Category Archives: Columbus

Dennie Mosley “Love Me, Love Me, Love Me” out of Columbus Ohio

Dennie Mosley B&4 45 Love Me, Love Me, Love MeDennie Mosley seems to have only cut this one single, the cool rockabilly “Love Me, Love Me, Love Me” backed with the pleading lament, “I Tried”. It’s not really a garage style record, but the late recording date and crude quality of the production gives it something of a garage feel. The guitar break on “Love Me” is excellent.

The RCA custom pressing code, U4KM-9220/1 indicates an early 1967 pressing.

Released on B & 4 Records out of Columbus, Ohio. Bill Caito wrote “Love Me, Love Me, Love Me” and arranged that side, while Dennie Mosley wrote and arranged “I Tried”.

Other names on the label include M. South, G. Kirk, L. Newsome and F. Smith who must be the backing musicians. B&4 Records typically list the singer of the group as the artist, so it is possible they had a group name not listed on these labels. Any further info would be appreciated.

Publishing by E.C. Baugess Publishing Co.

Chad Baugess ran a home studio and owned the B & 4 Records label. Buckeye Beat has a list of other records on the label, but not this one.

The Shilos “Let’s Go Again”

Shilos Sure 45 Let's Go AgainThe Shilos had only one single, featuring the fine r&b sounds of “Let’s Go Again”, released on the Sure Records label in the second half of 1965.

The Shilos became the Four Winds, and one member recalled those groups lineups as including:

Jeff Pharion – lead vocals
Roger Riley – guitar, replaced by Bob Hill
Walt Edry – bass, replaced by Bob Blackburn
Dave Smith – drums
Russ Geis – saxophone (on occasion)

Other than Jeff Pharion on vocals, I don’t know exactly who plays on the record. The flip is the lighter “You’re Leaving Sunday” featuring a trumpet player. It was an RCA custom press, with master numbers 754S-5932, SK4M-5932/3.

Chuck Howard, a country singer well-known throughout southern Ohio, wrote both songs.

I’m sorry to report that Jeff Pharion passed away January 6, 2019.

Buckeye Beat has photos of the Four Winds and more info on that group.

The Epics of Columbus, Ohio

The Epics Dolphin PS White Collar House
The Epics, picture sleeve to their Dolphin single

The Epics Dolphin 45 White Collar HouseThe Epics came from Brookhaven High School in Columbus, Ohio. Warren Knox, Jim Miller and Michael Richards wrote the great A-side, “White Collar House” which refers to some kind of upscale nightspot, whether a dance club or bordello I can’t decide as the lyrics are vague. The band’s performance is a stand-out, and Musicol Recording Studio did a good job recording it.

Library of Congress records show copyright registered on May 1966 to Warren Knox, James Miller, and Mike Richards (Michael Kirk Richards). The band was a quintet but I don’t know who the other two members were.

Michael Richards wrote the gloomier b-side, “She Believe In Me”, and also arranged both sides. S. Graves produced the session.

It’s the only release I know of on the Dolphin label, which Buckeye Beat suggests was tied in with the Blue Dolphin Club for teens. There is a rare picture sleeve which I don’t own that shows the photo at the top, with a blank back.

The Epics Dolphin 45 She Believed In Me

Gun Shy

Gun Shy Musicol 45 Gun ShyI come across many singles out of the range of the ’60s garage I usually cover on this site. When something is very obscure, with little or no info on the ‘net, I post it to satisfy my own curiosity.

Such as this single by Gun Shy,  Ohio rock that sounds mid-70s but actually dates to 1981. It’s a Musicol press out of Columbus, with lots of EQ notes in the dead wax.

The A-side is “Gun Shy”, straight-up  rock with plenty of cowbell, and a professional sound. The flip “Rymes and Reasons” is a power ballad with a good solo. B. Whitlatch and J. Cremeans wrote both sides. No publishing info, but production was by L. Smith and W. Withrow.
Gun Shy Musicol 45 Rymes & Reasons

The Dantes

The Dantes Jamie 45 Can't Get Enough Of Your LoveThe Dantes Jamie 45 80-96I found mint copies of the first two 45s by the Dantes in company sleeves, and they were so cool I had to put scans of them up on the site with something about this quintessential mid-60s band.

Barry Hayden – lead vocals
Dave Workman – lead guitar
Lynn Wehr – rhythm guitar
Carter Holliday – bass
Joe Hinton – drums

The Dantes formed about 1964 in Columbus, Ohio suburb of Worthington. Though they drew inspiration from the Rolling Stones and covered Stones songs live and on their records, their first single displays an original and catchy style. “Can’t Get Enough of Your Love” begins with quick finger picking more like something from the Byrds until the opening vocals come blasting out at the listener. The rhythm section chugs along with a sound peculiar to styrene discs.

Although it made #1 on Columbus station WCOL, the single didn’t break out nationally. Song writing credits are to Harvey-Wehr for Doraflo Music BMI, arranged by lead guitarist Dave Workman.

The flip “80-96” starts out like the Yardbirds’ “I Ain’t Done Wrong” then settles into a bluesy instrumental. According to Buckeye Beat the band wanted to call this song “8-69” but Jamie insisted it was too suggestive a title. Writing credits are to Dantes-Weber. Released in March 1966 on Jamie 1314, both sides are listed as “A Sire Production for B.J.R. Productions”.

According to an article in the Mansfield News-Journal, their manager was DJ Johnny Garber, while a later article from January 1968 discusses Garber and Chuck Swisher co-managing the group.

The Dantes Cameo 45 Can I Get a WitnessIn late September, 1966 the Dantes released their second 45, this time on the Cameo label, a cover of the Stones “Under My Thumb” with a good version of “Can I Get a Witness” (which the Stones also did) on Cameo 431, the labels reading “a Richards Production”.

An article in the Newark Advocate from May 9, 1968 mentions Dave Workman had left the band and formed Dave Workman’s Blues Group with other Columbus musicians. Dave’s leaving may have led to a softening of the band’s sound, evident on their last 45 in October 1968. Featuring horns and a pop sound, the A-side was a cover of another Stones song, “Connection” backed with the band original “Satisfied”. Walt Masky produced the record, coordinated by Jerry Sharell; it was released on the Main Line label.

The band lasted until about January 1969, at which point they changed their name to Moonstone. The Circleville Herald has an ad for one Moonstone gig in January with the Fifth Order and the Young Generation, and another in April ’69 with the Tree and the Fifth Order. After this Moonstone and the Dantes seem to disappear.

Any photos or info on the band would be appreciated.

The Dantes Cameo 45 Under My Thumb

King Clam & the Marine Band

King Clam & the Marine Band
King Clam & the Marine Band

JP suggested I feature this unreleased group from Columbus, Ohio, with the odd name King Clam and the Marine Band. The band recorded four tracks in 1969 that went unreleased at the time. JP said: “These four garage-psych-punk tunes are too hot to handle to just leave them die and rot in the dust!”

My two favorites are “High Strung Woman” and “Inertia” their six-minute tour de force.

I didn’t know anything else about the group until I heard from guitarist, songwriter and leader of the group, Terry Bell:

I am Terry Leigh Bell, the lead songwriter and singer of King Clam. I’m in white shirt. The photo was late 1968, however, in January of 1969, as lead singer and songwriter, I parted ways with the three fellows in the photo and formed a solid garage/rock band which included:

Terry Leigh Bell – rhythm/lead guitar and lead and harmony vocals
Mike Wright – vocals and percussion
Andy Kowalski – bass
Danny ? – drums
Mark ? – keyboards

The band got together as all Ohio State University students. All of us were “hippie” types by this time indulging in whatever. We played around a lot in 1969, particularly at and around Ohio State University.

The band played around Columbus and went in to Musicol Studios in Columbus in June of 1969 and laid down four original tracks. I remember when we laid down the four tracks at Musicol, the owner really liked the songs and said they were some of the best he ever recorded to that point, particularly in that style. Our four songs were never released except for some acetates. We never shopped them around to record companies and in hindsight, maybe we should have.

The band was together as a performing and recording band from January 1969 till December 1969 when we all graduated from OSU and went our separate ways.

In the 70s, I had a 4 piece folk group like Crosby Stills and Nash and we played around Cleveland quite a lot as Morningstone. In the 80s, I released two singles on my own label, Down The Road Records (published by Down The Road Music-BMI) sort of in an acoustic rock sound, “Heartburn” & “The Way That I Do”. I hired a music promoter out of Nashville to plug the songs to radio stations but they never hit critical mass. They got a lot of airplay down south and particularly Florida. We played out of Nashville for a while then back to Cleveland.

Currently, my partner and I are playing and recording under the name: The Sages, and our free music download site is www.thesages.net.

There are sadly no photos of the band. I have tried to contact some of the members but they seem to have disappeared or gone out of state.

Terry Bell
Terry Bell

These songs are so good, they deserved a proper release on vinyl – and as of May 2014, three of them have been! Now Sound Records has pressed 300 copies on blue vinyl in a color sleeve with expanded notes on the back cover. Order them through nowsoundrecords.nl

King Clam Marine Band Now Sound EP

Thanks to Frank and JP for their help.