Category Archives: Italy

Patrick Samson Set

Born in Beirut in Lebanon as Sulaimi Khoury, Patrick Samson and his brothers Sandy, who became his manager and MD, and guitarist Soussou Samson moved to France in 1961.

In the early 1960s, they formed Patrick Samson & Les Pheniciens and recorded a few singles. The group probably included French drummer Christian Vander towards the end of their career in late 1965.

In late 1966, the musicians moved to Turin, Italy and formed The Patrick Samson with Vander and four Englishmen. One of these was baritone sax player Roger Warwick, who was hired by Sandy Samson after he spotted him working with Freddie Mack & The Mack Sound. Before that, Warwick had briefly worked with Jimmy James & The Vagabonds, according to David Else.

Thanks to Nigel Pegrum, it seems likely that two of the other English musicians were a bass player called David and tenor sax player Derek Whitehall.

During 1967, Christian Vander departed and later formed Magma. Another Englishman, Nigel Pegrum, who’d been an early member of The Small Faces and then worked with Lee Grant & The Capitols joined. The group also added a Tunisian trumpet player.

It is this line-up that is probably pictured on the cover of the group’s live LP Sono Nero (see above). I would welcome any help identifying the musicians in the photo. The band also recorded a few singles.

In spring 1968, the group added two more Englishmen, Hammond organist Keith Burberry and tenor sax player Martin Grice, who were playing with The Warren Davis Monday Band (see entry on this site).

Later that year, Pegrum left to return to England and joined Spice but left before they found fame as Uriah Heap. He subsequently played with Steeleye Span before emigrating to Australia.

Italian drummer Christians Euros took his place, who was joined by fellow Italians, sax player Claudio Pascoli; bass player Guido Guglielminetti; and guitarist Umberto Tozzi.

This is a very brief sketch of the band’s history and I would welcome any additions/corrections

 

 

 

Pino Donaggio


Spanish sleeve

Pino Donaggio was a singing star from Burano, Italy. Starting out as a classical violinist, he began writing his own pop songs in the early ’60s. He often recorded his songs in Spanish as well as Italian versions, but “No tengo la culpa” has an upbeat production unlike anything else I’ve heard of his. I don’t know if the Italian version is as rocking as this one in Spanish. Orchestration was by Giulio Libano.

Los Salvajes did another one of his songs, “Se llama Maria” on the same EP that they cover Satisfaction and Wooly Bully, but it’s not a standout in their career.

In the early 70’s Donaggio started composing scores for films, first for Don’t Look Now and later working with Brian DePalma and Dario Argento.

Thanks to Borja for hipping me to this one, and for the sleeve scans.


Italian version

Equipe 84

Equipe 84 may have had their roots in combo rock music, but by the time of this 45 in late 1967, they’re as far away from a garage band as could be. The production is dense, with sitar, strings, vibes, horns.

‘Ladro’ begins with intense beats and the tension builds as instruments and elements are added. ‘Nel cuore, nell’anima’ (In the Heart, the Spirit) is an especially fine Sgt. Pepper-inspired pop number. Lucio Battisti co-wrote both of these songs with ‘Mogol.’

They had about a dozen releases before this single, and were one of Italy’s most popular bands in the 60’s since beginning in the northern Italian city of Modena around 1960. They broke up in 1974.

The band at this time consisted of Maurizio Vandelli and Franco Ceccarelli on guitar and vocals, Victor Sogliani on bass and vocals, Alfio Cantarella on drums and vocals. Joining the band on vocals only for this record was their frequent songwriter, Lucio Battisti.

Sources include: http://equipe84.too.it/ for extensive scans and text in Italian.

Bruno Castiglia e i Bisonti

There’s not much info out there in English about this great Milan band, usually referred to as just i Bisonti (the Bison!). I know of three releases, each of which has at least one great song on it.

The first, “Ma se ci penso” is probably my favorite, it was written by A. Friggieri and P. Gatti. This 3 song ep also has a fine cover of Lucille on it.

Crudele (translates as “Cruel”) is their heaviest number, the opening fuzz riff is followed by a scream and lyrics that are shouted at you to a pounding beat. This one was written by Solisca and Friggieri.

Partial list of 45 releases:

City 6164 – Portami tante rose, Lucille, Ma se ci penso
City 6179 – Balla canta ridi, Come on
City 6190 – Occhi di sole, Crudele

I Tremendi

Great band from Florence with two 45s. Other than that, I don’t know a thing about them. They have a real garage sound, with no attempts at ‘pop’. Unlike most other Italian bands, they sang all their songs in English, with a good accent at that!

Their first 45 has “Where’s My Baby” (written by Ursillo-Iandelli) on the top side, with the even better “Together We’re Strong” (written by Pini-Mazoni) on the flip.

Both sides of the second are also good, the uptempo “If You Don’t Come Around” and the ballad “I Knew I’d Get You”.

Anyone have a photo of the group?

Italian releases from this time usually have picture sleeves, but it’s my understanding that 45s on the NET label never do.