Category Archives: Michigan

The Only Ones

The Only Ones have one good harmony pop 45 on the Panik label, “You’re the Reason” and “Find a Way”. Larry Calder wrote both songs, registered with the Library of Congress in September, 1966 along with another original “The Only One” that seems to have been unreleased.

The band was from East Detroit, Michigan (now known as Eastpointe). I didn’t know anything about the group until family and friends posted comments below.

Members included:

Larry Calder – guitar and lead vocals
Jim Bohr
Gary Daniels
Mitch Aiken – drums

Anyone have a photo of the group?

The Renegades (IV, V) “She’s Your Find”

The Renegades: Dave Heth, Craig Menees, Scott Vanderleest, Fitz Green and Rick Idema
The Renegades, from left: Dave Heth, Craig Menees, Scott Vanderleest, Fitz Green and Rick Idema

Renegades V Dubonay 45 Wine, Wine, WineThe Renegades of Grand Rapids, MI, had roots in a music scene that predates the British Invasion. As the Renegades IV and Renegades V, they released two 45s, instrumentals “Greensleeves” / “Autumn Night” on Fenton 945 and “Wine, Wine, Wine” / “Love and Fury” on Dubonay 982 (a Fenton offshoot) that are steeped in 50’s rock ‘n’ roll, as their frantic version of “Wine, Wine, Wine” attests.

Dropping the roman numerals, they cut their finest and most original record, “She’s Your Find” / “Raving Blue” in 1966 for the Cambridge label. Here the band is at their peak, playing with intense restraint behind Scott Vanderleest’s impassioned vocals on two well-crafted songs by the band.

“She’s Your Find” is a collaboration by Scott Vanderleest and guitarist Fitz Green, and features a fine guitar solo, booming and precise drum work and prominent tambourine. The other members of the band were Craig Menees on five string bass, Brian Bracken on the Conn organ (prior to the Cambridge 45, as Craig points out below), Dave Heth on organ, and Rick Idema on drums.

Fitz Green wrote the other side, the beautiful lament “Raving Blue”. My copy of the 45 is scratched as can be, but I had to include this song despite the less than perfect sound quality.

All three of their 45s charted locally on either WERX or WLAV. Unfortunately the band broke up soon after releasing “She’s Your Find”, ending their promising career.

Recently bassist Craig Menees filled out the history of the group:

The group began instrumental-only and I was not the original bass player. My predecessor was named Bruce Baldwin, the bassist on “Greensleeves” / “Autumn Night”. When he left East High for private school I came on board which would have been Rick, Fitz and my junior year in high school – 1964. We were classmates and knew each other well. Brian was a year older and his mother sort of managed the group. East High was the connection.

We knew early on (Kingtones?) that a vocalist was important in order to appeal to a larger audience. A few groups (Dave and the Shadows) had a female singer, but traveling at our age and the parental concern nixed that idea. One guy (Dwayne King?) from up North was very talented, but wanted to play lead guitar and sing which would have diminished Fitz’ role and Fitz was much too talented to just play rhythm guitar.

Somehow I think Scott heard we were looking for someone (I’ll have to confirm this with him) and he came over to try out and we knew very quickly that he was a good choice and why not? – tall, Elvis look alike who sounded like him too. Maybe a bit more like Ral Donner out of Chicago.

Our drummer, nicknamed HI3 (Henry Idema III), was often courted to join other bands, including, if I recall, the Kingsmen when they were playing the Michigan State Fair one summer.

“Greensleeves” / “Autumn Night” and “Wine Wine Wine” / “Love and Fury” were recorded at the Our Theater [in the basement, the first location of Dave Kalmbach’s Great Lakes Recording Studio]. I believe that to be the case because I do not recall traveling to Sparta.

Renegades Cambridge 45 She's Your FindLike many groups eventually personality issues flared up and Brian was replaced by Dave who had attended Albion, but was living in GR and going to Calvin at the time. Dave had a younger brother, Jeff, who was a classmate of ours so we knew the family and I knew Dave through athletics. We underestimated his musical abilities until he auditioned. Once we began practicing in earnest and playing regularly things worked out very well.

The keyboardist on “Raving Blue”/”She’s Your Find” was actually Dave Heth. Dave and guitarist Fitz Green sang the harmony on “She’s Your Find” behind Scott’s great voice. “Raving Blue / “She’s Your Find” were recorded in Phil Robert’s family home basement studio in East Grand Rapids before he opened Midwestern Sound [on] Leonard St. I was never in the facility, but Fitz probably was at various times. Like so many others we were big Kingtones fans, knew Phil and his brother Dave, and in some ways tried to emulate them.

“Raving Blue / “She’s Your Find” were recorded in Phil Robert’s family home basement studio in East Grand Rapids before he opened Midwestern Sound. I suspect the neighbors complaining about a business in their residential midst (lots of cars) and Phil’s increasing client list lead to his move to Leonard St. I was never in the facility, but Fitz probably was at various times.

Rick’s pearl gray Ludwig drums and Fitz’ white Fender Jaguar (he also had a beautiful Gibson 12 string heard on Raving Blue) came from Manny’s Music House in New York City. Scott’s sound system consisted of a Bogen amp, Shure microphone and JBL speakers with no enhancement which was a tribute to his voice. Fitz used a Fender amp with reverb and I played a rare white Fender 6 string bass through a Dynaco amp with a 15″ JBL speaker.

Our senior year in high school the band played every week including three consecutive weekends at the old Ponytail Club in Petoskey/Harbor Springs. Frank Russo, who was a close friend of Scott’s from South High, was the informal manager and we used to meet at his family’s pizzeria on S. Division and critique our performance when we returned to Grand Rapids, typically well after midnight.

Probably the best the group ever sounded was the summer of 1966 when we played two separate two week gigs at the Shamrock Lounge. Problem was we were underage except for Dave so our contemporaries could not get in to see us.

Four songs I recall would at times cause the audience to stop dancing and watch – Fitz’ playing “Misirlou” and “Johnny B. Goode”(his right hand was a blur), Rick playing “Let There Be Drums” (long, powerful solo) and Scott’s soulful rendition of “Old Man River” (not often heard in rock circles). Scott was both charismatic and humble which doesn’t always happen with a lead singer. Turns out he and I were in Vietnam within a year of each other although we didn’t know it until recently.

The band broke up primarily because of geography (Fitz – Kalamazoo; Rick Idema – Ann Arbor; Scott – GR; myself – E. Lansing) and Dave Heth’s untimely death in an automobile accident. I recently spoke with Scott and we hope to rendezvous in the near future…

Craig Menees
June 2009

Thank you to Bill Vander Ploeg for the photo of the group at top!

I’m sorry to report Scott Vanderleest passed away on January 13, 2021.

Update: Fitz Green has continued in music, playing with the Moonrays, among other groups.

The Penetraters

The Penetraters were from Traverse City, Michigan, about a two hour drive north of Grand Rapids, where they cut this 45 at the Great Lakes Recording Studio. This is one of the earliest garage releases on the Fenton label, which catered to bands looking to finance their own records.

“What Went Wrong” was comped on the Fenton box, Scream Loud, but the ballad flip “Cross the River of Love” was left off. I like its mellow Ricky Nelson “Lonesome Town” kind of style. Both songs were written by William Soapman.

Supposedly the Penetraters members also worked as a polka band called the Jaguars.

The Jaguars

Formed in ’64, the Jaguars were from Michigan (perhaps the small town of Bloomingdale in the southwest corner of the state) but traveled all the way down to the tiny resort town of Santa Claus, Indiana to record their one 45.

Otherwise I don’t know anything about the group, or who was in it.

The band pounds away on “It’s Gonna Be Alright”, written by Hosner and Leathers. The flip, “I Never Dream of You”, shows none of the same energy.

The Skoop label had several good garage bands on it, including the Nomads’ “Coolsville” (Skoop 1065) and the Weejuns’ “Way Down” (Skoop 1068). The related Showboat label also promoted garage records like the Wild Ones’ “I’m Not For You” and the Misfits’ “I’ll Feel Better”.

The Trademarks “If I Was Gone” on Palmer

I knew little about the Trademarks until drummer Jerry Warren’s son Zack commented below.

Members were:

Alan Nathanson – lead guitar and vocals
Neil Faigenbaum – bass guitar and vocals
Dave Levitt – organ, replaced by Eric
Jerry Warren – drums

According to Teen Beat Mayhem, the band was from Oak Park, Michigan.

“If I Was Gone” is superb performance, featuring a catchy guitar riff, good harmonies, fine drum and bass playing and a sharp solo. It was written by Alan Nathanson and Neil Feigenbaum, arranged and produced by Ed Nelson, and released on the great Palmer label out of Detroit in 1967.

The flip, “I Need You (By My Side)”, light pop with strings and horns, is labeled the “Action Side”, which couldn’t be further from the truth. If Palmer promoted “If I Was Gone”, the Trademarks would have had a better chance of a hit.

Producer Ed Kaplan’s name shows up on a number of Detroit rock and soul records, including the Chomps “Lookout World” on Kool Kat.

Other bands on Palmer include the Grifs, the Canadian Rogues, and the Moriticians.

The band played on Robin Seymour’s Swinging Time show, so there’s an outside chance video footage still exists. The Trademarks broke up in 1968, and Zack says his father Jerry passed away in 2012.

Anyone have a photo of the group?

? and the Mysterians

Saturday, Feb 24, 2007, there’s a benefit in Brooklyn for Rudy Martinez aka “Question Mark” the singer and songwriter of 96 Tears. His house burned down on January 9, and he lost all of his memorabilia, including the actual Farfisa on which Mysterians’ organist Frank Rodriguez played the famous 96 Tears riff. There’s a moving video of Question Mark walking through the wreckage at http://96tears.net/ and if you want to donate something to Rudy, you can do it there.

Come out to the Laila Lounge, 113 N. 7th St. (near the L train at Bedford) in Williamsburg, Brooklyn. There will be bands from 8 pm until 11, then djs including Phast Phreddie, Mike Lynch and myself, and a raffle of rare 60’s movie posters. Only $5, and all proceeds will go to Question Mark.

Most people familiar with garage will know their famous songs “96 Tears”, “I Need Somebody”, “‘8’ Teen”, so I’m including just a few lesser-known tracks as samples of their sound.

The version of “96 Tears” here is an earlier, slower take. It’s good, but I don’t think this version would have gotten them to #1 on the charts. “Ten O’Clock” is one of the best songs from their first lp, and was never released on 45. The soulful “Ain’t It a Shame” is from a 1969 single on the Tangerine label (? has a thing for the color orange, supposedly signing with Cameo-Parkway and Tangerine because of the color of their labels!)

? and the Mysterians cut plenty of good garage songs, and I definitely can recommend either of their original lps or the ‘Best of’ compilaton for those who want to hear more.

Chris Carpenter

This is a bizarre pop-psychedelic gem of a 45 by Chris Carpenter of Detroit, Michigan.

“This World (Is Closing In on Me) (written by L. Drake) is full of paranoid lyrics. “Waterfalls” (songwriting credits by Parsons, Toma, and Carnes) features a harmonium, thunder sound effects, rattles and yet more obsessive lyrics. Both sides were produced by P. Carnes for Sidra Records, and arranged by L. Drake. Not sure if this is the same Chris Carpenter now involved in sound mixing for Hollywood.

This was originally released on Ocean-Side, a subsidiary of the Sidra label of Detroit in October 1966, then on Sidra itself a month later, and then picked up for national release by United Artists in February 1968, over a year after the original release.

Someone named Jim wrote to me to say that this 45 exists without the sound effects, dampening the impact. Same label, but it’s less common than the 45s with these tricked-out versions.

To make matters more confusing, both sides were remixed with heavy fuzz guitar overdubs and released under the artist name ‘Preston’ on yellow vinyl on the Sound Patterns label in 1969.

Anyone have a photo of the man?

Terry Knight and the Pack

There was a lot more to Terry Knight’s life than one 45, but for garage punks “How Much More (Have I Got to Give)” is the one that counts.

Born on April 9, 1943, Knight became a popular dj on CKLW, beaming British Invasion records into Detroit and other northern cities from Windsor, Ontario, Canada during 1964. He supposedly became good friends with the Rolling Stones, acquiring a ‘Sixth Stone’ moniker as he hung out with them over the next year.

In fact, most of this association seems to be largely mythical. After either being fired from CKLW for ‘controversial views’ (or more likely just quitting) Knight hid out in Buffalo as a second rate folk singer. Returning to his hometown of Flint, Michigan, he assembled a backing band, releasing numerous 45s and two lps as Terry Knight and the Pack with occasional chart success.

His real fame came as the primary force behind Grand Funk Railroad, a band comprised of members of the Pack. Knight hyped the band into a major label contract and prime festival concert appearances that soon put them atop the hard rock heap of the early 70’s. After financial disputes led to a break as manager of Grand Funk, Terry descended into cocaine addiction. Weird stories would crop up from time to time, like his having entered the federal witness protection program. Lawsuits and legal troubles dogged his later years. He was stabbed to death by his daughter’s boyfriend on Nov. 1, 2004 while interceding in a fight between the couple.

Lucky 11 was started in Flint, Michigan in 1959 to release country records, and was not Knight’s own label, as has been written.

“How Much More (Have I Got to Give)” / “I’ve Been Told” is Terry Knight and the Pack’s second 45 (the first was as the Pack: “The Color of Our Love” / “The Tears Come Rollin'” on Wingate 007).

To my ears this single has his best garage song backed by his best ballad, though other people have their own favorites. There’s a complete discussion of Knight’s early years here.

Knight also did production work for the Rites of Spring who I discuss in depth this site.

Anyone have a photo of Terry Knight with the Pack, or by himself from this time period?

The Shy Guys “We Gotta Go”

Shy Guys Oak Park Photo

The Shy Guys from Oak Park, Michigan and their closest brush with fame was opening for a tour of the Dave Clark Five.

The Shy Guys consisted of Ron Nelson (previously known as Ron Lefko) – lead guitar and vocals, Stu “Hirshfield” Howard – rhythm guitar and vocals, Marty Lewis – bass and Mark Finn – drums. Both sides of this 45 are great garage pop with good harmonies. “We Gotta Go” certainly had the potential to break into the charts, but only had local success.

Scott Regen of WKNR had the Shy Guys adapt “We Gotta Go” into “The Burger Song” to promote his show. Hear it on the Motor City Radio Flashbacks site, along with a photo of the Shy Guys and a Scot Regen fan card.

The Panik label was started as JR by Joe Revaz out of Detroit, originally for soul artists. A couple other garage and pop bands like the Rainy Days and the Human Beings also have 45s on Panik.

These two tracks were also released on the local Palmer label, along with a second 45, “A Love So True”/”Where You Belong”. Their last release was a fine Ron Nelson original “Without You” on the Canusa label, with a cover of the Byrd’s “I’ll Feel a Whole Lot Better” on the flip.

These are not the Shy Guys from Florida responsible for the incredible psych 45 “Black Lightning Light”.

Thank you to Ron Domilici for the news photo at top.

The Four of Us

The Four of Us were from Birmingham, Michigan, just outside of Detroit.

They had two 45s on the Hideout label. The first from 1965 features “You’re Gonna be Mine”, which smoulders under a sharp fuzz riff. The flip was originally called “Batman”, then titled “Freefall” on a later pressing.

The 4 of Us’s second single, from May of ’66 was a good version of “I’ll Feel a Whole Lot Better” / “I Can’t Live Without Your Love”.

Minor footnote in rock history is the fact that a teenage Glenn Frey joined the band after these records.