Category Archives: New York

The Cordials “Tell Me Please”

Cordials Bundy 45 Tell Me Please

The Cordials recorded for the Bundy label of Freeport, New York. They may have been a local group, but Freeport is not far from Brooklyn, so the group could have been from anywhere in the New York metro area.

The Cordials cut a fine version of “Misery”, originally done by the the Dynamics on their 1963 single on Big Top. I prefer the flip, “Tell Me Please”, a moody original with great harmonies, written by Rick Stevens and published by M.C. Music Pub. BMI.

Cordials Bundy 45 MiseryAn article in Cash Box from August 7, 1965 gives an approximate date for the Cordials release and some background on Bundy:

“Bundy-Fonic Expands”

Mickey Carr, top man at The Bundy-Fonic Corp., is in the process of expanding the firm’s activities, and has appointed Bob Spina to veep and Clarence Finnell as A&R boss.

The diskery, with Dee Dee Records as a subsidiary line, will be offering two new releases, the first tagged “Misery” b/w “Tell Me Please” by the Cordials, and another by the Diablos, the titles on which will be announced at a later date. Both disks will be on Bundy Records. The address of the firm is 22 Pine St., Freeport, L.I.

Although Bundy had a 1962 release by Ray Artis, “Dear Liz” / “Wella-Wella” (Bundy BU-222), I haven’t found the Diablos single or anything else on Bundy. There were several record companies called Dee Dee, and I’m not sure if the one mentioned in the Cash Box article actually released anything.

The Cordials is a styrene 45, released on Bundy BU7711, Mickey Carr gets credit for arranging and producing both sides, and Bundy is listed as a subsidiary of Bundy Phonic Ent. Corp.

The Penetrators from Crown Point, NY

Penetrators Ferus 45 I'll Make You MineThe Penetrators came from Crown Point, NY, on the west shore of Lake Champlain above Ticonderoga.

Members included Dan Rabideau and Larry Rabideau, Kim Joiner and Joe Dugan on bass. John Hoffman seems to have been a later member of the group.

In March of 1968 they made their first record, the cool garage original “I’ll Make You Mine” by Dan Rabideau and Kim Joiner, backed with a good instrumental, “Splitter Splatter” by Dan Rabideau and Larry Rabideau.

The 45 came out on Ferus Records FR 4958. Ferus had an address of 64-12 60th Pl., Brooklyn 27, New York. Tommy Wilde produced the single, I’m not sure how the band came to find Ferus.

Danny and the Penetrators Ticonderoga Sentinel 1971
1971 Battle of the Bands
This is a styrene 45 with the Columbia custom pressing code ZTSP 124958/9. Both songs published by Ferus Music BMI.

As Danny and the Country Penetrators they put out a single that I haven’t heard, “She’s My Mother-In-Law” / “I’ll Be Waiting” on Delta Records in June of 1968.

The band was well known locally as as Danny and the Penetrators. They appeared on the Ted Mack Amateur Hour and continued with local bookings into the 1970s.

From a 1971 news item, it appears the Rabideau’s mother Doris managed the band.

Info on the band from a Port Henry forum. Thank you to Anthony M. for the original 45.

I’ll be selling records including some local singles (but not this one!) at the Albany Record Riot this Saturday, October 28, 2017. Click for more info.

Anyone have a photo of the group?

Penetrators Ferus 45 Splitter Splatter

The Dirty Elbows

Dirty Elbows Solid Gold 45 To Carry OnThe Dirty Elbows came out of the Highland and Poughkeepsie music scene. Around 1966 they cut one excellent single on the Solid Gold label, “To Carry On”.

Members were:

Gene Baker
Russ Aldrich – lead guitar
Jimmy Galuzzi
Al Friedman
Reggie Ward

Russ Aldrich wrote the A-side, “To Carry On” a song that shines from the opening riff to the harmony vocals and excellent guitar break.

The flip is a harmony ballad, “I Love You Girl” by G. Whitsell, Jr.

Released on Solid Gold Records SG-10 (UB-721/2), the labels credit J. Levine with arrangements, and engineering by J. Gasper. Both sides are “A Toi Production” and published by Happi Three Music, BMI

The Poughkeepsie Journal reported them opening for the Animals on April 16, 1966, along with a number of other local groups: the Sepians, the Mark IV. the Jule Ettes, the New Pyramids, the Royal Coach men, the Barons, the Sportsmen, the Benders and the Courages. They also played the Club 44 in Pleasant Valley with the Aborigines.

Russ Aldrich continued in music, including with Spyder in the early ’70s and thereafter mainly as a blues guitarist and was featured in another article in the Poughkeepsie Journal on June 30, 1989. Russell Aldrich passed away on March 24, 2015.

Solid Gold also had a 45 by Shorty Billups “Alone / Shake Off That Dream”.
Dirty Elbows Solid Gold 45 I Love You, Girl

The Cloudwalkers “Sunglasses”

Cloudwalkers Capco 45 SunglassesThe Cloudwalkers came from the Bensonhurst neighborhood of Brooklyn, New York. They cut one single, the harp-driven “Sunglasses” b/w
“Never Told Me So” on Capco 106 in mid-1965.

“Sunglasses” isn’t the same song as the Cramps’ “Sunglasses After Dark” but I’d like to think there was some influence there. The single made it to #49 in Record World’s “Singles Coming Up” chart.

Members included Chris Welch and Peter Polizzano, who wrote both songs on their single, plus Pete Frias.

“Never Told Me So” is a fine Buddy Holly influenced rocker.

George Napolitano of the Ox-Bow Incident told me that Pete Frias was the guitar instructor and mentor of many musicians in the neighborhood, and also was guitarist for Jimmy & the Jesters, a group that often played the Peppermint Lounge. George also thought the Cloudwalkers single was recorded at Rossi Sound Studios at 2005 West 8th Street and Avenue T in Brooklyn.

The labels note “A Billyjo Production”. The engineer for the session was Joe Venneri, who was a guitarist for the Tokens during their early days, then became an engineer at Incredible Sound Studio, Mira Studios and Mercury Records.

Chris Welch and Peter Polizzano registered both songs with the Library of Congress on July 2, 1965. Publishing came through Calboy Music, BMI, owned by Joe Calcagno who also owned the Capco Records label.

An ad in Billboard in November 9, 1965 lists Capco Hitsound Records at Southard Ave in Rockville Center, NY. The label was promoting Capco 108, Irv Goodman’s “Hava Nagilah” / “Sugar Blues au Go Go” produced by Jimmie Haskell.

Singles by the Crossfires, the Don Rays and others on a green Capco label, circa 1963, come from a Los Angeles company probably not associated with Joe Calcagno.

I’d appreciate any further info on the Cloudwalkers.

Cloudwalkers Capco 45 Never Told Me So

The Fownds of Hudson, NY

Fownds Reeb 45 Comin On StrongFownds Reeb 45 Rosalin

The Fownds came from Hudson, New York, a town I lived in for a year. They had two singles, first the thumping rocker “Comin On Strong” b/w the doo-wop influenced “Rosalin” in 1971, and then the moody “Remember” b/w a hot rod parody “Wheels” (with the band name changed to the Founds). Both singles have a sound like something from the early-mid ’60s despite the release dates.

Donald Moore wrote most of the songs and did some lead vocals. Sal Gambino wrote “Rosalin”, and Roy Jackson sang lead on the moody “Remember”.

Both singles are on the Reeb label (“beer” spelled backwards), but even though the numbering suggests other releases, I haven’t found any others on this label.

The Fownds – Comin On Strong
The Fownds – Rosalin

The Founds, vocal by Roy Jackson – Remember
The Fownds, vocal by Donald Moore – Wheels

Don Moore had a later band called Confusion, I believe he passed away in 2013.

Founds Reeb 45 Remember

Founds Reeb 45 Wheels

Arboreal “Our Souls Would See Us Through”

Arboreal 45 Our Souls Would See Us ThroughThis single by Arboreal was a mystery to me, the only names on the label are Glen, Greg Allen, and no label name or address. Even the deadwax only repeats the 45-ST-101 A/B on the labels. When I first wrote this post in late October, 2016, there was no info on the ‘net, nothing.

Obviously it’s not ’60s garage but sounds like mid-late 70s rock, without much punk influence. The opening of “Our Souls Would See Us Through” reminds me a little of Wire, but that’s as far as it goes. “16 Years Old” gives more attitude, but both songs have an original sound that can’t be pegged to any movement or sound from the time. The songs are in stereo.

Arboreal – Our Souls Would See Us Through

Arboreal – 16 Years Old

As it turns out, Arboreal were two brothers, Greg Allen and Glen Allen, originally from Nutley, New Jersey but living in New York City when they went into a studio as early as 1968 and cut the songs on this single.

My friend Jason of Rip It Up R.I. and The Basement Walls did some excellent sleuthing and contacted Steve Simels of the Power Pop blog who had been in the Floor Models with Glen Robert Allen in the 1980s.. Glen wrote a long history of the band.

The entire post is worth a read, but the relevant paragraphs are:

Greg and I had a clunky but good sounding Telefunken tape recorder and, later, a Sony that had sound-on-sound,as it was called back then. We could overdub ourselves. Many Dada-esque tunes were recorded, and some attempts at “real” music as well.

But in ’68 I took up guitar, and we wrote and recorded more in earnest. By then our family had been in NYC for about a year. Greg and I decided to record in an actual studio.

An older classmate of mine, Jon Fausty, was working in a studio that specialized in Latin music. The first day in the studio the equipment went south, wouldn’t work. I was actually relieved, for although Greg and I had performed in public and had recorded at home, this was A STUDIO! Where RECORDS WERE MADE!

The next day the gear was in working order, and I had shaken off the nerves. After all, I did have long wavy hair, a cool turquoise ring, a Superman-logo’d tee shirt, tie-dyed jeans, and, most of all, my ’68 Gold-Top Les Paul Standard on which I had mastered the three essential chords.

I also loved the name we’d devised: Arboreal. We always had a thing for chimps, and we both probably would’ve proposed to Jane Goodall.

Greg was a metronomic drummer, a better time-keeper than me (‘though I keep good time!). But who knew at the time that left handed drummers set up their drums differently than righties? Not us — we’d only seen righties ever play.

Nontheless, with Greg keeping time and me on guitar, bass and vocals(!), we cut “Our Souls Would See Us Through,” which Greg wrote the lyric for, and “Sixteen Years Old,” which I wrote.

The chorus on “Sixteen…” was originally “Things are pretty shitty when you’re sixteen years old..” But for the sake of mass appeal and radio play, I cleverly changed “shitty” to “sickening”. A move of rare genius, though I missed the sheer beauty of the “pretty/shitty” rhyme scheme.

Greg, in true mystical metaphoric mode, came up with “we gazed into each other’s eyestreams, until we met each other’s dreams.” And to think — “eyestreams” was hardly ever used back then!

We printed 100 45’s, sent them out to several record companies, and waited for the offers to roll in. Some of the rejection letters came on very nice stationery. Some with encouraging comments and actual signatures!

As I recall, Pickwick, a budget label, made an offer, but we held out for the big fish. That fish is still swimming merrily out there somewhere….

I’d like to hear some of the Allen brothers other early tapes, they obviously had a very original approach to rock music.

Arboreal 45 16 Years Old

The Innkeepers on Galiko

Innkeepers Galiko 45 Never Should Have Done ItThe Innkeepers had one excellent single in late 1966, “Never Should Have Done It” b/w “Wanted” on Galiko 895. The band came from Queens, New York somewhere near Bayside. One member may have been Leon Salem, who wrote both of these songs. That’s all I can tell you about the group.

“Never Should Have Done It” jumps into a tense mood, with a neat sliding guitar riff throughout the song and the line “life’s not worth living now, ever since the day, oh-o-o, you left me.” The drummer keeps a strong pace, and the bassist pushes the mood as each line of the lyrics crescends and crashes. The organ player compliments the repeating guitar and takes an extended solo after a brief guitar break.

The band comes up with a tight arrangement and good harmonies to back the lead vocalist on “Wanted”.

Salem copyrighted “Wanted” with the Library of Congress in August 1966, following it up with “Never Should Have Done It” in October, both with publishing by Leona Music Pub. Co., but on the Galiko single both list Aurora Music Pub. BMI.

The Library of Congress index shows Leon Salem copyrighting six additional titles before the end of 1966, “What Do You Find?”, “All the Time”, “Venetian Gondola”, “Reasons”, “The Truth”, “Come Back, My Baby”, though only the first of these also had the Leona Music Pub. Co. credit.

With such an accomplished group of musicians, I hope there are some unreleased Innkeepers recordings out there, yet to be heard.

Galiko had a number of other releases, most notably the U.S. Stamps, who had two singles on the label in 1967, “Come On” / “Go and Dry Your Tears” and “Pull the Wool” / “We’ll Find a Way” (by Ed Landis). I don’t know anything about that band either.

This Innkeepers should not be confused with the band from Lewiston, Maine, whose demo “Traella (Hey Babe)” surfaced years back.

Innkeepers Galiko 45 Wanted

The Chimes of Freedom “Jungle Rock”

Chimes of Freedom USS 45 Jungle RockThe Chimes of Freedom came from Scotia, New York, near Schenectady and Albany. “Jungle Rock” is known from Girls in the Garage, but the Dead Wax blog shows this was not an all-girl group: Mari Salato vocals, Chip Vedder vocals, Bill Pytlovany lead guitar, Paul Hamilton rhythm guitar, Jeff Austin bass guitar, and Darrell Francis drums.

Hamilton, Francis and Pytlovany wrote “Jungle Rock”, while the original A-side was “Did You Ever”, a ballad by Francis and Pytlovany.

This is a hard single to date, I don’t see anything in the dead wax other than stamped 102A/B, and the label code USS 102 is also obscure. The Robert Barry Music credit helps connect this to the Vibra-Sound Recording Studio in Schenectady.

Chimes of Freedom USS 45 Did You Ever