Category Archives: Jet Set

Blue Wood

Blue Wood Jet Set 45 Turn AroundBlue Wood has the third release on the Jet Set label of Santa Barbara, California, though this time the label features a detailed logo. I don’t know anything about the group yet.

The A-side has a somewhat rural psychedelic sound (harmonies and no fuzz) on “Turn Around” by Rich Geiger. The flip is a hokey country-rock song, “Happy Jack Mine” by Ralph C. Multon and Lance Rose. Both songs published through Jet Set Publishing ASCAP, as were all the other original songs on the Jet Set label.

Produced by Tom Lubin, with Doug McGuire, the owner of the label, listed as executive producer.

As far as I can tell there were four releases on Jet Set:

JSR-45-2: Planned Obsolescense – “Exit Sticky Icky” / “Still in Love With You Baby” (Sept. 1967)
JSR-45-3: The Calliope – “I’ll Take It Back” / “Ryan 5” (eng. by Frank Kajmar, February 1968)
JSR-45-4: Blue Wood – “Turn Around” / “Happy Jack Mine” (1968)
JSR-45-5: Don Robertson – “Yesterday’s Rain” / “California”. Executive Producer Doug McGuire, Produced by Tom Lubin

Don Robertson also had the only album on Jet Set, titled Yesterday’s Rain.

Jet Set was located at 4296-A Modoc Road, Santa Barbara.

For more on Planned Obsolescense, see the post I wrote last year.

This is not the same Jet Set label that released singles by Jimmy Armstrong, Barbara Long, Jimmy Castor, Eldrige Holmes and others.

Blue Wood Jet Set 45 Happy Jack Mine

Planned Obsolescense

Planned Obsolescense Jet Set 45 Exit Sticky IckyPlanned Obsolescense  comes from a scene I haven’t written about on this site before, the area around Santa Barbara, CA. The band had this one 45: “Exit Sticky Icky” starts out something like Creedence, then shifts to a quicker pace. The flip is a cover of the Beau Brummels’ “Still in Love With You Baby”.

Note the band’s name is Planned Obsolescense, not Planned Obsolescence – whether intentional or not I don’t know. There are no credits on the labels, but the
California Gold Coast Dreamin’
site writes:

Members:

Bill Lipscombe – guitar, vocals
Joe Rodriguez – bass
Doug McGuinn – drums
Harold Irving – keyboards
Tom McGuire – vocals

This band met while attending high school in Santa Barbara and played local battle of the bands shows, dances, and club dates, eventually attracting the attention of The Sufaris’ management team.

The b-side of their sole 45, “Exit Sticky Icky”, was originally written as an advertisement for a soft rubber toy (the toy manufacturing company eventually backed out of the idea). To promote the 45 the band spent a couple of months touring Southern California. Their gimmick was playing with bags over their heads, and black capes.

Jet Set announced in Billboard, Sept. 16, 1967
Jet Set announced in Billboard, Sept. 16, 1967

At a concert at UCSB they played the world’s longest song, literally hour after hour of Exit Sticky Icky, with members of Giant Crab and other friends helping out.

A notice announcing the formation of Jet Set Records and Publishing (ASCAP) in Billboard dates to September 16, 1967, and lists Doug McGuire as president.

The Jet Set label would have two more releases that I’m aware of, one of my favorite ’60s singles, “I’ll Take It Back” / “Ryan 5” by the Calliope on Jet Set JSR-45-3 from February of 1968 and the Blue Wood doing “Turn Around” / “Happy Jack Mine”. Calliope recorded their single at Whitney Studios in Glendale with Tom Lubin as producer and Frank Kejmar as engineer. Frank engineered many of the hundreds of Christian records recorded at Whitney and released on the Angelus label.Planned Obsolescense Jet Set 45 Still In Love With You Baby

Calliope’s release on Jet Set would be picked up for national release by Epic in July of ’68, listing Doug McGuire as Executive Producer. The Calliope would have two more releases on Shamley in 1969. Flower Bomb Songs has an excellent interview with Calliope songwriter Jim Andron.

The Jet Set release of the Calliope’s “I’ll Take It Back” runs a full 2:42, as noted on the label, while the Epic release cuts about 10 seconds of the ending, despite listing 2:43! A great song with a beautiful, mystical ending, I savor the extra 10 seconds on the Jet Set release.

No connection to the Jet Set label from Washington, DC that released soul records.

If anyone has a photo of the group or more info on them or the Jet Set label, please write to me.