sundae Times made the biggest impact. Released as the A-side, “Aba-Aba” broke into the top 10.
With The Sundae Times starting to pick up gigs and with further hits potentially in the pipeline, Conrad Isidore left The Toniks around September 1968 to commit to the project full-time. In retrospect, it was a sensible move as singer Colin Young quit The Toniks soon after to join British hit-makers, The Foundations.
With Isidore fully committed, The Sundae Times began work on an LP for President Records’ subsidiary Joy during the autumn of 1968 with Eddy Grant producing. Richardson dominated the song-writing, penning the tracks, “Angels In The Sky”, “Adam and Eve”, “Electric Tree” and “Jack Boy”, which graced the A-side of The Sundae Times’ second single, issued on President on 22 November 1968. Coupled with “I Don’t Want Nobody”, a Richardson co-write with Isidore and Samuel, the single failed to chart.
The three musicians also collaborated on three other tracks on the LP, “Take Me Back Again”, “Psychedelic Dream” and “Do You Know What Love Is”. Samuel meanwhile penned two tracks, “On The Run” and “Live Today”, which belatedly headed up The Sundae Times’ final single outing (issued on 13 March 1970), and was coupled with Eddy Grant’s “Take Me Higher Baby”.
By then, Samuel and Isidore had been snapped up by Stephen Stills for sessions for his debut solo LP. Samuel was working with PP Arnold at the time and Isidore was working with Alan Marshall’s band One, who’d cut a lone LP for Fontana during 1969. Marshall’s group were regular guests at Stills’ Elstead home in Surrey.
While Samuel subsequently landed a gig with Crosby, Stills, Nash & Young (replacing Greg Reeves), Richardson formed Osibisa and Isidore joined Manfred Mann Chapter 3.
The Sundae Times’ own LP, Us Coloured Kids, had slipped out on Joy Records during 1969 and has since become an extremely rare, yet highly collectable item thanks in part to the Eddy Grant connection.
Selected gigs:
7 September 1968 – Glen Ballroom, Llanelli, south Wales with Lyndia Lewis and The NMO (South Wales Evening Post) Lyndia Lewis was most likely Linda Lewis but was this with White Rabbit?
6 October 1968 – Mistrale Club, Beckenham Junction, Kent (Poster)
2 November 1968 – Weymouth Pavilion Ballroom, Weymouth, Dorset with The Firestones (Dorset Evening Echo)
13 December 1968 – Fishmongers Hall, Wood Green, Middlesex with The Action (Melody Maker)
For more on the band members’ post career, see the Joe E Young & The Toniks entry on Garage Hangover. I’d be interested if anyone can add or correct any information below.
Junior Kerr (second left) with White Rabbit in early 1968. Photo courtesy of Rod Goodway
Born in Kingston, Jamaica on 3 May 1947, Donald Hanson Marvin Kerr Richards Jr, started to learn the piano at the age of two. When he was nine years old, he moved to London to live with his mother in Stoke Newington. In mid-1965, he starred in The Beatles’ movie, Help! Kerr only appeared briefly, playing one of the policemen who chase Ringo Starr in a beach scene.
Growing up on Kyverdale Road in Stoke Newington, Kerr learnt to play guitar and also further developed his keyboard skills, inspired by Jimmy Smith, Jack McDuff and Booker T, among others.
During late 1964, he formed his first group, The Blue-Ace-Unit, with keyboard player Reo Dayes, a school friend from Tyssen community primary school in Cazenove. With Kerr on lead guitar and vocals, the group also included Ian McLaughlin (rhythm guitar), Errol Pennant (bass) and Alvin Campbell (drums).
The following year, Ken Cumberbatch replaced Dayes on Hammond organ. Kerr also met Calvin Samuel, who he allegedly nicknamed “Fuzzy” because the musician played his bass through a “fuzz box”. Blown away by his bass playing, Kerr invited Samuel to take over from Pennant on bass. The Blue-Ace-Unit auditioned for a gig at the Flamingo in Soho but lost out to The Gass who secured the residency. Around June 1966, the group, which had changed name to The Blue Aces, split up and Kerr began to hang out at Soho clubs, the Roaring ‘20s and later the Bag O’Nails.
Around October 1966 (some sources say as late as March 1967), he joined Herbie Goins & The Night-Timers (where he later met guest singer Linda Lewis) and it was during this early period that Kerr saw Jimi Hendrix playing at the Bag O’Nails in Soho. Inspired by his incendiary guitar work, Kerr started to practise guitar in his free time.
Around September 1967, Kerr left Herbie Goins to form The Junior (Pretty Boy Kerr) Group. The Aldershot News lists the band playing at the “Big C”, a popular club on 1 Camp Road, Farnborough in Hampshire on 4 November. It’s not clear who else was involved in this band and whether it was the same line-up of musicians that became White Rabbit but Linda Lewis was featured as singer.
In July 1967, Polydor Records had issued Linda Lewis’ debut solo single, “You Turned My Bitter Into Sweet” but it had not been a chart success.
Towards the end of the year, Kerr and Lewis put together White Rabbit, which comprised lead guitarist Andy Rickell from Calne, Wiltshire groups, The Pack and J P Sunshine, and his friend (and former Pack member) drummer Terry Stannard, who’d recently been working with Freddie Mack & The Mack Sound. The remaining members were rhythm guitarist/singer Brian Henderson and bass player Ralph Richardson from Lisa Strike & The Jet Set. Henderson had also worked with Nirvana.
Managed by Ian Samwell (Lewis’ manager) and Laurie O’Leary who managed the Speakeasy, the group played a month’s residency in Biarritz, the south of France, at the Canasta Club. Then, in the early months of 1968, White Rabbit toured Italy and France, but after their return (around late March), Kerr decided to leave.
Although he is rumoured to have re-joined Herbie Goins briefly (Ed. he appears on French TV on 4 April; this is more likely to have been a recording from the previous year), he in fact formed a new band that debuted in early April. 1968.
At some point in early 1968, Kerr ran into guitarist Mike Piggott in London, who had just left The System Soul Band, led by singer Ivan Sinclair.
The pair formed a new outfit, Junior’s Conquest, who landed a regular gig at the Pheasantry on the King’s Road in Chelsea.
According to the Redbridge & Ilford Recorder, the band also performed at the El Grotto in Ilford, east London on 7 April 1968, which may have been the group’s debut show.
Junior’s Conquest, late 1968. Courtesy of Mike Piggott. Pete Dobson is far left, Mike Piggott (top) and Junior Kerr. The person on the right might be John Best
It’s possible that while at the Pheasantry the group was invited to perform at a club in Stockholm, Sweden that summer called Alexandra’s, kicking off with a show on 17 May billed as Don Kerr & The Conquests.
Thanks to Mats Jarl for the clippingsAdvertised in paper on 31 May. Billed as The Conquest. Thanks to Mats Jarl for the clipping
With drummer Pete Dobson and a bass player, who was replaced by John Best, Junior’s Conquest played together for about six months, including a show at the Victoriana in Liverpool with Sinbad on 11 September 1968.
They also appeared at the Broken Wheel in Retford, Nottinghamshire on 5 October 1968 and the popular West End club, Hatchettes in Piccadilly on 22-23 November 1968.
Sometime in early 1969, however, the band split up. While he was fronting Junior’s Conquest, Kerr had also participated in the London production of Hair on Shaftsbury Avenue, which debuted on 27 September. It was here that he met singer Marsha Hunt whose band he briefly worked with in 1969.
During the early 1970s, Kerr would work with Keef Hartley and then move to the US before subsequently changing his name to Junior Marvin and finding fame with Bob Marley during the late 1970s.
I would be interested to hear from anyone who can add any further details to Kerr’s 1960s career.
White Rabbit in late 1967/early 1968. Left to right: Brian Henderson, Junior Kerr, Terry Stannard, Linda Lewis, Andy Rickell, Ralph Richardson. Photo courtesy of Rod Goodway.
A fascinating, yet short-lived band that included a number of notable musicians who went on to greater things.
The original White Rabbit line-up came together about November 1967 around singers Junior Kerr and Linda Lewis, who’d met earlier that year as members of Herbie Goins & The Night Timers.
Junior Kerr, incidentally, had started out with The Blue-Ace-Unit while Lewis had performed with John Lee Hooker in 1964 and sung with The Q-Set before they backed Maxine Brown and then Ronnie Jones.
White Rabbit was managed jointly by Ian Samwell (Lewis’ manager) and Laurie O’Leary, who managed the Speakeasy club in London.
Linda Lewis in Record Mirror. Thanks to David Else for the cutting
The band’s guitarist Andy Rickell and drummer Terry Stannard had both previously worked together in Calne, Wiltshire band, The Pack during 1966 with future White Rabbit singer Rod Goodway. The trio had also played with another, albeit short-lived, Wiltshire group, Flower of Wisdom between February-June 1967.
When Flower of Wisdom broke up, Terry Stannard moved to London where he joined Freddie Mack & The Mack Sound, which is probably how he ran into Junior Kerr, who’d formed his own band, The Junior ‘Pretty Boy’ Kerr Group around October 1967. In fact, Stannard may well have been a member of this band after working with Freddie Mack (and possibly may have been with Herbie Goins briefly).
Meanwhile, Rickell and Goodway began working with the studio project J P Sunshine, which they kept together after Rickell joined White Rabbit (possibly also after a short stint with Herbie Goins) and Goodway was invited to replace Art Wood in the post-Artwoods band, St Valentine’s Day Massacre between January-April 1968.
The original version of White Rabbit was completed with two additional musicians, rhythm guitarist/singer Brian Henderson, who’d recently been part of Nirvana’s backing band and was previously in The Soul Mates and Liza Strike & The Jet Set, and bass player Ralph Richardson, who’d worked with Henderson in The Jet Set.
According to the Redbridge & Ilford Recorder, White Rabbit played at El Grotto in Ilford, east London on 9-10 December 1967.
After a short Italian tour, which included playing in Turin (see poster above) and billed as Junior Kerr and Linda Lewis and White Rabbit, they performed at the “Big C” club in Farnborough on 24 February 1968.
On 10 March, White Rabbit returned to play at El Grotto in Ilford, east London, according to the Redbridge & Ilford Recorder.
The band also played at the Revolution Club in central London before travelling to France to perform, which included a few weeks in Biarritz (most likely the Canasta Club).
On their return in late March, Terry Stannard departed, later working with Mirrors (with Boz Burrell and Nick Judd), Alan Marshall’s band One and Kokomo among others. Kerr remembers a Jewish drummer called Mick, who briefly filled in.
However, Junior Kerr also departed in late March and formed his own band, Junior’s Conquest who debuted in early April. (Ed. He is seen on French TV playing with Herbie Goins in April 1968 but this must be a recording from 1967.) In later years, he would change his name to Junior Marvin and work alongside Bob Marley.
Brian Henderson, who later worked with J J Jackson, and Ralph Richardson also departed.
On 6 April, the group was advertised playing on the French TV show Bouton Rouge but it’s not clear if this definitely happened. If they did appear, this would have been the broadcast date and would have been recorded in March while they were working in France.
Thanks to Bruno Ceriotti for photo
Linda Lewis and Andy Rickell meanwhile pieced together a new version of White Rabbit in late March 1968. Rickell recruited his former Pack and J P Sunshine colleague, singer Rod Goodway, who’d left St Valentine’s Day Massacre, to replace Junior Kerr.
Rod Goodway shortly after joining White Rabbit
The pair also recruited drummer Ron Berg, who interestingly had also played with Freddie Mack & The Mack Sound (alongside Stannard) during mid-late 1967.
To complete the new version, they added Cyprus-born bass player Pete Pavli and organist Mick Aron.
Redbridge & Ilford Recorder has them playing at the El Grotto in Ilford on 4 April. It is possible this may have been just with Linda Lewis singing before Rod Goodway joined.
White Rabbit in St Tropez. Left to right: Ron Berg, Rod Goodway, Linda Lewis and Peter Pavli. Courtesy Rod Goodway
Almost immediately, the new White Rabbit left the UK for the south of France and performed at the Papagayo Club in St Tropez for three weeks, starting in the first week of May.
The musicians were back in London for a notable gig at the Middle Earth club in Covent Garden, opening for Captain Beefheart & His Magic Band on 25 May. The group also opened for The Crazy World of Arthur Brown around August.
Around August/September 1968, however, Rod Goodway and Linda Lewis both left, the latter to embark on a successful solo career after fronting Ferris Wheel where she played alongside future Foreigner drummer Dennis Elliott.
Pete Pavli also left to join High Tide while Mick Aron went on to work with Pete Brown.
Andy Rickell and Ron Berg kept the band going until around November/December of that year, bringing in a number of musicians, including Hammond organist Peter Jennings, who subsequently joined Cressida in September 1969.
Jennings says that he worked with Berg at Sidney Bron’s ‘Bron’s Orchestral Service’ in Oxford Street and then Newman Street, collecting music from publishers in the area and sending them to customers.
The Hammond organist recalls that they also had a singer, who he thinks came from Leicester and a trumpet player from Wales.
He remembers that Laurie O’Leary was still managing the group and that they rehearsed in a gym on Tottenham Court Road. Jennings recalls a gig in Ilford (most likely El Grotto; there is a guest group appearing there on 14 November 1968) one at Sybilla’s in Swallow Street, central London before splitting.
On the band’s demise, Ron Berg joined Mick Abrahams’ post-Jethro Tull group, Blodwyn Pig while Rickell later joined The Crazy World of Arthur Brown.
Jennings worked with several bands before joining Cressida, including one with guitarist Ged Peck called Storm. The others were Van Dyke and Luther Morgan.
This author would be interested to hear from anyone who can add any further information. Huge thanks to Rod Goodway for photos and background information.
Hamilton and The Hamilton Movement, 1965. Back row, left to right: Chris Palmer, Gary Laub and Peter Vernon-Kell. Front: Fedon Tilberis
In August 1965, an obscure R&B outfit named Hamilton & The Hamilton Movement signalled its arrival on the London scene with an impressive rendition of The Velvelettes’ Motown classic “Really Saying Something” (later a sizeable UK hit for Bananarama) and then seemingly vanished off the face of the earth.
Then, almost two years later, a band calling itself Hamilton & The Movement descended on the airwaves with the infectious soul-rocker, “I’m Not the Marrying Kind”, a Bill Wyman penned and produced number, infused with punchy horn lines, funky drums and some groovy Hammond organ fills. Could this really be the same band and, if so, why such a long radio silence?
The answer to that question is both a yes and a no. While both outfits were fronted by a singer called Gary Hamilton, they were in fact two entirely different groups, albeit each with fascinating histories. To understand how these two bands became entwined, it’s important to go back to the early Sixties and the man who kick-started ‘the movement’, so to speak – Gary Hamilton.
The son of an English mother and American father, Gary Hamilton was in fact a certain Gary Laub, who grew up in London’s Marble Arch and St John’s Wood areas.
In 1962, Laub formed his first (unnamed) group with a school friend and lead guitarist named Graham who lived opposite Lords cricket ground. Soon after, they were joined by bass player Chris Palmer, rhythm guitarist Ian Hunt and (finally) drummer Fedon Tilberis, who all attended Haverstock School.
“How Chris and Ian met Gary I don’t know,” says Tilberis. “I joined a little later but Graham was still in the band and left soon after. We enlisted a replacement lead guitarist named Mike Allen and emerged as a five-piece named The Moondogs. The name was [Gary’s father] Mr Laub’s idea before we auditioned at the famous Two Is coffee bar.”
Fast forward to spring 1965 and Laub, Palmer and Tilberis had to reshuffle the pack when Allen and Hunt moved on. Through a friend of Tilberis, they were introduced to two older guitarists – Costas and Bernie – and started gigging as Cell Block 5.
“Costas was an ex-pro who had played US bases in Germany; he was a men’s tailor by trade. Bernie was from Rochdale. They were then in their late Twenties,” remembers Tilberis.
“We practised in the cellar of a scrap shop in south London that they knew. They did a three-nighter with us in a Greek Street cellar club called Les Cousins that I hustled but Bernie, not feeling very happy, left on the last night after the gig. Costas stayed on for a London suburb gig. They were only with us for about seven or eight weeks.”
Coining a new name, The Reaction, Tilberis hit the jackpot when he stumbled across Rayrik Studio owners Rick Minas and Bruce Rea, who offered up their Chalk Farm studio as a practice room. In return, the outfit would play free on any demo recording sessions when required.
“As it turned out, this was a great deal for us as we never had to record anything there other than our audition to clinch the agreement and practised for free,” continues the drummer.
Abetted by guitar legend Mick Green, The Reaction duly auditioned and Minas was bowled over by the performance.
“Chris and I had auditioned Mick at Chris’ place in Kilburn shortly before the Rayrik audition and we were both very impressed,” remembers Tilberis.
“Although Mick didn’t commit himself, he was interested in doing the Rayrik session, maybe hoping for some recording session gigs. I can’t remember what the number was that we recorded or if Gary was even there, but do remember listening to the backing take after and Mick’s comment. He said that it was a good clean recording and that you could build on it. Rick and Bruce agreed.”
Peter Vernon-Kell (front) with The Macabre outside the Ealing Club. Photo: Peter Vernon-Kell
However, when Mick Green opted to return to The Dakotas, with whom he had been playing with after leaving Johnny Kidd & The Pirates the previous year, Peter Vernon-Kell, a member of Goldhawk Social Club and Ealing Club regulars, The Macabre assumed guitar duties. Incidentally, Vernon-Kell had also been a brief member of The Detours, a forerunner of The Who.
“Both Mick Green and Peter Vernon-Kell came to us via a [Melody Maker] ad in that order. We did see other guitarists but finally settled for Peter after Mick moved on to greener pastures [excuse the pun],” explains Tilberis.
“Peter shared our new musical orientation and attitude, and as far as we were concerned, he fitted the bill. I then arranged our first practice at Rayrik.”
Prior to Vernon-Kell’s addition to the group’s ranks, Minas and Rea had introduced impresario Robert Stigwood, and the Australian subsequently offered Gary Laub a recording deal and put the band on his agency books.
Stigwood insisted that “Really Saying Something” should be the ‘A’ side while Rick Minas and his song-writing partner Mike Banwell offered up “I Won’t See You Tonight” for the flipside.
Before cutting both tracks at a demo session at Regent Sound in Denmark Street, Vernon-Kell coined a new name; The Reaction sounding too similar to The Action, The Who’s regular Tuesday night opener at the Marquee.
“He came up with The Hamilton Movement [in honour of Macabre guitarist Ed Hamilton] in the pub before the session [and] we thought it was great,” remembers Tilberis, who adds that Gary Laub, although at first not so keen, adopted ‘Hamilton’ as a stage name.
Having booked Olympic Sound (then situated in Baker Street) for the final recordings (and unbeknownst to the musicians), Stigwood augmented the band with Graham Bond on piano.
“We were aware who Graham was and were pleased to have him on board for the session,” says Tilberis.
According to the drummer, the tracks required only a few takes per playback and for the lead/backing vocals. Released in August 1965, the single entered the Radio Caroline charts at number 65 on 23 October and peaked at number 53 the following week.
However, the musicians soon realised that any talk of ‘band democracy’ was just that. Not only did the single list the outfit as Hamilton & The Hamilton Movement but Stigwood started promoting them as such.
“Only Gary was allowed to perform on Ready Steady Go using our playback, though we were allowed to attend the show,” explains Tilberis.
Interestingly, as future Hamilton Movement member Mel Wayne recalls, Stigwood insisted on the same conditions with another of his charges, The All-Nite Workers, who were backing Indian singer Simon Scott around the same time.
“Simon mimed to our backing track [on Ready Steady Go] while we had to stand on the balcony with the audience,” says the sax player. “It must have been a Stigwood thing.”
Aired on 22 October 1965, Gary Hamilton appeared on the popular British TV show alongside The Animals, The Searchers, Chris Farlowe & The Thunderbirds and The Rolling Stones, which may have been where the singer linked up with Bill Wyman.
By then, the group had started to pick up consistent live work, kicking off with a memorable gig at Sophia Gardens Pavilion in Cardiff on 30 August with The Who, The Graham Bond Organisation, The Merseybeats and The Easybeats (not the Australian outfit), which had been arranged by the Stigwood/Lambert-Stamp team.
“It looked like a sports hall with an enormous stage at one end. We went up the day before and slept in the van and hung about till early next afternoon to unload our gear,” says Tilberis.
“Townsend was also there early and limbering up in The Who’s dressing room. As our Pete knew him, he went to say ‘allo’ and introduce his new mates… [Townsend] asked Pete if he could borrow his Fender amp for the gig. Pete was more than wary, after all he didn’t want his amp wrecked so Townsend promised to only demolish his Marshall gear.
“Keith Moon and Tony Banks, drummer of The Merseybeats, were looning around and generally getting on everybody’s nerves, especially Entwistle’s as Moon had donned his bass and was running up and down the stage strumming it like a maniac. I thought John was going to thump him.”
More provincial gigs followed, not to mention the obligatory Mod clubs in London, including the El Partido in Lewisham where the outfit played alongside The Duke Lee Sounds on 30 October 1965.
However, in mid-late January 1966, the Stigwood/Lambert & Stamp team secured a spot for the band on a three-day, two shows a day package tour, once again opening for Vernon-Kell’s former band mates, The Who, and also featuring Screaming Lord Sutch & The Savages, The Graham Bond Organisation, The Merseybeats and The Fortunes.
“Bob [Stigwood] arranged for us to practise at the Granada TV rehearsal studios at the Oval about a week beforehand,” remembers Tilberis. “He and Lambert came to oversee the rep and offer presentation tips for our opening spot on the show.”
The tour debut duly took place at the Astoria Cinema, Finsbury Park on 4 February and was followed by a gig at the Odeon Cinema, Southend-on-Sea the next day, culminating with a final engagement on 6 February at the Empire Theatre, Liverpool.
The following month, on 11-12 March, the musicians found themselves on the campus of Essex University in Colchester where a number of bands, including the up and coming Pink Floyd were entertaining the students.
Then in April, Stigwood linked up with Chris Blackwell to promote a second package tour headlined by The Who, this time with Hamilton and The Hamilton Movement joining the likes of The Spencer Davis Group, The Band of Angels and (most notably) Jimmy Cliff & The Sound System (aka New Generation) (who featured musicians that would form part of the soon-to-be Hamilton Movement).
The four-day tour, with two shows a day, kicked off at the Gaumont Theatre in Southampton on 14 April. After weaving its way on to Fairfield Halls in Croydon, then the Odeon in Watford, the tour wound up at the Regal Theatre in Edmonton.
“Gary’s mum called me on Saturday, 16 April in the afternoon asking if we would do the Watford gig that evening,” says the drummer. “Although we all had other plans I rounded up Pete and Chris and we did that gig.”
Stigwood then proposed a second single and once again engaged Graham Bond on piano. The sessions included a stab at The Who’s “A Legal Matter” as the ‘B’ side, which was cut as an instrumental track. However, the recording of the ‘A’ side did not go well, as Tilberis recalls.
“We weren’t raving about the number. Stigwood arranged a practice room and gave us a single to learn but I can’t remember what it was called. I had a trouble with the drum part on the session.
“Bob was well peeved but let us play one of our tunes that we were working on, but there was no melody line or title at that stage and he didn’t like it. The Olympic session was a blow out and Bob gave us the thumbs down, we were out and the gig flow stopped.”
As Tilberis points out, there was still no signed contract, and the singer was looking out for himself. “Gary’s dad [Harry] being a shrewd businessman and used to dealing with contracts and small print had deleted a hefty portion of the contract!”
Chris Palmer and Fedon Tilberis soon left for Jimmy & The Rackets, a British beat group with hit parade successes in Germany, Switzerland and Austria.
Joining long-standing frontman, Jimmy Duncombe and guitarist Mike Bell, Tilberis remained with the Swiss-based outfit until spring 1968 while Palmer stayed on for another year.
The pair appeared on a cache of European-only released singles by The Rackets, kicking off with a cover of Eddie Cochran’s “C’mon Everybody” backed by a cover version of George Harrison’s “I Want To Tell You”.
The pair ended up setting up home in Switzerland where, in 1970, The Chris Palmer Band recorded the ultra-rare solo LP Fingertips, featuring originals from all the band members.
Palmer later hit pay day in 1980 when Surface Noise topped the UK dance music chart with a cover of his song, “The Scratch”. Tilberis re-joined The Rackets and played with local bands, including Swiss Sixties specialists, The Countdowns.
Vernon-Kell meanwhile subsequently moved into production. Setting up PVK Records, he managed Peter Green and produced a string of his late 1970s and early 1980s albums. More recently, he’s become an executive producer for films and currently runs Cabana Films Ltd.
But Gary Hamilton wasn’t finished with The Hamilton Movement. In late July/early August 1966, he linked up with Jimmy Cliff’s backing band, The New Generation, renaming them The Movement.
Bass player Ron Thomas, who years later struck fame with The Heavy Metal Kids, thinks the link-up came through The New Generation’s keyboard player Mick Fletcher.
“[Mick] was always going down all the clubs around Wardour Street,” says the bass player. “He was always ducking and diving and I thought he just met him [Gary Hamilton] out there one night.”
“Me and Mickie Fletcher were great mates and frequented The Ship in Wardour Street and drank with Gary there quite a bit,” confirms sax player Mel Wayne.
“We were all a bit frustrated the way things were going with Jimmy Cliff because he didn’t have a soul or pop voice, which was the sort of music Chris Blackwell wanted him to do and engaged us for.”
New Generation members Ron Thomas and Mel Wayne, together with fellow sax player Dave Mahoney, had first come together in West London R&B outfit Mike Dee & The Prophets.
Adding Thomas’s school friend Mick Stewart on guitar in mid-1965, they split from Mike Dee and worked as Anglo-Indian singer Simon Scott’s backing group, The All-Nite Workers. Their lone single together was produced by none other than Robert Stigwood!
By late 1965, former Paramounts drummer Phil Wainman had assumed leadership, and after cutting several singles with Errol Dixon and briefly backing Freddie Mack, Mick Stewart jumped ship to join Johnny Kidd & The ‘New’ Pirates.
Having previously introduced Mick Fletcher from The Epitaph Soul Band, guitarist Tony Sinclair (aka Tony St. Clair) completed the new formation, now gigging as The Sound System.
Through a chance meeting with Chris Blackwell, the sextet supported his roster of artists – Jackie Edwards, Millie, Owen Grey and most notably Jimmy Cliff. Trumpet player John Droy joined just before the Gary Hamilton pairing.
Clockwise from front: Ron Thomas, Mick Fletcher, Gary Laub, Tony Sinclair, Mel Wayne, Dave Mahoney and Phil Wainman
The expanded group began rehearsing at London’s Colony Club where Gary’s father was employed; US film star George Raft worked as its casino director and briefly financed the outfit. Mel Wayne adds that the group also rehearsed at Caesars Palace in Dunstable and Ken Collier’s London club.
When John Droy bailed after a short nationwide tour with The Walker Brothers in mid-August to join The Quotations, The Movement expanded its line-up, bringing in trumpet players – Mike Bailey, Alan Ellis and Patrick Higgs, the latter from Elton John’s group, Bluesology around December. (Ed: One of the unsuccessful musicians to audition was trumpet player Verdi Stewart, who would be instrumental in landing Mel Wayne future work with Carl Douglas.)
“We had a ten-piece band; a five-piece brass section; three trumpets. When I think of it now, we were all on a wage,” recalls Thomas.
That November, Gary Hamilton landed a recording deal with CBS and the musicians entered IBC Studios to work with Rolling Stone Bill Wyman in the producer’s chair.
“That was something that [Gary’s father] Mr Laub put together. He said, ‘We’ve got a song for you’,” remembers Phil Wainman, who adds that the group nailed both sides in a couple of takes.
“He [Bill Wyman] just let us get on with it. The band was so good. We’d rehearsed it prior to the studio and… in three hours I think we were done, recorded and mixed.”
“I’m Not The Marrying Kind” c/w “My Love Belongs To You” was duly released on 10 February 1967 and hit single written all over it.
However, despite having supported The Who at Leeds University on 21 January and then making a notable appearance at the Saville Theatre opening for Chuck Berry and Del Shannon on 19 February, the single’s commercial failure prompted the backers to drastically reduce the group’s bookings.
Phil Wainman was the first to abandon ship for The Overlanders and then Jack Hammer, author of “Great Balls of Fire”.
After co-penning The Yardbirds’ cover “Little Games” and working with The Quotations, Wainman became a top session player and then a successful producer with Sweet and Boomtown Rats, among his credits.
“As a producer I did so much better than as a musician,” says Wainman. “That’s where I did well. I probably sold about 300 million records.”
James Smith, fresh from an audition with The New Pirates, reforming after Johnny Kidd’s death, assumed the drum stool.
“I got a call from Ron Thomas,” remembers the newcomer. “He said Mick Stewart had given him my number and would I be interested in auditioning? I got the gig, though it was a hard act to follow. Phil was one of the best drummers around at the time.”
Smith remembers the band finding plenty of work on the university circuit that spring, including Keele, Nottingham, Leeds and Birmingham.
In the first week of April, Melody Maker reported that the group had whittled down from a 10 piece to a seven piece. Mel Wayne left to join Carl Douglas & The Big Stampede and two other horn players also departed, most likely including Pat Higgs.
On 27 May, Hamilton & The Movement joined Cliff Bennett & The Rebel Rousers, The Action, The Bonzo Dog Doo Dah Band and The Swinging Blue Jeans to entertain the students at Oxford’s Hertford Balls.
The drummer also says that The Hamilton Movement opened for US soul act Sam and Bill several times (most notably at the Boston Gliderdrome on 15 July) before further changes ensued during August and October 1967.
Sam and Bill, Record Mirror
“The brass section dropped out and this kind of triggered a fairly rapid exodus… There were no gigs for a while so Tony, Mick and Ron found other work,” says the drummer.
While Mick Fletcher failed to reunite with Mel Wayne in Carl Douglas & The Big Stampede (the job went to Rod Mayall), he next appears to have played with The Rifle (with guitarist Del Grace from Carl Douglas’ band and singer Malcolm Magaron) and then The Amboy Dukes in late 1969 for a short tour into mid-1970.
Tony Sinclair briefly played with Lace before joining Freddie Mack’s band in early 1968. The soul outfit split from the former boxer in 1969 and worked with Dave Hadfield at his studio on the Old Kent Road, providing backing tracks for various artists on Hadfield’s Revolution label.
Ron Thomas meanwhile got a job with guitarist Pip Williams’s band, The House of Orange, backing US soul act, The Fantastics.
“They were right in the middle of a tour backing Garnet Mimms,” he recalls. “They were a house band working with Roy Tempest. They just phoned me up. Their bass player had got slung out in the middle of the tour and they had a gig that night.”
With ‘The Movement’ on hold, James Smith had also started to explore other avenues and even had an offer on the table when Gary Hamilton convinced him to hang on.
“Gary came up with Mick Stewart and Tony Savva and said he wanted to change the style and format going with a three-piece backing band, so I decided to stay,” says the drummer.
Bass player Tony Savva was best known for his work with A Wild Uncertainty, the group that featured Eddie Hardin, who had replaced Stevie Winwood in The Spencer Davis Group that spring.
Savva is uncertain how the link-up with Hamilton came about but has some photos with A Wild Uncertainty drummer Gordon Barton and lead guitarist Peter Tidmarsh in them, which offers a clue.
“Gary and I were behind the camera,” he explains. “How and why I don’t know but obviously we were backing Gary as vocalist. Maybe Gordon and Peter split and Mick [Stewart] and Jimmy [Smith] came in.”
Mick Stewart, however, can throw more light on this transition period. “I believe that I played with Tony Savva for a little while because of something to do with Don Arden’s son David being a would-be-singer at the time,” says the guitarist.
“The intro to that was in a way due to Johnny Kidd. Over the years, he was in fact booked quite a bit by Don Arden’s agency and after he died, I believe that someone at Arden’s company suggested I play guitar in this back-up band. Tony was already in the line-up. At the end of the day, however, David Arden although he was a really great guy to be in a rock ‘n’ roll band with, he was not really a singer at all.”
Gary Hamilton 25 November 1967 Record Mirror
With the new version finding its feet, Gary Hamilton returned to the studios with session musicians to cut a solo single. Produced by Tony Meehan and penned by Mike D’Abo, “Let the Music Play”, backed by the self-penned “Don’t Ask”, was released by Decca on 12 November 1967 but flopped. A dramatic, big band production, “Let the Music Play” appears on Colour Me Pop, Volume Three and Fading Yellow Volume 9: The Other Side of Life.
During early November 1967, Gary Hamilton expanded the line-up by bringing in organist Terry Goldberg, who had previously played with The Mark Leeman Five and would go onto Tintern Abbey.
Melody Maker, 11 November 1967
The five-piece gigged prolifically over the next four months, even opening for Ike & Tina Turner and others at the Boston Gliderdrome on 20 April 1968. Two days later, the musicians played possibly their final show at the 100 Club on Oxford Street before the inevitable split.
During 1968, Gary Hamilton recorded a one-track acetate “Carry The Can“, which was never released. The tracks were recorded with studio musicians and not the final version of The Hamilton Movement.
Mick Stewart immediately joined James Royal and participated in a prestigious concert tour alongside Johnny Cash, June Carter and Carl Perkins. During 1969-1970, he recorded three singles with Sweet before later moving to the United States in the late 1970s, where he works in Los Angeles and Nashville as a successful record producer and also owns a music publishing company and a recording studio.
Tony Savva meanwhile subsequently worked with Lionel Bart and Samuel Prody among others and currently lives in Cyprus. James Smith, who later recorded with Aquila, played with a revamped Nashville Teens before reuniting with Ron Thomas in The House of Orange.
“[Ron] said The Fantastics were coming back to the UK for a tour and he and Pip Williams were getting a backing band together and looking for a drummer and organist. I’d seen Ron and Pip previously so I didn’t need asking twice.”
As for Gary Hamilton, he joined the London production of Hair before resuming his solo career with a lone single for CBS and gigging briefly with Cozy Powell’s band, Big Bertha. Produced by Bernard Lee, the self-penned “Easy Rider” stalled when it was released on 5 December 1969.
Undeterred, he returned to Polydor for a cover of Ed Welch’s the “Monkey Song”, produced by Peter Knight Jr and arranged by John Fiddy. Released on 20 November 1970, the single flopped and Hamilton moved into movie acting; the eagle-eyed can catch him in the cult horror flick, Tower of Evil.
Thanks to Fedon Tilberis, Peter Vernon-Kell, Chris Palmer, Ron Thomas, Phil Wainman, Mel Wayne, James Smith, Mick Stewart and Tony Savva
To add information and make corrections, email: Warchive@aol.com
A version of this article appears in Ugly Things magazine.
30 August 1965 – Sophia Gardens Pavilion, Cardiff, Wales with The Who, The Graham Bond Organisation, The Merseybeats and The Easybeats
18 September 1965 – Il Rondo, Leicester
16 October 1965 – Woodhall Community Centre, Welwyn Garden City
30 October 1965 – El Partido, Lewisham, south east London with The Duke Lee Sounds and The Loose Ends
13 November 1965 – Co-Op Hall, Chesham, Bucks
27 November 1965 – Dungeon, Nottingham
4 December 1965 – Gala Ballroom, Norwich, Norfolk with Profile
24 December 1965 – Clacton Town Hall, Clacton, Essex with Unit 4+2 and The Nite-Sect
4 January 1966 – Pavilion Ballroom, Bournemouth, Dorset
1 February 1966 – Carousel Club, Farnborough, Hants
4 February 1966 – Astoria Cinema, Finsbury Park, north London with The Who, The Merseybeats, The Fortunes, The Graham Bond Organisation and Screaming Lord Sutch & The Savages
5 February 1966 – Odeon Cinema, Southend-on-Sea, Essex with The Who, The Merseybeats, The Fortunes, The Graham Bond Organisation and Screaming Lord Sutch & The Savages
6 February 1966 – Empire Theatre, Liverpool with The Who, The Merseybeats, The Fortunes, The Graham Bond Organisation and Screaming Lord Sutch & The Savages
11 February 1966 – Wimbledon Palais, Wimbledon, London with The Who and The Mike Rabin Group
18 February 1966 – Tower Ballroom, Great Yarmouth, Norfolk with Circuit Five
19 February 1966 – Royal Links Pavilion, Cromer, Norfolk with The Ultimate
11-12 March 1966 – Essex University, Colchester, Essex with Pink Floyd and others
18 March 1966 – Dancing Slipper, Nottingham with Carl Pagan & The Heathens
19 March 1966 – Gala Ballroom, Norwich, Norfolk with The Spectrum
11 April 1966 – Clacton Town Hall, Clacton, Essex with The Moody Blues and Dave & The Strollers
14 April 1966 – Gaumont Theatre, Southampton, Hants with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System
15 April 1966 – Fairfield Hall, Croydon, south London with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System
16 April 1966 – Odeon, Watford, Herts with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System
17 April 1966 – Regal Theatre, Edmonton, north London with The Who, The Spencer Davis Group, The Band of Angels and Jimmy Cliff & The Sound System
21 May 1966 – New Central Ballroom, Aldershot, Hants with The Nuetrons
The original band split around June 1966 and Gary Hamilton put together a new version in late July
Gary Hamilton (vocals)
Tony Sinclair (aka St Clair) (guitar)
Ron Thomas (bass)
Mick Fletcher (keyboards)
Mel Wayne (sax)
Dave Mahoney (sax)
John Droy (trumpet)
Phil Wainman (drums)
11-13 August 1966 – Gaumont Cinema, Bournemouth, Dorset with The Kinks, The Walker Brothers, The Quotations, The Creation, The Wishful Thinking, Dave Dee, Dozy, Beaky, Mick & Titch and The Moody Blues
14 August 1966 – Tiles, Oxford Street, central London with The Anzacs
John Droy left soon after the tour to join The Quotations
26 August 1966 – The Place, Hanley, Staffordshire
3 September 1966 – Rhodes Centre, Bishop’s Stortford, Herts with The Mystery Men
18 September 1966 – Cromer Olympia, Cromer, Norfolk with The Barry Lee Show
24 September 1966 – Golden Torch, Tunstall, Staffordshire with Dave Berry & The Cruisers
29 September 1966 – Thorngate Ballroom, Gosport, Hampshire
1 October 1966 – Golden Torch, Tunstall, Staffordshire with The Thoughts
16 October 1966 – Khyber Club, Taunton, Somerset with The Sabres (the band replaced MI5)
Three trumpets players joined around December – Mike Bailey, Alan Ellis and Pat Higgs
21 January 1967 – Leeds University, Leeds, West Yorkshire with The Who
19 February 1967 – Saville Theatre, Shaftsbury Avenue, central London with Chuck Berry, The Canadians and Del Shannon
26 February 1967 – Saville Theatre, Shaftsbury Avenue, central London with Chuck Berry, The Candians and Herbie Goins & The Night-Timers
11 March 1967 – Birdcage, Portsmouth, Hants (cancelled)
Phil Wainman left around now and Jim Smith joined on drums
18 March 1967
18 March 1967 – Ewell Technical College, Ewell, Surrey with The Easybeats
Around early April, Mel Wayne and two trumpet players left, most likely including Pat Higgs. The band carried on as a seven-piece with two horn players.
6 May 1967 – Royal Lido Ballroom, Prestatyn, Wales with The Quotations and The Raynes (billed as Hamilton but assuming it is the same band)
27 May 1967 – Hereford Balls, Oxford with Cliff Bennett & The Rebel Rousers, The Action, The Bonzo Dog Doo Dah Band and The Swinging Blue Jeans
10 June 1967 – Tiles, Oxford Street, central London with The Collection and The Gas Company
11 June 1967 – Starlight Ballroom, Crawley, West Sussex with Craig King & The Midnight Train
17 June 1967 – Bal Tabarin, Downham, south east London with supporting groups
2 July 1967 – Cosmo, Carlisle, Cumbria with Four Degrees West
6 July 1967 – Blue Lagoon, Newquay, Cornwall (billed as Hamilton & The Quotations but assuming it is the same band)
The group backed US soul singers Sam & Bill on a UK tour. The pair arrived on 12 July so it’s safe to assume the gigs listed below featured Hamilton & The Hamilton Movement
12 July 1967 – Locarno, Stevenage, Herts with Sam & Bill (most likely debut)
13 July 1967 – Sybilla’s, Swallow Street, Mayfair, central London (billed as Sam & Bill)
15 July 1967 – Starlight Room, Boston Gliderdrome, Boston, Lincolnshire with Sam & Bill, The Skatalites and The Reasons
16 July 1967 – Speakeasy, central London (billed as Sam & Bill)
21 July 1967 – Big ‘C’, Farnborough, Hants with Sam & Bill
21 July 1967 – Cue Club, Paddington, central London (billed as Sam & Bill)
22 July 1967 – New All-Star Club, Liverpool Street, central London (billed as Sam & Bill)
23 July 1967 – Dungeon, Nottingham with Sam and Bill
23 July 1967 – Saville Theatre, Shaftsbury Avenue, London (billed as Sam & Bill)
28 July 1967 – Skyline Ballroom, Hull with Sam & Bill plus One In A Million and That Feeling
29 July 1967 – Northwich Memorial Hall, Northwich, Cheshire with Sam & Bill and The Trap
30 July 1967 – Starlight Ballroom, Crawley, West Sussex with Sam & Bill and The Gas Company
13 August 1967 – Dungeon, Nottingham (says they were Sam and Bill’s backing group)
23 August 1967 – Locarno, Stevenage, Herts
25 August 1967 – Steering Wheel, Weymouth, Dorset
Dave Mahoney and the last trumpet player departed around now
2 September 1967 – Kirklevington Country Club, North Yorkshire
Sam & Bill played Floral Hall in Southport on 9 September 1967, but it’s unlikely they were support band this time.
15 September 1967 – Fiesta Hall, Andover, Hampshire
16 September 1967 – El Grotto, Ilford, east London
23 September 1967 – Cesar’s Club, Bedford with The Scotch of St James
30 September 1967 – City Hall, Salisbury, Wiltshire with Jigsaw and Dave Jay
Ron Thomas, Mick Fletcher and Tony Sinclair all left during October and the band was put on hold as Gary Hamilton recruited new players
Gary Hamilton (vocals)
Mick Stewart (guitar)
Tony Savva (bass)
Jim Smith (drums)
21 October 1967 – Maple Ballroom, Northampton
Terry Goldberg joined on keyboards
11 November 1967 – Brackley Town Hall, Brackley, Northamptonshire (possibly Goldberg’s debut)
8 December 1967 – City University, central London with The Soft Machine and Robert Hirst & The Big Taste
6 January 1968 – Lion Hotel, Warrington, Cheshire with Styx and Just Us
3 February 1968 – Sheridan Rooms, Huddersfield, West Yorkshire
9 February 1968 – Tiger’s Head, Catford, south east London (billed as Hamilton’s Movements)
25 February 1968 – Barnsley Civic Hall, Barnsley, West Yorkshire with Jay Jones (billed as The Gary Hamilton Movement)
26 February 1968 – Primrose Hill Working Men’s Club, Huddersfield, West Yorkshire (billed as The Gary Hamilton Movement)
9 March 1968 – Clouds, Derby (says it’s an eight-piece soul band)
15 April 1968 – Barnsley Civic Hall, Barnsley, West Yorkshire with The Koobas and Detroit Soul Sound
20 April 1968 – Starlight Room, Boston Gliderdrome, Boston, Lincs with the Ike & Tina Turner Show, The Ikettes, The Artists and The Train Set
22 April 1968 – 100 Club, Oxford Street, central London (possibly the final gig)
Back row left to right: Alan Marshall, Alan White and Kenny Craddock. Front row, left to right: Peter Kirtley and Brian Rowan. Photo: Peter Kirtley
Alan Marshall – lead vocals
Peter Kirtley – lead guitar
Kenny Craddock – organ
Brian Rowan – bass
Alan White – drums
Happy Magazine was soul/R&B band that was formed during August 1967 by singer Alan Marshall and lead guitarist Peter Kirtley and was managed and produced by former Animals keyboard player/singer Alan Price.
The two musicians have previously played together in Southeast London R&B group, The Loose Ends from around July 1965 to October 1966 when Kirtley departed to join The Alan Price Set.
Alan Marshall meanwhile formed a new version of The Loose Ends, drawing on Croydon, Surrey band, The Subjects, which featured Malcolm Rudkin (vocals); Alan Griffin (lead guitar); Phil Lanzon (organ); John Manderson (bass); and Roy Manderson (drums).
After a short while, John Manderson and Malcolm Rudkin, who did not want to turn professional, departed and the band’s manager Bryan Mason recruited sax player/guitarist Mick Patel, who had previously worked with Carl Douglas and bass player Colin Pullen from Kent band, Bob ‘N’ All. Not long after, Roy Manderson was succeeded by another Bob ‘N’ All member, Tony Glyde.
In early December 1966, Bryan Mason expanded the formation by adding another Bob ‘N’ All member – singer Bob Saker and the group played regularly at the Playboy Club.
The Loose Ends then landed a residency at the Bang Bang Club in Milan’s San Guiliano district, which kicked off in the third week of January but Alan Griffin departed just before the group left for Italy and Colin King from Bob ‘N’ All took his place.
During early March 1967, The Loose Ends returned to London and played at the Scotch of St James and the Speakeasy. At one of the venues, Otis Redding spotted Alan Marshall and Bob Saker and invited them to Muscle Shoals to record, and during May/June the singers cut two tracks – “Johnny B Goode” and “Keep on Pushing”, which were never released. Marshall and Saker then returned to the UK.
By this point, Peter Kirtley was ready to leave The Alan Price Set to team up with Alan Marshall and around August the pair formed Happy Magazine. Initially, Marshall’s friend Bobby Sass was going to play keyboards but he departed after initial rehearsals.
Kirtley, who was originally from Tyneside and had played with Shorty & Them during the early 1960s, introduced his old friends from Jarrow, the late Kenny Craddock on organ from Tyneside bands The Elcorts and New Religion, and Brian Rowan on bass from Shorty & Them. He also recruited drummer Alan White, formerly a member of Tyneside outfits, The Bluechips and The Gamblers.
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Kicking off with Alan Price’s excellent “Satisfied Street”, backed with “Beautiful Land” in December 1967, featuring a horn section that may well be Amboy Dukes members Buddy Beadle and Steve Gregory (also ex-Alan Price Set), the label re-issued the track three months later coupled with the Dan Penn/Spooner Oldham soul classic “Do Right Woman – Do Right Man”. During this time, the group also became regulars at Rasputin’s club in Bond Street.
During 1968, Alan Price recruited Alan White for his backing band, and Malcolm Wolffe from West London bands, The Tribe and Dream took over. The band then cut its third and final outing, a brilliant reading of the Dee/Potter collaboration, “Who Belongs To You” (again with horns), coupled with the previously available “Beautiful Land”. Issued on 14 February 1969, the single should have catapulted the band into the charts.
With the single failing to grace the charts, Alan Marshall departed to form the experimental jazz/funk/blues band, One, who cut a brilliant lone album for Fontana later that year.
Left to right: Peter Kirtley, Brian Rowan, Kenny Craddock, Malcolm Wolffe and Alan Marshall
Joined by lead guitarist Kevin Fogarty (originally a member of Southport R&B group, Timebox); his old friend and keyboardist Bobby Sass; bass player Brent Forbes from Salford bands, The Rogues and Sunshine; sax and flutist Norman Leppard; and drummer Conrad Isidore, One should have been a huge success but the album (which featured Peter Kirtley on lead guitar) sank without a trace.
Peter Kirtley, Kenny Craddock and Alan White meanwhile brought in two friends from Newcastle – ex-Skip Bifferty members, singer Graham Bell and bass player Colin Gibson, and signed to Bell Records for a one-off single as Griffin.
Produced by Alan Price and issued on 25 September 1969, the Kirtley-Gibson-Craddock collaboration, “I am The Noise in Your Head,” coupled with Kirtley’s “Don’t You Know” was an impressive outing but failed to trouble the charts.
Griffin soon splintered and Kirtley went on to record with several notable bands, including Riff Raff, Radiator and Pentangle. Later he appeared on albums by Liane Carroll and Bert Jansch.
Kirtley has also issued two solo albums, Peter Kirtley and Bush Telegraph as well as the charity single, “Little Children”, for Jubilee Action, to raise money for street children in Brazil and featuring Paul McCartney.
Having fronted new versions of One, Alan Marshall surfaced as a solo artist on Fontana in 1970. In France, the label issued a rare single that coupled One’s excellent cover of Richie Havens’s “Don’t Listen To Me” with a solo outing – “How Much Do You Know”, adapted from “Adagio Royal” by F de Boivallee.
When that single failed to chart, Marshall ended up joining Strabismus, which subsequently changed its name to Riff Raff when the singer’s former band mate from The Loose Ends/Happy Magazine, Peter Kirtley joined. However, Marshall quit before Riff Raff’s debut album was recorded and pursued a solo career before recording with Zzebra. He then joined Gonzalez in the late Seventies in time for their 1979 release, Move It To The Music. Marshall continues to perform in London.
Alan White became a top session player, working with John Lennon and George Harrison among others and later joined Yes, with whom he continues to play.
White’s replacement Malcolm Wolffe meanwhile joined Geno Washington & The Ram Jam Band.
Notable gigs:
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2 September 1967 – Iron Curtain Club, Small Heath, West Midlands with Erskine T (Birmingham Evening Mail)
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9 September 1967 – Upper Cut, Forest Gate, east London with The Tremeloes (Melody Maker)
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9 September 1967 – Tiles, Oxford Street, central London with Winston G & Heart and Souls (Melody Maker)
13 January 1968 – Beachcomber, Nottingham (Nottingham Evening Post)
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17 February 1968 – Nuneaton Parish Hall, Nuneaton, Warwickshire with Arnham Bloo (Nuneaton Evening Tribune)
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24 February 1968 – Windsor Ballroom, Redcar with The Skyliners (Middlesbrough Evening Gazette)
7-9 March 1968 – Hatchetts Playground, central London (Melody Maker)
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7 April 1968 – Tower Ballroom, Great Yarmouth, Norfolk (Yarmouth Mercury)
13 April 1968 – Club A Go Go, Newcastle upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)
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15 April 1968 – Queen’s Ballroom, Wolverhampton with Tony Rivers & The Castaways and Glass Menagerie (Express & Star)
28 April 1968 – Beachcomber, Nottingham (Nottingham Evening Post)
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8 June 1968 – Clockwork Orange, Chester, Cheshire with Tamca Band and Watson Brown Band (Wrexham Leader)
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19 July 1968 – Redcar Jazz Club, Redcar, North Yorkshire with The Easybeats and Rivers Invitation (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: RedcarJazzClub/Middlesbrough Evening Gazette)
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20 July 1968 – Windsor Ballroom, Redcar, North Yorkshire with The Skyliners (Middlesbrough Evening Gazette)
22 July 1968 – Winter Gardens, Cleethorpes with Ferris Wheel and Glass Showband (Grimsby Daily Telegraph)
1 August 1968 – Klooks Kleek, West Hampstead, north London (Melody Maker)
8 August 1968 – Bag O’Nails, Kingley Street, Soho, central London (Fabulous 208)
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9 August 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)
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10 August 1968 – Beachcomber, Nottingham (Nottingham Evening Post)
7 September 1968 – Rainbow Suite Co-op, Birmingham with The Baron (Birmingham Evening Mail)
11 September 1968 – Summerhill House Hotel, Kingswinford, West Midlands (Express & Star)
19 September 1968 – Klooks Kleek, West Hampstead, north London (Melody Maker)
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29 September 1968 – The Tent Club, Swan Hotel, Billingham with The New Blues Revue (Middlesbrough Evening Gazette)
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19 October 1968 – Lion Hotel, Warrington, Cheshire with Earl Preston’s Reflections (Warrington Guardian)
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20 October 1968 – Carlton Club, Warrington, Cheshire (Warrington Guardian)
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26 October 1968 – Cheltenham Spa Lounge and Ballroom, Cheltenham, Gloucestershire (Gloucester Citizen)
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3 November 1968 – Redcar Jazz Club, Redcar, North Yorkshire with The New Formula (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: Redcar Jazz Club/Middlesbrough Evening Gazette)
3 November 1968 – Surrey Rooms, Kennington, south London (South East London Mercury) This seems very unlikely unless it was another date
8 November 1968 – Pantiles, Bagshot, Surrey (Surrey Advertiser)
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9 November 1968 – El Grotto, Ilford, east London (Redbridge & Ilford Recorder)
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16 November 1968 – Stage Club, Oxford (Oxford Mail)
30 November 1968 – Beachcomber, Nottingham (Nottingham Evening Post)
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22 December 1968 – City Hall, Newcastle Upon Tyne, Tyne & Wear with The Animals, Grapefruit, The Paul Williams Set, Barry St John, Long John Baldy, Kim Davis & The Beginning, Noble Forde and The Tempo Set (Newcastle Evening Chronicle) Original Animals’ reunion gig/Geno Washington was billed but cancelled
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27-28 December 1968 – Quay Club, Newcastle Upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)
3 January 1969 – The Place, Hanley, Staffordshire (Evening Sentinel)
19 January 1969 – Redcar Jazz Club, Redcar, North Yorkshire with The Paul Williams Set (Dennis Weller, Chris Scott Wilson and Graham Lowe’s book, Backstage Pass: RedcarJazzClub)
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25 January 1969 – Beachcomber, Nottingham (Nottingham Evening Post)
8 February 1969 – Swan, Yardley, West Midlands with The Locomotive and Magazine (Birmingham Evening Mail)
9 February 1969 – Black Prince Hotel, Bexley, southeast London (South East London Mercury)
22 February 1969 – The Factory, Birmingham (Birmingham Evening Mail)
1 March 1969 – The Factory, Birmingham (Birmingham Evening Mail)
11 March 1969 – Club Domino, Newcastle upon Tyne, Tyne & Wear (Newcastle Evening Chronicle)
11 March 1969 – Club Domino, Bedlington, Northumberland (Sunday Sun)
Thanks to Alan Marshall, Peter Kirtley, Alan Griffin, Phil Lanzon, Bob Saker and Colin Pullen for helping piece the story together. Thanks to Peter Kirtley for the photos.
This site is a work in progress on 1960s garage rock bands. All entries can be updated, corrected and expanded. If you have information on a band featured here, please let me know and I will update the site and credit you accordingly.
I am dedicated to making this site a center for research about '60s music scenes. Please consider donating archival materials such as photos, records, news clippings, scrapbooks or other material from the '60s. Please contact me at rchrisbishop@gmail.com if you can loan or donate original materials
18 March 1967 – Ram Jam, Brixton, south London (Melody Maker)
15 October 1967 – Beau Brummel Club, Alvaston Hall Hotel, Nantwich, Cheshire with Phil Ryan & The Scorpions (Crewe Chronicle)
16 March 1968 – Gaiety Ballroom, Ramsey, Cambridgeshire with The Friction (Rik Gunnell Agency bookings/Cambridgeshire Times)
6 April 1968 – Stax Club, Cirencester, Gloucestershire with The Purple Barrier (Rik Gunnell Agency bookings)
21 April 1968 – Tower Ballroom, Great Yarmouth, Norfolk (Rik Gunnell Agency bookings/Yarmouth Mercury)
Colin Young – lead vocals
Two of the earliest tracks to be recorded were two Pete Gage songs, co-written with Ebony Keyes (aka Kenrick Pitt), “Lifetime of Lovin’” c/w “Flower In My Hand”. Paired as a single, the tracks were issued on Toast in January 1968 but did not chart. Incidentally, the single also saw a South African release on the Continental label.
Wendell Richardson – guitar/vocals
With The Sundae Times starting to pick up gigs and with further hits potentially in the pipeline, Conrad Isidore left The Toniks around September 1968 to commit to the project full-time. In retrospect, it was a sensible move as singer Colin Young quit The Toniks soon after to join British hit-makers, The Foundations.
The three musicians also collaborated on three other tracks on the LP, “Take Me Back Again”, “Psychedelic Dream” and “Do You Know What Love Is”. Samuel meanwhile penned two tracks, “On The Run” and “Live Today”, which belatedly headed up The Sundae Times’ final single outing (issued on 13 March 1970), and was coupled with Eddy Grant’s “Take Me Higher Baby”.
In July 1967, Polydor Records had issued Linda Lewis’ debut solo single, “You Turned My Bitter Into Sweet” but it had not been a chart success.
Managed by Ian Samwell (Lewis’ manager) and Laurie O’Leary who managed the Speakeasy, the group played a month’s residency in Biarritz, the south of France, at the Canasta Club. Then, in the early months of 1968, White Rabbit toured Italy and France, but after their return (around late March), Kerr decided to leave.
The original version of White Rabbit was completed with two additional musicians, rhythm guitarist/singer Brian Henderson, who’d recently been part of Nirvana’s backing band and was previously in The Soul Mates and Liza Strike & The Jet Set, and bass player Ralph Richardson, who’d worked with Henderson in The Jet Set.
Around August/September 1968, however, Rod Goodway and Linda Lewis both left, the latter to embark on a successful solo career after fronting Ferris Wheel where she played alongside future Foreigner drummer Dennis Elliott.
The following month, on 11-12 March, the musicians found themselves on the campus of Essex University in Colchester where a number of bands, including the up and coming Pink Floyd were entertaining the students.
However, despite having supported The Who at Leeds University on 21 January and then making a notable appearance at the Saville Theatre opening for Chuck Berry and Del Shannon on 19 February, the single’s commercial failure prompted the backers to drastically reduce the group’s bookings.
