Category Archives: Nassau County

Categories: Nassau County, New York, Unknown, Valley Stream

Sportin’ Life “I Can Feel It (Servant to the Sky)” on Riba Records

July 20, 2023 Chris Bishop 1 Comment

Sportin’ Life cut a great psychedelic 45 in the summer of 1968, “I Can Feel It (Servant to the Sky)” released on Riba Records R-1004/R-1003. I don’t know if Sportin’ Life was an actual group or a studio gathering. From writing credits on “I Can Feel It” members included Ronald Weissman, Michael Swerdlow, John Homenick, and possibly Richard Babeuf, who produced the record.

Babeuf also wrote the ostensible A-side, “I Can’t Wait Till Tomorrow)” and registered both songs with Kenyon Publications.

Babeuf owned Riba Records, with an address of 65 W. Merrick, Valley Stream, NY. Riba only had one other 45 I know of, the Renés “Shy Guy” / “You’re Wrong” on 45-10012 from 1965, also using Kenyon Pub.

I can’t find more info on Weissman, Swerdlow or Homenick, but Rick Babeuf had plenty of other credits in the music business.

One of the most notable is Gaslite Village “I Am Afraid” (written by Babeuf and Herbert Hilton) b/w “Up from the Underground” (Babeuf) on Murbo M-1029. Babeuf produced the record, which received a mention in the February 22, 1969 issue of Record World. Gaslite Village was probably a name made up for the record, the songs produced at different sessions, with copyright registered at different times (October ’68 and January ’69 respectively).

Babeuf was arranger on Jim Jackson “Welcome Me Home” / “Some Love with Soul” on Sandbag Records S102, produced by Mike Szymansky, who owned Sandbag and operated Omega Sound Studios in Rockville Center. Babeuf does not have any other credits on other Szymansky or Sandbag productions, but Sandbag released another good rock 45, the Epitome of Sound “You Don’t Love Me” / “Where Were You” on Sandbag S 101.

Babeuf and Frank Szelwach produced the Mauroks “Susan” / “Story of My Journey South” on De-Lite Records 517.

Babeuf produced and co-wrote (with Szelwach) the A-side of Frank Dean “My Son (This I Say To You)” / “If I Could Fly” on R & R Records R-102, also in 1969. I suppose Frank Dean was an alias of Frank Szelwach.

Cash Box August 9, 1969:

R&R Records Formed
R&R Records has been formed here at 1650 Broadway and 663 Fifth Ave. Heading up the operation, which also includes two publishing firms, Ren-Maur Music (BMI) and R.R. Music (ASCAP) are: Rena Romano, president, Steve Levy, business manager; and Richard Babeuf, general professional manager of the publishing units; Ric Drew, public relations director …

Billboard, August 8, 1970:

Riba Music Co. has just completed original music for 30″ and 60″ radio spots for Modern Sash and Aluminum Co., Inc. and Electro-Way of N.Y., Inc. Music was composed and arranged by Richard Babeuf.

Riba also did radio ads for Bick’s Family Restaurants and Hathaway’s Furniture Galleries.

Billboard September 12, 1970:

Richard Babeuf is also finishing up original material and charts for a new group called Labyrinth which will debut this fall with a new electro-visual presentation concept.

Billboard, October 17, 1970

Riba Music Co. will supervise all facets of the musical activity on the upcoming off Broadway play, “Iphegenia.” Richard Babeuf, general manager of Riba, will act as music director and conductor, and will supply all arrangements.

This may have referred to Wedding of Iphigenia and Iphigenia in Concert which ran at the Public Theater for a few months starting in December, 1971. However that production had music by Peter Link, performed by a group called Goatleg!

That’s as far as I got on Mr. Babeuf.

Categories: Dynamic Sound, Nassau County, New York, Plainview

The Aggregation on Dynamic Sound

November 22, 2019 Chris Bishop 5 Comments

The Aggregation cut two fine originals, “Candlestickstomp” and “You Lied to Me” for the Dynamic Sound label of Long Island, NY.

Members were:

Russell Javors – lead guitar
Bob Wenmouth – rhythm guitar
Ken Rosenberg – lead vocals and bass
Jim Carey – drums

As you can see, my copy did not arrive in very good condition.

Aggregation Photo School Dance — The Aggregation playing at a school dance

There was very little information about them until I heard from Ken Rosenberg, who sent in the photos seen here and wrote to me about the band:

This is Kenny Rosenberg, better known now as Kenny Owens since 1981, ’82. The group came out of Plainview, NY right next to Hicksville. I was the lead singer & bassist, Russell Javors played lead guitar, Bob Wenmouth played rhythm and Jim Carey played drums. We were pretty young, Jim was I think 13 the rest of us a little older. Russell a year younger than Bob and me. Jim and Bob are no longer present on earth.
The band used to play high school dances and parties and town pool events. Entered the battle of the bands, came in 2nd the first time, next year came in 1st.
We used to practice at 30 Eldorado Blvd in the Carey’s converted garage. We were big fans of the Mersey Sound.
The studio was in a modest house in Hicksville, recorded in the basement and the owner had his own pressing machine. That’s how I remember it.
We also recorded a 5 song acetate. Bob’s wife has a copy. Jim’s family has a copy. I let mine go years ago, in some landfill in Oyster Bay. One of the songs exists with “Candlestick Stomp” in a ten minute indie film … called American Sugar. “In This Placing” was the tune. The Careys tracked me down so they could use it in the film. I do remember we did a version of the stones “The Last Time”.
In answer about other 60’s bands I was in, I was the lead singer for a band called The Clique, we opened for The Young Rascals at Plainview High School, fun show.
Currently I’m an Americana singer-songwriter living in Hendersonville, TN. I record and make records and CD’s when I can. My site is kennyowensthewheatpennies.com .

Ken Rosenberg wrote “Candlestickstomp”. Russ Javors, Ken Rosenberg and Wenmouth collaborated on “You Lied to Me”.

Russ Javors later played guitar in Billy Joel’s band for many years.

Aggregation Photo 2 — The Aggregation at a battle-of-the-bands

The Dynamic Sound label

The “WElls 8-7108” phone number on the labels indicates Dynamic Sound was based in Plainview, Jericho or Hicksville, NY.

I know of two released 45s:

Dynamic Sound DY-105 – Aggregation – “You Lied to Me” / “Candlestick Stomp”
Dynamic Sound DY-106 – Born Mean – “Don’t Let the Sun Catch You Crying” / “Shapes of Things” (a Rite vinyl pressing)

I’ve heard four acetate demos from Dynamic Sound, these three have the Wells exchange on the Dynamic Sound label:

The 5 of Us – “One of a Kind” / “But He Promised”
Satan & the Body Snatchers – “Little Young Girl” / “In the Summertime”
The Un-Called Four – “Since You’ve Been Gone” / “Masters of War”

This acetate I’ve heard (and both cuts are excellent) but haven’t seen the label:

The Gothics – “Mover” (instrumental) / “Watch Me Now”

—–

There was a Dynamic Sound label that released singles such as James Ray’s “I’ve Got My Mind Set On You”. Those usually have a “Hutch Davie” production logo and date to a few years earlier.

I doubt there’s any connection with the Dynamic Sound label of Milwaukee, WI.

There are at least two releases from Ohio that feature a Dynamic Sound label. The Born Mean cut “Shape Of Things” / “Don’t Let the Sun Catch You Crying” in 1966. The band may have been from New York but the release on Dynamic Sound 1068 was a Rite pressing from Cincinnati. Then in 1969 comes the Crystal Rain ‎with “You & Me” / “World On Fire” on Dynamic Sound 91101.

My broken copy of the Aggregation was shipped from Ohio so I wonder if there could be some connection?

Categories: Bundy, Freeport, Hempstead, Nassau County, New York

The Cordials “Tell Me Please”

June 29, 2018 Chris Bishop Leave a comment

The Cordials recorded for the Bundy label of Freeport, New York. They may have been a local group, but Freeport is not far from Brooklyn, so the group could have been from anywhere in the New York metro area.

The Cordials cut a fine version of “Misery”, originally done by the the Dynamics on their 1963 single on Big Top. I prefer the flip, “Tell Me Please”, a moody original with great harmonies, written by Rick Stevens and published by M.C. Music Pub. BMI.

An article in Cash Box from August 7, 1965 gives an approximate date for the Cordials release and some background on Bundy:

“Bundy-Fonic Expands”
Mickey Carr, top man at The Bundy-Fonic Corp., is in the process of expanding the firm’s activities, and has appointed Bob Spina to veep and Clarence Finnell as A&R boss.
The diskery, with Dee Dee Records as a subsidiary line, will be offering two new releases, the first tagged “Misery” b/w “Tell Me Please” by the Cordials, and another by the Diablos, the titles on which will be announced at a later date. Both disks will be on Bundy Records. The address of the firm is 22 Pine St., Freeport, L.I.

Although Bundy had a 1962 release by Ray Artis, “Dear Liz” / “Wella-Wella” (Bundy BU-222), I haven’t found the Diablos single or anything else on Bundy. There were several record companies called Dee Dee, and I’m not sure if the one mentioned in the Cash Box article actually released anything.

The Cordials is a styrene 45, released on Bundy BU7711, Mickey Carr gets credit for arranging and producing both sides, and Bundy is listed as a subsidiary of Bundy Phonic Ent. Corp.

Categories: La Salle, Lauren, Nassau County, New York

La Salle and Lauren Records discography

December 15, 2015 Chris Bishop Leave a comment

Here’s a start at the discography of Carl Edelson’s La Salle and Lauren labels, along with related singles by the Shandels and Eddie T. Burke.
Much of the talent came from Long Island including the Shandels of Levittown and Wantaugh, and the Taboos.

Cardell Music C-510 – The Shandels – “No Way Out” / “Treat Me Like a Man” both by Johnny Melnick & Eric Stern, C-101/C-102, 1966

La Salle L-370 – David Leigh – “Blowin’ in the Wind” / “One More Town”, L-1/2
La Salle L-371 – The Lemon Sandwich – “Give Me Love” (Eddie Hileman) / “I Must Be Dreaming”, L-3/4

La Salle L-381 – The Shandels – “Shades Of Blue” / “Fifteen Children” (both by John Melnick & Eric Stern, engineered by Joe Dulberg, Feb. 1967), C-165/6
La Salle L-382 – The Taboos – “All My Life” / “So Sad” (T-1, T-2)
La Salle L-383 – Elsie Dixon – “It Had to Be You” / “How Ya Gonna Keep em Down on the Farm”, C-167/C-168
La Salle L-384 – The Shandels – “Think About You” / “Barnyard Blues”, C-169/C-170

La Salle L-386 – John Goodman – “First Star” / “Stranger at the Dance”
La Salle L-387 – John Goodman – “Think About You” (John Melnick, Eric Stern) / “Rainbow”, produced by the ShanDels, C-182

La Salle L-390 – Carol Durrell ‎– “Shadow Of Your Smile” / “The Look of Love”

La Salle 25 – Ellen & the Shandels – “Gypsy” / “Try A Little Tenderness” (1969 or 1970, also released as Dry Well on Lauren Records 2515)

E.T.B. Records ETB-113 – Eddie T. Burke – “I Must Be Dreaming” / “So Sad” (both by Eddie Hileman for Carldell Music BMI, engineered by Joe Cyr at Variety Sound Studios, CE-15/16

Lauren L-2513 – Tommy Burke – “Give Me Love” / “I Don’t Want to Be Your Keeper” (both by Tommy Burke for Carldell Music BMI, engineered by Joe Cyr at Variety Sound Studios)
Lauren L-2514 – Johnny Hayes – “Greenback Dollar” / “Blowin’ in the Wind”
Lauren L-2515 – Dry Well – “Gypsy” / “Try A Little Tenderness” (reissue of Ellen & the Shandels 45 above), CE-20/21
Laruen L-2516 – Branded “X” – “Society And Me” (Tommy Burke) / “Tribute to Uncle Sam” (Herner-Auwaerter-Furbich, Carldell BMI, prod. by Tommy Burke at Variety Sound Studios), CE-23/24

I’m not sure if this is the same Lauren label as the ones listed above:
Lauren CO 2930 – The Out of Order – “Lonely Sentry” / “It’s Alright” (prod. by B. Jolie, L. Litchfield, T. Messier, Allegro Sound Studios NY, engineers Bruce Staple and Mike Consi, Ranford Music Co., BMI, distributed by Planet Records out of Providence, RI)

Categories: La Salle, Nassau County, New York

The Taboos on La Salle Records

December 15, 2015 Chris Bishop Leave a comment

The Taboos came from Long Island, New York, cutting only one single in 1967 for La Salle Records. I don’t have much info on the band other than song writer names.

“All My Life” has a subdued start, the keyboard and bass making a three chord vamp while the drummer keeps a steady roll of toms going in the background. The chorus is more conventional, but a real surprise comes halfway through the song, when the bass picks up the pace and the lead guitar starts a Jeff Beck-style psychedelic solo. The song was written by Von Ressler and DeBonis.

Brennan and Palazzo wrote “So Sad”, which has a typical ballad format and singing style but it’s still an effective song.

Larry Hiller engineered the session at Murlyn Studios. La Salle Records owner Carl Edelson published both songs with his Cardell BMI.

A footnote to the group would come a couple years later, when Eddie T. Burke overdubbed a new lead vocal (inferior in my opinion) over the original recording of “So Sad” and released it on E.T.B Records ETB-113. See the post on La Salle and Lauren records for more on Eddie Burke’s release.

Categories: Glen Cove, GMC, Mayfair Recording Studios (NY), Nassau County, New York, Sea Cliff

The Buffaloes “She Wants Me” on GMC Records

May 29, 2015 Chris Bishop 2 Comments

Considering the names on the labels of this 45 and the quality of single, it’s amazing how obscure this group called the Buffaloes seems to be. I knew nothing about the group except for their last names and first initial until Mike Kuzmin contacted me with additional copyright information.

The A-side is the jangly blaster, “She Wants Me”, written by George Schwartzkopf, Jr of Old Bridge, New Jersey. It’s a catchy song and I could imagine it being a hit, but seems to have missed. The flip is a ballad written by Arthur V. Walker of Sea Cliff, NY, on Long Island, “You Told Me Lies”. The copyright name for correspondence or refund is listed as Joel E. Shenton of Glen Cove, NY. Both songs published by Impression Music, BMI.

The Buffaloes may have had the first release on the GMC label. Gene Moretti founded the label; he had been director of international sales for MGM-Verve in 1964 after starting in the mail room of ABC-Paramount (according to Billboard).

Joel Shenton contacted me in July 2021 and kindly provided info about the band, GMC and Mayfair Studio.

The band:
Arthur Walker – lead singer / rhythm guitar
George Schwartzkopf – bass
James (Jimmy) Wolf – drummer
Joel Shenton – lead guitar, vocals, keyboard
I met Jimmy during high school years, late 50’s, through a mutual friend who got me interested in guitars. We fooled around as a 3-piece instrumental group until college interfered. I met George, a guitarist, at college. We formed a 4-piece group and played frat parties pretty much every weekend using various drummers including Jimmy, who was at school a few miles away. George decided to play bass, and we recruited a classmate to play rhythm and sing leads. That began our addition of vocals to our group.
After college and eventual return to Glen Cove, Jimmy introduced me to Arthur (“Artie”), and George, although living in New Jersey, joined up and we became the Buffaloes and played a few local clubs.
Gene Moretti lived near Jimmy, got interested, and that was the link to GMC. Gene had a few other musical groups as well, including the “Gumdrops 2”, a girl duet. We backed them up for a few gigs, and Jimmy eventually married one of the pair (Joan) who later became a vocalist for some Buffaloes numbers.
The link to Mayfair came from George. He got married while in college, and his wife was Clair Krepps’ daughter. Clair, at that time, had his own mixing studio (Knickerbocker Sound) on E47th Street in NYC, where he did subcontract mixing and overdubbing for several major NY studios. George and I had access to Knickerbocker and fooled around there on weekends during our summers off from college. Clair eventually formed the Mayfair organization in the theater building of the same name, adding multiple live recording and mixing rooms.
Mayfair was unique when it came to equipment. The control room was designed and built by Clair’s brother (I think) who had an electronics manufacturing company in Chicago. Nothing was conventional, and it became a testing ground for Ampex and Sennheiser. I recall Clair showing us one of the first 8 track and 16 track tape machines he used for recording, provided by Ampex for evaluation. The wall in the main control room was autographed by many well-known artists with comments like, “Fantastic sound,” “Wonderful experience”, etc. I think Sinatra, Streisand, the Stones, and even Hendrix were among the signers.
After the release of our first & only 45, and doing some club work, it became clear to us that our musical future was going to be more for fun than for a career path. We all had decent day jobs, and there was no economic security at our level of dedication and talent. We continued to play for fun, made several demo discs for posterity, but peddling them was rather futile even though we had contacts at UA and Decca.
We went our separate ways in the early 70’s. Jimmy and Artie wound up in Florida, George stayed in NJ working as a chemical engineer, and I moved to upstate western NY to run a plastics factory.
Although it has little to do with the Buffaloes, my interest in guitars and playing continues to this day, although my focus changed from R&R to country music…mostly due to the interests of the local population…and I currently enjoy playing lead guitar for several local bands.

[editor’s note: I’ve changed the spelling of Krepps’ name to Clair from Clare.]

Buffaloes GMC Billboard April 2, 1966 — Gene Moretti’s GMC Records announced in Billboard, April 2, 1966

Gene Moretti and GMC Records “a Division of Go-Go Music Corp”

The April 22, 1966 issue of Billboard noted how Gene Moretti would be managing and recording six acts for his new label: “Moretti’s approach is to rely exclusively on the copyrights owned by Impression and draw talent primarily from the three million population Long Island area. All six acts, in their teen and early 20’s, are local boys and girls.”

Billboard announced the Gumdrop 2 would have the first issue on GMC, “Getting Over You” / “So I Try”, numbered GM 10001, However, the Buffaloes single, dated to October ’66 in Teen Beat Mayham, is numbered GM 10000. GMC had about fifteen releases in total, featuring a dozen artists including Priscilla Price, Tony Kaye, Johnny D., Doreen Rose, the Miller Sisters, the Islanders, the Spoilers, Frankie ‘Slim’ Summerville, and Frankie Gracie & the Plastics.

Mayfair Studios

Another interesting connection is the studio, listed as Mayfair Studios (8 Track). Clair Krepps had been a recording engineer for Capitol, MGM and Atlantic Records and also did a lot of stereo percussion albums for Audio Fidelity. About the same time Moretti started GMC, Krepps began Mayfair Recording Studios at 701 Seventh Ave in Manhattan. Other clients would include the Velvet Underground, Al Caiola’s Caiola Combo All Strung Out LP on United Artists, Nico, the Chameleon Church, the Ultimate Spinach, the Beacon Street Union, Puff, Galt MacDermot, Ricardo Ray, Jimi Hendrix, the Mothers of Invention, etc.

Thank you to Joel Shenton and Mike Kuzmin for their help with this article.

If anyone has a photo of the Buffaloes, please contact me!

Categories: Hempstead, Nassau County, Ultra-Sonic Recording, Unknown

The Cisum V

August 1, 2014 Chris Bishop 5 Comments

Kevin Longendyke sent me the transfers and scans of this demo acetate by the Cisum V. I have no info on the band, other than it was recorded at Ultra-Sonic Recording Studios at 149 North Franklin Street in Hempstead, NY, on Long Island. Both sides are moody winners, though “I’m So Glad” may have the edge on “You Told Me”.

The Cisum V – I’m So Glad
The Cisum V – You Told Me

Any info the band would be appreciated.

Mike Markesich suggests this is the same group that recorded the single “Medal of Honor” / Mrs. Orange” on Epic 5-10362, both songs by David Brightman and Phil Galdston for Brigand Music ASCAP. The label credits Stu Krane with production.

However that 45 features keyboards, unlike this demo, besides being a much more sophisticated production.

The Epic group Cisum (‘music’ spelled backwards) were Phil Galdston (keyboards, vocals), Dave Brightman (lead guitar, vocals), Rich Bronsky (rhythm guitar, vocals), Gary Mandel (bass, vocals) and John Glowa (drums, percussion).

Engineer & producer Jim Reeves has a website dedicated to his work at Studio 3 on East 57th Street and at CBS Columbia studios on East 52nd Street, including some (very small) photos of the band, about a third of the way down the page. On another page he writes that Cisum recorded an entire LP, Myriad Marvels at Studio3.

Categories: Nassau County, New York, Tower, Wantaugh

The Minimum Daily Requirements

August 10, 2013 Chris Bishop Leave a comment

I’ve had this 45 for years but am only now getting around to covering it. I don’t recall ever reading about the band in any detail.

“I’m Grounded” is a well-known psychedelic classic written by Timmy Phelan (Jitters Music, BMI), but originally it was the b-side to “If You Can Put That In a Bottle” written by Billy Meshel for Meager Music, BMI.

The record was released on Tower 372 in October of 1967. The band came from Wantaugh, Long Island but other than that I don’t know anything about the group, nor have I seen a photo of them.

I don’t believe there’s a connection to a release by the Minimum Daily Requirement (singular) on Mercury, “Free the People” / “I Do Believe the Sun Will Shine”.

Categories: Nassau County, New York, Rockville Centre, Showcase

Yesterday’s Children “Wanna Be With You” / “Feelings” on Showcase

August 8, 2010 Chris Bishop 10 Comments

Yesterday’s Children, one of many groups by that name. Released in September, 1966, “Wanna Be With You” / “Feelings” was this particular group’s only 45, both sides written by Don Krantz.

“Wanna Be With You” was the top side. It starts off cooly as can be and builds, but the chorus comes as something of a letdown after the tension in the verses.

For me, it’s “Feelings” that has the magic. The bass floods the opening and I’m immediately hooked. The patented garage rhythm and Farfisa organ kick in and the background chorus repeats what, as far as I can make out, is the phrase “sure enough!” over and over through the verse.

There’s a great moment before the chorus as the bass (plugged directly into the board but still so well recorded and mastered) slides down the neck. You couldn’t ask for a better scream at the end of the chorus. The guitar break is nicely by the book – four bars of bluesy soloing and four bars of just one note picked in sixteenths until the emphatic return to the rhythm.

My feelings inside are [of?] this day and age
And society.
Those people walking around down there they say
“Alright now, who are you?
You walk around looking like a girl wearing boots up high and pigtails”.
What’d I say?
Who are you?
You tell me what I should do,
You got your feelings,
But mine are true – whaah!
My feelings inside are this day and age
And society
Those people walking around down there they say
“Alright now, who are you?”
They tell you how to dress, how to wear your hair,
Not giving you the chance to think for yourself.
What’d I say?
Who are you?
You tell me what I should do,
You got your feelings,
But mine are true – whaah!

The Showcase label was part of Pickwick International based out of Long Island City in Queens. This 45 was produced by Ronnie Eden and Joe Simmons, with publishing by Impeccable Music and Barmour Music. Joe Simmons had a long career dating back to the late ’50s as both singer, song writer and producer, with many releases in one of those roles on Josie, Diamond and other labels. He had one other co-production with Ronnie Eden: The Ground Floor People “Walking on Eggs” / “It’s All Right Now”, (on Parfait 101, from 1966).

Exactly where Yesterday’s Children came from and who was in the band was something of a mystery until recently. I’d read them listed as being from Valhalla in Westchester County, but the only basis for that was the fact that Don Krantz also was in a hard-rock group called Valhalla. In actual fact they came from Rockville Centre in Nassau County, Long Island.

I reached Don Howard Krantz who answered some of my questions about the band:

Q. Who else was in Yesterday’s Children besides yourself?
Bob Huling – vocals
Don Howard Krantz – guitar
Rich D’Benideto
Dave Natis – keyboard
Joe Delio – bass
Fred Davenport – drums
Q. So was Yesterday’s Children your band between the Vibratones and Valhalla? Did you have other bands before Valhalla?
I had many bands thru the years (I won’t list them because we didn’t last long). The Vibratones included Mike “Eppy” Epstein (my oldest friend) who went on to own Never When (store) and was the owner & manager of My Father’s Place, famous club in Roslyn, Long Island. Eppy & I grew up together, his book is coming out in the fall. Yesterdays Children lineup was brand new.
Q. Did the band last long?
Probably three years…with various band members.
Q. How did you get the Pickwick contract?
Ronnie Eden heard me play at a club & approached me, we talk’d & he offered me a recording contract / management and I (being the only song writer) went with it. Remember I was only 17 yrs old at the time. Started playing guitar at 9 yrs. I will never forget the drive into New York City in the back seat of Ronnie’s car…but that’s another story.
Q. Do you remember any specifics about the recording session?
After the 45 was released i told the bass player (best friend at the time) to leave the band. We were all changing musically & he couldn’t. The sessions were tuff as I recall, get’n the bass right, & if you listen real close to “Wanna Be With You” the bass hits a wrong note.
The president of Pickwick was in the sound booth with the whole family….wife & kids….& I thought that was killing the moment/feel. I think I ask’d to have the light turned down so have a live club feel.
I have three or four Yesterday’s Children tunes that were rough demos done by me & Bobby Huling. I may add some other parts, mix down & upload on YouTube …. but that’s way in the future.
Bob Huling & I (best friends) went on to start Euphoria with Mark Mangold later to become Valhalla. Mark went on to play with many bands & co-wrote with Michael Bolton for Cher. For a long time I was teaching guitar & producing some & doing the unplugged thing on acoustic guitar. The Don Howard Band – Poet’s Road came next & was mixed & mastered by Jack Douglas who won a grammy for John Lennon’s last album. The DHBand is now “Poets Road” and we work on a new album in 11/12.

I’ve seen photos of the Vibratones from 1963 and Valhalla from 1967 on, but none featuring Yesterday’s Children. If anyone has any please contact me at rchrisbishop@gmail.com.

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