The Ravens came from Tampa, Florida. They two singles a couple years apart with different band lineups. The first single is on Charles Fuller’s Boss label, the original and gentle “Reaching for the Sun” b/w a slamming instrumental version of “Things We Said Today” on Boss BOS 003 in 1966.
According to Brian Egan on the Tampa Bay Garage Bands website (originally published in Fuzz, Acid & Flowers I believe), the first line-up of the Ravens consisted of Mark Maconi on lead vocals, Richard “Rick” Vincent Simpson on lead guitar and vocals, Richard “Thor” Simpson on rhythm guitar and vocals, Brian Egan on bass and vocals and Paul Purcell on drums and vocals.
By 1966 the two Rick Simpsons had left the band. Al Schweikert joined on lead guitar – at 21 he was four years old than the rest of the band and became their leader. John Hallenstein came in on organ and the band started playing bigger gigs. This was the lineup that Charles Fuller saw at the Spot in Tampa and brought in to cut a single. “Reaching for the Sun” had song writing credits to Albert Schweikert and Bob Orrick, an early manager and subbing bassist with the group. Brian Egan credits Richard Vincent Simpson as the original writer of “Reaching for the Sun”, however Schweikert at least would prove himself to be a fine song-writer in the near future.
Soon after the Boss single, the band dropped Brian Egan and replaced him with Ken Spivey. Chris Krawczyn replaced Hallenstein on keyboards, and later Beau Fisher replaced Spivey on bass. The band split up around 1968 and Schweikert reformed the group, bringing in Kent Pearson on bass. Mark Maconi and Paul Purcell were the only original members to last the full time with the band. Their second manager was major Tampa area promoter A.J. Perry
The lineup of Marconi, Purcell, Schweikert and Pearson recorded “Calamity Jane” / “Now She’s Gone” as the Raven on Rust 5123 in late 1968.
Albert Schweikert and Karl Lamp (Karl Leopold Lamp, Jr.) wrote “Calamity Jane” for Roznique Music, BMI. Schweikert and Lamp had scored a success (artistic anyway) in 1967 when they co-wrote “As Time’s Gone” for the Tropics, a classic of ’60s garage.
The Gernhard Productions credit on the Rust label refers to Phil Gernhard, who co-wrote “Snoopy vs. the Red Baron” and brought the Royal Guardsmen to Laurie Records (Rust Records’ parent label). Gernhard surpassed himself on “Calamity Jane”, blending bullet ricochets, morse code beeping, horns, fuzz guitar, electric sitar, flute and melodica sounds and cowbell into the backing track. The single attracted no chart action – perhaps Laurie Records was in the process of phasing out the Rust subsidiary so they didn’t promote this late single. In any case, “Calamity Jane” has become a catchy hit among club DJs in recent years.
Schweikert’s original “Now She’s Gone” has none of the flashiness of the A-side, but an inventive organ track and good harmonies back up an impassioned lead vocal. Copyright registrations from that era show another Schweikert song never recorded to my knowledge, “The Prism”.
Towards the end of the band, Albert Schweikert left. Tommy Angarano came in on organ and Charlie Bailey on guitar for the final lineup of the band.
If anyone has more input on their time with the Ravens I’d like to hear about it.
Here’s an obscure single on Tampa, Florida’s Boss label, the Souldiers with a great harmony song “Would You Kiss Me” b/w an underrated ballad, “Lemon Sun”. Release date was approximately January 1967 on Boss BOS 007 (BSKM-1119/20)
Lewis and Swilley wrote “Would You Kiss Me” for Fulprod Music Pub ASCAP, while Hillert wrote “Lemon Sun” published by Fuller Music Pub. BMI.
Despite the obscurity of the band, the other two names on the labels are famiilar, John Brummage and Charles Fuller.
John Brummage had a hand in the production of the Royal Guardsmen’s “Snoopy Vs. The Red Baron”. He produced the Split Ends “Rich with Nothin'”, the Noah’s Ark “Love In”, several for the Rovin’ Flames including “I Can’t” (which he wrote) on Boss, “Gloria” on Fuller and “How Many Times” on Decca, and many for the Boss label including the Berkley Five’s “You’re Gonna Cry” and the Ravens who I’ll feature soon.
Charles Fuller headed the CFP, Fuller, Tigertown and Boss labels, among others, with Brummage most often listed as producer.
There’s a possibility this Souldiers band is connected to another local group called the Soljers aka Blues Syndicate, with Bob Conn as either member or manager, but otherwise I can’t find any definite info on who was in the band or any photos of the group.
The Sugar Beats formed in Tampa, Florida and had the first release on the Knight label, which is much better known for 45s by the Outsiders, the Tropics and the Mods. The band members were:
Roland Kent LaVoie – guitar Bill Ellington – guitar Bill Denman – bass Rick Emmert – drums
Both sides are upbeat pop cover songs, which may be why it was not included in Teen Beat Mayhem. Produced by Phil Gernhard and recorded at H & H Studios, though I’ve also read this was recorded at Charles Fuller’s studio – some overlap there? It dates from approximately 1964, with SoN #s 22541/2 in the matrix.
Roland LaVoie went into Me & the Other Guys who had two 45s, “Skinny Minnie” / “Crazy” on Hit Cat and “Runaround Girl” / “Everybody Knew But Me” on Boss.
Frank Milone sent the photos and history of this North Miami band who unfortunately never recorded.
Frank Milone – lead guitar Butch Cappolino – drums Jim O’Connell – bass Bob Wolfkill – rhythm
The 4-Dimensions were started 1963 in Miami Shores, Florida by three friends, Frank Milone, Butch Cappolino, and Jim O’Connell. Frank had been playing the guitar for several years, Butch had taken drum lessons and Jim volunteered to play bass.
They went through several lead guitar players when they met an older musician Buck Campbell. He trained Frank to play lead, Butch to play drums and Jim some bass. Once he had the band going with a list of top ten songs Buck moved on. The band auditioned several rhythm guitar players and found Bob Wolfkill who matched the temperament of the other three and fit right in.
The band started playing at many of the local schools and community clubs. Their first real big break came when they got a gig with local disk jockey Charlie Murdock. The band played every Friday night at the Cutler Ridge Mall south of Miami and eventually became the house band. They began playing all over the town and especially on Miami Beach. During the summer of 1964 they played in a small club call the Coffee House in Coral Gables where they played rock and roll music six nights a week.
Near the end of 1964 they became one of the regular bands at the North Miami Armory on Sunday nights and at War Memorial Auditorium in Fort Lauderdale on Saturday nights. These were the top dance locations for teenagers on the weekends.
At the end of the summer of 1965 Bob left for college and the band disbanded. The band had a reunion in 1999 and jammed for the last time.
Frank is now currently playing in two separate bands.
Butch use to jam with Frank every once in a while and still had his original set of drums when he passed in 2008 at age 60.
Jim still has his original Gibson SG bass but does not play.
Bob sold his guitar to go to school when he left the band. All agreed it was the best time of their lives.
Last year Bobby Corley of the State of Mind sent me a copy of their cool single for the Tener label. I sent him a couple emails to thank him and ask for more information on the band, but haven’t heard back yet. Bobby has a blog Diary of a Drummer with many good photos, but he hasn’t updated it in a couple years.
The members of the State of Mind were Tom Devore (vocals), Glenn Coleman (lead guitar), Mike Darby (rhythm guitar), John Dumas (bass) and Bob Corley (drums). Their original drummer was Leo Gates, replaced by Corley in 1967 when Gates went to college. Gary Redwine also played bass with the group, though I’m not sure if he came before or after John Dumas.
The band was from Winter Park, by Orlando, often appearing on bills at the Orlando Youth Center and The Place, but other than that I don’t know much about them.
Their first release was probably this very fine version of “My Back Pages” on the Bee Jay Demo Volume II compilation from 1967 (Tener TC 1014). I hadn’t heard this until recently.
Their single came out in late ’67 or ’68. “City Life” is really unusual, with static noise layered over the music throughout the song, giving it an apocalyptic feel. It was written by Mike Darby, Tom Devor and Glenn Coleman. The flip “Time Will Tell” is also good, written by Devor and Darby.
Glenn Coleman and Tom Devore, and later Mark Darby, played with a later group called the Orange Wedge (not the Michigan group who recorded “From the Tomb to the Womb” or the Baltimore group with two LPs in the ’70s).
Thank you to Jeff Lemlich for the transfer of “My Back Pages”.
You can hardly find a better intro than the one to the Surprize’s “I Will Make History”, with an immortal fuzz riff that hooks the listener immediately. I find the lyrics don’t match the intensity of the music, and that hokey interlude just doesn’t make sense to me, cutting the momentum in the middle of the song.
The flip “Too Bad” is more consistent, if more conventional, and is the side I play the most these days. I’ve seen this listed as from the summer of ’67 but I would speculate it was cut a little later.
Members of the band included:
James Marvell (Carlos Zayas) – lead vocals Paul Paris – lead guitar Buddy Good – bass and vocals Roger Fuentes – drums
Roger Fuentes came from the Early Americans who have a great single on Paris Tower, “Night After Night” / “It’s So Cold Outside” where his drumming stands out. Carlos Zayas wrote “Too Bad” and co-wrote “I Will Make History” with Centinaro.
John Centinaro managed and produced the band on his own Cent Record label out of Tampa, Florida. Centinaro he also managed the Robbs and the Mysterians for a time.
Prior to the Surprize, Good and Marvell collaborated with Centinaro as the Skopes with “She’s Got Bad Breath” / “Tears In Your Eyes” on the USA label in the summer of ’67.
In 1968 Good and Marvell released one single with lead guitarist Eddie Wasenberg as ‘Together’, with “I Loved You” (credited to Centinaro, Wonderbuna and Zayas) / “Don’t Laugh at Me” on Cent Records, recorded at Charles Fuller Studios in Tampa. Both sides are poppy productions, and “Don’t Laugh at Me” seems to feature some zippy speeded-up guitar runs.
Marvell, Fuentes and Good went on to join Mercy (“Love Can Make You Happy” on Warner Bros), another band managed by Centinaro. After Mercy, Marvell and Good formed the gospel country music duo the Country Cavaleers, again with Centinaro managing, then went solo in 1976.
James Marvell wrote to me:
The Surprize was originally a 1966 three piece Tampa, Florida band.
Before their days as The Surprize, James Marvell and Buddy Good were singing and writing songs together. It was during those teen years that James and Buddy formed The Scopes. They released a song co-written by their manager John Centinaro titled “She’s Got Bad Breath.” Scope mouthwash banned the song and the duo changed their group name to The Surprize.
Around 1968 Surprize members James Marvell, Buddy Good with their drummer Roger Fuentes joined Mercy and recorded the million seller “Love Can Make You Happy” written by Mercy founder Jack Sigler Jr.
James & Buddy wrote many songs during their teenage years in Florida and even had songs published by The Isley Brothers’ publishing company in New York. James hopes to dig up those recordings from the middle to late 60s.
After Mercy, Marvell & Good went on to form The Country Cavaleers. Today, James Marvell is still traveling and reliving the the music of the 60s. Joining Marvell is his wife Faye.
The Mixed Emotions give us two beautiful downers on their only release. The songs are similar in style but each is a gem of moody garage, especially “I Lied” which is all regret and a plea for forgiveness.
“I Lied” was written by Mike Schneider and “Marie” by Mackey / Schneider. I don’t know anything else about the group, however.
Bob Quimby ran the National Songwriters Guild in Deland, Florida, pairing lyricists and arrangers and for a fee setting people’s lyrics to music and making a record for them. Tropical was one of his labels for the various song-poems he recorded (the earlier Carellen label being the other).
Local bands such as the 2/3rds used Quimby’s studio in Ormond Beach and sometimes would pay him for a vanity release, which is what the Mixed Emotions single seems to be, recorded January 19, 1967. The Mixed Emotions was released on Tropical, the 2/3rds on April, while the Offbeets had an acetate on April (“Double Trouble” / “I Wanna Do It”, as by the Nonchalants) and Tropical (“Double Trouble” / “She Lied” as by the oFfBeEtS). All of these releases share publishing – Alison Music.
Bob Quimby died in 1994, but some of his many studio tapes were released on a series of CDs called Drive-In a GoGo where you can hear these songs in better fidelity than my worn 45.
The Rovin’ Flames were a major group out of Tampa, Florida. They went through many lineup changes, and it’s only thanks to Dorothy Chapman, the former Secretary and later Vice President of the Rovin’ Flames Fan Club that I can give a detailed listing of lineup changes.
Original lineup, 1965 – spring or summer of 1966:
Paul Battle – rhythm guitar, vocals Jimmy “Mouse” Morris – lead guitar J. R. Maietta – bass Jerry Goff – drums
I don’t know how the band started, but at least some of the Rovin’ Flames were students at Chamberlain High. The Rovin’ Flames first record was “Gloria” / “J.J.J.P.” cut in September 1965 on the Fuller label owned by Charles Fuller who also ran the Boss and CFP (Charles Fuller Productions) labels. This 45 was produced by John Brumage, whose name crops up repeatedly on Rovin’ Flames records, usually as producer.
The group uses the guitar line to “Shakin’ All Over” to open “Gloria”. The singer’s voice on “all I have to do is call her on the phone, and … she’ll be … huggin’ me and kissin’ me” doesn’t make him sound like much of a lady killer – this Gloria might be too much to handle! Mop Top Mike pointed out that this was one of the earliest covers of the Them song, released about six months before the Shadows of Knight had a major national hit with their version.
“J.J.J.P.” is the band’s original, an instrumental take on the Louie Louie bass line and changes. Paul Battle handled the vocals for “Gloria”.
Spring or summer, 1966:
Hardy Dial – lead vocals Paul Battle – rhythm guitar, vocals Jim Morris – lead guitar J. R. Maietta – bass Jerry Goff – drums
Hardy Dial came from the Outsiders, another Tampa group that cut two great 45s for the Knight label, including “She’s Coming On Stronger”. Dial left the Outsiders before their second 45, a ripping take on “Summertime Blues” sung by John Delise. Interestingly, Delise would be behind the microphone with the Rovin’ Flames as well, but not until their last 45 in 1967.
The Rovin’ Flames second record was the demented “I Can’t”, written by producer John Brumage and released on the Boss label in February or March of ’66. The short verse is followed by six bars where Dial (or is it Paul Battle?) simply chants “I Can’t” or sometimes just wails. After a short guitar solo it’s right back to more of the chant, a repetition of the verse and then a fadeout to those maniacal words.
For the flip they do the entirely more sedate “I’m Afraid to Go Home”, a cover of a Brian Hyland song. Despite the catchy rhythm of the guitar and bass this song drags, with rhymes of “what I’ll see” and “Tennessee”.
Next they provided the rhythm tracks for Brooke Chamberlain, a DJ who fancied himself a songwriter and singer. “Now That Summer Is Here” is nearly a parody of beach pop music, with lyrics like “‘watermelon so good” and a chant of “summertime, summertime” in the middle of the tune. Brooke tries holding the last word of each line, but he’s no Beach Boy. Interestingly there’s phasing on the backing tracks, I wonder if that was intentional or caused by some mishandling the tape.
Brooke’s taking himself even less seriously on the flip, “It’s Nothing New”. The awkward artist credits on the labels are another clue to the tongue-in-cheek nature of this 45, with “Now That Summer Is Here” billed to “The Forvus featuring Brooke Chamberlain with the Rovin’ Flames'”, while “It’s Nothing New”, is credited to “Brooke Chamberlain with the Forvus and the Rovin’ Flames and Harvey Swadnungle”. Chamberlain’s alias in BMI’s database is Frank Edmondson Jr.
Jeff Lemlich wrote to me “I think Tampa Bay was Brooke Chamberlain’s label. He was a disc jockey on WALT Radio in Tampa, and as such had a lot of influence. So when he wanted to cut a record, bands like the Rovin’ Flames and Four Letter Words obliged.”
The Rovin’ Flames work with Chamberlain had some benefit to the band, as he contributed lyrics for a good ballad, “Seven Million People” for their next 45, released in June of ’66. The group runs the lyrics over an adaption of the Byrds “I’ll Feel a Whole Lot Better”. There’s more action on the other side, a good cover of “Bo Diddley”.
Like the Forvus single and the Outsiders 45s on Knight, this was recorded at H&H Productions in Tampa. The producer for this one is Phil Kempin, the only record they cut not produced by John Brumage.
*Jim Davis – lead vocals Jimmy Morris – lead guitar *John Rogers – organ J. R. Maietta – bass *Dave Tabak – drums
Paul Battle and Jerry Goff left the band for another project and about this time Hardy Dial left the group as well. By September of ’66 the band had added Jim Davis on lead vocals, Davy Tabak on drums, and for the first time they had an organ player, John Rogers, who came from Mississippi. This group would stay together for a few months but not record.
*Paul Battle – lead vocals Jimmy Morris – lead guitar John Rogers – organ J. R. Maietta – bass Dave Tabak – drums
Jim Davis left the group in December of ’66 and Paul Battle returned for a very short time as lead vocalist. This lineup also would not record.
*John Delise – lead vocals Jimmy Morris – lead guitar John Rogers – organ J. R. Maietta – bass Dave Tabak – drums
John Delise – lead vocals Jim Morris – lead guitar John Rogers – organ J. R. Maietta – bass *Eddie Taylor – drums
The next big change for the group was adding John Delise on lead vocals, the same singer who previously had replaced Hardy Dial in the Outsiders. Delise had a good run with the Outsiders. With their name changed to the Soul Trippers, a 45 of “I’m a King Bee” on the Laurie subsidiary label Providence was a minor sensation in the summer of ’66.
In fact, the Outsiders/Soul Trippers and Rovin’ Flames stories seem intertwined in ways that aren’t fully clear to me yet. With Delise moving on to the Rovin’ Flames, The Soul Trippers became Noah’s Ark, cutting two 45s for Decca, including a cleaned-up version of the Fugs “Group Grope” retitled “Love In” that the band credited to themselves. Ed Sanders could have sued over that one! One of the writers credited on “Love In” is Helen Uncapher who would co-wrote both sides of the Rovin’ Flames next release, “How Many Times” / “Love Song #6” with John Delise. As producer of these discs, John Brumage at H&H seems to have been responsible for placing both Noah’s Ark and the Rovin Flames with Decca in 1967.
“How Many Times” is one of the most memorable of all 60’s band 45s, with a swinging organ sound and Delise delivering the wild opening lyrics:
How many times can you put a gun up to your head, thinking about the pleasures of being dead
along with a lighter verse:
How many times have you pulled into a hamburger stand, waving your money in your hand, yelling and screaming like a hungry man, but the lazy waitress takes all of the day, but you don’t care she’s ugly anyway!
It was released a little late for its style, in September of 1967. The freewheeling flipside “Love Song #6” was also included on the 1968 Tener various-artists LP release Bee Jay Video Soundtrack.
John Delise went on to join Those Five, probably after their cool 45 “Sidewalks” was released on Paris Tower.
In July of ’67, Eddie Taylor replaced Dave Tabak on drums, though I believe Dave is playing on the Decca 45.
*Bob Thompson – lead vocals Jim Morris – lead guitar John Rogers – organ J. R. Maietta – bass Eddie Taylor – drums
*Ronnie Goedert – lead vocals Jim Morris – lead guitar *Jay Colding – organ J. R. Maietta – bass *Jerry Nickerson – drums
*Hobie O’Brien – lead vocals Jimmy Morris – lead guitar Jay Colding – organ J. R. Maietta – bass Jerry Nickerson – drums
John Delise lasted longer than most of the Rovin’ Flames lead singers, but still was with the group less than a year. Bob Thompson took over in November of ’67. Around this time the Flames started appearing with ‘Rovin’ Things’ emblazoned on Eddie Taylor’s drumhead, though I’m not sure if they really changed their name in their bookings.
Johnny Rogers died in March 1968 and Bob Thompson and Eddie Taylor left the band. Jim Morris and J.R. Maietta must have barely been able to hold the group together, but by July they had recruited three replacement musicians – Jay Colding on organ and Jerry Nickerson on drums, plus Ronnie Goedert on lead vocals. Ronnie didn’t stay long and was replaced by Hobie O’Brien in the fall of ’68. The band broke up for good in early 1969.
J.R. Maietta stopped performing and owned a record store for some years. He passed away in 1996. John Delise died on October 3, 2004, and the band’s last keyboard player Jay Colding passed away just this November 26, 2009. Ronnie Goedert later joined White Witch, and passed away in 2000.
Much helpful information in writing this piece was found at The Limestone Lounge. Special thanks to Jeff Lemlich for providing additional info as well as scans of the Fuller, Boss and Forvus 45s, and transfers of “Gloria”, “J.J.J.P”. “Now That Summer’s Here” and “It’s Nothing New”.More information on John Delise is on the Tampa Bay Garage Bands site, where I also found the photo of the band from the autumn of ’67.
Very special thanks must go to Dorothy Chapman. Her scrapbook of photos and fan club letters provides the timeline and documentation for this article. Without her help I could not have given an accurate account of the band’s history.
Here are Dorothy’s comments on the Rovin’ Flames:
My sister and I met the Rovin’ Flames during the summer of 1966, just before I started 10th grade at Chamberlain High School, through friends who were next-door neighbors to Hardy Dial’s family in our subdivision – he had just joined the band. J.R. Maietta lived with his parents, also in our subdivision, and they practiced there in the screened porch. Shortly thereafter Paul and Jerry left the band, taking the current “official Fan Club officers” with them, and my sister and I took over as “President” and “Secretary” respectively from about August 1966 until the band broke up in early 1969.
Every day after school we would either walk or ride our horses to J.R.’s parents’ house to listen to the band practice. While our school friends were going to football and basketball games, we spent our Friday and Saturday nights (and weeknights in the summers) traveling with J.R.’s parents (who were their managers) to their “gigs” all over Tampa, Clearwater and Sarasota. We even got to go to the Tiger’s Den in Cocoa Beach a couple times to cheer the band on and dance the night away! I kept a scrapbook containing photos, mementos, and some of the monthly newsletters that I laboriously typed on an old manual Underwood typewriter and mailed to our loyal Fan Club members, keeping them up-do-date on the band’s comings and goings. In addition to the newsletters, the members received a membership card and a copy of their latest record, all for $1.00 a year. We even had t-shirts with “Happiness is the Rovin’ Flames” printed on them.They performed some of their recorded songs live – Gloria and Bo Diddley were always favorites. They did play How Many Times regularly, but if I recall correctly they all hated Love Song #6 (which they called Love Song #69). It wasn’t theirs, but I remember that Mustang Sally was always the “dance contest” song. Among others, they performed with the Dave Clark 5, the Grass Roots, the Robbs and Mitch Ryder & the Detroit Wheels here in Tampa, and with ? and the Mysterians in Gainesville.
It’s hard to explain to people what it was like to run around with a local rock band in the late 60’s – they were truly local celebrities. There were so many places for kids to go for dancing, where they just sold cokes and pretzels and it was such fun to be a part of the scene! In the Tampa area we regularly went to the FCA Hall, Temple Terrace Rec Center, Sacred Heart Academy Auditorium, The Inn Crowd, Gandy Ballroom, Strawberry Patch, and the Hullabaloo Clubs in Clearwater and Sarasota, to name a few. The memories make me smile (well, most of them anyway).
When Johnny Rogers died it was a real shock – he was such a sweet guy, but obviously had problems we didn’t know about. Things were never quite the same after Johnny died although the band stayed together for about a year. They finally phased out in January or February 1969. Sadly, I’ve heard that a number of the guys have passed away.
Documented gigs and timeline:
August 1965 – first 45 “Gloria” / “J.J.J.P.” released (Fuller CFP2627).
Feb. or March – second 45 “I Can’t” / “I’m Afraid to Go Home” released (Boss BOS-002) ? – Rovin Flames back the Forvus featuring Brooke Chamberlain on “Now That Summer Is Here” / “It’s Nothing New” (Tampa Bay BC-1110) June – third 45 “Seven Million People” / “Bo Diddley” released (Tampa Bay BC-1111). July – Hardy Dial joins on vocals July 10 – Curtis Hixon Hall, Tampa, with the Dave Clark Five and the Tropics, set list: “It’s All Right”, “Hey Little Girl”, “Younger Girl”, “Wild Thing”. July ? – Lakeland Shower of Stars July ? – Tiger Den, Cocoa, FL August 13 – Billboard predicts “Bo Diddley” likely to crack top 100 (it didn’t) Aug. 24 – Sacred Heart Academy September – Dave Tabak joins on drums, Jim Davis on vocals, followed shortly by John Rogers on keyboards Sept. 10 – Delta Sigma Phi, Gainsville, FL Sept. 17 – Tiger’s Den, Cocoa, FL – first show with lead singer Jim Davis Sept. 24 – Patricks Air Force Base Oct. 1 – Sacred Heart Academy Oct. 15 – Sacred Heart Academy/ “FCA” Oct. 29 – Sacred Heart Academy Oct. 31 – Lakeland Nov. 1, 2, 3 – Lakeland Nov. 4 – Umitilla Nov. 5 – Fla. Pres. College, St. Petersburg Nov. 11 – Daytona Beach Nov. 12 – Cocoa, FL Nov. 17 – Lakeland Nov. 18 – Fla. Pres. College, St. Petersburg Nov. 19 – Sacred Heart Academy Nov. 25 – Carrollwood Country Club Nov. 26 – Trowel Building, Tampa / Benefit for Robert McCord Oral School – with the Surfsiders December 1966 – Paul Battle rejoins as lead vocalist Dec. 25 – Sacred Heart Academy Dec. 31 – King Solomon’s Mine
Jan. 16-22 and late January – Beachcomber Club, Jacksonville Jan. 20 – Sacred Heart Academy Jan. 21 – band starts using new Vox equipment Jan. 31 – Feb. 6 – Lakeland February – John Delise joins on lead vocals Feb. 17 – Temple Terrace Feb. 18 – Punta Gorda Feb. 25 – Sacred Heart Academy Late Feb. – early March – Lakeland March 7 – Largo Fair March 11 – Tiger’s Den, Cocoa, FL with the McCoys March 17 – Big Moose Showcase March 18 – Apopka Youth Center March 20 – April 3 – Fontainebleau Hotel, Miami April 7 – Big Moose’s Showcase, St. Petersburg Apr. 8 – Sarasota Armory Apr. 9 – Benefit in memory of Charlie Beecham of the Emotions Apr. 21 – Big Moose’s Showcase, St. Petersburg Apr. 28 – Tiger’s Den, Cocoa, FL / benefit for Crippled Children’s Home Apr. 29 – Sacred Heart Academy, Tampa May 6 – Lake City May 12 – Sebring May 13 – Umatilla May 19 – F.C.A. May 20 – Tiger’s Den, Cocoa, FL June 2 – Inn Crowd, with the Robbs and the Gents (“15-minute psychedelic version of ‘Summertime Blues'”) June 3 – Sacred Heart Academy June 7 – Melborne Civic Center June 9 – Aloha June 16 – Temple Terrace June 17 – Inn Crowd June 23 – Tiger’s Den, Cocoa, FL June 24 – Aloha / WALT Beach Party June 28 – Sacred Heart Academy June 30 – Sacred Heart Academy Luau (private) July – Eddie Taylor replaces Dave Tabak on drums July 1 – Sacred Heart Academy Semi-formal (private) July 10 – Tiger’s Den, Cocoa, FL July 14 – J.C. Club July 17 – Temple Terrace July 19 – Sacred Heart Academy September – fourth and last 45 “How Many Times” released (Decca 32191) November – Bob Thompson joins on lead vocals Nov. 25 – Clearwater Hullabaloo late Nov. – Curtis Hixon Hall, Tampa, with Noah’s Ark, the 13th Hour and the Puddin’ Basin Group
March – Johnny Rogers dies March 9 – Tiger’s Den, Cocoa July – Ronnie Goedert joins on lead vocals, Jay Colding on organ and Jerry Nickerson on drums July 13 – Soap Box Derby Parade Autumn – Hobie O’Brien joins on lead vocals