All posts by Chris Bishop

The Nomads on Discotech

Nomads Discotech 45 I Need Your LoveThe Nomads are an unknown band as far as I can tell. They released their only single in June, 1967. It was probably recorded at the Athena Movie Theater in Athens, Ohio. The band came from Sylvania, Ohio, near Toledo, a good 220 miles from Athens.

“I Need Your Love” is stellar 12-string harmony rock, with an interesting middle section. It was written by Rae and Radabaugh and published by B-W Music, Inc. BMI.

“Willow Wind” is a Kingston Trio cover; the Nomads version is a favorite of some teen doo-wop fans.

Gary Rhamy produced the 45. Discotech was his label and also released the Last Exit’s “It’s The Same The Whole World Over” and the Sands ov Tyme.

Credited as a WilMat-Rhamy Production, his partners were Willis Parker and engineer Bob Matthews.

Gary Rhamy became chief engineer of United Audio in Youngstown, which he renamed Peppermint Productions Recording Studio in the early ’70s.

Info from Buckeye Beat.

Nomads Discotech 45 Willow Wind

The Bacchantes & the Bacchanalia label of Kit Haaland

Bacchantes Bacchanalia 45 Child of the Morning Sun

The Bacchantes were a studio creation of producer Carsten “Kit” Haaland. Kit Haaland ran the Bacchanalia label and production company in Oak Ridge, Tennessee, with enough of a presence to get a listing in the Billboard Buyer’s Guide for five years running from 1968-1972, once with Tom McBryde and DanTaylor listed as Vice Presidents.

Beginning in 1967, Haaland registered a number of songs with the Library of Congress copyright office, including such intriguing titles as “Sun Machine Goddess”, “Bad Dream”, “Focus Your Love Lamp Baby”, “Get Off Your Rock” and “I Want You, Big Man”. I’d like to see the lyrics for these as Haaland seems to have had some message he was trying to deliver.

Bacchantes Bacchanalia 45 I'm Leaving YouThis single also appears to be from 1967. “Child of the Morning Sun (Bacchanalia #9)” was one of the first songs Haaland copyrighted. The production is upbeat baroque-psychedelic with female vocals. “I’m Leaving You (Bacchanalia #3)” has complicated shifts in tempo and melody.

Both songs were also released in a soul style with different arrangements and vocalists. This exists on a white label with blue print – if anyone has a scan of that 45 please let me know. As far as I can tell, these were the only releases on the Bacchanalia label.

If music was a dead-end for Haaland, he received much more attention for his next venture as an expert on UFO sightings. A 1975 profile in the Kingsport Times-News states “Dr. Kit Haaland is a physicist in the Oak Ridge National Laboratories, currently working on a study of how the nation might survive a hypothetical nuclear war. In his spare time, he directs a group of about 40 scientists who are establishing a tracking network for aerial phenomena [UFOs].”

I believe Carsten Haaland passed away in December 2010.

Conception “Babylon” / “The Game”

Conception Perfection 45 BabylonThe Conception came from Louisville, Kentucky, releasing only one single circa 1969 when the band were in their teens.

“Babylon” is an excellent cover of the Blue Cheer song from Outsideinside, featuring a heavily phased guitar break. “The Game” is an original by lead guitarist Charlie Day: a very different sound featuring acoustic guitar and harmonies.

Charlie Day listed the band members in a comment on youtube:

Bill Tullis – rhythm guitar and low harmony vocals
Charlie Day – lead guitar and high harmony vocals
Mark Zurlage – bass
Jim Dant – drums

Mike Siebold was also in the group at some point.

Stuart Paine produced the single and also played Fender Rhodes on “The Game”. Paine released it on Perfection P-1001, and published “The Game” through Stuart Paine Music BMI.

Paine also co-produced the Waters “Mother Samwell” with Fred Baker as “A Paine-Baker Production”.

Anyone have a photo of the group?

Conception Perfection 45 The Game

The Dystraction

Dystraction Coast 45 Wonder What Ya FeelThe Dystraction came from Reno, Nevada, its members were juniors in high school when they recorded their single in 1969:

Rick Yancey – lead guitar
Rob Hanna – rhythm guitar
Danny Herring – bass
Scott Monroe – drums

Though young, they cut a great single of original hard rock on Coast Records 6969. Their connection to the Coast label out of Hollywood was Rob Hanna’s father, Bob Hanna, a member of the lounge trio the Esquires who had two releases on Coast. “Where Are We Now” is available on youtube, but I prefer the A-side, the slower and heavier “Wonder What Ya Feel”.

I’ve included the first two minutes of “Wonder What Ya Feel” in this link.

I’ve read the single had two pressings because the labels had songwriter Hanna listed before the band name, leading to confusion as to the group’s name. I haven’t seen the other version of this label, if you have a copy please contact me.

Dystraction Coast 45 Where Are We NowThe Dystraction receive notices in the Reno Gazette-Journal, first on March 22, 1969.

Dystraction Releases Disk

The All-Reno youngster Dystraction hard-rock group has released its first record on the Coast label. Both sides of the single were written by the four-member group. “Wonder What you Feel” is the most popular song on the recording and the flipside is “Where Are We Now?”

The three Wooster High School and one Sparks High School students represented Nevada in Atlantic City last year after winning the state-side competition in the “Battle of the Bands.” Danny Herring plays bass, Rick Yancey plays lead guitar, Rob Hanna (son of Bob Hanna of the popular Esquires) plays rhythm and Scott Monroe plays drums for Dystraction. Terming themselves “Hard-rock” musicians, the youths will tour teen-age nightclubs in California and Oregon this summer with a probable engagement at the popular Sound Factory in Sacramento.

Then again on May 17:

For teen-agers only … a dance set to coincide with the Annual Custom Car and Boat Show at the Centennilal Coliseum May 16018. The Reno-formed, Reno-based Dystraction, featuring Danny Herring on bass, Rob Hanna on rhythm, Rich Yancey on guitar and Scot Monroe on drums, will feature new tunes of its own creation like “Where Are We Now,” “Wonder What You Feel” and “Nassar Blues.” The group should grow in prominence this summer with scheduled northwest tour.

On June 22, 1969 the Nevada State Journal covered the finals of the Reno area Battle of the Bands, with four winners going on to the state competition in Las Vegas the following week. The Dystraction was one of the winners, along with the Town Squires, Frog Rock and Jonathan Goodlife. The article included a couple of quotes from Danny Herring and a photo of the Jonathan Goodlife band, whose members were Jerry Werms, James Stipech, Steve Dunwoodie, James Mask and Terry Peterson.

Other bands in the competition included Chipped Beef on Toast, Wheet Straw Blew Grass, Chalk, Mr. Enzyme & the Electric Bean, Snow, and the Hellenic Invasions.

Anyone have a photo of the Dystraction?

The Cosmic Tones

The Cosmic Tones photo: Morris Ochoa, Vincent Hernandez, David Silva, Terry Williams and (kneeling) Alex Hernandez
The Cosmic Tones, from left: Morris Ochoa, Vincent Hernandez, David Silva, Terry Williams and (kneeling) Alex Hernandez

The Cosmic Tones came out of Bell Gardens, CA, the same town as the Nite Walkers. They cut one single for the Discovery label, “Gonna Build Me a Woman” / “Hold It”. Discovery later released a cool single by the Missing Links. Like the Missing Links, publishing was through Jarhill Pub. Co, (an amalgam R. Jarrard and James Hilton, who are credited on the Missing Links single).

Members of the Cosmic Tones were:

David Silva – lead guitar
Morris Ochoa – rhythm guitar
Terry Williams – rhythm guitar
Alex Hernandez – bass guitar
Vincent Hernandez – drums

Bass player Alex Hernandez sent me a photo of the group and told me about the Cosmic Tones:

My name is Alex Hernandez and I played bass in the Cosmic Tones in Bell Gardens, CA. I had wanted to play the guitar since I was about 5 years old. My uncle Chris asked me what song I wanted him to teach me and I said “La Bamba” by Richie Valens. He taught me this song and it was the start of my playing. When I was 13 I wanted to start a band so I started asking around and my friend Terry Williams was interested. He was 13 also and played rhythm guitar for us. My brother Vincent wanted to play drums, he was 14 years old.

We found David Silva who played lead guitar for us. He was a little older, he was 17 years old. We had a 5th addition in the band, Morris Ochoa and he was 14 then. He only stayed with us for about two months.

We all styled our hair back after ratting it up. We all used about a 1/2 can of Aqua Net hairspray before each play. After being together for about a month we had our first gig on Channel 34, a Mexican channel. We played an instrumental of “La Bamba” and it seemed to be a big hit.

We played songs such as “Whittier Blvd”, “My Girl”, “Land Of a Thousand Dances”. What a great time the ‘60s were. “Twist and Shout” was a favorite. We used to practice at any park that would let us, City of Commerce Park, Bell Gardens Park, Ford Park, and also at a park in Watts. We played at the junior high assemblies.

We also played in many battle of the bands and came in second at Ford Park out of around 12 groups. We played at the Cinnamon Cinder in Hollywood & at the Bob Hope telethon in Hollywood. We played at the Watts Festival and had a great time. We played at the White Front store in L.A. for two weeks after school to promote cerebal palsy research. We played at a teen club the Diamond Horseshoe in La Puenta, & for a CB club in Hidden Valley.

My Dad had us cut one 45 record and on side A was a song sung by my brother, “I’m Gonna Build Me A Woman” and side B was an original instrumental.

Our rival band in Bell Gardens was the Nite Walkers. They were a real good group and we all went to school together. We always tried to be better than them and they wanted to be better than us.

The group broke up after about two years and I started playing the upright bass in high school. I joined the Army for 8 years in 1971, My brother joined the Army in 1969 and went to Viet Nam.

We lost sight of David Silva, and Terry Williams holds a jam session up towards San Diego weekly. I don’t know where Morris Ochoa went, My brother retired with the railroad and now manages a trailer park.  We are all in our mid ‘60s now but I do know we still enjoy music every day. I retired with FedEx freight in 2013.

The last play I had was with my brother’s group the TCB Flash which is one of the best Elvis groups in southern CA. I sang and played four songs for New Years in 2016 at the Grove Theater in Upland CA. My songs were “House of the Rising Sun”, “Hang On Sloopy”, “Gloria” and “Wooly Bully”. Had a blast from the past and the audience seemed to really enjoy the show.

– Alex Hernandez, 2017

The M+M “She Shut Me Down”

 The M + M Glass 45 Where Is SheI can’t find any info about M + M, other than the names on the two singles they released on Glass Records, M. Kane and M. Schools. I’ve tried other variations on their band name, M+M or M&M, without luck.

Although the songs feature a full group of guitar, bass, drums and even harmonica with one vocal, it’s possible this was a duo who overdubbed their parts to fill out the sound.

All four singles have “72” etched into the deadwax along with the Glass Records numbers, so I think that is likely the year of the recordings. Given that two of these are nearly four minutes long, a seventies date makes sense.

I have no idea where they came from, but lead vocals do have a southern sound to them. On the other hand, I bought these from someone in New Jersey and a different copy of the second 45 sold from a Brooklyn location.

I prefer the B-sides of each single. “She Shut Me Down” stands ouf among the four cuts for the melancholy feeling and tempo changes. “Where Is She” is the most upbeat of the four.

The Glass Records release numbers are:

F-201/2: “Your Turn to Cry” / “Where Is She”

F-203/4: “No More Crying” / “She Shut Me Down”

All songs written by M. Kane and M. Schools, no publishing listed.

The M + M Glass 45 She Shut Me Down

The Secrets “Somethin Good For Me” on Raven

Secrets Raven 45 Somethin Good For MeThe Secrets’ “Somethin Good For Me” / “Love” has as obscure an origin as any single out there. The band may have been from southern Illinois or eastern Missouri, but I don’t know anything definite yet. The only name I can associate with the group is Ivan White who wrote both songs.

“Somethin Good For Me” is lo-fi perfection, offering plenty of atmosphere over a chunky rhythm, a pleading vocal and a simple but apt lead guitar break.

“Love” slows it all down and substitutes accordion for the rhythm guitar. I’d put up a clip but my copy gets scratchy sounding on this side.

Released around 1967 on Raven 18569/70, with production credited to “Div – JLJ Enterprise”. This is a Rite release, as was the other Raven release I know of, Johnny Apollo “You’re Sixteen” / “Shake the Hand of a Fool” on Raven 17829/30 from a year or two earlier, with J. Hutcheson credited as director.

Rite 286 is found in the deadwax, an early Rite account number dating back to 1960. 286 was used for at least two other singles: the Harmony Echoes single “Wonderful Guest” / “Gospels Singers Heaven” on Echo CP-6759/60 from 1961, out of WFRX 1300 AM, West Frankfort, Illinois, featuring Joe Williams, Phyllis Williams, Rolla Martin and Don McCool.

Also for Amateur 11421/2, the Coachmen “Lonely Rider” / These Memories of You”, folk & pop from 1963 out of Maplewood, Missouri with J. Buchman credited on the label.

Maplewood is just west of St. Louis, and 115 miles northwest of West Frankfort. It seems possible the Secrets come from this area of southern Illinois or eastern Missouri.

Info on other Rite pressings from

Secrets Raven 45 Love

Selling 45s at Allentown Record Expo this Saturday

Del-Vetts Dunwich PS I Call My Baby STPa

I can’t afford to keep all these 45s … and I’m always looking for new ones. I’ll be selling 45s of many genres – garage, surf, r&b, international, soul, etc at the Allentown, Pennsylvania 45 & 78 rpm record fair this Saturday, April 1, 2017. If you haven’t been, there are more 45s than you can look through in three days, let alone one. Not sure my table # yet but if you come ask for Chris Bishop’s table. Or contact me ahead of time, I’ll be in town from Wednesday afternoon on.

1901 S. 12th St. ( S.12th & Vultee Streets ), Allentown, PA 18103

10-4 PM, $3 admission.

More info on the fair’s website,