Tag Archives: Outcasts

The Outcasts (Greenville, Texas)

The Outcasts, 1966, from left: Mike Shelton, John Harvey, Jerry Shurtleff, Kenny Sargent, Gerry Morris (on drums) and Ted Swindell

These Outcasts came from Greenville, Texas, northeast of Dallas, and shouldn’t be confused with the San Antonio group of the same name that cut “I’m in Pittsburgh (and It’s Raining)” and “1523 Blair”. These Outcasts never recorded and did live shows only in their local area. Guitarist Jerry Shurtleff gives their story:

The Outcasts had their beginnings in the summer of 1965 rehearsing at the Greenville, Texas YMCA. The original members were John Harvey and Kenny Sargent – vocals, Ted Swindell and Mike Shelton – guitars and Trey Warren on drums. Mike Shelton broke both wrists in a weight lifting accident and I saw my chance. All I had was a Kay acoustic – with an eighth note painted on like a pick guard. Mike had a brand new Music Master and Deluxe amp, which I permanently borrowed when I joined the group.

Jerry Shurtleff
When Mike’s casts came off his parents went out of town and he charged a Danelectro bass and Fender Bassman on his parents account at Bob Hames music store on Washington street. Maybe the Music Mart, but they were probably the first Fender dealers in town. (Mike’s parents also had an account at Queen Ann’s Drive Inn. There were legendary parties at his house when his parents were out of town catered by Queen Ann’s!) I got a Vox Clubman guitar from The Melody Shop in North Park and an Alamo amp from David Heath.

Mike, Ted and I took group guitar lessons from Mr. Hames and he taught us the difference in bass, rhythm and lead guitar. I think ‘Walk Don’t Run’ was the song he used. His son played with Trini Lopez’ brother, Jesse.

The main gig in Greenville, TX in 1965-66 was the Saturday night YMCA dances and they were hopping! (Remember the red couch?)

Some of the local bands were:

The Exceptions – Matt Tapp, Charleton Ellis, Randy McNatt and Hal Holley.

The Tyme (or Shades Of Tyme) – Tommy Tolleson, Rush Horton, Gary Shannon, Joe Weiss, Mike Skeen and Mark Phillips.

The Other Half – Phil Sudderth, Alex Bouknight, T.A. Tredway, Carroll Grant and David Heath.

Lots of Stones, Beatles, Animals, James Brown, etc… The boys would form a long line on the dance floor with girls in line in front of them and everyone would jump around and change partners, We played a lot of Y parties. They were a huge party every Saturday night. We made about $12 each from the door. One night my parents were chaperoning a high school Y party and called me at home and said they were coming to get me. They wanted me to hear a legendary band from Dallas, The Mystics. All of our parents were always very supportive (they probably thought I would get a job when I grew up.)

We practiced at Swindell’s house and then moved over to our main headquarters, the garage/playroom at the Morris’ house. It was a hangout for a lot of the bands. We got better equipment around then, again thanks to our parents. Ted’s father, buck Swindell, went to Arnold & Morgan and bought two Mosrite Ventures models, a sunburst doubleneck and a single neck in Pacific blue. He also bought us a Bogen PA system with an orange head and two columns. Mike’s dad bought him a new Gibson 335, which again we switched Mike back to bass and again, I permanetly borrowed the 335, Mr. Shelton wasn’t thrilled. Jerry had his Ludwig drums. I got a Standel Artist amp and eventually an old Telecaster. We all bought everything from Mike Delk at Arnold & Morgan Music in Garland, TX. Mike was now playing bass on a Gibson EBO, then a Gibson hollow body sunburst bass. By then we were taking lessons from Trig Ward.

The Kari and Jerry Duo
We played through the late 60’s, but decided the Outcasts name wasn’t edgy enough so we became The Misfits. We were also The Coachmen. We played a great Battle of the Bands at a short lived teen center on West Lee Street in downtown Greenville with The Exceptions, The Novas and The Redcoats. I think we came in third. It was the same night that the Apollo astronauts were killed. Our biggest gig was at the Greenville Municipal Auditorium for a politician with a patch on one eye. He was later indicted in the huge Texas savings and loan scandal of the late 60s.

After The Outcasts, Jerry Morris and I went on to playing for the rest of high school with Terry Dabbs, Art Grahl and Mark Feingold. We were hippies by then. Sadly Ted Swindell passed away in 1997.

I’m the only one who didn’t have enough sense to quit, so I still play for a living, currently in Black Hawk, Colorado. My wife and I have the Kari and Jerry duo for almost 30 years now. We have been all over the world thanks to music and still kickin’!

Jerry Shurtleff, May 2011

Sonny Page and the Triangles

Jim McDaniels, Mike McCloud, unknown drummer, Sonny Page, Cleo Riley, unknown bassist
Left-right: Jim McDaniels, Mike McCloud, unknown drummer, Sonny Page, Cleo Riley, unknown bassist

Sonny Page and the Triangles REM Records demo The Golden BookAl Collinsworth of the Outcasts wrote this history of the band of his friend Sonny Page, and sent in the fantastic photo above.

Sonny Page and the Triangles represented Lemco Records’ entry into the country music scene. Sonny’s recording of “Big Wheels”, which began with the sound of an 18-wheeler shifting gears as it sped by, received air-play on country radio stations such as WAXU in Lexington, KY and was promoted by Grand Ole Opry and Columbia Records recording star Esco Hankins. The recording included the Triangles and studio musicians Kenny Whalen on guitar and Bill Wasson on bass.

Sonny Page and the Triangles REM Records demo Lost CityThe original Triangles included Sonny page on vocals and guitar, Charles Burgess on steel guitar, Raymond ‘Timber’ Lowery on bass, William Hanshaw on guitar and David Miller on drums. Later, the Triangles added Jim Mcdaniels and Cleo Riley on guitars. Sonny also recorded on the Rem Records label (“The Golden Book” / “Lost City”).

During the 1960s, Sonny and the Triangles played country music shows with such stars as Webb Pierce, Pee Wee King, the Collins sisters and George Morgan. Always a very popular singer in the Lexington area, Sonny worked with the famous 50s star Little Enis and was a regular performer at Lexington’s Zebra Lounge. Sonny also worked at Martins where JD Crowe first started in Lexington.

Sonny retired from professional music and had a very respectable career as a peace officer. He was a lieutenant with the Fayette County Police, a Fayette County Deputy sheriff, a Fayette County deputy jailer and a bailiff for several high profile Fayette County judges.

Sonny is now happily married and living peacefully in Lexington, KY. Sonny told me that like many of us 60s era musicians, he too had lots of fun and has always had a genuine love of music.

Al Collinsworth

The Outcasts – “Loving You Sometimes”

The Outcasts of Ashland, Kentucky "Loving You Sometimes"
The Outcasts of Ashland, Kentucky, just over the West Virginia border turn in a fine mid-tempo ballad, “Loving You Somtimes”.

I recently heard from Al Collinsworth, vocalist and co-songwriter for the Outcasts. He filled me in on some questions I had about the band, including interesting background about the Plato label and about how “Loving You Sometimes” has become well known in funk and hip hop DJ circles.

I was in the Outcasts and remember the whole Plato experience. The Outcasts included Nick Wickware on drums (deceased); Dick Hall-Hawkins on bass (deceased); Ronnie Gibson on lead guitar; Ralph Morman and myself on vocals. I sang lead on “Lovin’ You”.

The Outcasts mostly played school parties, bars, the Hullabaloo Club in Huntington and we auditioned for Buddha Records in 1969. The group disbanded in 1969. We did manage to be an opening act for Neil Diamond one night.

Plato was originally intended to be an African-American music (Afrilachian) label. Dick Hall was the person who worked out the deal. Dick spent most of his life proving that Hawkshaw Hawkins was his father. Hawkshaw was a popular country star that died in a plane crash with Patsy Cline and Cowboy Copas.

Plato wasn’t sure they wanted to sign us. We paid for the studio time and Plato pressed the records. We recorded the record in Cincinnati at Queen City Studios, the same day that the Mustangs recorded their song. We were all friends and it was a very good time for both bands.

The record received local airplay and got on the Billboard charts. The amazing thing is that Lovin You has been released 4 different times on 4 different labels. Plato was the original release.

A second release was with a compilation record along with ZZ Tops’ first release and The Allman Joys’ first release (Allman Bros). I don’t have a copy of this record. A third release was in 1984 with BFD records in Australia on a compilation called “Highs in the Mid Sixties Vol. 9 – Ohio”. The liner notes read, “A Zombies-influenced, moody punk sound from Cincinnati, not to be confused with 18 other groups called the Outcasts!”

A 4th release was done in 2002 by Arista Records Hip-Hop Artists, DJ Shadow and Cut Chemist on the very popular “Product Placement” CD. Oddly, and I don’t know why, Loving You Sometimes is now a very popular hip-hop hit. Remixes have been done by DJ Shadow and DJ Ayres. LSD Phone Calls (a NYC hip-hop e-magazine wrote, “Maybe the perfect song. Garage psych dorks who hate this also hate the Zombies. Who hates the Zombies!?”

Ralph Morman later worked with the Joe Perry Project (Aerosmith) and Savoy Brown.

In 1972, I worked with Pre (ZNR Records) which was a Prog-Rock Band. I now have a self-titled release on CD Baby. I also play steel guitar and have a promo photo on the MSA steel guitar site in the SuperSlide section.

It seems that it took a long time for the song to become popular, but that’s always the opportunity for any recording. All I can say is why not?

Al Collinsworth

Terry Lowe replaced Nick Wickware on drums.

Thank you to Al Collinsworth for relating the history of the band, to Ronnie Gibson for the great photo at top and to jgtiger for the photo at bottom.