Category Archives: Topeka

The Rockin’ Continentals and Casino Records

Rockin' Continentals Casino 45 The "309"The Rockin’ Continentals made two 45s for the Casino label in 1962 or 1963. The group came from Topeka, Kansas. I didn’t know much about the band until drummer Bob Stanley contacted me and filled out their history.

Members included Johnny Thompson on lead guitar and vocals, Melvin Ralston on rhythm guitar, Chuck Smith on bass, and Bob Stanley on drums.

Rockin' Continentals Casino 45 Cobra 289The Rockin’ Continentals’ first release was a great rockabilly song with fierce drumming and scorching guitar and piano breaks called “The ‘309’”, written by Johnny Thompson. The singer has a strong southern accent that doesn’t appear on their other songs. The original A-side was “2-3-4,” written by Melvin Ralston, which in comparison is simple riffing on blues changes.

Their next and last single was “Cobra 289” written by Ralph Sandmeyer in tribute to the Ford/Shelby AC Cobra sports car first manufactured in 1962. Bob says that “Ralph Sandmeyer was a songwriter and close friend of Johnny Thompson”.

“Count Dracula” is mainly instrumental with a spooky reverbed riff. Like “The ‘309’” it was written by Johnny Thompson.

Bob Stanley wrote to me:

I was the drummer for the Empalas band back in the early 60s. Melvin Ralston, the rhythm guitar player, wanted to know if I would drum for the Rockin’ Continentals. We began playing throughout Kansas for VanT car shows during the day and in the night we would play in their parks or auditoriums. From there we played the Municipal Auditorium in Topeka, Kansas City auditoriums and various other cities.

I am playing drums on both songs, “Cobra 289” and “Count Dracula”. My stepfather financed the record and was repaid with the sales. Bob Bobo was the piano player on the record. Bob Bobo was not a member of the band but did guest appearances on the records on piano and recorded the records in his studio. Johnny Thompson played lead guitar and is the vocalist on both songs, Chuck Smith was the bass player. Melvin Ralston is the rhythm guitar player and is the laughing voice on “Count Dracula”.

The girls screaming in the background were girlfriends of the band members. The girls later bleached the band member’s hair. Mine turned out platinum because I was blonde, but Johnny’s turned out orange red, which made him extremely unhappy. It was comical, but not to him.

Both releases are now rare and have been bootlegged, along with another Casino release, the Argons’ “Do the Dog”. For more info about the authentic pressings vs the reproductions, go to my page on reproduction 45s and search for Casino.

Bob Stanley left the group for Vietnam and was replaced by Bill Doyle. In later years, the Continentals had regular gigs on cruise ships.

The Good Time Trio photo, Kenny Stone, Johnny Thompson and Bob Stanley
The Good Time Trio: Kenny Stone, Johnny Thompson and Bob Stanley

Bob added:

Later on country became popular and Johnny started switching over and we became the Good Time Trio (Johnny Thompson, Kenny Stone on bass and me on drums). I also drummed for Dickie Lee (“Patches”) in Kansas City.

I did know the Jerms and their lead singer Bill Senogles who was a classmate of mine and later took on my guitar player, Russ Wilcox, from the Empalas when I went to the Rockin’ Continentals.

I still have the snare, sticks and drummer’s throne that I played when we recorded the records. At the end of “Cobra 289”, you will hear a drum run and fade out done with single stroke roll with rim shots.

Casino Records

The Casino Records label has an obscure history. It seems to have started in 1957 with a single by Jerry Dyke doing two songs written by Bob Bobo and Carl Lewis for Southern Belle, BMI, “Deep Within My Heart” and “My Empty Heart”. That release, Casino 1001/1002 had a gothic style font for Casino and an address on McGavock St. in Nashville, Tennessee.

Gerald Dyche (aka Jerry Dyke) in the Emporia Gazette, February, 1958
Gerald Dyche (aka Jerry Dyke) in the Emporia Gazette, February, 1958

An article in the Emporia Gazette from February 1958 discusses how Jerry Dyke was the stage name for Gerald Dyche, a student from Topeka who was singing songs written by Topekan disc jockey Bob Bobo for demos to be sent to Southern Belle publishing in Nashville, which led to the Casino single, presumably recorded in Nashville. Although the article makes something of the Casino Recording Corporation of Nashville, I suspect Bob Bobo and Carl Lewis were at least part owners of Casino, and produced the Jerry Dyke single on their own hoping for attention for their song writing.

Dyke does not seem to have worked with Bobo after this single, and that may be because Bobo had a better chance of success with other artists, such as Ronnie Pearson of Osage City. Pearson’s first single on the Herald Label in April of ’57 included Bob Bobo’s song “Hot Shot”.

Bobo would place other songs in the late ’50s, including “I Close My Eyes” (co-written with Lewis) for the Wilburn Brothers on Decca in August of ’57, “The Answer” and “Warm as Toast” (co-written by Lewis) for Russ Veers on the Trend label, and “Let Me Go to the Hop” (co-written by Russ Veers) by the Sweethearts on Power.

By the early 1960s, Bobo seems to have stopped pursuing a career as a song writer, but kept the Casino label active. I don’t know what Casino 1003/1004 is, but 1005/1006 is the Nubbins doing two standards, “The King’s Highway” / “Stormy Weather” with a different font for the logo and no address.

By the time the Rockin’ Continentals “The ‘309’” comes out around 1962, it’s numbered 1007/1008. This and all future release feature Kansan artists; there is no longer any Nashville connection that I know of.

The Rockin’ Continentals singles were followed by:

1011/1012 – The Argons “Spiked” (Bryson, Myers) / “Do The Dog” (Mikkelsen, Wilcox) 1964
1321/1322 – The Jerms – “That Word” (G. Senogles) / “Love Light” (Sept. 1965)
2305/2306 – The Thingies – “It’s a Long Way Down” (L. Miller, Dalton) / “Merry Go Round of Life” (August 1966)

One interesting oddity about the Casino discography is that the RCA code for the Jerry Dyke single, HO8W-0066/67 would be adapted for later releases, even though most later releases were not pressed at RCA but at Wakefield Manufacturing in Phoenix, AZ. Another code on the 45s, 2 AFM also increases with each release, though I’m not sure the meaning of that code.

Bobo also owned a restaurant called Bobo’s Drive In in Topeka from 1948 until sometime recently.

I want to thank the discussion of Casino on 45Cat, which gave me some leads to follow up and confirm.

Special thanks to Bob Stanley for contacting me with information on the Rockin’ Continentals.

Rockin' Continentals Casino 45 Count Dracula

The Noblemen (Kansas)

 The Noblemen, 1965 from left: Jim Anderson (partially visible) on bass, Frank Wright, Landis Dibble, Randy Rahberg
The Noblemen, 1965 from left: Jim Anderson (partially visible) on bass, Frank Wright, Landis Dibble, Randy Rahberg

Noblemen (KS) business card

I was in a band called The Noblemen in the 1965-67 time period. We had no recordings or anything, just played dances etc. Basically we weren’t very good, but we had a good time. We just did cover songs, nothing original.

Noblemen (KS) business card
Noblemen (KS) business card
Regular members were myself on guitar, Landis Dibble on drums, Frank Wright on guitar, and Clint Laing on electric piano. We started out with Jim Anderson on bass. Other bass players were Blair Honeyman and Michael Brunton.

We played in the Topeka area, and traveled as far as Alma.

The pictures I have are ones that Landis’ mother took when we played for the parents on their back patio.

Randy Rahberg

The Noblemen, from left: Randy Rahberg and Clint Laing
from left: Randy Rahberg and Clint Laing

The Burlington Express

The Burlington Express from Topeka, just west of Kansas City, released an excellent double-sider on the Cavern label from Missouri in 1967. Members of the band were Greg Gucker, Blair Honeyman (replaced by Bruce Lynn), Eric Larson and Mike West.

Greg Gucker wrote most of their material including “Memories”, though Mike West co-wrote “One Day Girl”. Michael Chapman, guitarist for the Bluethings produced their 45 on Cavern, and also played lead guitar on the unreleased song “If I Were Free”. The address on the label, 16400 E. Truman Rd, Independence is the location of Cavern Studios.

Besides the Cavern 45, at least eight demos have been discovered. A version of the Byrds’ “I’ll Feel a Whole Lot Better” is competent, but their take on the Yardbirds’ “Stroll On” is spectacular, and suggests they were an excellent live band.

Bruce Lynn wrote to me:

I played bass for the Burlington Express from 1966-1970 when we ended the band. I took Blair Honeyman’s place and sing lead on “Stroll On” and “I’ll Feel A Whole Lot Better”. I was in the band when we opened for The Who in 1968.

Four later demos, “Mr. Destiny”, “If I Were Free”, “Black Hearted Woman”, and “Listen Closely”, were recorded at Audio House studios in Lawrence in August 1968. These display psychedelic touches, but with the band’s fine pop sense and fuzztone intact. “If I Were Free” is an intense song that uses horns to good effect. Check them out at Audio House’s website.

A 7″ Audio House acetate contains a cover of the Blues Project’s “I Can’t Keep from Crying”, but I haven’t heard that yet.

Another group called the Burlington Express recorded a brooding song called “Comin’ Home” b/w the maudlin “A Girl” on the Roach label, but they’re supposed to be a different group altogether – songwriting credits list D. Gray, G. Niebur and J. Turner.