Category Archives: Unknown

Something Obviously Borrowed

Something Obviously Borrowed JCP 45 Tell The PeopleSomething Obviously Borrowed are another mystery to me. Their only single is a good two-sider, released on the same J.R.P. label as the Shadow Casters.

“Tell the People” is upbeat, with typical lyrics of the time (“Now is the time to tell the people, all about love”). D. Geinosky and L. Carr wrote the song; they were probably members of the band.

“Joan” is laid-back rock, with a feel something like Loaded-era Velvet Underground, the singer intoning “please come on home, Joan”. Writer credit is to the producer, James Ruff, but members of the Shadow Casters noted he put his name on one of their compositions, “Going to the Moon”.

James Ruff Productions probably paid for recording time and pressing of the single on J.R.P. 004, sometime after April 1968. J.R.P. labels list an address in Aurora, Illinois. Sandpiper BMI published both songs but I don’t see a copyright listing for either. The code TM 2665/6 indicates Chess Records’ Ter-Mar studio in Chicago.

Something Obviously Borrowed seems to be the only other release on JRP besides the Shadow Casters, and also seems to be rarer than their singles.

Something Obviously Borrowed JCP 45 Joan

Marty and the Monks “Mexican Party”

Marty and the Monks Associated Artists 45 Mexican Party

Herman’s Hermits “Mrs. Brown, You’ve Got a Lovely Daughter” topped the Billboard Hot 100 in May of 1965, so a Hollywood studio owner rushed out a parody, “Mrs. Schwartz You’ve Got An Ugly Daughter” with the artist listed as Marty & the Monks. This version is on youtube if you want to subject yourself to it, but the real gold is the instrumental on flip, cut by a group that seems to have been totally unrelated to the musicians on the A-side.

“Mexican Party” is a rocking take-off on “Money” that sounds like it was actually recorded live in the studio. There are whoops, shouts, lots of string bending, a ridiculous horn blast. It has a lot in common with the Pacific Northwest sound like the Moguls “Avalanche”, the Jesters’ “Alki Point” or even Don & the Goodtimes version of “Money”.

Released on Associated Artists AA-3066, the song was retitled “Psychedelic City” when it came out as the flip to “Mrs. Schwartz” on Era Records 5037.

Marty & the Monks Era 45 Mexican Party
Jesse Hodges is credited as producer. Hodges owned Hollywood Sound Recorders and I believe he owned the Associated Artists label, which released about twenty 45s, including a couple of Hodges’ own singles. K. Young, G. Connor, and T. Reed have writer credits on “Mexican Party”, but none of their names appear on other Associated Artists releases as far as I can tell.

Both the Associated Artists 45 and the Era release have ∆-57190 in the deadwax, which dates the stampers for both 45s to June of 1965. I assume the Associated Artists was the original release. I have no idea when this “Golden Era Series” came out but 1967 wouldn’t be a bad guess, given the new, topical title.

My fellow WGXC deejay Jillian found a possible source for the band name in the obscure Marty the Monk cartoons of the 1930s.

Marty & the Monks Era 45 Mrs Brown You Got An Ugly Daughter

The Apaches on Galena Records

Apaches Galena 45 Please Understand

I can’t find much info on the Apaches, who had one single on Galena Records out of Tulsa, Oklahoma in 1966. One side is a pleasant original song, “Please Understand” by Burgess, Tousley. My copy is too scratchy to include a sound file, sorry.

The flip is a cover of “Heart of Stone”, which sounds like it features a different lead singer.

The Apaches was an RCA custom pressing, TK4M-4746/7, from late 1966, released as Galena G-131.

There was one other garage 45 on Galena Records, the Executives, who did a good original, “Why Make Me Cry” by T. Carter, Brock, Hoffman, G. Carter, Teaff, b/w “I’ll Feel a Whole Lot Better When You Are Gone”, also released in 1964.

Though the label for “Please Understand” lists Galena Music BMI, I can’t find copyright registration with the Library of Congress, or for the Executives song.

I find a number of registrations with Galena Music from 1964 and 1965, including: “Just Another Night”, “Gonna Find Me Someone” and “Moon Girl” by Roy L. Ferguson and Leroy Duncan, “Tear Drops” and “This Same Old Heart” by Sam Barrett, “Lonely Hours” by Roy Ferguson, Lercy Duncan and Autry Rutledge, “My Castle by the Sea” by David Vowell and Autry Rutledge, and “Back Up, Back Out” by Roy Ferguson, Leroy Duncan and Connie Rutledge, but these all seem to be country or pop music.

Apaches Galena 45 Heart of Stone

Paul & Emile and the Brighter Side

Paul & Emile and the Brighter Side J n J 45 I Can't Take It

Paul & Emile were Paul Carrubba and Emile Daniel. Backed by the Brighter Side the duo cut a neat and very obscure single, “I Can’t Take It” b/w “My Love For You” on JnJ 501. I don’t know the date of release. I’ve read the group was from Indiana, but Mississippi seems possible to me from name searches.

The Brighter Side takes “I Can’t Take It” at a fast pace, with some nice guitar work and quick drum fills. Paul Carrubba wrote “I Can’t Take It”, while Emile Daniel wrote the drearier “My Love For You”.

The labels list “the Brighter Side conducted by B. Haik” and produced by J. Allen. I can find no copyright info on either song.

Paul & Emile and the Brighter Side J n J 45 My Love For You

The Tangle on Canary Records

Tangle Canary 45 Any Time, Any WhereThe Tangle recorded the very cool single “Any Time, Any Where” / “Our Side of Town” for Canary Records of Nashville, Tennessee in October 1966.

Alvin Holland and Nyman Furr came from Camden, Tennessee, about 50 miles west of Nashville, so that was possibly the base for the group.

Members included:

Alvin Holland – guitar and lead vocals (?)
Ronnie Waters – guitar
Nyman Furr – bass
(?) Hayes – drums

“Any Time, Any Where” has great riffing guitars and a relaxed Stones-like feel to the vocals and band.

When I can make out the lyrics to “Our Side of Town” they’re wild: something about munching her box…lunch.

According to the labels, Halland, Furr, Hayes, Waters wrote both songs. C.L. Womack produced the single and also published both songs through C.L. Womack Pub. Co. BMI but I can find no copyright listing in the Library of Congress indexes.

Halland is a typo for Holland and a site for the Tennessee River Crooks band featuring Ronnie Waters on guitar listed the members of the Tangle as Alvin Holland, Ronnie Waters and Nyman Furr.

Holland, Waters and Furr later played in versions of Maggie Lee & the Percussions.

Nyman Furr passed away on March 10, 2007, according to Wikipedia.

Thank you to Max Waller and Mario Aguayo for their help with finding info on this band.

Tangle Canary 45 Our Side of TownCanary Records had at least seven releases, most seem to be country music. J.C. Rhoton, Jr. shows up a lot on the labels, possibly he owned the label. Howard Rhoton may be his son, his “I’ll Skip School” on Canary was advertised in Billboard on April 25, 1964.

Gower-Moore Studio seems to be connected to the Gower guitar makers in Nashville.

Canary had two Nashville addresses on its labels, 2906 Ironwood Drive and 2911 Harlin Drive.

Canary Records discography (any help with this would be appreciated)

Canary 1002 – Rhodes Boys – “Pretty Little Miss” (V. Rhodes, B. Rhodes, V. Rhodes) / “Got A One Way Ticket”, prod. by Curtis McPeake, Gower-Moore Studio Production.

Canary 1008 – Howard Rhoton – “Look Back” / “I’ll Skip School” (H. Rhoton, J. Rhoton), Gower-Moore Studio Production.

Canary 1010 – Bob Hayes – “Johnny Reb Was a Fighting Man” / “1862” (both by B. Hayes, C.L. Womack for Ironwood Music)

Canary 1012 – The Tangle – “Any Time, Any Where” / “Our Side of Town”

Canary 2001 – Barbara Dale – “Winner Take All” (Joe South) / “There Stands My World”, produced by J.C. Rhoton, Jr.

Canary 2002 – Charlie Rife & the Chordsmen – “Are You Sure” (C. Rife) / “Here’s the Key”, prod by J.C. Rhoton, Jr, for J.C. Rhoton Music BMI

Canary 2003 – Barbara Dale – “Missing You Again” (Baker Knight) / “Greatest Show on Earth” (Mike Cain)

The Sound Track on Trail and Action

The Sound Track Trail 45 I See The Light

The Sound Track are another unknown group, probably from the area around Kingsport, Tennessee, more than four hours east of Nashville.

Their first single has two cover songs, including one of the best versions of the Music Explosion’s “I See the Light” (E. Chiprut) b/w “Groovin’”. It came out on Trail Records TSRC-1706 in November 1967. It’s a Rite pressing, #20781/2, account #400.

Trail Records came from Kingsport, TN, and had many other releases, mostly gospel. Early releases such as the Grim Reapers “Under My Thumb” / “See See Rider” (Trail TSRC-1702) have a diamond logo and list Tri-State Recording Co. and 1767 Fort Henry Drive. Some later releases such as the Downbeats “Pain” / “Got To Get You Into My Life” (Trail SRC-1736) have a rustic logo with pine trees and “Trail” spelled out in wood logs.

The Sound Track Action 45 Face the New DayOver a year later the Sound Track put out their second single, this time featuring two band originals. “Face the New Day” has distorted guitar riffs repeating throughout, and solid backing of organ, bass and drums. It sounds almost like an English freakbeat track. Ron Allgood and Jerry Melton wrote the song, they were probably members of the band.

The flip “People Say” is also good, and the composer credits give six names, probably most of the band: Ron Allgood, Jerry Melton, T. Melton, Layton Bentley, Kim Dillard and B. Richmond. Copyright records give B. Richmond’s full name as Randy Richmond. The release came on Action 101, with the codes WS 1000 and PRP 7731/2.

The Sound Track went to Nashville to make their Action single. It was produced by Hoss Linneman and Al Gore, two country musicians with many recording credits to their names. Washington Square Music, BMI published both songs. This was a very rare single until 15 or more copies turned up in August, 2016.

Hear both songs at this Open Drive link while it lasts.

The Sound Track Action 45 People Say

The Luv Bandits

The Luv Bandits’ “Mizzer-Bahd” was first revived on Pebbles vol. 14 over thirty years ago; the group is still unknown. “Mizzer-Bahd” is a great bit of psychedelia, laden with exotic-sounding guitar lines and the gloomy coming-down vocals that turn up on a few singles released about this time, January, 1967.

The Luv Bandits Parrot 45 Mizzer-BahdThe flip is “Blues #2” which has the by-the-numbers sound you’d expect from the title, though the most prominent instrument is harmonica and the guitarist mostly hits some odd chords here and there.

S. Allen and J. Hannah wrote both songs, according to the BMI database these are Samuel Allen and James Hannah, but that database often mixes up names and initials and certainly seems to include song credits by more than one person with these names.

Parrot was a division of London Records and mainly released UK artists such as Them, the Zombies and Lulu, but also put out over a dozen singles recorded in the US, including this one. The release as Parrot 316 in January 1967 follows the great Yesterday’s Children’s “To Be or Not To Be” / “Baby I Want You”, released as Parrot 314 in December, 1966. Both singles share H. & L. Music Corp. BMI as publisher, and a similar quality of production, so possibly the Luv Bandits was a Hugo & Luigi Production like Yesterday’s Children, though a different writer, Edward Pivirotto, is listed as composer of the Yesterday’s Children songs. The only other act on Parrot that has Hugo & Luigi credits (that I know of) was Flip Cartridge with three singles on Parrot.

Parrot’s US artists usually came from either the upper Midwest or the West Coast, but Yesterday’s Children were from the towns of Cheshire and Prospect, Connecticut, and I would guess the Luv Bandits also were from the East Coast.

Both bands also had four-song EPs released in France that included two extra songs not released in the U.S. The Luv Bandits EP came out on Disc AZ EP 1100 with both sides of the single, plus two songs I haven’t heard yet, “The Land Of Ecstasy” and “Why Tell The World”. The Yesterday’s Children EP followed as Disc AZ EP 1101 and included “Love and Things” and “Dance All Night”. Unfortunately the Luv Bandits EP didn’t feature a cool band photo like the Yesterday’s Children.

Could they be the same band? There are similarities in approach, though the lead vocalists do not sound the same to my ears. Yesterday’s Children were Denis Croce, Richard Croce, Reggie Wright, Chuck Maher and Ralph Muscatelli.

Blue Creed “Need a Friend”

Blue Creed Mo Go PS Need A Friend

Blue Creed Mo Go 45 Need A FriendRecords like this one keep collecting interesting. Blue Creed came from somewhere in West Virginia. I haven’t been able to find out anything about the band yet.

It seems likely they recorded at Midway Recording Studio in Hurricane, West Virginia. The related Alta record label usually has a Hurricane address on it, but in the case of the Blue Creed single, Midway-Alta is listed at Camden-on-Gauley, WV, two hours drive east of Hurricane.

Luckily the Blue Creed put some of their names on the labels. Gary Gordon, Dave Franco and Bill Rexroad wrote “Need a Friend”, and the three of them plus Ron Sweeney wrote “Sugarbabe”.

Both songs feature hoarse, exaggerated vocals, a heavily distorted organ sound, a guitarist who sounds something like Jorma, especially on “Sugarbabe”, and a drummer who likes to hit the crash cymbal loudly and often.

Amazingly this came with a sleeve (which I don’t own), sporting a photo of the band in hip clothes, wigs and sunglasses. Two or three of the band look like they’re from an earlier generation of musician than 1970 psychedelia.

I’ve seen the label listed as Moigo Records, but I think Mo Go is more correct, release # 4570. The ARP-1339/40 suggests American Record Pressing Co. in Michigan. Publishing by Sexman Pub Co.

Blue Creed Mo Go 45 Sugarbabe