“Half Past the End” by the Smoke is hard-rocking and heavy on the keyboards, which I don’t usually like, but it has some lead guitar work that hooks me, and features a solid performance by the entire group.
The group included Mark Sheldon, who had played bass for the Mussies on their 1967 Fenton single, “12 O’Clock July” which is a great psychedelic take on Link Wray’s “Jack the Ripper” b/w one of the better versions of “Louie Go Home”.
Other members of the Mussies were Chic Ericksen (lead vocals), Paul Knapp or Paul Nabb (lead guitar), Tom Mann (rhythm guitar) and Bill Johnson (drums). I don’t know if any of them played on the Smoke single from late 1968.
The Mussies & the Smoke came out of South Haven, Michigan. Mark Sheldon wrote both songs on the Smoke single, “Half Past the End” and the flip, “My Mama”. Both published by Rise Music, Inc. BMI. Mark Edward Sheldon registered the copyright for “Half Past the End” with the Library of Congress in February 1969.
The Smoke single was produced by Sheldon-Pielert, the Pielert standing for Fred Pielert, the manager of the band with his wife, Gail Ostrow.
The ARP stamp in the deadwax indicates the American Record Pressing Co. in Owosso, MI, pressing number 1316.
I’ve seen promo and stock copies of this 45, and all seem to have stickers listing the band as the Smoke. Mark Sheldon’s name is underneath.
The Rogues recorded two singles on Regan Records circa 1968-1969. They seem to be from Michigan, and the “Capital City Music” publishing on the one original song they recorded may refer to Lansing, but other than that I have no clue.
Their first 45 has good versions of Bob Seger’s “Heavy Music” b/w” a cover of “Born in Chicago”, released on Regan R-0021 with IRM #1039.
The second single has an original song, “Something Called Humanity”, written by Jantz (or Jants) and Gaik (or Galk) – I don’t have a copy so I can only guess at the names on a poor photo online. Publishing by Capital City Music BMI, released on Regan R-0022, with IRM-1067. This was the flip to a version of “Summertime”.
If anyone has a scan or sound clip of “Something Called Humanity” please contact me.
Steve Donahue produced both singles, the second has a credit to Don Kemp for engineering. I can’t find their names in connection to any other releases, nor can I find any other releases on this Regan Records label.
This copy of “Heavy Music” came from the collection of David Martin, with special thanks to his family.
The Bed of Roses came out of the same Bay City, Michigan music scene as the Jayhawkers and Dick Rabbit. Like those artists, they recorded for Deltron Records.
In August, 1967, Deltron put out Bed of Roses’ first single, a cover of “I Don’t Believe You” (my copy has “ASCAP DYLAN” stamped on it) b/w a ragged raga-rock instrumental, “Hate” with no songwriting or production credits on the label.
I’ve read that in late ’67 the band moved to San Francisco for a short time, returning to tape a second single in a room above a record shop. However, “tea Records” is a Fenton custom label, so the band likely recorded the songs at Fenton’s Great Lakes Recording Studio.
The four-minute long “Quiet!” (written by F. Dash) was backed with “I Gotta Fight” (by J. Light), that starts out with a menacing feel, but the shouting chorus brings it out of that mood.
The single came out on tea Records 2577 in February 1968. I can find no list of band members. Copyright records show a F. Dash as a pseudonym of Fredrick Dashkovitz, the writer of a song called “My Feeling” published in November, 1968, however I don’t know if this is the same F. Dash.
The Barons were one of the early garage bands in Grand Rapids, Michigan. They released their single on a custom Fenton label, Jafes 985, in August 1965.
My copy is signed by Dick Gates, Dave Marquette and Brandon Scott. Dave Marquette wrote the A-side, “Try A Love With Me”. Dick Gates wrote the uptempo “Don’t Come Back No More”. Marquette and Gates seem to have been stage names for Dave Rutkowski and Dick Steimle.
Dick Gates (Dick Steimle) – guitar Dave Marquette (Dave Rutkowski) – vocals, guitar, keyboards Bill McNamara – bass Steve Carpenter (Mandrill Fern) – drums
Since that site doesn’t list Brandon Scott, I’m not sure if he was a drummer or bassist at the time of the single, or if he was even in the Barons.
The two sides of the single sound like they were recorded at different sessions, with the bass easy to hear on “Try a Love With Me” and fainter on the flip. Dick Steimle plays some fast and tricky guitar work with a dry tone on “Don’t Come Back No More”.
The record seems to have come early in their career, and they changed from a trio to quartet at some point. Their record label came from the nickname of their manager, Jim “Jafes” Kemp.
Dave Rutkowski would join the Pedestrians in 1967, in time to record their third Fenton single, “The Unpredictable Miss Kinsey” / ” You Aren’t Going To Say You Know”. Jim Kemp managed the Pedestrians as well as the Barons.
Dick Steimli would leave the Barons to join the Soulbenders, best known for their versions of “Hey Joe” and “Seven and Seven Is”.
The Deltrons recorded in Sebewaing, Michigan a town about halfway between Bad Axe, the town of the A-side title, and Bay City, the location of the Deltron label and Delta Promotions.
Dan Richards – vocals and lead guitar Bob Power – guitar Craig Young – bass Greg Young – drums
When I covered the Jayhawkers and Deltron Records, I didn’t believe this single was related to the Bay City Deltron label. The label design is different, and this one is a Chicago pressing by Stereo Sound from April of 1966. But Max Waller found this comment that Daniel Richards wrote on youtube:
It was Craig Young (bass), Bob Power (guitar), Dan Richards, and Greg Young (drums) recorded in Sebewaing, MI in January of 1966 at a cold warehouse. Dan (me) did the singing and lead guitar. Chet Hey wanted it recorded again after Arthur Godfrey sang it on his TV show in the 50s. He wanted a more modern version and we were just 16 to 18 years old at the time and still in high school.
Chet Hay and Ted Shunk wrote “I Found My Baby in Bad Axe” in 1949. “Bad Axe sounds like a funny name, it’s a durn good city just the same” go the lyrics. I wonder what he thought of the Deltrons version of his song!
The B-side “Tonya”, written by Dan Richards and Greg Young is wild, and has this for a chorus: “her name is Tonya, she’s really cool / the day I win her, I’ll blow up the school”!
The Jay Hawkers came out of Bay City, Michigan and were led by Jay Walker, who was later a DJ on WKNX (1210 AM) in Saginaw, Michigan and WGRD, eventually changing his name as Sonny Fox.
Discographies tend to list the Jayhawkers as the backing band for a single by Dwight Douglas and the Jayhawkers on Astra 3008 – “Interstate ’45′” (L. Drake, J. Stokes) / “Mr. Big” (Lenny Drake). This is a pseudonym for Lenny & the Thundertones, who were based out of Detroit. Certainly the songs were cut several years prior to the Deltron records, so I have to believe this is a different band.
I’ve sometimes seen them listed as a Grand Rapids band, but the promo photo above comes from Delta Promotions in Bay City, which also (I believe) ran Deltron records label. Bill Kehoe and Jim Atherton owned Delta Promotions, which managed Question Mark and the Mysterians, and was the company that created several fraudulent bands to tour the US, including a bogus Zombies featuring two future members of ZZ Top and a made-up Archies group that led to a devastating lawsuit from Don Kirshner.
Deltron 21 (1227) – The Jayhawkers – “Dawn Of Instruction” (Trusdale Music, BMI) / “Searchin'”
As I wrote in an article about certain topical songs of the mid-60s, the Jayhawkers’ “Dawn of Instruction” is a straightforward inversion of P.F. Sloan’s “Eve of Destruction”. With over-the-top lyrics like “even the Jordan River has bodies floatin’ … my blood’s so mad feels like coagulatin”, “Eve of Destruction” was an easy target. The Jayhawkers made the most of the hyperbole in their answer song, singing lines like “step aside, Mister Doom Peddler” and “[we’re] not old enough to vote, but ain’t young enough for runnin”.
The Jayhawkers version came out in October 1965, just a month after Barry McGuire’s recording hit #1 in Billboard. Interestingly there’s no song writing credit for this side, only Trusdale Music publishing, which, as Max Waller pointed out, is probably a dig at “Eve of Destruction” publisher Trousdale.
Deltron 1228 – The Jay Hawkers – “To Have A Love (As Sweet As You)” (T. Saputo, B. Kirener) / “Send Her Back” (Walker, Huntleigh)
Their second single came out in April, 1966, this time Jay Hawkers listed as two separate words. Both sides show a very different side to the band, and for me this is the best of their singles. “To Have A Love (As Sweet As You)” is catchy and very commercial. The song seems to be original to the band, though I don’t think the writers were members of the group.
“Send Her Back” is a slow and very affecting ballad. It may be the only song they recorded that was written by people in the band, namely Walker and Huntleigh.
The Jay Hawkers continued with two more singles, all cover songs in different styles:
Lucky Eleven 232 – “Come On (Children)” / “A Certain Girl” (produced by “Terry Nnight” aka Terry Knight, October 1966)
Lyke Til 4147 – “Love Have Mercy” / “Baby Blue” (Produced by Jay Walker, June, 1967)
The Deltron label
I can find three, maybe four, additional releases on this Deltron label out of Bay City:
Deltron 812 – The One Way Pedestrians – “I’d Like to Say (I Love You)” (Rod Clowthier) / “Hey Miss Sally” (I haven’t heard either side yet) Deltron 813 – The Bed of Roses – “Hate” / “I Don’t Believe You” (August 1967)
Deltron AR895 – Dick Rabbit “Take Me to L.A.” / “You Come on Like a Train” (both by The Thayber Brothers, produced by James Atherton, Package Music BMI)
Dick Rabbit also had “Love” (Phil Gordon, Rich Thayer) / “Trip” (Donavan) on Great Lakes GL-103, both published by Rabbit Music Co.
Deltron SS-6518 – The Deltrons (Craig, Bob, Dan, Greg) – “I Found My Baby in Bad Axe” / “Tonya” (Dan Richards, Greg Young) from April 1966
The Deltrons single is crude and great garage single on “Tonya”. I doubted it was related to the Deltron label from Bay City but the group recorded in nearby Sebewaing, so it likely is. I cover the Deltrons in more depth here.
John Does is an appropriate name for this group because nothing is known about them. It’s too bad, as the band does one of the very best versions of “See That My Grave Is Kept Clean”.
I don’t know where the John Does learned their version of the song, it was done by many artists in the early ’60s. The alternate title “One Kind Favor” was used by Peter, Paul and Mary on their live album in ’64, and this may have been their source.
On the flip is “I’ll Never Take You Back”, an original by Roy R. Fernandez. The instrumentation is the same, but it lacks the mood, production quality and intensity of “One Kind Favor”. Strangely this side has a much different RCA master number, T4KM 8798 comparted to T4KM 2383, though both seem to be from the second half of 1966.
Publishing for both sides was through Davenbar Music BMI. Fernandez copyrighted this and one other original, “Leavin’ that Girl Behind” in July of 1966. Not a bad title for a song, but I can’t find a release with that title by any artist.
Released as Insite 45-1001, Insite Records a division of Metro Productions Inc. but I don’t know of any other releases on Insite. The label typography is cool, though the small “s” in Does may have caused more confusion than anything else.
This is an early credit for the engineer Milan Bogdan, who would soon engineer singles by the Rationals, the Scot Richard Case, SRC, the MC5, Funkadelic and many, many others. I’m not sure which studio the John Does.
Dave Fox produced the record. David Fox and Davenbar Music publishing coincide on one soul single from 1964, the Dynamics “And That’s a Natural Fact” / “I Wanna Know” on Big Top 516, both songs written by Joseph W. McArthur. and co-published with Noma Music.