Category Archives: Durham

The Si-Dells

Hubert Deans was organ player for the Durham, North Carolina band the Si-Dells in 1968, when they recorded his song “Watch Out Mother” for the East Coast Sound label, produced by Don Scoggins.

Hubert gives the history of the band in his own words:

The Si-Dells was the first “real” band I was in. In those days bands would typically reorganize in the summer, due to people going off to college.

The Si-Dells were started by:
Keith Thompson on guitar
John Thomson on drums
Lee James on guitar

They advertised in the Durham Herald-Sun for an organ player. That’s where I came in and brought a bass player named Joe Kirschner.

Charlie Clark joined last to play sax. However, Charlie played piano on both sides of the the record – no sax.

Side A was a sappy love song called “She’s The Only Girl For Me”, nothing like “Watch Out Mother”.

The record was recorded “live” in a studio that was built and run by a HVAC contractor. It was a converted corner of his warehouse. It was located at the intersection of 751 and HWY 70 across the street from Jacobs glass.

The record was actually the second recording of the song. The first (and probably better) version was lost by the pressing plant. We were called at around 3pm one Saturday and told to come back in and re-record it. We did and still managed to make our gig later that night.

I left the Si-Dells to join the Bondsmen. I replaced Gene Galligan in the Bondsmen when he went off to college. We (Bondsmen) recorded several tapes but never released anything else.

Q. Listening to the lyrics closely, is Watch Out Mother about a nuclear winter?

No, it’s just about the “natural” end of the world. It was the result of a homework assignment in the tenth grade. The teacher told us to choose a poem by Robert Frost and write one of our own, similar to the one we picked. It was easier for me to write a song and then use the lyrics as a poem. The big news story at the time was a cold spell all across the country, sub zero in the midwest and even in single digits here in NC. It sort of inspired me to go in that direction.

Plus, there was a TV commercial at the time about margarine featuring Mother Nature. The narrator tries to fool mother nature into thinking it’s butter. She ends up causing thunder and lightning and saying “it’s not nice to fool mother nature”. I guess the song was just a product of what was going on in my life at the time. Or maybe a premonition about the greenhouse effect we are seeing now.

After the Bondsmen, I joined a group called “Daze End” which later changed names to Still Creek Band and in 1974 released “Can I Move You”, an international release on MCA. We were pick hit of the week in the UK and Japan, but never sold enough records to amount to anything – no chart action. It’s so bizarre to me that the first thing I ever did seems to be stirring up the most notoriety.

Keith Thompson went on to play with Staircase Band and is still in Durham. His brother John is still around too, I believe, though I haven’t seen him in a while.

Lee James worked for IBM and I haven’t seen him since the 80s. If he’s still around it would probably be in Raleigh. Charlie worked for IBM also. Don’t know what ever happened to him. Joe Kirschner left the state with his family before we graduated from high school (’69). Haven’t heard from him since.

Thanks to Hubert for sharing the history of the band, and for the scan of the 45. Hubert runs the Snow Hill Music recording studio in Hillsborough.

The Bondsmen

I remember how knocked out I was by the Bondsmen’s version of “I See the Light”, which I played over and over after taping it off of WNYU’s Mod Monday radio show when I was in high school.

I had the song on the tape but didn’t know who it was at the time, having missed the dj’s rundown of the songs he played. (If anyone has a tape of this show, please let me know; I do know “I See the Light” was followed by the Q65’s “I Got Nightmares”, which I also played endlessly.)

For years after I lost the tape I searched out who this could be, and was even disappointed (initially) by the Five Americans’ original version when I heard it. Finally I picked up a copy of Tobacco a Go Go vol. 1, and there it was, the opening track! By pure coincidence I later got in touch with the compiler of that lp, Ken Friedman, who provided me with this copy of the 45 and some information about the North Carolina garage scene.

Compared to the Five Americans, the Bondsmen’s version of “I See the Light” is faster, with a fuller sound to the organ. “Our Time to Try” is an ambitious psychedelic track, with thick forbodeing fuzz, and good drum and organ work. The vocalist does a great job on both songs, and the guitarist has a particularly fine solo on “I See the Light”.

The sound and plea for open minds on “Our Time to Try” dates the release to about 1968. The record has a dense production to it which makes it hard to hear the lyrics, and is that a horn I hear at times during “Our Time to Try”?

The Bondsmen came out of Durham, North Carolina, but recorded at Justice Records in Winston-Salem (“I Love You, Yes I Do” / “Out of Sight” on Justice 1003) and AMH Productions out of Chapel Hill. I recently heard from Gene Galligan, who filled me in on some of their story. I had heard that their drummer was Phil Lee, so I asked him about that too.

I am Gene Galligan, keyboard (organ) player for the Bondsmen. This AMH 45 of Our Time To Try and I See the Light was the result of us winning a Battle of the Bands at the baseball stadium in Durham. We did another 45 before this as the Bondsmen, two James Brown songs, Outasight / I Love you Yes I Do. I do not have any copies, however, Ken Heywood told me recently in a phone conversation that he has a box of them somewhere, he just has to find it.

Vocals: Archie Thomas
Bass: Jim Bowen
Drums: Philip Pearson
Trumpet: Tim Hutchinson
Organ: Gene Galligan
Guitar: Ken Heywood

Just a tidbit about my part on I See the Light. I used to play a Vox Super Continental (Dual manual Black keys were white, white keys were black). But on that recording I used an organ that was in the studio … it was like an Allen Theatre organ which is why it has that skating rink sound!!

Yes that was trumpet on Our Time to Try.

Philip Pearson was our only drummer … I don’t know what Philip did later… I was told some 30 years ago that he was in California.. so I don’t know perhaps Phil Lee was a stage name.

John Santa just published a book.

Anyone have a photo of the group?