Nigel Basham (Mark Loyd of the Monotones)

Westcliff High School for Boys circa 1958: Nigel Basham, Arthur Walker, Martin Bayley, Chris Winch, Selwyn, Ian Crawshaw.
Westcliff High School for Boys circa 1958. Nigel Basham is third from the left, with Arthur Walker on Nigel’s right doing the V-sign. Others in the group include Martin Bayley, Chris Winch, Selwyn, and seated, smoking, Ian Crawshaw.

Tim Wainwright sent in this photo of Nigel Basham with school friends at at Westcliff High School for Boys, circa 1958. Not bad quality from a worn 3″ x 2″ print. Tim wrote the caption above and adds, “the pic is a group from the school having a smoke by the bike sheds, totally against school rules.”

Nigel Basham was part of the Monotones, covered extensively on this site in a main post and a second focused on photos of their early days. In the Monotones, Nigel took the professional name of Mark Loyd, sometimes spelled Mark Lloyd.

As Mark Loyd, he released three singles on Parlophone, timeless British soul music that is highly valued now. Mark Loyd passed away on April 4, 2012 in Sydney, Australia, where he ran a successful event and performance management company called Popset.

The Nightshades on Gear

Nightshades Gear 45 American Boy

The Nightshades formed as the Deadly Nightshades at Glenbrook South High School in Glenview, IL, a suburb of Chicago. The group’s lineup changed, sometimes to a quartet or trio format, but included at various times:

Gary Schaeffer – vocals
Bob Zemke – lead guitar
Larry LaCoste – rhythm guitar
Phil Jernigan, replaced by Tom Lavin – bass
Dan Locke, replaced by Kenny LaCoste – drums

I only have one of their singles, the second of three the band released on Gear Records in 1967 and 1968.

The first was “Summertime” / “Wonder Where My Baby Is Tonight” on Gear 747/8.

“Summertime” and the Kinks cover are cool enough, but I like the original songs on their second single on Gear C 749/750, “Flying High” and especially the heavier “American Boy” with its sustained guitar sound and lyrics that would tell an interesting story if I could decipher more of them. The labels list Zemke, La Cost, Jernigan as writers for both songs, published by Gear Music BMI, with arrangement by Bob Zemke, plus Gear Enterprises, c/o Ed Zemke.

I haven’t heard their last single, “Sweet Cecelia” / “My Mother Done Told Me (That You Were a Lover)” on Gear 751/2.

Nightshades Gear 45 Flying High

Billy Stephens on Kidd Glove

Billy Stephens and the Nashville Cats Kidd Glove 45 Baby You Got MeBilly Stephens seems to have been based in Belmont, Mississippi, about 45 miles north east of Tupelo, and three hours southwest of Nashville. According to a comment online, he died at age 55, which would be sometime around the year 2000. I can find no obituary or biography, but here is what I know:

Billy Stephens registered two songs in June 1963, the intriguingly-titled “Rice Paddies” and “I Need Wanda”. Unfortunately, neither seem to have been released. I wonder if demo acetates exist of these songs.

Starting around 1966, he did release three singles of excellent original songs on his own Kidd Glove label.

The first was Kidd Glove 101, credited to Billy Stephens & the Nashville Casts. One side was the amazingly brooding “Baby You Got Me” while the flip is the country “Lumber Jack”. “Baby You Got Me” almost defies description, not exactly garage and really has to be heard.

I’m not sure of the date for this one, the NRC # 510 indicates pressing at National Recording Corporation’s plant in Atlanta, sometime between late 1966 to mid 1967.

Next he released an excellent instrumental, “Sneak Attack” backed with one I haven’t heard yet, “Shirley”, on Kidd Glove 301 with a redesigned label and motto, “The Sound That Leaves You Breathless”.

Billy Stephens Kidd Glove PS Dozen Diamond ManThe third single was the rockabilly “Dozen Diamond Man” b/w an offbeat harmony jangler, “There’s a Time” on Kidd Glove 302. Lyrics for “There’s a Time” are hard to make out, but seem to be about how his teenage queen got locked up “they took her far away, said she had to pay”. This single was released in 1967 with a b&w photo sleeve.

All of his songs were published by Kidd Glove Music BMI, though I can’t find registrations for all of them.

Certainly this was an artist with a lot of talent and originality.

The Smoke featuring Mark Sheldon

Smoke 45 Half Past The End

“Half Past the End” by the Smoke is hard-rocking and heavy on the keyboards, which I don’t usually like, but it has some lead guitar work that hooks me, and features a solid performance by the entire group.

The group included Mark Sheldon, who had played bass for the Mussies on their 1967 Fenton single, “12 O’Clock July” which is a great psychedelic take on Link Wray’s “Jack the Ripper” b/w one of the better versions of “Louie Go Home”.

Other members of the Mussies were Chic Ericksen (lead vocals), Paul Knapp or Paul Nabb (lead guitar), Tom Mann (rhythm guitar) and Bill Johnson (drums). I don’t know if any of them played on the Smoke single from late 1968.

The Mussies & the Smoke came out of South Haven, Michigan. Mark Sheldon wrote both songs on the Smoke single, “Half Past the End” and the flip, “My Mama”. Both published by Rise Music, Inc. BMI. Mark Edward Sheldon registered the copyright for “Half Past the End” with the Library of Congress in February 1969.

The Smoke single was produced by Sheldon-Pielert, the Pielert standing for Fred Pielert, the manager of the band with his wife, Gail Ostrow.

The ARP stamp in the deadwax indicates the American Record Pressing Co. in Owosso, MI, pressing number 1316.

I’ve seen promo and stock copies of this 45, and all seem to have stickers listing the band as the Smoke. Mark Sheldon’s name is underneath.

There’s not much info on the Smoke out there (or the Mussies for that matter). I gleaned a little from the Grand Rapids Rocks site.

Smoke 45 My Mama

The Mark V on Blast Records

Mark V Blast 45 You Make Me Lose My MindI don’t have any info on the Mark V other than what’s on the labels. BMI lists the “Mark V” as the song writer for “I Want To Say”, so that indicates the band members were L. Cerame, G. Snow, R. Eder, T. Montanino, and R. Hackling.

The b-side “You Make Me Lose My Mind” is the wilder of the two songs; Jack Provenzano is the writer. Unfortunately it’s not on youtube right now, but it’s worth seeking out for the weird scream after the opening drum roll.

Released on Blast 215 in 1964. Vincent Catalano (Vinnie) owned the Blast label, and also had the Sinclair, Whale, Mermaid, and Camay Records labels with Don Ames. Blast is known for doo wop, especially “Coney Island Baby” by the Excellents. Basil Bova did some A&R work for the Blast label.

The best source of info on Vince Catalano that I could find is from the Double Dates of Luck Records.

The Mark V single comes towards the end of the Blast catalog. New York City is a best guess as to the origin of the band, but they could have been from New Jersey or Connecticut.

Mark V Blast 45 I Want You To Say

The Outer Limits on Goldust Records

The Outer Limits on top of Amador Hotel, 1966, from left: Jim Westbrook, Pete Hecker, John LeDuc and Jerry Bachman. Photo from
The Outer Limits, 1966, from left: Jim Westbrook, Pete Hecker, John LeDuc and Jerry Bachman

Outer Limits Goldust 45 Don't Need You No More

Years ago, Wayland L. Davis wrote a detailed story about his time with the Outer Limits, and the Las Cruces, New Mexico music scene he grew up in. He was going to expand on it for publication in Garage Hangover, but then we lost contact. I won’t publish it since I haven’t received his permission, but I will include a little info about the band from our email back in 2009:

I grew up in Las Cruces and was one of the original members of the Outer Limits. I left the group before they recorded with Golddust. But, I helped write “The Waves” and “Walking Away” long before that, and we recorded our first version of both songs with Steve Crosno

Keith Hackney [of the Four Dimensions] lived a block away from me and taught me how to play a barre chord, which led to me playing rhythm guitar for the Outer Limits and Pete Hecker playing bass.

The original Outer Limits were Jim Westbrook, Wayland Davis, Pete Hecker and multiple drummers. First, Jerry Savage and later Jerry Bachman. We named ourselves after the TV show and not the Markettes “Out of Limits” song. John LeDuc [was] my replacement as I left the band before this picture and Goldust recordings.

The Apaches on Galena Records

Apaches Galena 45 Please Understand

I can’t find much info on the Apaches, who had one single on Galena Records out of Tulsa, Oklahoma in 1966. One side is a pleasant original song, “Please Understand” by Burgess, Tousley. My copy is too scratchy to include a sound file, sorry.

The flip is a cover of “Heart of Stone”, which sounds like it features a different lead singer.

The Apaches was an RCA custom pressing, TK4M-4746/7, from late 1966, released as Galena G-131.

There was one other garage 45 on Galena Records, the Executives, who did a good original, “Why Make Me Cry” by T. Carter, Brock, Hoffman, G. Carter, Teaff, b/w “I’ll Feel a Whole Lot Better When You Are Gone”, also released in 1964.

Though the label for “Please Understand” lists Galena Music BMI, I can’t find copyright registration with the Library of Congress, or for the Executives song.

I find a number of registrations with Galena Music from 1964 and 1965, including: “Just Another Night”, “Gonna Find Me Someone” and “Moon Girl” by Roy L. Ferguson and Leroy Duncan, “Tear Drops” and “This Same Old Heart” by Sam Barrett, “Lonely Hours” by Roy Ferguson, Lercy Duncan and Autry Rutledge, “My Castle by the Sea” by David Vowell and Autry Rutledge, and “Back Up, Back Out” by Roy Ferguson, Leroy Duncan and Connie Rutledge, but these all seem to be country or pop music.

Apaches Galena 45 Heart of Stone

Orange Rainbow

Orange Rainbow, lock, Uxbridge, Middlesex, 1968/1969. Left to right: Martin Hayes, Robin Lawrence, Geoff Foster, Rodney Barrett, Martin Bryan, Alan Ray, Dave Goodman and Terry May

Alan Ray – lead vocals

Geoff Foster – lead guitar 

Terry May – keyboards

Dave Goodman – bass

Martin Hayes – trumpet

Robin Lawrence – tenor sax

Rodney Barrett – trombone

Martin Bryan – drums


George Russell – alto sax (played on and off 1969-1970)

John Barter – tenor and baritone sax (played on and off 1969-1970)

Orange Rainbow at the Railway Hotel (Iron Bridge), Southall, Middlesex
Orange Rainbow at the Railway Hotel (Iron Bridge), Southall, Middlesex

Orange Rainbow were a West London soul band that was formed in late 1967/early 1968 from the ashes of The Bluesville Soul Band.

Little is known about the group and Garage Hangover would welcome any additional information.

According to tributes to the late Dave Goodman, who went on to become sound engineer for the Sex Pistols, Orange Rainbow began as 7-piece group.

Goodman had started out with The Frinton Bassett Blues band, who were profiled in the 22 September 1967 edition (page 2) of the Middlesex Chronicle, Hounslow Edition.

The article lists the band’s seven-piece line up as Steve Crawford (lead vocals); Alan Cook (lead guitar); Dave Goodman (bass); Denis Smithers (drums); Pete Watson (alto sax); Ray Johnson (tenor sax) and an unnamed keyboard player.

Singer Alan Ray at the Railway Hotel
Singer Alan Ray at the Railway Hotel

According to the newspaper, The Frinton Bassett Blues Band had been formed around the spring of 1966 and added the sax players in the summer of 1967, prompting the slight name change to New Frinton Bassett Blues Band.

Goodman (and possibly other members) subsequently worked with The Bluesville Soul Band, which formed the nucleus of Orange Rainbow.

With the exception of lead guitarist Geoff Foster, who joined in late 1968/early 1969 after playing with fellow West Londoners, The Casuals (Frankie Reid’s former group) and The Army (after Steve Priest had left to form Sweet), it’s likely that most, if not all, of the line-up at the very top was there from the outset.

According to Goodman’s webpages, Orange Rainbow toured the UK extensively and even worked on the continent. They also backed Ben E King, The Drifters, Nicky Thomas, The Flirtations and The Fantastics (from mid-1970 onwards after Pip Williams’ band, The House of Orange). Orange Rainbow also supported The Four Seasons and The Jackson Five on UK tours.

Left to right: Rodney Barrett, Martin Hayes and Robin Lawrence

From mid-July to early August 1969, the band was booked to perform at the Ye Ye Club in Rimini, Italy for three weeks. Geoff Foster also remembers the musicians playing at Sloopy’s Disco in Manchester, the Place in Hanley, Staffordshire and the Pavilion Ballroom in Gillingham, Kent.

Orange Rainbow played Sunday lunchtimes at the Railway Hotel in Southall, Middlesex and were also regulars at Samantha’s in central London.

orange-rainbow-from-1968Geoff Foster’s former band mates in the Army, George Russell and John Barter worked with the band on and off throughout 1969-1970 but never officially joined as permanent members. All three left during 1970.

Orange Rainbow continued into the early Seventies during which time the group underwent many personnel changes. Dave Rose took over from Terry May on keyboards and Graham Board replaced Martin Bryan on drums. Eventually, the group morphed into Polecat.

Left to right: Martin Bryan, Dave Goodman and Geoff Foster

Selected gigs

26 April 1969 – Kingston College of Technology, Kingston Upon Thames, Surrey with Episode Six and The Giant

10 May 1969 – Pavilion Ballroom, Gillingham, Kent

8 June 1969 – Woodhall Community Centre, Welwyn Garden City, Hertfordshire

28 June 1969 – Railway Hotel, Southall, Middlesex

28 July 1969 – Ye Ye Scandinavian Club, Rimini, Italy with Root and Jenny Jackson

7-8 August 1969 – Samantha’s, Burlington Street, London

11 August 1969 – Samantha’s, Burlington Street, London

14 August 1969 – Samantha’s, Burlington Street, London

26 August 1969 – Samantha’s, Burlington Street, London

31 August 1968 – Samantha’s, Burlington Street, London

I would like to thank Geoff Foster for helping with the story and supplying the excellent photos.


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